{"title":"Natura morta Van Gogh","description":"\u003cstyle\u003e\n  .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n  .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n  @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n  \u003csection class=\"rr-hero\" style=\"--rr-watermark:'NATURE MORTE VAN GOGH'\"\u003e\n    \u003cdiv class=\"rr-wrap\"\u003e\n      \u003cdiv class=\"rr-hero-grid\"\u003e\n        \u003cdiv\u003e\n          \u003cp class=\"rr-eyebrow\"\u003eVincent van Gogh · 1881 -1890 · Fiori, oggetti e interni\u003c\/p\u003e\n          \u003ch2\u003eNatura morta Van Gogh\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n          \u003cp class=\"rr-lead\"\u003eScopri Van Gogh Still Life, riprodotto a mano a olio su tela.\u003c\/p\u003e\n          \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eVedi riproduzioni\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#van-gogh-nature-morte-guide\"\u003eScegli un'opera\u003c\/a\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cfigure class=\"rr-art\"\u003e\n          \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/chaise-de-vincent-avec-une-pipe-van-gogh-reproductions-tableaux-a-la-peinture-lhuile-908.webp?v=1745933913\" alt=\"Natura morta Van Gogh\" loading=\"lazy\"\u003e\n          \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eL'universo della natura morta di Van Gogh\u003c\/strong\u003eLe nature morte di Van Gogh trasformano fiori, frutti, sedie e oggetti modesti in laboratori di colore, materiale ed espressione personale.\u003c\/figcaption\u003e\n        \u003c\/figure\u003e\n      \u003c\/div\u003e\n      \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1881-1890\u003c\/strong\u003e\u003cspan\u003ePeriodo di creazione delle principali nature morte\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1886-1888\u003c\/strong\u003e\u003cspan\u003eEsperimenti decisivi effettuati a Parigi\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e840 dipinti\u003c\/strong\u003e\u003cspan\u003eOpera dipinta attualmente elencata\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e166 nature morte\u003c\/strong\u003e\u003cspan\u003eCorpus creato da Van Gogh, stima storica complessiva\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\n  \u003cdiv class=\"rr-benefits\"\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eDipinto a mano\u003c\/b\u003e\u003cspan\u003eVera pittura ad olio, nessuna stampa.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFormati a scelta\u003c\/b\u003e\u003cspan\u003eUna composizione adattata alle dimensioni ordinate.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamina la tua tavola prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eRichiedi aggiustamenti prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eVincent van Gogh · 1881 -1890 · Fiori, oggetti e interni\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eLe nature morte di Van Gogh trasformano fiori, frutti, sedie e oggetti modesti in laboratori di colore, materiale ed espressione personale.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eVincent van Gogh si avvicinò alla natura morta negli anni olandesi per imparare a costruire volumi, padroneggiare valori oscuri e dipingere economicamente, a Parigi, tra il 1886 e il 1888, mazzi di fiori, frutti e oggetti gli permisero per studiare i contrasti complementari, i tocchi divisi e le tavolozze più chiare scoperte tra gli impressionisti e le stampe giapponesi, in Provenza la natura morta diventa più simbolica: la serie dei girasoli preparate la casa di Arles, mentre la Sedia di Vincent e la Poltrona di Paul Gauguin evocano due temperamenti con mobili semplici lasciati vuoti A Saint-Rémy poi ad Auvers, rose e iris espongono un materiale denso e armonie fresche L'attuale catalogo della sua opera dipinta elenca ottocentoquaranta dipinti noti, tra cui centosessantasei nature morte Vasi, margherite, papaveri, agrumi, guanti, rose e poltrone mostrano qui come l'oggetto la vita quotidiana diventa un ritratto indiretto e un campo di sperimentazione La selezione \"Van Gogh Still Life\" mette a confronto in particolare Vase con margherite e papaveri - Vincent van Gogh e Vincent's Chair con la sua pipa - Vincent van Gogh. La sua lettura favorisce lo spazio.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eIn Van Gogh la natura morta non è mai ferma: il tocco fa circolare energia tra il fiore, l'oggetto, il colore e lo spazio che li circonda.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eCorso e stile\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eViaggio, soggetti e linguaggio pittorico\u003c\/h2\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1881-1885\u003c\/time\u003e\u003ch3\u003eImpara attraverso semplici oggetti\u003c\/h3\u003e\n\u003cp\u003ePentole, zoccoli, verdure e nidi permettono a Van Gogh di studiare disegno, materia e toni marroni negli anni olandesi, questa pietra miliare fa luce sulla collezione \"Van Gogh Still Life\" dando priorità allo spazio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1886-1888\u003c\/time\u003e\u003ch3\u003eParigi libera il colore\u003c\/h3\u003e\n\u003cp\u003eMazzi di fiori e frutti diventano il banco di prova per contrasti complementari, sfondi chiari e un tocco più vivace.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1888-1890\u003c\/time\u003e\u003ch3\u003eGli oggetti assumono valore simbolico\u003c\/h3\u003e\n\u003cp\u003eGirasoli, sedie, iris e rose combinano decorazione, presenza umana assente e intensità emotiva.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eColori complementari\u003c\/h3\u003e\n\u003cp\u003eRossi e verdi, blu e arance, gialli e viola conferiscono agli oggetti una vibrazione più forte rispetto alla modellazione tradizionale Questo tratto guida una lettura incentrata sullo spazio della \"Van Gogh Still Life\".\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eChiave visibile\u003c\/h3\u003e\n\u003cp\u003eOgni petalo, frutto o superficie è costruito da pennellate direzionali che animano il materiale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eOggetti come ritratti\u003c\/h3\u003e\n\u003cp\u003eSedie, pipe, libri e accessori evocano una persona, un personaggio o una relazione senza mostrare un volto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eSerie e varianti\u003c\/h3\u003e\n\u003cp\u003eVan Gogh utilizza lo stesso modello per confrontare sfondi, inquadrature, stati dei fiori ed equilibri cromatici.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eEsplora per universo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eCome scegliere una natura morta Van Gogh?\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eFiori, agrumi e sedute permettono di scegliere una riproduzione secondo la sua tavolozza, la sua energia e il suo significato simbolico.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003ePoppi\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn bouquet vibrante e spontaneo\u003c\/h3\u003e\n\u003cp\u003eI rossi e i bianchi spiccano in tocchi taglienti, come se i fiori continuassero a muoversi nel vaso.\u003c\/p\u003e\n\u003cb\u003ePer una stanza luminosa Lettura \"Van Gogh Still Life\" attraverso lo spazio.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eSedia\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eL'autoritratto senza volto\u003c\/h3\u003e\n\u003cp\u003eLa semplice sedia, la pipa e il pavimento piastrellato evocano la presenza di Vincent attraverso i suoi oggetti quotidiani.\u003c\/p\u003e\n\u003cb\u003ePer un ufficio\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eIris\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eBlu contro verde\u003c\/h3\u003e\n\u003cp\u003eI petali sinuosi e le foglie verticali costruiscono una fresca armonia allo stesso tempo decorativa e vivace.\u003c\/p\u003e\n\u003cb\u003ePer una camera da letto rilassante\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eAgrumi\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eArance, limoni e guanti blu\u003c\/h3\u003e\n\u003cp\u003eI complementi fanno brillare i frutti mentre i guanti introducono una discreta presenza umana.\u003c\/p\u003e\n\u003cb\u003ePer una cucina o una sala da pranzo\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eRose\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eIl materiale dei fiori chiari\u003c\/h3\u003e\n\u003cp\u003eI bouquet tardivi prediligono verdi, bianchi e rosa in un tocco denso che rinnova la delicatezza floreale.\u003c\/p\u003e\n\u003cb\u003ePer un interno elegante\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eGauguin\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eDue poltrone, due temperamenti\u003c\/h3\u003e\n\u003cp\u003eLa poltrona di Gauguin, più scura e sofisticata, risponde alla sedia gialla di Vincent come un ritratto di dittico.\u003c\/p\u003e\n\u003cb\u003ePer approfondire il simbolo\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eOpere da scoprire\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eNature morte di Van Gogh da scoprire\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOgni carta si riferisce direttamente alla sua riproduzione disponibile su Shopify.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"4\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/vase-marguerites-coquelicots-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-avec-marguerites-et-coquelicots-vincent-van-gogh-image-1-copie-tableau.webp?v=1781338895\" alt=\"Vaso con margherite e papaveri di Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eBouquet parigino\u003c\/small\u003e\u003ch3\u003eVaso con margherite e papaveri - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eFiori bianchi e rossi scattano sullo sfondo con un tocco veloce che trasforma il bouquet in un'esperienza di colore.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/chaise-vincent-sa-pipe-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaise-vincent-f498-vincent-van-gogh.webp?v=1785244344\" alt=\"La sedia di Vincent con la sua pipa di Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eRitratto per oggetto\u003c\/small\u003e\u003ch3\u003eLa sedia di Vincent con la sua pipa - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eLa sedia gialla, la pipa e le piastrelle compongono un autoritratto indiretto, umile e immediatamente riconoscibile.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/iris-vincent-van-gogh-3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/les-iris-vincent-van-gogh-image-1-tableau-peint-main.webp?v=1781295178\" alt=\"L'Iride di Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eArmonia floreale\u003c\/small\u003e\u003ch3\u003eL'Iride - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eIl blu profondo, le foglie verdi e i contorni ondulati conferiscono al bouquet una presenza quasi ritmata.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/nature-morte-oranges-citrons-gants-bleus\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-d-oranges-et-de-citrons-avec-des-gants-bleus-vincent.webp?v=1781258197\" alt=\"Natura morta di arance e limoni con guanti blu di Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eContrasti complementari\u003c\/small\u003e\u003ch3\u003eNatura morta di arance e limoni con guanti blu - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eI frutti caldi e i guanti blu creano un potente contrasto dove colore, consistenza e presenza umana rispondono l'uno all'altro.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eIl nostro metodo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eUna riproduzione dipinta, non un'impressione\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOgni dipinto è realizzato in olio su tela da un artista specializzato, quindi controllato con voi prima della spedizione.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eDal lavoro al tuo interno\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eScelta del lavoro\u003c\/b\u003e\u003cspan\u003eSoggetto, orientamento e dimensioni adattati alla tua parete.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella finita.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRitocco\u003c\/b\u003e\u003cspan\u003eLe regolazioni rimangono possibili prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eOgni riproduzione è unica.\u003c\/strong\u003e Lievi variazioni di tocco e di materiale testimoniano il lavoro manuale del pittore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" id=\"van-gogh-nature-morte-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eScegliere saggiamente\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eAppendi un'opera di Still Life Van Gogh\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eI soggetti e i toni di Van Gogh Still Life richiedono un formato, un luogo e un'inquadratura scelti per l'opera precisa.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Nature morte Van Gogh\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eI nostri benchmark\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eSala\u003c\/b\u003eInstalla \"Vaso con margherite e papaveri - Vincent van Gogh\" come punto focale, con uno sguardo allo spazio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eUfficio\u003c\/b\u003eScegli una cornice o un dettaglio legato a \"La sedia di Vincent con la sua pipa - Vincent van Gogh\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFormato\u003c\/b\u003eConserva le proporzioni dell'opera scelta nella collezione Van Gogh Still Life.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePalette\u003c\/b\u003eAbbina il pezzo ai toni specifici di Still Life Van Gogh.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinire\u003c\/b\u003eL'olio su tela evidenzia effetti cromatici complementari.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCornice\u003c\/b\u003eScegli il legno, il nero o l'oro a seconda dell'atmosfera di Van Gogh Still Life.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003ePrima di scegliere il tuo Van Gogh Still Life\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eLe riproduzioni sono dipinte con pittura ad olio?\u003c\/summary\u003e\u003cp\u003eSì. Ogni riproduzione è dipinta a mano ad olio su tela, senza stampa.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome ripristinare lo spazio in una riproduzione di Van Gogh Still Life?\u003c\/summary\u003e\u003cp\u003eIl pittore utilizza la composizione, i valori, i colori e i materiali visibili nell'opera scelta della collezione Van Gogh Still Life, con particolare attenzione rivolta allo spazio.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003ePosso ordinare un'opera di Van Gogh Still Life in un formato personalizzato?\u003c\/summary\u003e\u003cp\u003eSì. Le dimensioni sono adattate rispettando le proporzioni e l'equilibrio dell'opera selezionata.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome convalido la mia riproduzione di Van Gogh Still Life?\u003c\/summary\u003e\u003cp\u003eLe fotografie dettagliate vengono inviate prima della spedizione; è possibile richiedere modifiche prima dell'invio.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eEsplora la natura morta di Van Gogh\u003c\/h3\u003e\n\u003cp\u003eScegli un'opera di Still Life Van Gogh e ricevi un dipinto ad olio realizzato appositamente per il tuo interno.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eVedi tutte le riproduzioni\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"nature-morte-cafetiere-cuivre-deux-bols","title":"Natura morta nella caffettiera in rame, F202 - Van 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var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · aprile 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta nella caffettiera in rame, F202\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna caffettiera in rame ammaccato si erge tra due ciotole bianche su un tavolo quasi nero, Van Gogh trasforma questi oggetti ordinari in uno studio di riflessi, volumi e toni tenui poche settimane prima dei Mangiatori di Patate.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cafetiere-cuivre-f202-jh738-van-gogh.webp?v=1785376840\u0026amp;format=webp\" alt=\"Natura morta nella caffettiera in rame F202 JH738 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta nella caffettiera in rame, F202\u003c\/strong\u003eVincent van Gogh · aprile 1885 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAprile 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e23×34 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTre oggetti emergono da uno sfondo scuro\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa caffettiera domina il centro con il beccuccio rivolto a sinistra, il coperchio impilato e il grande manico irregolare, la sua silhouette calda si distingue in piccoli bagliori gialli e marroni.\u003c\/p\u003e\n\u003cp\u003eLe due ciotole non sono simmetriche: quella di sinistra, più bassa e più vicina, appare grigio-verde; quella di destra riceve più luce Un tessuto blu scuro attraversa il tavolo e collega gli oggetti.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con caffettiera in rame e due ciotole bianche F202\/JH738 è un olio su tela di 23 × 34 cm dipinto a Nuenen nell'aprile 1885 È conservato in una collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl dipinto è costruito con una gamma volutamente ristretta Rame, coccio e tessuto non sono descritti da contorni lucidi, ma da tocchi spessi che variano la luce.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa caffettiera forma una silhouette monumentale\u003c\/h3\u003e\n\u003cp\u003eIl suo corpo largo, il becco corto e l'impugnatura alta occupano il centro, nonostante il piccolo formato, l'oggetto ha la presenza di un carattere.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe ciotole scandiscono la composizione\u003c\/h3\u003e\n\u003cp\u003ePosizionati su entrambi i lati, impediscono alla massa centrale di diventare troppo pesante I loro ovali chiari aprono due respiri al buio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl nero contiene diversi colori\u003c\/h3\u003e\n\u003cp\u003eLo sfondo e il tavolo combinano verde, blu, marrone e viola Queste tonalità permettono ai riflessi del rame di rimanere visibili senza un effetto metallico lucido.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eRiferimenti F202\/JH738, la data di aprile 1885 e il piccolo formato di 23 × 34 cm identificano questa natura morta Non è nel Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eNuenen\u003c\/span\u003e\u003ch3\u003eUno studio di oggetti familiari\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse poi modeste brocche, bottiglie, barattoli e utensili in modo da controllare volumi e relazioni cromatiche in condizioni di scarsa illuminazione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eData\u003c\/span\u003e\u003ch3\u003eAprile 1885\u003c\/h3\u003e\n\u003cp\u003eLa natura morta appartiene allo stesso mese delle preparazioni dei Mangiatori di Patate La sua gamma scura si unisce a quella degli interni contadini di questo periodo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eUn'opera in una collezione privata\u003c\/h3\u003e\n\u003cp\u003eIl dipinto ha circolato sul mercato dell'arte e rimane al di fuori di una collezione pubblica permanente I cataloghi lo seguono sotto F202 e JH738.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0202.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F202\/JH738 del catalogo Van Gogh Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la silhouette sconnessa della caffettiera, i riflessi gialli molto misurati, i due ovali bianchi, il tessuto blu-verde e la profondità dello sfondo nero-marrone.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl grande manico irregolare della caffettiera\u003c\/li\u003e\n\u003cli\u003eIl becco voltò a sinistra\u003c\/li\u003e\n\u003cli\u003eLe due ciotole di forma e luce diversa\u003c\/li\u003e\n\u003cli\u003eIl tessuto blu-verde posto sul tavolo\u003c\/li\u003e\n\u003cli\u003eI riflessi caldi trattenuti nel rame\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta nella caffettiera in rame, F202\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAprile 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e23×34 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF202· JH738\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta profonda in rame, nero e verde blu\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLe sue dimensioni ridotte e i suoi valori scuri sono adatti per una cucina elegante, una sala da pranzo, una libreria o una composizione di cornici Il rame risponde al legno scuro e al metallo esposto alle intemperie.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte à la cafetière en cuivre, F202\"\u003e\n\u003ci style=\"background:#141712\"\u003e\u003c\/i\u003e\u003ci style=\"background:#242923\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e4937\"\u003e\u003c\/i\u003e\u003ci style=\"background:#756044\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a48c68\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in nero marrone, noce o rame invecchiato rafforza l'intimità della scena, è sufficiente una luce calda ma fioca per far risaltare entrambe le ciotole.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di colore misura 2.307 × 1.568 px È stato convertito in un vero e proprio WebP con la sua definizione nativa, senza ingrandimento o dettaglio inventato.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con caffettiera in rame, F202, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594807464162,"sku":"NATURE_MORTE_CAFETI_RE_EN_CUIVRE_ET_DEUX_BOLS_BLANCS_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cafetiere-cuivre-f202-jh738-van-gogh.webp?v=1785376840"},{"product_id":"nature-morte-legumes-fruits-vincent-van","title":"Natura morta con frutta e verdura, F103 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con frutta e verdura, F103\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue pere poggiano su un piccolo blocco dietro un cavolo, una zucca arancione, cipolle e diverse verdure verdi Ogni forma riceve il suo colore, ma l'insieme rimane avvolto dalla luce marrone di Nuenen.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-legumes-fruits-f103-jh928-van-gogh.webp?v=1785317011\u0026amp;format=webp\" alt=\"Natura morta con verdura e frutta F103 JH928 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con frutta e verdura, F103\u003c\/strong\u003eVincent van Gogh · settembre 1885 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e32,3×43,2 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eVerdure rotonde sparse davanti a due pere\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLe due pere erette formano la sommità della composizione La più grande, di colore verde intenso, avanza leggermente; la più piccola, di colore bruno, si staglia con un riflesso obliquo sul ventre.\u003c\/p\u003e\n\u003cp\u003eIn primo piano, il cavolo stende le foglie accartocciate davanti a una grossa zucca arancione, a destra diverse cipolle tagliate o tornite mostrano le radici chiare e le cavità scure.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con verdura e frutta F103\/JH928 è un olio su tela di 32,3 × 43,2 cm dipinto a Nuenen nel settembre 1885 È conservato al Museo Van Gogh con il numero s0070V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh organizza il cibo per tappe e volumi: pere verticali, zucca rotonda, foglie larghe e cipolline La tavolozza guadagna varietà senza lasciare la terra e i verdi scuri.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe pere dominano dalla loro base\u003c\/h3\u003e\n\u003cp\u003eIl piccolo blocco li solleva sopra le verdure I loro steli estendono la verticale e danno un contrappunto alle masse che si allargano in primo piano.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl cavolo fornisce materiale accartocciato\u003c\/h3\u003e\n\u003cp\u003eLe sue foglie sono descritte da nastri verdi e crema Questa complessa tessitura contrasta con le superfici più lisce di pere e zucca.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eL'arancione riscalda il centro\u003c\/h3\u003e\n\u003cp\u003eLa grande zucca rosso-arancio è il colore più brillante, collega i verdi di sinistra ai marroni e agli ocri delle cipolle poste a destra.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'inventario s0070V1962 e i numeri F103\/JH928 distinguono questa natura morta dai cesti di verdure e patate dipinti nello stesso mese.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eComposizione\u003c\/span\u003e\u003ch3\u003eUn livello molto calcolato\u003c\/h3\u003e\n\u003cp\u003eLe pere vengono poste su un supporto rialzato, poi arrivano la zucca, il cavolo e le cipolle, questa successione rende profondo uno spazio di soli 32,3 × 43,2 cm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eSettembre 1885 a Nuenen\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse poi numerosi raccolti e prodotti da giardino per lavorare su colore, consistenza e modellazione prima della sua partenza per Anversa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003eInventario s0070V1962\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene alla Fondazione Vincent van Gogh ed è conservato al Museo Van Gogh di Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0070V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il bando del Museo Van Gogh s0070V1962 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare le due pere in rilievo, il cavolo con foglie a coste, la grande zucca arancione, le cipolle in primo piano e le ampie pennellate in basso.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLe due pere in piedi a sinistra\u003c\/li\u003e\n\u003cli\u003eLa base rettangolare sotto il frutto\u003c\/li\u003e\n\u003cli\u003eLe foglie leggere del cavolo\u003c\/li\u003e\n\u003cli\u003eZucca arancione al centro\u003c\/li\u003e\n\u003cli\u003eCipolle tagliate in primo piano dritte\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con frutta e verdura, F103\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e32,3×43,2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF103· JH928· s0070V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn raccolto caldo in verde intenso, arancione e terra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesto formato orizzontale è adatto per una cucina, sala da pranzo, ufficio o parete di natura morta I colori accompagnano il legno, la terracotta, il verde oliva e i tessuti naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux légumes et aux fruits, F103\"\u003e\n\u003ci style=\"background:#25261c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3f4727\"\u003e\u003c\/i\u003e\u003ci style=\"background:#696044\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9f5d34\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c19057\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, marrone o verde nero alterato sostiene la densità del dipinto La luce calda rivela l'arancione e lascia senza appiattire i marroni nella parte inferiore.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento del Museo Van Gogh di 7.437 × 5.502 px è stato ridotto a 3.000 × 2.219 px e convertito in un vero WebP ad alta definizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con frutta e verdura, F103, dipinta per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594816475362,"sku":"NATURE_MORTE_AUX_L_GUMES_ET_AUX_FRUITS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-legumes-fruits-f103-jh928-van-gogh.webp?v=1785317011"},{"product_id":"panier-pommes-terre-vincent-van-gogh","title":"Cesto di patate, F100 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eCesto di patate, F100\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn cesto trabocca di patate, mentre una ventina di tuberi gli rotolano sul tavolo intorno Van Gogh trasforma questo umile soggetto in uno studio di peso, consistenza e valori bruni.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-f100-jh931-van-gogh.webp?v=1785317003\u0026amp;format=webp\" alt=\"Cesto di patate F100 JH931 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCesto di patate, F100\u003c\/strong\u003eVincent van Gogh · settembre 1885 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45×60,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn cesto pieno circondato da patate sparse\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl cesto occupa il centro e si legge dalle sue leggere fasce di vimini, le patate si innalzano a piramide sopra il bordo, con forme irregolari che la luce fa emergere una ad una.\u003c\/p\u003e\n\u003cp\u003eIn primo piano, i tuberi sparsi formano un'ampia curva Lo sfondo verde-marrone, quasi vuoto, isola il raccolto e allunga le ombre della tavola senza creare una netta rottura.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCesto di patate F100\/JH931 è un olio su tela di 45 × 60,5 cm dipinto a Nuenen nel settembre 1885 È conservato al Museo Van Gogh con il numero s0153V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesta natura morta si basa su un areale molto ristretto Van Gogh, invece, differenzia ogni tubero per la sua silhouette, i suoi occhi, i suoi riflessi e la sua posizione, pur conferendo al cesto una solida architettura orizzontale.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl cestino costruisce il centro\u003c\/h3\u003e\n\u003cp\u003eI suoi fili intrecciati alternano linee chiare e ombre profonde Questa struttura regolare contrasta con le patate irregolari che traboccano su tutti i lati.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eI tuberi formano un ritmo circolare\u003c\/h3\u003e\n\u003cp\u003eQuelli in primo piano conducono lo sguardo da sinistra a destra prima di riportarlo verso la pila centrale, le differenze tra le forme impediscono al tutto di diventare una massa compatta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl colore rimane nell'entroterra\u003c\/h3\u003e\n\u003cp\u003eMarrone, oliva, ocra e grigio compongono quasi tutta la tela, bastano i piccoli riflessi crema per modellare i volumi senza rompere l'unità oscura.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI riferimenti F100\/JH931 e l'inventario s0153V1962 distinguono questa versione da F116\/JH934, un altro cesto di patate del Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersione\u003c\/span\u003e\u003ch3\u003eF100, non F116\u003c\/h3\u003e\n\u003cp\u003eF100 mostra un cesto centrale circondato da numerose patate sparse F116 ha un formato e un layout diversi; i numeri di catalogo evitano confusione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eEsercizio\u003c\/span\u003e\u003ch3\u003eUno studio sui valori oscuri\u003c\/h3\u003e\n\u003cp\u003eLa tavolozza ridotta consente a Van Gogh di studiare come piccole variazioni di marrone, verde e ocra possano rendere volume e materiale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003eInventario s0153V1962\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene alla Fondazione Vincent van Gogh ed è conservato al Museo Van Gogh di Amsterdam con il suo formato originale di 45 × 60,5 cm.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0153V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il bando Museo Van Gogh s0153V1962 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare le strisce di vimini, la piramide di tuberi, le patate isolate in primo piano, i piccoli riflessi di crema e il fondo olivastro molto profondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl bordo irregolare del cestino\u003c\/li\u003e\n\u003cli\u003eFili di vimini orizzontali\u003c\/li\u003e\n\u003cli\u003ePatate straripanti\u003c\/li\u003e\n\u003cli\u003eLa curva dei tuberi in primo piano\u003c\/li\u003e\n\u003cli\u003eLe sfumature olivastre dello sfondo e della tavola\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCesto di patate, F100\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e45×60,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF100· JH931· s0153V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta rustica in oliva, terra e ocra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesto formato orizzontale è adatto per una cucina, sala da pranzo, ufficio o interni di campagna I toni scuri accompagnano il legno vecchio, la pietra, il lino e la ceramica.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Panier de pommes de terre, F100\"\u003e\n\u003ci style=\"background:#171a13\"\u003e\u003c\/i\u003e\u003ci style=\"background:#303421\"\u003e\u003c\/i\u003e\u003ci style=\"background:#51452e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#765b36\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a17b4a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, marrone tabacco o verde nero mette in risalto il cestino Una luce laterale calda rivela la varietà di tuberi senza alleggerire artificialmente il fondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento del Museo Van Gogh di 7.320 × 5.401 px è stato ridotto a 3.000 × 2.214 px e convertito in un vero WebP ad alta definizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCesto di patate, F100, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con due brocche e zucche, F59\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue brocche di arenaria verde stanno dietro due zucche, una giallo pallido e l'altra arancione, L'apparente simmetria è rotta dalle differenze di dimensioni, manico e illuminazione di ogni oggetto.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-deux-cruches-citrouilles-f59-jh921-van-gogh.webp?v=1785316266\u0026amp;format=webp\" alt=\"Natura morta con due brocche e due zucche F59 JH921 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con due brocche e zucche, F59\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata, Svizzera\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e58×85 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata, Svizzera\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDue brocche verticali dietro due frutti pesanti\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa brocca più grande occupa la sinistra; il suo manico rotondo è ritagliato sul fondo e un motivo marrone ne anima il ventre, a destra il secondo contenitore, leggermente più piccolo, si allontana in un'ombra verde.\u003c\/p\u003e\n\u003cp\u003eLe due zucche formano una seconda coppia in primo piano La prima, giallo verdastra, si vede quasi di fronte; la seconda, più arancione, mostra costole possenti e un gambo scuro diretto verso lo spettatore.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con due brocche e due zucche F59\/JH921 è un olio su tela montato su un pannello di 58 × 85 cm, dipinto a Nuenen nel settembre 1885 e custodito in una collezione privata in Svizzera.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa composizione si basa su quattro volumi molto leggibili, ma Van Gogh evita la ripetizione meccanica, Le curve dei manici, i colli stretti e le costole dei frutti moltiplicano i ritmi in uno spazio poco profondo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe brocche formano una coppia irregolare\u003c\/h3\u003e\n\u003cp\u003eIl contenitore sinistro è più massiccio e leggero, quello di destra, leggermente sfalsato all'indietro, conferisce sufficiente profondità alla fila di oggetti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eZucche concentrato colore\u003c\/h3\u003e\n\u003cp\u003eIl giallo limone del frutto sinistro e l'arancio del frutto destro rompono il dominante verde-marrone Le loro costole sono modellate da tocchi ricurvi e spessi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLo sfondo collega tutte le ombre\u003c\/h3\u003e\n\u003cp\u003eVerdi molto scuri si estendono nel tavolo e intorno ai contenitori I contorni appaiono o scompaiono a seconda della luce, il che evita un design troppo rigido.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl titolo, i riferimenti F59\/JH921 e il formato di 58 × 85 cm identificano questa composizione con due brocche, distinte dai numerosi studi di pentole e bottiglie di Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eUna tela montata su pannello\u003c\/h3\u003e\n\u003cp\u003eIl supporto è documentato come tela fissata al legno La vernice conserva così la trama della tela mentre poggia su una base rigida.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn lavoro segnalato in Svizzera\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene ad una collezione privata svizzera Non reca quindi un numero di inventario museale accessibile al pubblico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eArenaria e verdure come esercizio di colore\u003c\/h3\u003e\n\u003cp\u003eCeramiche verdi fredde e zucche giallo-arancio permettono a Van Gogh di confrontare superfici opache, volumi arrotondati e colori complementari.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0059.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F59\/JH921 del catalogo Galleria Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve rispettare i due manici, i piccoli motivi sulle brocche, la zucca gialla al centro, la zucca arancione a destra e i sottili riflessi verdi sul tavolo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl manico rotondo della grande brocca\u003c\/li\u003e\n\u003cli\u003eIl motivo marrone su ogni contenitore\u003c\/li\u003e\n\u003cli\u003eLa zucca gialla vista di fronte\u003c\/li\u003e\n\u003cli\u003eLe costole arancioni del frutto destro\u003c\/li\u003e\n\u003cli\u003eLe ombre verdi che uniscono sfondo e tavolo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con due brocche e zucche, F59\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e58×85 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF59 · JH921\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta strutturata in verde muschio, giallo e arancione\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl suo formato panoramico è adatto per una cucina, sala da pranzo o unità base La tavolozza profonda si abbina al legno scuro, terracotta, verde oliva e metalli patinati.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux deux cruches et citrouilles, F59\"\u003e\n\u003ci style=\"background:#20231b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3e4b2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b7040\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c09d38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#cb7b2b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, verde, nero o bronzo patinato accompagna le brocche senza competere con le zucche, La luce calda rivela i gialli mantenendo lo sfondo profondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 3870×2634 px è stato ridotto a 3000×2042 px e convertito in vero WebP ad alta definizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con due brocche e zucche, F59, verniciate per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eCesto di patate, foglie e verdure, F102\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn cesto di patate quasi scompare sotto le foglie, i cavoli e le radici autunnali, in questa grande natura morta, la luce cattura qualche verdura e fa emergere un raccolto abbondante da un fondo nero-marrone.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-feuilles-legumes-f102-jh937-van-gogh.webp?v=1785316263\u0026amp;format=webp\" alt=\"Cesto di patate, foglie autunnali e verdure F102 JH937 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCesto di patate, foglie e verdure, F102\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata, Liegi\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e75×93 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata, Liegi\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn raccolto abbondante si è sparso nell'ombra\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl cesto è al centro a sinistra, ma i suoi contorni si fondono con il fogliame A destra, le vene di un grande cavolo leggero si dispiegano come un ventaglio sopra diverse verdure rotonde.\u003c\/p\u003e\n\u003cp\u003eIn primo piano, carote, cipolle, foglie gialle e patate formano un fregio irregolare Una zona luminosa in alto a destra apre lo spazio senza rivelare alcun vero arredamento.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCesto di patate, foglie e verdure F102\/JH937 è un olio su tela di dimensioni 75 × 93 cm, dipinto a Nuenen nel settembre 1885 e oggi elencato in una collezione privata di Liegi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh costruisce meno un inventario botanico che una rete di materiali e direzioni Radici lineari, foglie accartocciate e volumi rotondi rimangono impigliati in una gamma autunnale.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl cesto rimane deliberatamente sepolto\u003c\/h3\u003e\n\u003cp\u003eLa sua forma non è mai isolata Gli steli e le foglie passano attraverso i suoi bordi, in modo che il contenitore e il raccolto diventino un'unica massa organica.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl cavolo leggero fissa\u003c\/h3\u003e\n\u003cp\u003eLe sue foglie crema e grigio-verde sono l'accento più brillante Il loro disegno concentrico rallenta la diagonale delle carote e delle radici.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eI colori autunnali ravvivano il primo piano\u003c\/h3\u003e\n\u003cp\u003eI gialli, i rossi e i rossi sono posti in piccoli tocchi davanti ad una profondità quasi nera, questa fascia calda dà peso alla parte inferiore del dipinto.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl formato insolitamente grande, i riferimenti F102\/JH937 e la descrizione completa del soggetto distinguono questa tela dai piccoli cestini di patate dipinti lo stesso anno.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormato\u003c\/span\u003e\u003ch3\u003eUna grande natura morta di 75×93 cm\u003c\/h3\u003e\n\u003cp\u003eL'ampiezza del supporto permette a Van Gogh di moltiplicare verdure, foglie e radici senza ridurre il motivo a un semplice cesto centrale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocalità\u003c\/span\u003e\u003ch3\u003eUna collezione privata a Liegi\u003c\/h3\u003e\n\u003cp\u003eIl catalogo colloca l'opera a Liegi, in Belgio, Non è quindi associato a un museo pubblico o a un numero di inventario istituzionale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eSettembre 1885 a Nuenen\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene al gruppo di nature morte autunnali in cui Van Gogh studia i valori oscuri prima di partire per Anversa.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0102.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F102\/JH937 del catalogo Galleria Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione dovrebbe rendere il cesto e le foglie sovrapposte, il grande cavolo leggero, le radici diagonali, i tocchi rossi in primo piano e i neri sfumati sullo sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl cesto parzialmente nascosto a sinistra\u003c\/li\u003e\n\u003cli\u003eIl grande cavolo leggero a destra\u003c\/li\u003e\n\u003cli\u003eCarote e radici diagonali\u003c\/li\u003e\n\u003cli\u003eLe foglie gialle e rosse del bordo inferiore\u003c\/li\u003e\n\u003cli\u003eIl leggero gap in alto a destra\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCesto di patate, foglie e verdure, F102\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e75×93 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF102· JH937\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata, Liegi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'abbondanza rustica di terra, verde scuro e ocra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesto generoso formato orizzontale è adatto per una sala da pranzo, cucina, soggiorno o muro di pietra La sua ricchezza di materiale accompagna vecchi legni, ceramiche e tessuti naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Panier de pommes de terre, feuilles et légumes, F102\"\u003e\n\u003ci style=\"background:#181a16\"\u003e\u003c\/i\u003e\u003ci style=\"background:#34372b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5c5137\"\u003e\u003c\/i\u003e\u003ci style=\"background:#95612f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c49a54\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUn'ampia cornice in noce, marrone o verde nero alterato sostiene la densità della composizione L'illuminazione laterale rivela foglie chiare senza cancellare i numerosi mezzitoni.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 2.526 × 1.986 px è stato mantenuto alle dimensioni native e convertito in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCesto di patate, foglie e verdure, F102, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594817917154,"sku":"NATURE_MORTE_AVEC_UN_PANIER_DE_POMMES_DE_TERRE_ENTOUR_DE_FEUILLES_D_AUTOMNE_ET_DE_L_GUMES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-feuilles-legumes-f102-jh937-van-gogh.webp?v=1785316263"},{"product_id":"nature-morte-pot-gingembre-pommes-vincent","title":"Natura morta con pentola di zenzero e mele, F104 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con pentola di zenzero e mele, F104\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn'alta pentola in gres domina tre mele poste su un tavolo quasi nero, Van Gogh crea volumi con una gamma molto ristretta di marrone, verde bluastro e grigio argento.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pot-gingembre-pommes-f104-jh923-van-gogh.webp?v=1785316256\u0026amp;format=webp\" alt=\"Natura morta con pentola di zenzero e mele F104 JH923 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con pentola di zenzero e mele, F104\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata, Stati Uniti\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30,5×47 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata, Stati Uniti\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna pentola in gres allestita dietro tre mele\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl contenitore occupa la metà destra della composizione Il suo collare chiaro, il suo ventre grigio-blu e il suo piccolo manico risaltano in frammenti, come se la luce stesse scivolando su una superficie opaca e irregolare.\u003c\/p\u003e\n\u003cp\u003eIn primo piano, una grande mela rotonda è incorniciata da due frutti più piccoli, il tavolo si inclina leggermente verso lo spettatore, mentre lo sfondo senza dettagli assorbe i contorni più scuri.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con vaso di zenzero e mele F104\/JH923 è un olio su tela montato su pannello di 30,5 × 47 cm, dipinto a Nuenen nel settembre 1885 e conservato in collezioni private negli Stati Uniti.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'interesse di questa tela risiede nella sua economia Con solo quattro oggetti e pochissima luce, Van Gogh studia le differenze tra buccia di frutta, ceramica e la pianta ruvida della tavola.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl vaso stabilisce l'asse verticale\u003c\/h3\u003e\n\u003cp\u003eLa sua silhouette alta stabilizza il formato orizzontale Il colletto e il manico, unici dettagli realmente leggibili nella parte superiore, impediscono alla grande massa scura di diventare piatta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe mele formano una base triangolare\u003c\/h3\u003e\n\u003cp\u003eIl frutto centrale avanza verso il bordo inferiore, mentre gli altri due si spostano indietro su entrambi i lati Questa semplice disposizione dà profondità al tavolo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa luce rimane volutamente rara\u003c\/h3\u003e\n\u003cp\u003eBastano pochi tocchi di crema sul frutto e la pentola per separare i materiali, le ombre marroni e blu-nere mantengono l'atmosfera tenue propria delle nature morte di Nuenen.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI riferimenti F104\/JH923, il supporto, il formato e la datazione permettono di distinguere questa composizione dagli altri vasi in arenaria dipinti da Van Gogh contemporaneamente.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF104 e JH923\u003c\/h3\u003e\n\u003cp\u003eIl titolo generico varia tra i cataloghi, ma i numeri F104 e JH923 identificano con precisione la versione che mostra una singola pentola di zenzero dietro tre mele.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eUna tela fissata su un pannello\u003c\/h3\u003e\n\u003cp\u003eIl catalogo descrive un olio su tela montato su pannello Questo assemblaggio conferisce a questo piccolo formato orizzontale una superficie rigida.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\u003ch3\u003eUn'opera in una collezione privata\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è segnalato negli Stati Uniti e non ha un numero di inventario museale pubblico, le sue dimensioni documentate rimangono 30,5 × 47 cm.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0104.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F104\/JH923 del catalogo Galleria Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare la silhouette verticale della pentola, le tre mele accese in modo non uniforme, i riflessi grigio-blu della ceramica e il fondo nero-marrone senza renderla uniformemente opaca.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl colletto trasparente e il manico della pentola\u003c\/li\u003e\n\u003cli\u003eLa mela rotonda in primo piano\u003c\/li\u003e\n\u003cli\u003eI due frutti rimessi\u003c\/li\u003e\n\u003cli\u003eI riflessi grigio-azzurri sul ventre\u003c\/li\u003e\n\u003cli\u003eLa tabella si fonde con lo sfondo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con pentola di zenzero e mele, F104\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e30,5×47 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF104· JH923\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta intima in marrone, grigio blu e crema\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl suo piccolo formato orizzontale è adatto per una composizione di cucina, libreria, ufficio o parete La gamma smorzata accompagna legno scuro, arenaria, lino naturale e pareti minerali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au pot de gingembre et aux pommes, F104\"\u003e\n\u003ci style=\"background:#171516\"\u003e\u003c\/i\u003e\u003ci style=\"background:#302c2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#514f4c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#827d72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c0b8a6\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, nero stagionato o bronzo scuro evidenzia il vincolo della tela, una morbida illuminazione leggermente laterale permette di leggere le mele senza sbiancare i grigi nella pentola.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa migliore referenza pubblica disponibile misura 1.218 × 792 px È stata mantenuta alle dimensioni native e convertita in un vero e proprio WebP, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con pentola di zenzero e mele, F104, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594818179298,"sku":"NATURE_MORTE_AVEC_POT_DE_GINGEMBRE_ET_POMMES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pot-gingembre-pommes-f104-jh923-van-gogh.webp?v=1785316256"},{"product_id":"nature-morte-panier-pommes-vincent-van","title":"Natura morta nel cestino delle mele, F115 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta nel cestino delle mele, F115\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn cesto rovesciato o molto basso lascia rotolare su un tavolo una quindicina di mele rosse, verdi e marroni, lo sfondo quasi nero concentra tutta la luce sul frutto e su poche fibre di vimini.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-pommes-f115-jh935-van-gogh.webp?v=1785315441\u0026amp;format=webp\" alt=\"Natura morta nel cesto di mele F115 JH935 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta nel cestino delle mele, F115\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30,5×47,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eMele pesanti raccolte in chiaroscuro\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI frutti formano due gruppi: una fila posta in primo piano e un grappolo più in alto al centro, diverse mele scompaiono parzialmente all'ombra, dando profondità alla disposizione.\u003c\/p\u003e\n\u003cp\u003eIl vimini si presenta principalmente sotto i frutti e attraverso pochi fili chiari che passano attraverso la composizione, due mele giallo-verdi, poste alle estremità, incorniciano al centro i rossi e i marroni.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta in cesto di mele F115\/JH935 è un olio su tela dipinto a Nuenen nel settembre 1885 Il supporto misura circa 30,5 × 47,7 cm e l'opera appartiene ad una collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa composizione si basa meno sul cesto che sul peso del frutto Van Gogh varia ogni mela per colore, orientamento del peduncolo e luce, pur mantenendo una gamma terrosa molto consistente.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe mele sono dipinte come volumi pesanti\u003c\/h3\u003e\n\u003cp\u003eI riflessi gialli rimangono piccoli e le ombre molto profonde Questa opposizione conferisce ai frutti una densità quasi minerale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eVerdi incorniciano rossi\u003c\/h3\u003e\n\u003cp\u003eLa mela chiara a destra e i frutti verdastri a sinistra aprono la tavolozza Tra di loro, i rossi marroni costituiscono il nucleo caldo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl cestino rimane volutamente discreto\u003c\/h3\u003e\n\u003cp\u003eBastano poche linee di vimini per suggerirne la forma, il suo marrone si confonde con la tavola e lascia che i frutti dominino la scena.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLe referenze F115\/JH935 e il formato allungato distinguono questa versione dai cestini di mele F99 e F101 custoditi al Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eDiversi cesti di mele nel settembre 1885\u003c\/h3\u003e\n\u003cp\u003eVan Gogh utilizza lo stesso frutto in diverse disposizioni Le tre versioni cambiano formato, collezione e posizione del cestino.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eUna lunga storia nella collezione privata\u003c\/h3\u003e\n\u003cp\u003eIl dipinto ha circolato attraverso diverse gallerie e vendite pubbliche, pur rimanendo al di fuori delle collezioni museali permanenti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMateria\u003c\/span\u003e\u003ch3\u003eUn esercizio su peso e superficie\u003c\/h3\u003e\n\u003cp\u003eI tratti di pennello seguono la rotondità delle mele e delle fibre del cesto Il semplice soggetto diventa uno studio preciso di volumi e texture.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0115.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsultare la scheda F115\/JH935 del catalogo Van Gogh Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare i due gruppi di frutti, le mele giallo-verdi alle estremità, i rosso-marroni al centro, i pochi rametti di vimini e lo sfondo nero sfumato.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa fila di mele in primo piano\u003c\/li\u003e\n\u003cli\u003eIl grappolo di frutta al centro\u003c\/li\u003e\n\u003cli\u003eLa mela giallo-verde a destra\u003c\/li\u003e\n\u003cli\u003eI fili chiari del cestino\u003c\/li\u003e\n\u003cli\u003eMacchiare i riflessi sulla pelle\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta nel cestino delle mele, F115\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e30,5×47,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF115· JH935\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna calda natura morta in rosso, marrone, verde e ocra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è facilmente installabile in una cucina, sala da pranzo, ufficio o sopra un'unità di base La tavolozza accompagna noce, terracotta e tessuti greggi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au panier de pommes, F115\"\u003e\n\u003ci style=\"background:#201b17\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4c3425\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b3f2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#99824b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3a84d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce scuro, rosso-marrone o nero patinato estende il chiaroscuro, La luce calda rivela verdi e rossi senza appiattire le ombre.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 3848×2469 px è stato ridotto a 3000×1925 px e convertito in vero WebP ad alta definizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con cesto di mele, F115, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594818441442,"sku":"NATURE_MORTE_AU_PANIER_DE_POMMES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-pommes-f115-jh935-van-gogh.webp?v=1785315441"},{"product_id":"nature-morte-panier-legumes-vincent-van","title":"Natura morta in cesto di verdure, F212a - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta nel cesto di verdure, F212a\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn cesto basso trabocca di verdure appena raccolte: carote rosse, porri, rape e foglie verdi si mescolano su un tavolo scuro, poche radici poste in primo piano conducono l'occhio verso l'interno del cesto.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-legumes-f212a-jh929-van-gogh.webp?v=1785315434\u0026amp;format=webp\" alt=\"Natura morta nel cesto di verdure F212a JH929 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta nel cesto di verdure, F212a\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e35,5×45 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna raccolta di verdure illuminata a filo con la tavola\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl cesto occupa la metà sinistra e può essere letto grazie ai suoi lunghi bastoncini orizzontali, a destra, le cime e le foglie estendono la disposizione in una zona molto più scura.\u003c\/p\u003e\n\u003cp\u003eDue grandi carote arancioni attraversano il centro in diagonale, davanti a loro, le radici bianche dei porri e diversi piccoli bulbi rossi catturano gli accenti più chiari della luce.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta nel cesto di verdure F212a\/JH929 è un olio su tela di dimensioni 35,5 × 45 cm, dipinto a Nuenen nel settembre 1885 L'opera è oggi elencata come collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh trasforma un motivo domestico in uno studio dei materiali: legno intrecciato, foglie accartocciate, radici fibrose e pelli lisce La gamma scura rende i rossi e i bianchi particolarmente intensi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe carote stabiliscono la diagonale principale\u003c\/h3\u003e\n\u003cp\u003eIl loro caldo arancio attraversa i verdi profondi e dirige lo sguardo del cesto verso il primo piano, impediscono alla composizione di rimanere puramente orizzontale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl cestino si fonde con il suo contenuto\u003c\/h3\u003e\n\u003cp\u003eLe sue fibre verde-marroni e i suoi steli vegetali utilizzano tocchi simili Gli oggetti sembrano così formare un unico grappolo organico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe radici bianche diventano accenti\u003c\/h3\u003e\n\u003cp\u003eQualche porro e rapa ricevono una luce crema Queste piccole zone chiare danno sollievo all'insieme senza illuminare lo sfondo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI numeri F212a\/JH929, formato e datazione settembre 1885 permettono di identificare questa versione tra le numerose nature morte di ortaggi dipinti a Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eProdotti del giardino presbiteriale\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dispone quindi le verdure e la frutta coltivata dietro la casa dei suoi genitori, li usa per esercizi di colore, peso e consistenza.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn'opera passò in una collezione privata\u003c\/h3\u003e\n\u003cp\u003eI cataloghi lo associavano in particolare alla collezione Anneliese Brand, poi a una collezione privata svizzera Non è conservato in un museo pubblico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF212a e JH929\u003c\/h3\u003e\n\u003cp\u003eQuesti riferimenti storici rimangono essenziali perché il titolo generico può essere facilmente confuso con F103, un'altra natura morta con frutta e verdura.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0212a.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsultare la scheda F212a\/JH929 del catalogo Van Gogh Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare la struttura del cesto, delle due carote diagonali, dei porri chiari, dei bulbi rossi, delle cime verdi e dello sfondo marrone quasi nero.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI bastoncini orizzontali del cestino\u003c\/li\u003e\n\u003cli\u003eLe due carote arancioni al centro\u003c\/li\u003e\n\u003cli\u003eLe radici bianche in primo piano\u003c\/li\u003e\n\u003cli\u003eI piccoli bulbi rossi a destra\u003c\/li\u003e\n\u003cli\u003eFondo di chiusura del fogliame scuro\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta nel cesto di verdure, F212a\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e35,5×45 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF212a· JH929\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta rustica in verde intenso, arancione e terra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesto formato orizzontale è adatto per una cucina, sala da pranzo, ufficio o interni di campagna I colori della terra interagiscono con legno grezzo, pietra e lino.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au panier de légumes, F212a\"\u003e\n\u003ci style=\"background:#1d2019\"\u003e\u003c\/i\u003e\u003ci style=\"background:#38422d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#675238\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a64f2b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1b879\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, marrone patinato o verde nero accompagna i toni del cesto Caldo, la luce laterale rivela le radici senza alleggerire eccessivamente lo sfondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 2514 × 1830 px è stato mantenuto alle dimensioni native e convertito in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta in cesto di verdure, F212a, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594818703586,"sku":"NATURE_MORTE_AVEC_UN_PANIER_DE_L_GUMES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-legumes-f212a-jh929-van-gogh.webp?v=1785315434"},{"product_id":"cineraire-vincent-van-gogh","title":"Cinerari in una pentola, F282 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Intorno al 1885 -1886 · Nuenen o Parigi\u003c\/p\u003e\n        \u003ch2\u003eCinerari in vaso, F282\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna pentola di cineraria si riversa visivamente in una rete di grandi foglie verdi I fiori blu scuro e rosa pallido si raggruppano nella parte superiore, mentre le foglie invadono la tela fino al bordo inferiore.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cineraires-pot-f282-jh1165-van-gogh.webp?v=1785308989\u0026amp;format=webp\" alt=\"Cinerari in vaso F282 JH1165 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCinerari in vaso, F282\u003c\/strong\u003eVincent van Gogh · Intorno al 1885 -1886 · Museo Boijmans Van Beuningen, Rotterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eIntorno al 1885-1886\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e54,5×45,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Boijmans Van Beuningen, Rotterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna pianta osservata come un groviglio di fiori e foglie\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl bouquet non è né centrato né frontale, si inclina a sinistra, mentre le grandi foglie si aprono a ventaglio e fanno quasi sparire la pentola tra i gambi.\u003c\/p\u003e\n\u003cp\u003eI fiori sono indicati da brevi tocchi di blu benzina, grigio e rosa Le foglie, più larghe, contrastano oliva, giallo verde e rosso marrone su fondo profondo.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCineraria in un vaso F282\/JH1165 è un olio su tela di 54,5 × 45,5 cm conservato al Museo Boijmans Van Beuningen sotto l'inventario St 92. La sua datazione e la sua posizione precisa rimangono dibattute.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl taglio diagonale e il vaso quasi sbilanciato distinguono questa natura morta dai più simmetrici bouquet parigini, la pianta sembra crescere oltre i limiti della cornice.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl bouquet scivola sul bordo sinistro\u003c\/h3\u003e\n\u003cp\u003eLa massa fiorale occupa il quarto superiore sinistro, mentre le foglie rivolte a destra creano una spinta opposta e mantengono l'equilibrio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe foglie sono costruite su grandi piani\u003c\/h3\u003e\n\u003cp\u003eVan Gogh pone delle bande verde oliva, gialle e marroni che seguono le venature, la loro larghezza contrasta con i piccoli tocchi stretti dei fiori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl rosso della firma sveglia il fondo\u003c\/h3\u003e\n\u003cp\u003eIl nome Vincent, dipinto di rosso nell'angolo in basso a sinistra, risponde agli accenti di ruggine sparsi tra le foglie e gli steli.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF282\/JH1165, il formato 54,5 × 45,5 cm e l'inventario St 92 identificano l'opera La sua cronologia merita un'attenta formulazione.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\u003ch3\u003eTra il 1885 e il 1886\u003c\/h3\u003e\n\u003cp\u003eIl Museum Boijmans Van Beuningen elenca il 1885, mentre i cataloghi F e JH lo classificano generalmente come natura morta del 1886.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRicerca\u003c\/span\u003e\u003ch3\u003eNuenen o Parigi\u003c\/h3\u003e\n\u003cp\u003eUno studio tecnico del Museo Van Gogh ha evidenziato che il suo stile potrebbe corrispondere più a Nuenen che a Parigi, la collocazione esatta non è quindi presentata come certa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eIl numero St 92\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è in prestito dal Museo Stichting Boijmans Van Beuningen, risultante dalla donazione della signora EY van Beek-van Hoorn Janssen nel 1951.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.boijmans.nl\/en\/collection\/artworks\/101540\/cineraria\" target=\"_blank\" rel=\"noopener\"\u003eConsultare le istruzioni per il Museum Boijmans Van Beuningen →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la diagonale del bouquet, i petali blu scuro e rosa, le foglie ampiamente spazzolate, gli steli intrecciati, la pentola parzialmente nascosta e la firma rossa.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl bouquet compatto nell'angolo in alto a sinistra\u003c\/li\u003e\n\u003cli\u003ePetali blu punteggiati di rosa pallido\u003c\/li\u003e\n\u003cli\u003eGrandi foglie verde oliva con venature visibili\u003c\/li\u003e\n\u003cli\u003eLa pentola assorbita dagli steli e dalle ombre\u003c\/li\u003e\n\u003cli\u003eLa firma Vincent in rosso\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCinerari in vaso, F282\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eIntorno al 1885-1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen o Parigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e54,5×45,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF282 · JH1165 · St 92\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Boijmans Van Beuningen, Rotterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta vegetale di verde oliva e blu intenso\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerde oliva, blu petrolio, marrone nero, rosa sbiadito e ruggine creano una fitta tela botanica per un soggiorno, una sala da pranzo, una camera da letto o interni con toni terrosi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Cinéraires dans un pot, F282\"\u003e\n\u003ci style=\"background:#676b33\"\u003e\u003c\/i\u003e\u003ci style=\"background:#24454b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#211f1c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b78576\"\u003e\u003c\/i\u003e\u003ci style=\"background:#884c30\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone, bronzo patinato o verde molto scuro accompagna il fogliame, Luce soffusa rivela i petali senza ridurre le sfumature del fondo nero-marrone.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa digitalizzazione di 3.797×5.339 px è stata preparata in 2.134×3.000 px e poi convertita in un vero e proprio WebP, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCinerari in vaso, F282, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594826600674,"sku":"CIN_RAIRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cineraires-pot-f282-jh1165-van-gogh.webp?v=1785308989"},{"product_id":"nature-morte-bouteilles-faience-vincent-van","title":"Natura morta con terracotta e bottiglie, F53 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre - ottobre 1885 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con terracotta e bottiglie, F53\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu un tavolo sono serrate tre bottiglie scure, un grande piatto marrone, pentole in gres e diversi contenitori comuni, la gamma quasi monocromatica costringe l'occhio a seguire riflessi bianchi, etichette e differenze materiche.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-faiences-bouteilles-f53-jh538-van-gogh.webp?v=1785305921\u0026amp;format=webp\" alt=\"Natura morta con terracotta e bottiglie F53 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con terracotta e bottiglie, F53\u003c\/strong\u003eVincent van Gogh · Settembre - Ottobre 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre-ottobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40,1×56,3 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eOggetti ordinari organizzati come architetture silenziose\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLe forme alte delle bottiglie incorniciano un set inferiore di piatti, pentole e scatole Le sovrapposizioni strette evitano gli spazi vuoti e costruiscono un fregio solido su tutta la larghezza.\u003c\/p\u003e\n\u003cp\u003eLo sfondo condivide quasi il colore delle bottiglie Van Gogh le fa emergere con pochi accenti bianchi, bordi verdi e tocchi rossi che indicano ingorghi, etichette e riflessi.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con terracotta e bottiglie F53\/JH538 è un olio su tela di 40,1 × 56,3 cm dipinto a Nuenen nel settembre - ottobre 1885 Reca l'inventario s0138V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl lavoro si basa meno su un forte contrasto generale che su piccole differenze di marroni, verdi e bianchi in grado di separare ogni contenitore.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTre bottiglie scandiscono la larghezza\u003c\/h3\u003e\n\u003cp\u003ePosizionate a sinistra, al centro e a destra, le loro sagome verticali dividono la composizione e trattengono gruppi di oggetti più in basso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eI riflessi bianchi sostituiscono i contorni\u003c\/h3\u003e\n\u003cp\u003eBastano pochi segni spessi sul vetro scuro per allentare spalle, colletti e pance di sfondo quasi identico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe stoviglie si oppongono a diversi materiali\u003c\/h3\u003e\n\u003cp\u003eL'arenaria pallida, la terracotta rosso-marrone, il vetro nero-verde e le superfici opache si differenziano per la densità e l'orientamento della tastiera.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Museo Van Gogh documenta il formato di 40,1 × 56,3 cm, F53\/JH538, l'inventario s0138V1962 e la data settembre - ottobre 1885.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCasa\u003c\/span\u003e\u003ch3\u003eProbabilmente oggetti familiari\u003c\/h3\u003e\n\u003cp\u003eIl museo indica che queste stoviglie e bottiglie appartenevano probabilmente all'uso quotidiano della famiglia Van Gogh a Nuenen.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRiutilizzare\u003c\/span\u003e\u003ch3\u003eUn altro dipinto sotto natura morta\u003c\/h3\u003e\n\u003cp\u003eUna radiografia ha rivelato che Van Gogh ha riutilizzato una tela su cui aveva precedentemente dipinto una donna al lavoro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLuce\u003c\/span\u003e\u003ch3\u003eBottiglie rilasciate dagli highlights\u003c\/h3\u003e\n\u003cp\u003eIl loro colore quasi si fonde con lo sfondo; tocchi bianchi e colorati li rendono leggibili senza un'illuminazione spettacolare.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0138V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare le tre sagome di vetro, i riflessi bianchi, il grande piatto marrone, i contenitori in gres, le iscrizioni e le profonde sfumature dello sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa bottiglia tozza all'estrema sinistra\u003c\/li\u003e\n\u003cli\u003eLa bottiglia centrale con riflessi bianchi\u003c\/li\u003e\n\u003cli\u003eIl grande piatto marrone visto durante le immersioni\u003c\/li\u003e\n\u003cli\u003eLa pentola segnata in primo piano\u003c\/li\u003e\n\u003cli\u003eLa bottiglia nera posta davanti al contenitore leggero\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con terracotta e bottiglie, F53\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre-ottobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e40,1×56,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF53· JH538·s0138V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta di marrone, verde nero e arenaria\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eMarrone terra, verde bottiglia, grigio arenaria, rosso scuro e crema danno una presenza densa a una cucina, sala da pranzo, ufficio o interni rustici.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux faïences et bouteilles, F53\"\u003e\n\u003ci style=\"background:#594330\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263b31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#857d67\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7a3e2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3b99d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone intenso, verde nero o antico supporta la gamma scura La luce morbida e laterale consente di leggere i riflessi senza sbiancare la terra.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine istituzionale è stata preparata in 3000 × 2106 px poi convertita in un vero e proprio WebP al fine di preservare riflessioni e differenze di materiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con terracotta e bottiglie, F53, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594829517026,"sku":"NATURE_MORTE_AUX_BOUTEILLES_ET_LA_FA_ENCE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-faiences-bouteilles-f53-jh538-van-gogh.webp?v=1785305921"},{"product_id":"crevettes-moules-vincent-van-gogh","title":"Gamberetti e cozze, F256 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre - novembre 1886 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eGamberetti e cozze, F256\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSei gamberetti rossi si mescolano a cozze blu-nere, alghe e qualche frammento chiaro, il piccolo formato è dipinto con un gesto veloce: antenne, conchiglie e zampe rimangono leggibili nel mezzo di un materiale molto libero.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/crevettes-moules-f256-jh1169-van-gogh.webp?v=1785304363\u0026amp;format=webp\" alt=\"Gamberetti e cozze F256 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eGamberetti e cozze, F256\u003c\/strong\u003eVincent van Gogh · Settembre - Novembre 1886 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre-novembre 1886\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e26,5×34,8 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn pasto a base di pesce diventa uno studio di colore dipinto al primo tentativo\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI gamberetti formano una diagonale rossa dal centro superiore al bordo inferiore sinistro Le cozze, più pesanti e scure, sono distribuite attorno ad essi e stabilizzano la composizione.\u003c\/p\u003e\n\u003cp\u003eTocchi verdi, rosa e marroni suggeriscono alghe e sostegno Le lunghe antenne attraversano queste zone in linee sottili, dando movimento ad una natura morta senza contenitori né orizzonti.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eGamberetti e cozze F256\/JH1169 è un olio su tela di 26,5 × 34,8 cm dipinto a Parigi tra settembre e novembre 1886 Il Museo Van Gogh lo conserva sotto l'inventario s0122V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh combina il rosso-arancio dei crostacei con il grigio blu delle conchiglie, quindi ravviva lo sfondo con verdi e rosa posizionati molto rapidamente.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl Rosso organizza tutto il gruppo\u003c\/h3\u003e\n\u003cp\u003eI corpi ricurvi dei gamberetti formano una catena centrale I loro artigli e le loro antenne estendono questo movimento fino ai margini.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe cozze introducono accenti freddi\u003c\/h3\u003e\n\u003cp\u003eIl blu-nero delle conchiglie contrasta con i rossi e riceve alcuni riflessi grigio chiaro che indicano la superficie liscia.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl dipinto mantiene la velocità del gesto\u003c\/h3\u003e\n\u003cp\u003eUno strato di mezzo applicato alla tela rendeva più facile scivolare nei tocchi freschi, una caratteristica studiata dal Museo Van Gogh.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF256\/JH1169, il formato di 26,5 × 34,8 cm e l'inventario s0122V1962 identificano questa piccola natura morta parigina del Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eSei gamberetti e nove cozze\u003c\/h3\u003e\n\u003cp\u003eVan Gogh sceglie i prodotti di uso quotidiano piuttosto che un bouquet e osserva le loro differenze di colore, guscio e guscio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTestimonianza\u003c\/span\u003e\u003ch3\u003eUn'opera poi citata da Gauguin\u003c\/h3\u003e\n\u003cp\u003ePaul Gauguin ricorda questo piccolo dipinto e dice che Van Gogh lo vendette per cinque franchi prima di dare i soldi a una giovane donna indigente.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTecnica\u003c\/span\u003e\u003ch3\u003eEsecuzione rapida su una superficie oliata\u003c\/h3\u003e\n\u003cp\u003eLo studio tecnico rivela uno strato di mezzo sotto la vernice, consentendo ai tocchi bagnati di scorrere e fondersi in modo flessibile.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0122V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare i sei gamberetti rossi, le cozze grigio-blu, le antenne fini, le alghe verdi e la varietà di tocchi marroni e rosa sul fondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI grandi gamberetti ricurvi in alto a destra\u003c\/li\u003e\n\u003cli\u003eLa catena rossa al centro\u003c\/li\u003e\n\u003cli\u003eRiflessi blu sulle conchiglie\u003c\/li\u003e\n\u003cli\u003eLe lunghe antenne che attraversano il fondo\u003c\/li\u003e\n\u003cli\u003ePiccole forme di luce negli angoli\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eGamberetti e cozze, F256\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre-novembre 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e26,5×34,8 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF256· JH1169· s0122V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta vivente di rosso, blu e marrone\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eRosso corallo, blu ardesia, verde oliva, rosa terra e marrone intenso costituiscono un'opera espressiva per una cucina, una sala da pranzo o interni audaci.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Crevettes et moules, F256\"\u003e\n\u003ci style=\"background:#b94f32\"\u003e\u003c\/i\u003e\u003ci style=\"background:#415767\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b653d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9d6e63\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3b2924\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno nero, blu ardesia o marrone concentra la composizione La luce neutra conserva il calore dei rossi e i freddi riflessi delle conchiglie.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine istituzionale di 7092×5424 px è stata ridotta a 3000×2294 px e poi convertita in WebP reale per uno zoom nitido.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eGamberetti e cozze, F256, verniciati per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594832072930,"sku":"CREVETTES_ET_MOULES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/crevettes-moules-f256-jh1169-van-gogh.webp?v=1785304363"},{"product_id":"nature-morte-vincent-van-gogh","title":"Natura morta con ceramica e due bottiglie, F57 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con ceramica e due bottiglie, F57\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue bottiglie si innalzano dietro tre contenitori di ceramica: una pentola decorata posta in una grande terrina, una brocca gialla e una ciotola bianca Verdi, ocra e neri conferiscono a questi oggetti ordinari una presenza quasi monumentale.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-poteries-deux-bouteilles-f57-jh539-van-gogh.webp?v=1785303170\u0026amp;format=webp\" alt=\"Natura morta con ceramica e due bottiglie F57 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con ceramica e due bottiglie, F57\u003c\/strong\u003eVincent van Gogh · novembre 1884 · Norton Simon Museum, Pasadena\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40×56,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Norton Simon, Pasadena\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eI contenitori si incastrano e rispondono l'uno all'altro in due file\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eA sinistra, il piccolo vaso verde è posto all'interno di una grande terrina ocra, a destra, la ciotola bianca avanza in primo piano; tra di loro, la bottiglia nera e la brocca gialla occupano la fila posteriore.\u003c\/p\u003e\n\u003cp\u003eIl fondo verde nero rimane molto attivo, ricoperto di pennellate a vista I riflessi bianchi sul vetro, il manico giallo e il contorno chiaro della ciotola ritagliano gli oggetti senza isolarli da questo materiale scuro.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con ceramica e due bottiglie F57\/JH539 è un olio su tela di 40 × 56,5 cm dipinto a Nuenen nel novembre 1884 Il Norton Simon Museum lo conserva sotto inventario F.1972.44.P.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh costruisce il tutto con forme ad incastro e contorni spigolosi Il museo avvicina questa semplificazione all'interesse del pittore per le stampe giapponesi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa pentola posta nella terrina crea una doppia forma\u003c\/h3\u003e\n\u003cp\u003eI loro due manici e due aperture si sovrappongono Questa complessa struttura bilancia la ciotola bianca molto più semplice sulla destra.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eEntrambe le bottiglie non hanno lo stesso peso\u003c\/h3\u003e\n\u003cp\u003eIl vetro nero è stretto e lucido; la brocca gialla è opaca, larga e con manico Il loro contrasto anima lo sfondo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa ciotola bianca apre un respiro\u003c\/h3\u003e\n\u003cp\u003eIl suo interno verde grigio riceve diversi riflessi Posto davanti ai contenitori, impedisce alla composizione di diventare un'unica massa scura.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Norton Simon Museum conferma il novembre 1884, il formato di 40 × 56,5 cm, l'inventario F.1972.44.P e i riferimenti F57\/JH539.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAtelier\u003c\/span\u003e\u003ch3\u003eUna natura morta dipinta durante le lezioni di Nuenen\u003c\/h3\u003e\n\u003cp\u003eIl museo ricorda che Van Gogh diede poi lezioni a pochi studenti e talvolta dipinse composizioni di oggetti accanto ad essi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eForme\u003c\/span\u003e\u003ch3\u003eContorni volutamente semplificati\u003c\/h3\u003e\n\u003cp\u003eI vasi e le bottiglie sono descritti da linee ferme e zone piane irregolari Questa semplificazione ne rafforza il peso piuttosto che cercare una perfetta illusione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn'opera entrata nella fondazione nel 1972\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è stato acquisito dalla Norton Simon Foundation nel settembre 1972 e da allora è stato elencato nell'inventario F.1972.44.P.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nortonsimon.org\/art\/detail\/F.1972.44.P\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Norton Simon Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare il vaso decorato nella terrina, la bottiglia nera, la brocca gialla, la ciotola bianca, i riflessi e le pennellate dello sfondo verde.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa pentola verde decorata con motivi blu\u003c\/li\u003e\n\u003cli\u003eIl grande manico della terrina ocra\u003c\/li\u003e\n\u003cli\u003eL'etichetta della bottiglia nera chiara\u003c\/li\u003e\n\u003cli\u003eLa brocca gialla posta in basso\u003c\/li\u003e\n\u003cli\u003eIl bordo bianco irregolare della ciotola diritta\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con ceramica e due bottiglie, F57\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e40×56,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF57 · JH539 · F.1972.44.P\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Norton Simon, Pasadena\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta profonda di verde, ocra e avorio\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerde bottiglia, verde oliva, ocra, avorio e nero costituiscono un'opera densa per una sala da pranzo, una cucina o un interno con materie prime.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux poteries et deux bouteilles, F57\"\u003e\n\u003ci style=\"background:#1d2e24\"\u003e\u003c\/i\u003e\u003ci style=\"background:#50633d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b28a43\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5d2b0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#151a17\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eSullo sfondo si estende una cornice di rovere nero, verde molto scuro o marrone, una luce calda ma soffusa fa emergere la ciotola bianca e la brocca gialla.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione documentaria è stata conservata alla sua risoluzione nativa di 2155 × 1496 px poi convertita in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con ceramica e due bottiglie, F57, dipinte per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594834137314,"sku":"NATURE_MORTE_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-poteries-deux-bouteilles-f57-jh539-van-gogh.webp?v=1785303170"},{"product_id":"vase-feuilles-mortes-vincent-van-gogh","title":"Vaso con foglie morte, F200 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eVaso con foglie morte, F200\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn vaso cilindrico grigio-azzurro reca un mazzo di foglie bruciate, già arricciate, sul tavolo altre foglie cadute e qualche piccolo tocco giallo prolungano la natura morta in primo piano.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-feuilles-mortes-f200-jh541-van-gogh.webp?v=1785302560\u0026amp;format=webp\" alt=\"Vaso con foglie morte F200 - natura morta di Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVaso con foglie morte, F200\u003c\/strong\u003eVincent van Gogh · Novembre 1884 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41,5×31 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eLe foglie secche formano una massa rossa sopra un vaso freddo\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso è posto leggermente a sinistra dell'asse centrale La sua silhouette verticale, decorata con un piccolo motivo scuro, contrasta con i fusti obliqui e le foglie irregolari che si estendono verso i bordi.\u003c\/p\u003e\n\u003cp\u003eLo sfondo e la tavola non sono separati da una linea netta: attorno al bouquet circolano gli stessi marroni e neri, pochi gialli più luminosi, in particolare vicino al centro e al bordo inferiore, risvegliano questa gamma autunnale.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVaso con foglie morte F200\/JH541 è un olio su tela montato su pannello di 41,5 × 31 cm, dipinto a Nuenen nel novembre 1884 e custodito in collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl contrasto principale è la forma semplice e fredda del contenitore contro il materiale caldo, rotto e in movimento delle foglie morte.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl vaso stabilizza la composizione\u003c\/h3\u003e\n\u003cp\u003eLa sua parete dritta e il colore grigio-blu offrono riposo visivo al centro di un bouquet molto irregolare Il piccolo arredamento nero ne accentua la verticalità.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe foglie sono dipinte come frammenti\u003c\/h3\u003e\n\u003cp\u003eMarrone, arancione e ocra sono giustapposti in tocchi spigolosi I contorni spezzati rendono visibile il loro stato secco e rugoso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl primo piano estende la caduta\u003c\/h3\u003e\n\u003cp\u003eFoglie sparse circondano la base del vaso Collegano il bouquet al tavolo e impediscono all'oggetto di apparire isolato.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI riferimenti F200\/JH541, il formato di 41,5 × 31 cm e la data di novembre 1884 collocano proprio questa natura morta nel periodo Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eNatura morta d'autunno\u003c\/h3\u003e\n\u003cp\u003eVan Gogh sceglie foglie sbiadite piuttosto che un bouquet luminoso, le loro forme distorte gli permettono di studiare un'ampia varietà di marroni e ocra.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eUna palette ancora olandese\u003c\/h3\u003e\n\u003cp\u003eNel 1884, le sue nature morte utilizzavano spesso terre oscure e luce contenuta Gli oggetti ordinari sono descritti da relazioni di materia e tono.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eUna tela montata su un pannello\u003c\/h3\u003e\n\u003cp\u003eLa documentazione dell'opera indica un olio su tela montato su legno, un supporto compatto adattato a questo piccolo formato verticale.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Vase_mit_verwelkten_Bl%C3%A4tter.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda documentario F200 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare il vaso grigio-azzurro, il suo piccolo motivo nero, la dispersione dei fusti, le foglie rosse con contorni spezzati e gli accenti gialli del primo piano.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa silhouette cilindrica del vaso\u003c\/li\u003e\n\u003cli\u003eIl piccolo motivo floreale scuro sul ventre\u003c\/li\u003e\n\u003cli\u003eFoglie di arancio al centro\u003c\/li\u003e\n\u003cli\u003eLe aste oblique che salgono a destra\u003c\/li\u003e\n\u003cli\u003eFoglie cadute intorno alla base\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eVaso con foglie morte, F200\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e41,5×31 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF200 · JH541\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta autunnale di ruggine, marrone e blu-grigio\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eRuggine, terra d'ombra, ocra, grigio blu e giallo sbiadito compongono un lavoro caldo per una sala da pranzo, una biblioteca o un interno con legni naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase avec feuilles mortes, F200\"\u003e\n\u003ci style=\"background:#6e392b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b5733\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b1763c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#536269\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8a542\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno scuro, bronzo patinato o nero-marrone accompagna la palette autunnale Una luce calda fa risaltare il vaso e i tocchi arancioni senza alleggerire eccessivamente lo sfondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa migliore riproduzione documentale affidabile è stata conservata alla sua risoluzione nativa di 612 × 798 px poi convertita in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVaso con foglie morte, F200, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594835513570,"sku":"VASE_AVEC_FEUILLES_MORTES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-feuilles-mortes-f200-jh541-van-gogh.webp?v=1785302560"},{"product_id":"nature-morte-chaudron-cruche-laiton-vincent","title":"Natura morta con calderone e brocca, F51 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eCalderone e brocca, F51\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn grande calderone di ottone inclinato cattura la luce a sinistra di una brocca di arenaria verde In primo piano, le patate si allargano su un panno marrone e collegano i due contenitori al mondo contadino di Nuenen.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaudron-cruche-laiton-f51-jh925-van-gogh-museum.webp?v=1785300035\u0026amp;format=webp\" alt=\"Natura morta con calderone e brocca F51 - rame, gres e patate dipinte da Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCalderone e brocca, F51\u003c\/strong\u003eVincent van Gogh · settembre 1885 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e65,5×80,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eMetallo ammaccato, gres opaco e patate sono disponibili in tre materiali diversi\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl calderone si inclina verso lo spettatore e mostra il suo interno scuro, il suo manico, il bordo e le protuberanze ricevono tocchi giallo-verdi; al contrario, la brocca rimane dritta, compatta e quasi monocroma.\u003c\/p\u003e\n\u003cp\u003eLe patate formano una fascia irregolare in primo piano, i loro piccoli accenti ocra creano una transizione tra il tessuto marrone, il rame del calderone e lo sfondo nero-verde.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCalderone e brocca F51\/JH925 è un olio su tela di 65,5 × 80,5 cm dipinto a Nuenen nel settembre 1885 Il Museo Van Gogh lo conserva sotto inventario s0052V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa luce non illumina l'intera scena: seleziona il bordo del calderone, la spalla della brocca e qualche patata Van Gogh costruisce così i volumi con una tavolozza estremamente limitata.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl calderone è volutamente sbilanciato\u003c\/h3\u003e\n\u003cp\u003eLa sua apertura ovale è inclinata e il suo corpo sembra poggiare sul tessuto Questa posizione rende visibili l'interno, il bordo metallico e la parete ammaccata.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLa brocca fornisce una verticale stabile\u003c\/h3\u003e\n\u003cp\u003eIl suo colletto corto e il manico rotondo risaltano dal basso con deboli sfumature verdi, funge da calmo contrappeso al grande contenitore rovesciato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe patate avvicinano la natura morta alla vita di tutti i giorni\u003c\/h3\u003e\n\u003cp\u003eNon sono né allineati né idealizzati La loro dispersione, gli occhi e le forme irregolari aggiungono materia terrestre alle superfici del metallo e dell'arenaria.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF51\/JH925, inventario s0052V1962 e formato 65,5 × 80,5 cm identificano questa grande natura morta del settembre 1885.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLettera\u003c\/span\u003e\u003ch3\u003eVan Gogh menziona le sue nature morte alla fine di settembre\u003c\/h3\u003e\n\u003cp\u003eNella sua corrispondenza con Theo, segnala diversi studi tra cui le patate, che collocano l'opera in una fase intensiva del genere.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTecnica\u003c\/span\u003e\u003ch3\u003eUn'altra immagine è sotto il livello visibile\u003c\/h3\u003e\n\u003cp\u003eIl catalogo tecnico del Museo Van Gogh indica una composizione precedente sotto il dipinto attuale, testimonianza del riutilizzo della tela.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMateriali\u003c\/span\u003e\u003ch3\u003eIl soggetto mette alla prova il dipinto\u003c\/h3\u003e\n\u003cp\u003eOttone riflettente, arenaria opaca, pelle di tubero e tessuto assorbono la luce in diversi modi che Van Gogh traduce senza colori vivaci.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0052V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare l'inclinazione del calderone, i suoi riflessi giallo-verdi, la brocca dritta, le patate sparse, il tessuto marrone e lo sfondo nero-verde.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eL'apertura ovale e scura del calderone\u003c\/li\u003e\n\u003cli\u003eIl bordo metallico evidenziato con giallo-verde\u003c\/li\u003e\n\u003cli\u003eIl manico rotondo della brocca di arenaria\u003c\/li\u003e\n\u003cli\u003eLe patate distribuite in primo piano\u003c\/li\u003e\n\u003cli\u003eLa transizione molto fluida tra oggetti e sfondo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCalderone e brocca, F51\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e65,5×80,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF51· JH925· s0052V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna profonda natura morta di ottone, arenaria e terra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerde bronzo, marrone, ocra, nero e grigio pietra costituiscono un lavoro forte per una cucina, una sala da pranzo o un interno rustico contemporaneo.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Chaudron et cruche, F51\"\u003e\n\u003ci style=\"background:#62613a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b4930\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a7541\"\u003e\u003c\/i\u003e\u003ci style=\"background:#202622\"\u003e\u003c\/i\u003e\u003ci style=\"background:#747260\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice nera, marrone fumo o bronzo scuro mette in risalto il calderone, Calda, la luce laterale rivela i dossi nel metallo senza schiarire eccessivamente il fondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione del Museo Van Gogh è stata convertita in un vero e proprio WebP di 3.000 × 2.429 px da una lima di 7.003 × 5.669 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCalderone e brocca, F51, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594843312354,"sku":"NATURE_MORTE_AVEC_CHAUDRON_ET_CRUCHE_EN_LAITON_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaudron-cruche-laiton-f51-jh925-van-gogh-museum.webp?v=1785300035"},{"product_id":"nature-morte-faience-bouteilles-vincent-van","title":"Natura morta con terracotta e bottiglie, F53 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre - ottobre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eTerraglia e bottiglie, F53\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTre bottiglie di colore verde nero si ergono dietro una grande terrina marrone, una pentola in gres decorata e due ciotole chiare Gli oggetti sono stretti su un tavolo rustico di fronte a uno sfondo quasi nero.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/faience-bouteilles-f53-jh538-van-gogh-museum.webp?v=1785300033\u0026amp;format=webp\" alt=\"Natura morta con terracotta e bottiglie F53 - stoviglie scure dipinte da Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTerraglia e bottiglie, F53\u003c\/strong\u003eVincent van Gogh · Settembre - Ottobre 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre-ottobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39,5×56 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eI piatti sono ordinati per altezza, colore e materiale in una luce mantenuta\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa terrina rotonda occupa il centro e contiene un cucchiaio posto diagonalmente, a sinistra, una piccola coppa bianca avanza verso il bordo; a destra, la ciotola azzurra e la pentola decorata formano un secondo gruppo.\u003c\/p\u003e\n\u003cp\u003eLe tre bottiglie verticali chiudono lo sfondo I loro riflessi verdi sono molto limitati, ma bastano per separare il bicchiere dallo sfondo scuro e prolungare le linee della pentola e del cucchiaio.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eTerraglia e bottiglie F53\/JH538 è un olio su tela di 39,5 × 56 cm dipinto a Nuenen nel settembre - ottobre 1885 Il Museo Van Gogh lo conserva sotto inventario s0138V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh contrappone diversi materiali senza cambiare registro tonale: vetro scuro, terracotta rossa, gres beige, ceramica blu e legno da tavola sono tutti modellati in una gamma marrone e verde.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eI contenitori creano una serie di volumi nidificati\u003c\/h3\u003e\n\u003cp\u003ePiccola tazza, terrina, ciotola e pentola salgono gradualmente verso destra Le bottiglie ripetono questo rialzo sul retro e danno una struttura stabile all'insieme.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl cucchiaio passa attraverso forme rotonde\u003c\/h3\u003e\n\u003cp\u003eLa sua diagonale parte dalla terrina e sale verso le bottiglie, introduce una direzione netta in mezzo a ciotole, pentole e collari, prevalentemente circolari o verticali.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eL'azzurro agisce come un accento misurato\u003c\/h3\u003e\n\u003cp\u003eLa ciotola destra è la zona più fredda e luminosa Bilancia il beige della pentola decorata e i rosso-marroni della grande terrina.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF53\/JH538, il formato di 39,5 × 56 cm e l'inventario s0138V1962 identificano questa natura morta del Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\u003ch3\u003eL'opera è ora collocata nel settembre-ottobre 1885\u003c\/h3\u003e\n\u003cp\u003eLa ricerca tecnica del museo ha portato a un riesame della datazione di diverse nature morte di stoviglie precedentemente situate all'inizio del periodo Nuenen.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eEsercizio\u003c\/span\u003e\u003ch3\u003eGli oggetti permettono di studiare i valori\u003c\/h3\u003e\n\u003cp\u003eSenza un modello dal vivo o un rapido cambiamento di luce, Van Gogh può confrontare la brillantezza del vetro, l'ottusità dell'arenaria e i riflessi della ceramica.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eIl numero s0138V1962 imposta l'identificazione\u003c\/h3\u003e\n\u003cp\u003eDistinse F53 dai numerosi set ravvicinati che combinavano bottiglie, pentole, zoccoli e tazze negli anni 1884-1885.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0138V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare le tre bottiglie scure, la grande terrina, la diagonale del cucchiaio, la pentola decorata, la ciotola blu, la tazzina e i riflessi molto sobri.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI tre colli di bottiglia allineati all'indietro\u003c\/li\u003e\n\u003cli\u003eLa grande terrina marrone al centro\u003c\/li\u003e\n\u003cli\u003eIl cucchiaio che si alza in diagonale\u003c\/li\u003e\n\u003cli\u003eI motivi blu-verdi del vaso di arenaria\u003c\/li\u003e\n\u003cli\u003eLa ciotola azzurra posta al bordo destro\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eTerraglia e bottiglie, F53\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre-ottobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e39,5×56 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF53 · JH538 · s0138V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'armonia rustica di marrone, verde e grigio blu\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eMarrone terra, verde bottiglia, beige, grigio blu e nero costituiscono una natura morta sobria per una cucina, una sala da pranzo o una casa di campagna.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Faïence et bouteilles, F53\"\u003e\n\u003ci style=\"background:#67472f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263428\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b1a17c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#637b79\"\u003e\u003c\/i\u003e\u003ci style=\"background:#252621\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone scuro, nero opaco o rovere affumicato estende lo sfondo Calda, luce radente rivela le differenze di materiale tra vetro e ceramica.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione del Museo Van Gogh è stata convertita in un vero e proprio WebP di 3.000 × 2.107 px da una lima di 7.206 × 5.060 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTerraglia e bottiglie, F53, verniciate per il vostro interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594843574498,"sku":"NATURE_MORTE_AVEC_FA_ENCE_ET_BOUTEILLES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/faience-bouteilles-f53-jh538-van-gogh-museum.webp?v=1785300033"},{"product_id":"nature-morte-panier-pommes-terre-vincent","title":"Cesto di patate, F100 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eCesto di patate, F100\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn cesto di vimini riempito di patate occupa il centro di un tavolo scuro Altri tuberi si stendono in primo piano e su entrambi i lati, formando una grande composizione quasi interamente marrone e verde.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-f100-jh931-van-gogh-museum.webp?v=1785298814\u0026amp;format=webp\" alt=\"Cesto di patate F100 - cesto di vimini e tuberi dipinto da Vincent van Gogh a Nuenen\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCesto di patate, F100\u003c\/strong\u003eVincent van Gogh · settembre 1885 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45×60,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eIl cesto organizza un accumulo di forme rotonde in una luce molto contenuta\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLe patate nel cesto salgono in una piramide, ma quelle in tavola rompono quest'ordine, la loro dispersione dà l'impressione che il raccolto sia appena stato versato e avvicina il motivo allo spettatore.\u003c\/p\u003e\n\u003cp\u003eLo sfondo verde nero assorbe i contorni superiori Van Gogh riserva i tocchi più leggeri agli occhi dei tuberi, ai bordi del vimini e a poche facce rivolte verso la luce.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCesto di patate F100\/JH931 è un olio su tela di 45 × 60,5 cm dipinto a Nuenen nel settembre 1885 Il Museo Van Gogh lo conserva sotto l'inventario s0153V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh presenta questa natura morta scura come un esercizio tonale: basta una gamma molto limitata per differenziare la pelle di patata, la viminiera, il tavolo e lo sfondo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa luce seleziona anziché illumina\u003c\/h3\u003e\n\u003cp\u003eSolo poche superfici ricevono un ocra più chiaro, bastano questi accenti per far ruotare i tuberi in uno spazio che rimane quasi notturno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eVimini risponde alle forme rotonde\u003c\/h3\u003e\n\u003cp\u003eLe lunghe fasce orizzontali del cesto passano attraverso l'accumulo di patate, si oppongono ad una struttura intrecciata dai volumi irregolari.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe patate formano diversi gruppi\u003c\/h3\u003e\n\u003cp\u003eUn ammasso centrale riempie il cesto, un secondo si allarga verso sinistra e un terzo si allontana verso destra Questa distribuzione evita una rigida simmetria.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF100\/JH931, s0153V1962 e il formato 45 × 60,5 cm identificano questo cesto del Museo Van Gogh, distinto da F116 e grandi composizioni con diversi cestini.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTono\u003c\/span\u003e\u003ch3\u003eLa tavolozza limitata è una scelta di studio\u003c\/h3\u003e\n\u003cp\u003eMarroni, verdi e ocra consentono a Van Gogh di ricercare valori e riflessi senza dipendere da colori audaci.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eLa patata collega natura morta e vita contadina\u003c\/h3\u003e\n\u003cp\u003eDopo The Potato Eaters, il tubero rimane associato alla lavorazione della terra e alla dieta quotidiana delle famiglie Nuenen.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eIl museo mantiene diversi cestini separati\u003c\/h3\u003e\n\u003cp\u003eL'inventario s0153V1962 corrisponde a F100, mentre s0152V1962 designa F116, un'altra tela di diversi formati e layout.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Mand_met_aardappels_-_s0153V1962_-_Van_Gogh_Museum.jpg\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la riproduzione del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia dovrebbe conservare la gamma scura, la piramide di tuberi, le strisce di vimini, le patate sparse, i piccoli accenti ocra e lo sfondo verde nero.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003ePatate accatastate sopra il cestino\u003c\/li\u003e\n\u003cli\u003eLe chiare fasce orizzontali della viminiera\u003c\/li\u003e\n\u003cli\u003eIl gruppo si è sparso sul lato sinistro\u003c\/li\u003e\n\u003cli\u003eI grandi tuberi accesi a destra\u003c\/li\u003e\n\u003cli\u003eIl passaggio quasi impercettibile dal tavolo al retro\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCesto di patate, F100\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e45×60,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF100· JH931·s0153V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta profonda di terra, ocra e verde nero\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eMarrone terra, ocra, verde nero e beige creano un'immagine sobria per una cucina, una sala da pranzo o un interno con legni naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Panier de pommes de terre, F100\"\u003e\n\u003ci style=\"background:#322d20\"\u003e\u003c\/i\u003e\u003ci style=\"background:#665035\"\u003e\u003c\/i\u003e\u003ci style=\"background:#20281c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#94734b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b09a70\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone fumo, nero opaco o rovere scuro rispetta la gamma Calda, luce radente rivela il vimini senza alleggerire artificialmente il fondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione del Museo Van Gogh è stata convertita in un vero e proprio WebP di 3.000 × 2.214 px da una lima di 7.320 × 5.401 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCesto di patate, F100, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre - ottobre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con cinque nidi di uccelli, F111\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eCinque nidi sono disposti al livello del suolo tra erbe, ramoscelli e foglie secche, due strutture rotonde si stringono in alto, mentre un piccolo nido contenente uova leggere apre la composizione sulla destra.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cinq-nids-oiseaux-f111-jh939-van-gogh-museum.webp?v=1785298171\u0026amp;format=webp\" alt=\"Natura morta con cinque nidi di uccelli F111 - muschio, ramoscelli e uova dipinti da Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con cinque nidi di uccelli, F111\u003c\/strong\u003eVincent van Gogh · Settembre - Ottobre 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre-ottobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39,3×46,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eOgni nido ha la sua costruzione, il suo materiale e il suo posto nel sottobosco\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI grandi nidi in basso sono costituiti da fili scuri aggrovigliati; quello di sinistra si apre come una profonda cavità, in alto le forme più compatte richiamano i nidi chiusi del troglodita.\u003c\/p\u003e\n\u003cp\u003eIl piccolo nido di uova porta l'unico cerchio chiaro Attorno ad esso, verdi, ocra e marroni non descrivono una decorazione precisa: riuniscono muschio, fogliame e frammenti di rami in una superficie continua.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con cinque nidi di uccelli F111\/JH939 è un olio su tela di 39,3 × 46,5 cm dipinto a Nuenen nel settembre - ottobre 1885 Il Museo Van Gogh lo conserva sotto inventario s0001V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh raccoglie nidi abbandonati e li considera architetture naturali, non li allinea come esemplari scientifici: li installa in un ambiente di muschio e foglie che ne mette in risalto la varietà.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe aperture danno diverse profondità\u003c\/h3\u003e\n\u003cp\u003eLa grande cavità nera a sinistra, le cavità più discrete al centro e il nido di luce a destra offrono successivi gradi di oscurità.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe fibre vengono tradotte da brevi gesti\u003c\/h3\u003e\n\u003cp\u003eRamoscelli, erbe e foglie sono dipinti con linee che cambiano direzione Il groviglio rimane leggibile senza diventare un disegno meticoloso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe uova formano un punto di riposo\u003c\/h3\u003e\n\u003cp\u003eLa loro luce crema contrasta con le terre scure Posizionati sul bordo destro anziché al centro, bilanciano i due grandi nidi sul lato sinistro.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF111\/JH939, s0001V1962 e il formato 39,3 × 46,5 cm distinguono i cinque nidi del Museo Van Gogh da altre nature morte di nidi dipinti a Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLettera\u003c\/span\u003e\u003ch3\u003eVan Gogh racconta di averne già dipinti quattro nel settembre 1885\u003c\/h3\u003e\n\u003cp\u003eSpiega a Theo che agli osservatori della natura potrebbero piacere i colori del muschio, delle foglie secche e delle erbe raccolte attorno ai nidi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSimbolo\u003c\/span\u003e\u003ch3\u003eIl nido evoca anche l'abitazione umana\u003c\/h3\u003e\n\u003cp\u003eNella stessa corrispondenza, Van Gogh riunisce i nidi dei cottage della brughiera e dei loro abitanti, ai quali si sente profondamente legato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOsservazione\u003c\/span\u003e\u003ch3\u003eLe forme corrispondono a diversi tipi di costruzione\u003c\/h3\u003e\n\u003cp\u003eI due nidi chiusi in alto si differenziano dal piccolo nido aperto contenente le uova e dalle grandi strutture di ramoscelli poste in primo piano.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vogelnesten_-_s0001V1962_-_Van_Gogh_Museum.jpg\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la riproduzione del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia dovrebbe conservare i cinque nidi distinti, la grande cavità scura a sinistra, le due forme rotonde in alto, le uova chiare, i rametti e i passaggi verde muschio.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa grande apertura nera del nido in basso a sinistra\u003c\/li\u003e\n\u003cli\u003eI due nidi chiusi si allinearono in alto\u003c\/li\u003e\n\u003cli\u003eIl piccolo nido leggero contenente le uova sulla destra\u003c\/li\u003e\n\u003cli\u003eI rami che attraversano i bordi della composizione\u003c\/li\u003e\n\u003cli\u003eTocchi verdi mescolati con foglie ocra e marroni\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con cinque nidi di uccelli, F111\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre-ottobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e39,3×46,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF111· JH939· s0001V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn sottobosco di marrone, muschio, ocra e crema\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl marrone intenso, il verde muschio, l'ocra, il nero e il crema costituiscono una natura morta organica per una biblioteca contemporanea, un ufficio o interni rustici.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte avec cinq nids d’oiseaux, F111\"\u003e\n\u003ci style=\"background:#4b3a29\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66704e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b7848\"\u003e\u003c\/i\u003e\u003ci style=\"background:#24251d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1c69c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno grezzo, rovere affumicato o verde molto scuro allunga le fibre dei nidi, una luce soffusa e radente rivela i tocchi senza schiacciare le cavità.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione del Museo Van Gogh è stata convertita in un vero e proprio WebP di 3.000 × 2.535 px da una lima di 6.420 × 5.424 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con cinque nidi di uccelli, F111, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594849833186,"sku":"NIDS_D_OISEAUX_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cinq-nids-oiseaux-f111-jh939-van-gogh-museum.webp?v=1785298171"},{"product_id":"nature-morte-trois-nids-oiseaux-vincent-2","title":"Natura morta con tre nidi di uccelli, F108 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Fine settembre - inizio ottobre 1885 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con tre nidi di uccelli, F108\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTre nidi vengono tolti dalla vegetazione e posti su fondo nero, il nido centrale, aperto in mezzaluna e guarnito di uova, riceve tutta la luce; le due forme laterali, più alte e scure, si fondono in muschio ed erba.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/trois-nids-oiseaux-f108-van-gogh-kroller-muller.webp?v=1785293281\u0026amp;format=webp\" alt=\"Natura morta con tre nidi di uccelli F108 - Tre nidi isolati su sfondo nero di Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con tre nidi di uccelli, F108\u003c\/strong\u003eVincent van Gogh · Fine settembre - inizio ottobre 1885 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eFine settembre - inizio ottobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e33,5×50,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eIl nero neutro trasforma i nidi trovati in oggetti di studio\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl nido della rondine al centro è l'unico che mostra chiaramente il suo taglio interno Il suo bordo di ramoscello disegna una linea pallida attorno alle uova, mentre una diagonale di erba secca lo accompagna verso destra.\u003c\/p\u003e\n\u003cp\u003eA sinistra e a destra rimangono quasi chiusi due nidi piriformi, la loro sagoma è visibile grazie a pochi fili chiari; tra di essi, i verdi e i marroni del muschio creano una profondità senza un paesaggio identificabile.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con tre nidi di uccelli F108\/JH940 è un olio su tela di 33,5 × 50,5 cm realizzato a Nuenen tra la fine di settembre e l'inizio di ottobre 1885, porta il numero KM 109,945.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh scelse volutamente uno sfondo nero in modo da mostrare che questi nidi venivano estratti dal loro ambiente, la luce quindi non descrive un sottobosco, ma mette a confronto tre costruzioni naturali.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl nido centrale funziona come un fuoco luminoso\u003c\/h3\u003e\n\u003cp\u003eLa sua cavità, le uova e il bordo chiaro catturano immediatamente l'occhio I nidi laterali formano poi due masse più discrete che espandono la composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eI ramoscelli sono resi da linee direzionali\u003c\/h3\u003e\n\u003cp\u003eTratti lunghi e fini intersecano, piegano e traboccano forme Il loro ritmo ti fa sentire la diversità dei materiali assemblati senza dettagliare ogni filo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLo sfondo nero isola il soggetto senza rimuovere il materiale\u003c\/h3\u003e\n\u003cp\u003eIntorno ai nidi rimangono visibili verdi, marroni e grigi terrosi, questi passaggi collegano gli oggetti mantenendo l'impressione di uno spazio neutro.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF108\/JH940 e KM 109,945 identificano questa precisa versione, distinta dalla Natura morta con tre nidi F112 custodita anche al Museo Kroeller-Müller.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eVan Gogh possedeva fino a trenta specie di nidi\u003c\/h3\u003e\n\u003cp\u003eLi raccoglieva durante le sue passeggiate o li comprava dai ragazzi del vicinato, poi li teneva con muschio, uccelli impagliati e altri oggetti in due armadi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSpecie\u003c\/span\u003e\u003ch3\u003eLe tre forme corrispondono a costruzioni diverse\u003c\/h3\u003e\n\u003cp\u003eAlla rondine del fienile è attribuito il nido centrale a mezza luna, i due nidi piriformi ai lati potrebbero essere opere incompiute di remiz pendulin.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLettera\u003c\/span\u003e\u003ch3\u003eI colori naturali contavano tanto quanto il modello\u003c\/h3\u003e\n\u003cp\u003eVan Gogh scrisse a Theo che muschi, foglie secche, erbe e argilla potevano piacere a chi osserva bene la natura.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/vincent-van-gogh-vogelnesten-1\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni per il Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare l'apertura luminosa del nido centrale, le due sagome laterali quasi assorbite, la finezza dei rametti e i verdi bruni visibili all'interno del nero.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eNido di rondine a mezza luna posto al centro\u003c\/li\u003e\n\u003cli\u003eUova chiare spremute nella cavità\u003c\/li\u003e\n\u003cli\u003eI due nidi piriformi più scuri sui fianchi\u003c\/li\u003e\n\u003cli\u003eLa lunga erba secca che attraversa il fondo\u003c\/li\u003e\n\u003cli\u003eSfumature di schiuma verde e marrone al buio\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con tre nidi di uccelli, F108\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eFine settembre - inizio ottobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e33,5×50,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF108· JH940· KM 109.945\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta silenziosa di paglia, muschio e nero profondo\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl nero caldo, il marrone terra, il verde muschio, il beige paglierino e il grigio uovo creano un'opera meditativa per una biblioteca, un gabinetto di curiosità o un interno naturale.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux trois nids d’oiseaux, F108\"\u003e\n\u003ci style=\"background:#1c1d19\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4a4030\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e5640\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a896a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8bca0\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice nera opaca, marrone intenso o rovere affumicato mantiene l'atmosfera Un'illuminazione morbida e obliqua permette di leggere i nidi laterali senza sbiancare il fondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di pubblico dominio è stata convertita in un vero WebP di 1974 × 1350 px nella risoluzione disponibile, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con tre nidi di uccelli, F108, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autunno 1886 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eCastagne e pere\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTre frutti dai colori decisi - verde, rosso-arancio e rosa - sono posti tra le castagne aperte, sulla tavola marrone Van Gogh contrappone i volumi lisci di pere e mele alle conchiglie scure, spigolose e striate.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chataignes-poires-1886-van-gogh-legion-honor.webp?v=1785293278\u0026amp;format=webp\" alt=\"Castagne e pere - frutti verdi e rossi tra le castagne dipinti da Vincent van Gogh nel 1886\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCastagne e pere\u003c\/strong\u003eVincent van Gogh · Autunno 1886 · Legion d'Onore, Musei di Belle Arti di San Francisco\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutunno 1886\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e27×35,6 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eLegion d'Onore, Musei di Belle Arti di San Francisco\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTre frutti colorati emergono da una piantina di castagno\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa pera verde occupa esattamente il centro e funge da perno, a destra una pera rossa più alta conduce l'occhio verso il bordo superiore; a sinistra, la mela arancione chiude un triangolo semplice e stabile.\u003c\/p\u003e\n\u003cp\u003eLe castagne circondano i frutti senza formare un tappeto uniforme, alcune mostrano la loro polpa color crema, altre sono solo masse bruno-nere; i loro intervalli lasciano respirare la base di legno lavorata da lunghi tocchi orizzontali.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCastagne e pere è un olio su tela di 27 × 35,6 cm dipinto a Parigi nell'autunno del 1886 Autenticato come opera di Van Gogh nel 2019, è conservato nella Legion d'onore con il numero 1960.41.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa composizione si basa su un contrasto di scala, colore e consistenza Tre grandi volumi saturi dominano una moltitudine di piccole forme marroni, tutte collegate da un tocco molto visibile.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eI tre frutti formano un'architettura triangolare\u003c\/h3\u003e\n\u003cp\u003eIl melo basso, il pero verde centrale e il pero rosso più alto creano tre picchi Questa costruzione chiara mantiene l'ordine nonostante la dispersione delle castagne.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eOgni superficie ha la sua direzione del pennello\u003c\/h3\u003e\n\u003cp\u003eI tocchi curvi seguono i frutti, le piccole linee di luce aprono i gusci, e le linee quasi orizzontali descrivono la tavola Il materiale rende tattili gli oggetti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa tavolozza parigina illumina ancora le terre oscure\u003c\/h3\u003e\n\u003cp\u003eIl verde acido e il rosso-arancio si rompono con i marroni da tavola, ma questi rimangono attivi grazie a passaggi di viola, ocra e nero colorato.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesto dipinto non reca alcun numero nei cataloghi De la Faille o Hulsker: la sua attribuzione è stata accettata dagli specialisti del Museo Van Gogh nel gennaio 2019.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStudio\u003c\/span\u003e\u003ch3\u003eL'analisi colloca l'esecuzione nell'autunno del 1886\u003c\/h3\u003e\n\u003cp\u003eLa tela, la materia e il modo di dipingere corrispondono alle piccole nature morte realizzate da Van Gogh a Parigi tra ottobre e dicembre 1886.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSotto la superficie\u003c\/span\u003e\u003ch3\u003eUn ritratto femminile si trova sotto la natura morta\u003c\/h3\u003e\n\u003cp\u003eLa riflettografia a infrarossi ha rivelato una donna che indossava una sciarpa Van Gogh ha quindi riutilizzato una tela già dipinta, una pratica coerente con i suoi mezzi limitati.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003eL'opera entrò nella collezione nel 1960\u003c\/h3\u003e\n\u003cp\u003eBruno e Sadie Adriani lo donarono ai Fine Arts Museums di San Francisco Ha il numero di acquisizione 1960.41 ed è annesso alla Legion d'Onore.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.famsf.org\/artworks\/chestnuts-and-pears\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni per il Fine Arts Museums of San Francisco →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve trovare il triangolo dei frutti, il verde oliva luminoso, il rosso quasi corallo, i riflessi crema delle castagne aperte e la direzione dei tocchi sul legno.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa pera verde posta al centro della composizione\u003c\/li\u003e\n\u003cli\u003eL'alta pera rossa con il suo riflesso verticale\u003c\/li\u003e\n\u003cli\u003eLa mela arancione parzialmente tagliata dalle castagne\u003c\/li\u003e\n\u003cli\u003eI cocci di crema nel cuore dei gusci scuri\u003c\/li\u003e\n\u003cli\u003eI lunghi tocchi orizzontali del tavolo marrone\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCastagne e pere\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAutunno 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e27×35,6 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1960.41 · senza numero F o JH\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eLegion d'Onore, Musei di Belle Arti di San Francisco\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta compatta di verde oliva, corallo e marrone castagno\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerde oliva, rosso corallo, ocra, marrone mogano e crema compongono una tavolozza calda per una cucina, una sala da pranzo o un interno con materiali naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Châtaignes et poires\"\u003e\n\u003ci style=\"background:#8b8b29\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c94f32\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b46a31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#573521\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2b58e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, rovere affumicato o rosso-marrone risponde alle castagne, una moderata illuminazione laterale evidenzia il tocco e i riflessi del frutto.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di pubblico dominio è stata convertita in un vero WebP ad alta definizione di 2739 × 2051 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCastagne e pere, dipinte per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594863104226,"sku":"NATURE_MORTE_AVEC_DES_FRUITS_ET_DES_CH_TAIGNES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chataignes-poires-1886-van-gogh-legion-honor.webp?v=1785293278"},{"product_id":"pot-gingembre-rempli-chrysanthemes-vincent-van","title":"Pentola allo zenzero con crisantemi, F198 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Estate 1886 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eVaso di zenzero con crisantemi, F198\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn bouquet compatto di crisantemi gialli, bianchi, rosa e arancioni riempie un barattolo di zenzero verde-blu Il fondo marrone molto scuro stringe la composizione attorno ai fiori e alla decorazione ovale della pentola, la cui superficie smaltata contrasta con i petali spessi.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pot-gingembre-chrysanthemes-f198-van-gogh.webp?v=1785290521\u0026amp;format=webp\" alt=\"Pentola di zenzero con crisantemi F198 - fiori gialli e arancioni in un barattolo decorato da Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVaso di zenzero con crisantemi, F198\u003c\/strong\u003eVincent van Gogh · Estate 1886 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEstate 1886\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40×29,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn bouquet stretto si staglia su un barattolo decorato e uno sfondo quasi nero\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI piccoli fiori occupano tutta la parte superiore e formano una corona irregolare Gialli, ocra e bianchi si concentrano al centro, mentre ai bordi compaiono alcuni toni rosa e rossi.\u003c\/p\u003e\n\u003cp\u003eIl vaso verde-azzurro è dipinto come un volume denso Il suo medaglione ovale e i riflessi chiari rimangono visibili nonostante l'ombra; la base allargata stabilizza la massa molto vivace del bouquet.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVaso zenzero con crisantemi F198\/JH1125 è un olio su tela montato su tavola di 40 × 29,5 cm, dipinto a Parigi durante l'estate del 1886 L'opera è custodita in una collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh combina due trame opposte: la superficie dura e decorata dell'arenaria smaltata, quindi l'accumulo morbido di piccole corolle Lo sfondo scuro intensifica questo confronto della materia.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eI crisantemi sono assemblati in brevi tocchi\u003c\/h3\u003e\n\u003cp\u003eOgni fiore è suggerito da pochi accenti chiari attorno a un cuore più scuro La ripetizione crea una vibrazione compatta piuttosto che un inventario botanico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl blu-verde del barattolo raffredda i tuorli del bouquet\u003c\/h3\u003e\n\u003cp\u003eI colori complementari si rinforzano a vicenda I riflessi turchesi, grigi e crema fanno avanzare il contenitore davanti al marrone in basso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl medaglione ovale dà un secondo modello da guardare\u003c\/h3\u003e\n\u003cp\u003eQuesta zona decorata ravviva il centro del vaso e risponde alle forme rotonde dei fiori, trasforma un oggetto utilitario in un elemento essenziale della composizione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF198\/JH1125, le dimensioni di 40 × 29,5 cm e il supporto montato su pannello permettono di identificare con precisione questa natura morta parigina.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOggetto\u003c\/span\u003e\u003ch3\u003eIl barattolo di zenzero introduce un oggetto decorativo nella natura morta\u003c\/h3\u003e\n\u003cp\u003eLa sua glassa blu-verde, il colletto corto e il pannello ovale conferiscono a Van Gogh una superficie complessa per combinare contorno, riflesso e motivo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eIl dipinto appartiene alla ricerca floreale del 1886\u003c\/h3\u003e\n\u003cp\u003eA Parigi, Van Gogh utilizza bouquet e oggetti familiari per alleggerire la sua tavolozza e testare opposizioni più chiare tra colori caldi e freddi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eLa tela è oggi contrassegnata come montata su pannello\u003c\/h3\u003e\n\u003cp\u003eQuesta precisazione materica riguarda lo stato attuale dell'originale La riproduzione proposta rimane un dipinto ad olio realizzato a mano su tela.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghworldwide.org\/artwork\/F198\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda di riferimento di Van Gogh Worldwide →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la sagoma stretta del bouquet, la varietà di piccole corolle, lo sfondo marrone, i riflessi blu-verdi del vaso, il suo medaglione ovale e lo spessore visibile dei tasti.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eCrisantemi gialli e bianchi raggruppati in alto\u003c\/li\u003e\n\u003cli\u003eAccenti rosa e arancioni posti alla periferia\u003c\/li\u003e\n\u003cli\u003eIl colletto corto del vaso blu-verde\u003c\/li\u003e\n\u003cli\u003eIl medaglione ovale dipinto al centro del contenitore\u003c\/li\u003e\n\u003cli\u003eLo sfondo marrone scuro che isola ogni contorno\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eVaso di zenzero con crisantemi, F198\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eEstate 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e40×29,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF198· JH1125\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta intima con gialli dorati e blu-verde smaltato\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eGiallo ocra, crema, rosa terra, verde blu e marrone cacao danno profondità a una sala da pranzo, una biblioteca o un interno con oggetti antichi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Pot de gingembre aux chrysanthèmes, F198\"\u003e\n\u003ci style=\"background:#b28a3d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0c5a7\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a685d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f6c65\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3f2b25\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno dorato molto marrone scuro, verde bottiglia o patinato riprende il contrasto dell'opera, una luce leggermente radente rivela i fiori e i riflessi del vaso.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa migliore riproduzione del colore disponibile è stata preparata in WebP reale di 2.196 × 3.000 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePentola di zenzero con crisantemi, F198, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594868838626,"sku":"POT_DE_GINGEMBRE_REMPLI_DE_CHRYSANTH_MES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pot-gingembre-chrysanthemes-f198-van-gogh.webp?v=1785290521"},{"product_id":"moulage-platre-torse-femme-vincent-van","title":"Colata in gesso del torso di una donna, F216h - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Febbraio - Marzo 1887 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eColata in gesso del torso di una donna, F216h\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn calco bianco senza testa né braccia si erge su una base circolare davanti a uno sfondo blu-verde Van Gogh tratta questo oggetto di bottega come una vera natura morta, attenta al volume, ai riflessi e al colore delle ombre.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moulage-torse-femme-f216h-van-gogh.webp?v=1785282946\u0026amp;format=webp\" alt=\"Colata in gesso del busto di una donna, F216h - studio bianco su sfondo blu-verde dipinto da Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eColata in gesso del torso di una donna, F216h\u003c\/strong\u003eVincent van Gogh · Febbraio - Marzo 1887 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eFebbraio - marzo 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41×32,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn esercizio di volume in cui l'intonaco bianco assorbe tutti i colori\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl busto si vede quasi di fronte, leggermente girato verso destra, la sua vita stretta e le cosce troncate formano una silhouette continua che la base rotonda stabilizza nel piccolo formato verticale.\u003c\/p\u003e\n\u003cp\u003eNessuna parte del calco è in realtà bianca: crema, grigio bluastro, verde pallido e rosa modellano spalle, petto, addome e fianchi, lo sfondo freddo accentua queste finissime variazioni.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa fusione in gesso del torso di una donna è un olio su tela di 41 × 32,7 cm dipinto a Parigi nel febbraio - marzo 1887 L'opera F216h\/JH1058 è custodita al Museo Van Gogh con il numero s0200V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh dipinse diversi gessi durante il suo periodo parigino Qui, l'oggetto accademico non è disegnato da un contorno duro: i passaggi di colore e le direzioni del pennello gli conferiscono peso, rotondità e presenza.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa luce rivela l'anatomia senza un modello vivente\u003c\/h3\u003e\n\u003cp\u003eOmbre sotto il petto, intorno allo stomaco e tra le cosce descrivono la struttura del corpo Il gesso permette di studiare questi volumi in una posa completamente stabile.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLo sfondo blu-verde colora le ombre del bianco\u003c\/h3\u003e\n\u003cp\u003eI toni freddi scivolano lungo il lato sinistro e attorno agli arti troncati Il busto appartiene così all'atmosfera della stanza invece di sembrare ritagliato davanti ad esso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa base trasforma lo studio in un ritratto a oggetti\u003c\/h3\u003e\n\u003cp\u003eIl suo ovale occupa quasi tutta la base e conferisce alla fusione una verticalità monumentale, Privato anche di testa e braccia, diventa il soggetto completo del dipinto.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF216h\/JH1058, dimensioni 41 × 32,7 cm e inventario s0200V1962 distinguono questa vista frontale su sfondo blu-verde da altri studi di torsi in gesso dipinti da Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eDiversi getti, diversi angoli e diversi supporti\u003c\/h3\u003e\n\u003cp\u003eVan Gogh varia le viste frontale, posteriore o di profilo Ogni tela gli permette di riprendere l'anatomia, la luce e l'armonia del bianco con uno sfondo colorato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGenere\u003c\/span\u003e\u003ch3\u003eUna scultura trattata come una natura morta\u003c\/h3\u003e\n\u003cp\u003eIl modello rimane immobile come una bottiglia o un vaso, ma i suoi volumi richiedono uno studio molto più complesso di curve e ombre.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eParigi\u003c\/span\u003e\u003ch3\u003eRicerca svolta al centro della sua evoluzione cromatica\u003c\/h3\u003e\n\u003cp\u003eNel 1887, Van Gogh chiarì la sua tavolozza e sperimentò di più con le opposizioni di colore Anche un intonaco bianco qui diventa un insieme di toni colorati.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0200V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la silhouette frontale, i volumi dell'intonaco, le ombre blu-grigie, la base circolare, il tavolo luminoso e lo sfondo blu-verde con pennellate a vista.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eSpalle e braccia troncate\u003c\/li\u003e\n\u003cli\u003eLe sfumature crema e grigio-blu del gesso\u003c\/li\u003e\n\u003cli\u003eIl modellamento dello stomaco e dei fianchi\u003c\/li\u003e\n\u003cli\u003eLa base ovale con diversi anelli\u003c\/li\u003e\n\u003cli\u003eLo sfondo blu-verde leggermente sfumato\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eColata in gesso del torso di una donna, F216h\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eFebbraio - marzo 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e41×32,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF216h· JH1058· s0200V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUno studio sobrio e scultoreo con fredde armonie\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eBianco crema, grigio blu, verderame, beige e grigio scuro creano una presenza calma per un ufficio, una camera da letto o un interno minimalista.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Moulage en plâtre d’un torse de femme, F216h\"\u003e\n\u003ci style=\"background:#c9c8b2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#82949a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6d8f89\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b9ab8d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#505c59\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice grigio ardesia, legno chiaro o verderame accompagna la sobrietà dello studio, una luce bianca morbida rivela le sfumature dell'intonaco senza schiacciarle.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ufficiale ad alta definizione del Museo Van Gogh è stata preparata come un vero e proprio WebP di 2.386 × 3.000 px.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStampaggio in gesso del busto di una donna, F216h, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594881061090,"sku":"MOULAGE_EN_PL_TRE_DU_TORSE_D_UNE_FEMME_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moulage-torse-femme-f216h-van-gogh.webp?v=1785282946"},{"product_id":"nature-morte-pommes-terre-vincent-van-2","title":"Natura morta con patate, F386 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Metà gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con patate, F386\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn piatto giallo ripieno di patate occupa il centro di un tavolo molto leggero, i tuberi marroni ricevono però tocchi rossi e blu, mentre un'ombra blu brillante scivola sotto il contenitore.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pommes-terre-f386-van-gogh.webp?v=1785282387\u0026amp;format=webp\" alt=\"Natura morta con patate, F386 - patate in un piatto giallo dipinto da Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con patate, F386\u003c\/strong\u003eVincent van Gogh · Metà gennaio 1889 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMetà gennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39,5×47,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn soggetto rustico diventa un'esperienza di colore e materia\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl piatto si vede leggermente dall'alto, abbastanza vicino da far formare una massa irregolare alle patate, il bordo giallo, i contorni blu-viola e la tovaglia quasi bianca organizzano tre zone ben leggibili.\u003c\/p\u003e\n\u003cp\u003eIl tavolo è costruito da piccoli tocchi orizzontali impasto Dietro di esso, pennellate più larghe cambiano direzione e compongono uno sfondo intrecciato che non cerca né parete precisa né profondità illusionistica.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con patate è un olio su tela di 39,5 × 47,5 cm datato metà gennaio 1889 ad Arles Riferito F386\/JH1365, è custodito al Museo Kroeller-Müller con il numero KM 108,951.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLe istruzioni del Museo Kroeller-Müller enfatizzano due scelte essenziali: colori liberati dal realismo e un tocco che diventa importante quanto gli oggetti Van Gogh utilizza il familiare motivo della patata per testare queste nuove soluzioni.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eGiallo e blu sostituiscono la modellazione tradizionale\u003c\/h3\u003e\n\u003cp\u003eIl piatto giallo proietta un'ombra blu invece di un grigio neutro Questa opposizione di complementi stacca fortemente il contenitore dalla tovaglia senza ricorrere al chiaroscuro accademico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe patate non sono mai solo marroni\u003c\/h3\u003e\n\u003cp\u003eNelle loro pelli si mescolano rosso, ocra, blu e verde, i tocchi colorati conferiscono ad ogni tubero una superficie ruvida e un proprio orientamento.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLo sfondo adotta un tocco cosiddetto \"varietà\"\u003c\/h3\u003e\n\u003cp\u003eLe linee verticali e orizzontali si intersecano come fibre Questa rete visibile trasforma lo sfondo in una superficie attiva piuttosto che in una decorazione cancellata.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLe dimensioni 39,5 × 47,5 cm, l'inventario KM 108,951 e i riferimenti F386\/JH1365 identificano questa composizione con il piatto giallo tra le numerose nature morte di patate di Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\u003ch3\u003eOpera ora fissata a metà gennaio 1889\u003c\/h3\u003e\n\u003cp\u003eIl museo adotta questa datazione per una tela a lungo vicina ai primi studi di Arles Il foglio segue l'attuale avviso istituzionale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIndietro\u003c\/span\u003e\u003ch3\u003eUn motivo legato a ricerche del periodo olandese\u003c\/h3\u003e\n\u003cp\u003eVan Gogh aveva studiato cesti, piatti e pasti di patate a Nuenen Qui riprende questo umile soggetto con la palette chiara e il tocco autonomo sviluppato in Francia.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTecnica\u003c\/span\u003e\u003ch3\u003eIl materiale del pennello struttura ogni area\u003c\/h3\u003e\n\u003cp\u003eTocchi stretti sul tavolo, linee più larghe sullo sfondo e accenti curvi sui tuberi differenziano le superfici senza levigarle.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/en\/vincent-van-gogh-still-life-with-potatoes\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare il piatto giallo, le patate con accenti rossi e blu, la tonalità blu, la tovaglia leggera e i cambiamenti di direzione molto visibili sullo sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl piatto giallo evidenziato con il viola-blu\u003c\/li\u003e\n\u003cli\u003ePatate brune incrociate con il rosso e il blu\u003c\/li\u003e\n\u003cli\u003eOmbra blu sulla tovaglia\u003c\/li\u003e\n\u003cli\u003eI piccoli tocchi orizzontali del tavolo\u003c\/li\u003e\n\u003cli\u003eLo sfondo con pennellate incrociate\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con patate, F386\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMetà gennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e39,5×47,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF386 · JH1365 · KM 108.951\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta calda, rustica e sorprendentemente moderna\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eGiallo ocra, marrone terra, blu lavanda, avorio e verde grigio creano un abbinamento equilibrato per una cucina, una sala da pranzo o interni con materiali naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux pommes de terre, F386\"\u003e\n\u003ci style=\"background:#b99a52\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8a6848\"\u003e\u003c\/i\u003e\u003ci style=\"background:#61728a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1c7a9\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b806d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno biondo medio o marrone allunga i toni del piatto e delle patate, La luce neutra rivela l'ombra blu e lo spessore dei tasti senza ingiallire la tovaglia.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ufficiale in alta definizione del Museo Kroeller-Müller è stata preparata come un vero e proprio WebP di 3.000 × 2.478 px.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con patate, F386, dipinta per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594882142434,"sku":"NATURE_MORTE_AUX_POMMES_DE_TERRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pommes-terre-f386-van-gogh.webp?v=1785282387"},{"product_id":"branche-amandier-fleurs-verre-livre-vincent","title":"Ramo di mandorle, vetro e libro, F393 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · marzo 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eRamo di mandorle, vetro e libro, F393\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn piccolo ramo scuro porta fiori bianchi e rosa in vetro trasparente Dietro di lei, un libro spesso posto ad angolo trasforma questo studio intimo in una composizione di scatti colorati.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branche-amandier-verre-livre-f393-van-gogh.webp?v=1785281571\u0026amp;format=webp\" alt=\"Ramo di mandorlo in fiore in un bicchiere con un libro, F393 - piccola natura morta dipinta da Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRamo di mandorle, vetro e libro, F393\u003c\/strong\u003eVincent van Gogh · marzo 1888 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMarzo 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e24×19 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn ramo anticipato annuncia la primavera nel mezzo del freddo di Arles\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vetro cilindrico occupa la sinistra inferiore, costruito da alcuni contorni grigio-blu, verdi e rosa Il ramo si eleva diagonalmente poi si divide in mazzi di fiori che si stagliano su uno sfondo verde-azzurro.\u003c\/p\u003e\n\u003cp\u003eIl libro, visto quasi dall'alto, introduce grandi bande rosa, bianche e verdi dietro la finezza dei rami, il suo angolo estende lo slancio del ramo e dà profondità al piccolo formato verticale.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eRamo di mandorlo in fiore in un bicchiere con libro è un olio su tela di 24 × 19 cm dipinto ad Arles nel marzo 1888 L'opera F393\/JH1362, firmata \"Vincent\", è in collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa corrispondenza commentata riunisce F393 con la versione senza libri F392 Questi due piccoli studi sono stati effettuati all'inizio del soggiorno ad Arles, mentre il gelo e la neve contrastavano con i primi germogli di mandorle.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl libro funziona come un secondo sfondo\u003c\/h3\u003e\n\u003cp\u003eLe sue pagine e la copertina rosa separano il vetro dalla parete blu-verde Il ramo si staglia così successivamente su più superfici chiare e colorate.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLa trasparenza è suggerita da pochissimi tratti\u003c\/h3\u003e\n\u003cp\u003eVan Gogh non riempie il bicchiere con un motivo continuo Bastano poche linee verticali, riflessi verdi e accenti scuri a rivelare il tavolo e il gambo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eI fiori si alternano bianchi, rosa e rossi\u003c\/h3\u003e\n\u003cp\u003eI petali chiari non sono mai uniformi I cuori rossi e i contorni rosa conferiscono ad ogni piccolo bouquet una presenza distinta.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF393\/JH1362 designa la versione verticale piccola di 24 × 19 cm comprendente un libro Si differenzia da F392\/JH1361, di dimensioni simili ma senza questo oggetto dietro il vetro.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDuo\u003c\/span\u003e\u003ch3\u003eDue studi ravvicinati, ma due composizioni diverse\u003c\/h3\u003e\n\u003cp\u003eF392 isola ulteriormente il ramo e il vetro F393 aggiunge il libro, moltiplica le diagonali e densifica il centro della natura morta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStagione\u003c\/span\u003e\u003ch3\u003eFiori osservati nonostante il gelo\u003c\/h3\u003e\n\u003cp\u003eAl suo arrivo ad Arles, Van Gogh riferì ancora la neve e il freddo, mentre già notava un ramo di mandorlo in fiore: un breve schema lavorato all'interno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInvio\u003c\/span\u003e\u003ch3\u003eUna piccola tela inclusa nel primo lotto di Arles\u003c\/h3\u003e\n\u003cp\u003eLe note della lettera 606 annoverano F393 tra gli studi inviati a Teo insieme all'altro ramo di mandorlo, cesto d'arancio e paesaggi innevati.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghletters.org\/vg\/letters\/let585\/letter.html\" target=\"_blank\" rel=\"noopener\"\u003eVisualizza l'edizione scientifica della corrispondenza di Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare il vetro trasparente, il ramo nero diagonale, i fiori bianchi e rosa, il libro spesso, lo sfondo blu-verde e la piccola firma in alto a sinistra.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eVetro trasparente con riflessi blu-verdi\u003c\/li\u003e\n\u003cli\u003eIl ramo scuro che si innalza diagonalmente\u003c\/li\u003e\n\u003cli\u003ePetali bianchi con cuori rossi\u003c\/li\u003e\n\u003cli\u003eIl libro rosa e bianco posto ad angolo\u003c\/li\u003e\n\u003cli\u003eLa firma \"Vincent\" in alto a sinistra\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eRamo di mandorle, vetro e libro, F393\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMarzo 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e24×19 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF393 · JH1362\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta intima, leggera e piena di segni di primavera\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerde blu, rosa cipria, bianco crema, verde salvia e marrone nero creano una nota poetica per una camera da letto, un ufficio o una piccola parete da collezione.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Branche d’amandier, verre et livre, F393\"\u003e\n\u003ci style=\"background:#6f8c86\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c99691\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8d2bc\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d8b70\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3d4038\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno chiaro, verde salvia o bianco sporco rispetta la delicatezza del piccolo formato La luce neutra aiuta a distinguere il vetro di fondo e le sfumature rosate del libro.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa migliore immagine fedele disponibile, 723 × 896 px, è stata conservata alla sua definizione nativa e codificata in WebP reale, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRamo di mandorlo, vetro e libro, F393, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594882273506,"sku":"BRANCHE_D_AMANDIER_EN_FLEURS_DANS_UN_VERRE_AVEC_UN_LIVRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branche-amandier-verre-livre-f393-van-gogh.webp?v=1785281571"},{"product_id":"nature-morte-panier-oranges-vincent-van","title":"Cesto con sei arance, F395 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · marzo 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eCesto con sei arance, F395\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn un cesto di vimini gialli riposano sei arance rosso-arancio, il cesto è posto diagonalmente su un tavolo molto leggero, davanti a uno sfondo blu coperto da tocchi verticali.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-six-oranges-f395-van-gogh.webp?v=1785281566\u0026amp;format=webp\" alt=\"Cesto con sei arance, F395 - frutti di colore arancione brillante in un cestino giallo dipinto da Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCesto con sei arance, F395\u003c\/strong\u003eVincent van Gogh · marzo 1888 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMarzo 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45×54 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSono sufficienti sei frutti per far vibrare l'arancia contro il blu\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl cesto allungato occupa quasi tutta la larghezza Il suo bordo e i fili intrecciati seguono curve gialle che circondano i frutti, mentre la sua ombra blu-viola lo ancora sul vassoio.\u003c\/p\u003e\n\u003cp\u003eLe arance non sono dipinte come sfere lisce: rimangono visibili tocchi rossi, gialli, rosa e piccoli verdi Dietro di esse, il freddo blu del muro intensifica il loro calore per contrasto.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCesto con sei arance è un olio su tela di 45 × 54 cm dipinto ad Arles nel marzo 1888 Natura morta firmato \"Vincent\" porta i riferimenti F395\/JH1363 ed è in collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesta composizione appartiene ai primissimi studi compiuti ad Arles Van Gogh riprende il principio di un cesto di frutti già esplorato a Parigi, ma illumina radicalmente l'arredamento e organizza l'intera tela attorno al contrasto arancio-blu.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa diagonale impedisce alla natura morta di rimanere statica\u003c\/h3\u003e\n\u003cp\u003eIl cesto si sposta da sinistra a destra e i frutti sono distribuiti su più profondità Questo orientamento dà movimento ad un soggetto molto semplice.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eL'ombra è dipinta di blu anziché di grigio\u003c\/h3\u003e\n\u003cp\u003eLe linee fredde sotto il vimini rispondono allo sfondo e fanno emergere i gialli del cesto, il colore descrive così la luce tanto quanto la forma.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa firma contribuisce all'equilibrio\u003c\/h3\u003e\n\u003cp\u003eIl nome \"Vincent\", disegnato in arancione nell'angolo in basso a sinistra, estende la gamma di frutti nell'ampia area luminosa della tavola.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF395\/JH1363 designa con precisione la natura morta di 45 × 54 cm contenente sei arance, la corrispondenza annotata la colloca tra i primi studi di Arles e la distingue dai cesti di agrumi o mele dipinti in altri periodi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eArles\u003c\/span\u003e\u003ch3\u003eUno studio effettuato dopo l'arrivo nel Sud\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse questa tela nel marzo 1888, quando il freddo e la neve limitavano ancora le sue uscite e lo incoraggiavano a lavorare su soggetti interni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eComparazione\u003c\/span\u003e\u003ch3\u003eUn'eco del cesto di mele di Parigi\u003c\/h3\u003e\n\u003cp\u003eNelle sue lettere, paragona questo studio a un cesto di mele offerto a Lucien Pissarro Il nuovo dipinto sostituisce le mele con una gamma arancione molto più soleggiata.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInvio\u003c\/span\u003e\u003ch3\u003eUn'opera conservata nel primo ensemble di Arles\u003c\/h3\u003e\n\u003cp\u003eLe note della lettera 606 annoverano F395 tra gli studi inviati a Teo con paesaggi innevati, rami di mandorlo e ponti precoci.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghletters.org\/vg\/letters\/let585\/letter.html\" target=\"_blank\" rel=\"noopener\"\u003eVisualizza l'edizione scientifica della corrispondenza di Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare i sei frutti, le curve del cesto intrecciato, l'ombra blu-viola, la tavola d'avorio, lo sfondo blu diviso in zone e la firma arancione in basso a sinistra.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLe sei arance con tocchi rossi e gialli\u003c\/li\u003e\n\u003cli\u003eIntreccio curvo del cestino\u003c\/li\u003e\n\u003cli\u003eL'ombra blu-viola sotto il cestino\u003c\/li\u003e\n\u003cli\u003eLo sfondo blu con linee verticali\u003c\/li\u003e\n\u003cli\u003eLa firma \"Vincent\" sul tavolo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCesto con sei arance, F395\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMarzo 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e45×54 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF395 · JH1363\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta chiara dove l'arancione si irradia di blu\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eArancione vermiglio, giallo paglierino, grigio blu, blu lavanda e avorio costituiscono un accento caldo per una cucina luminosa, sala da pranzo o soggiorno.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Panier avec six oranges, F395\"\u003e\n\u003ci style=\"background:#cf7049\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5b55c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8aa7ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#778ea8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9cda9\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno chiaro o grigio blu accompagna la freschezza dello sfondo Una luce bianca morbida rivela le differenze di rosso e giallo in ogni frutto.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa migliore immagine fedele disponibile, 2292 × 1926 px, è stata conservata alla sua definizione nativa e codificata in WebP reale, senza ingrandimento.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCestino con sei arance, F395, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594882633954,"sku":"NATURE_MORTE_AU_PANIER_D_ORANGES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-six-oranges-f395-van-gogh.webp?v=1785281566"},{"product_id":"pommes-poires-citron-raisin-vincent-van","title":"Uva, limoni, pere e mele, F382 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autunno 1887 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eUva, limoni, pere e mele, F382\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn grappolo viola pesante attraversa il centro di una tovaglia azzurra, circondato da uva verde, limoni gialli, pere e mele rosse, intorno ai frutti le pennellate formano correnti che rendono la tavola quasi in movimento.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/raisins-citrons-poires-pommes-f382-van-gogh.webp?v=1785273504\u0026amp;format=webp\" alt=\"Uva, limoni, pere e mele F382 di Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eUva, limoni, pere e mele, F382\u003c\/strong\u003eVincent van Gogh · Autunno 1887 · Art Institute of Chicago\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutunno 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e46,5×55,2 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eIstituto d'Arte di Chicago\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eI frutti rimangono fermi, ma tutto il colore circola intorno a loro\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl grande bouquet di uva viola collega le due metà della composizione Le mele rosse occupano il bordo inferiore, mentre i frutti gialli e verdi bilanciano la parte superiore.\u003c\/p\u003e\n\u003cp\u003eLa tovaglia non è uno sfondo neutro: le sue linee blu, viola e bianche ruotano attorno ai frutti, le ombre assumono il loro complemento e rinforzano la sensazione di vibrazione.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eDipinto a Parigi nell'autunno del 1887, questo olio su tela da 46,5 × 55,2 cm è F382\/JH1337. è conservato all'Art Institute of Chicago con il numero 1949.215.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh semplifica i suoi oggetti, addensa il materiale e organizza il tutto in coppie di colori complementari I gialli sono rivolti verso i viola, i blu gli arancioni, e i rossi i verdi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eL'ammasso viola costituisce l'asse centrale\u003c\/h3\u003e\n\u003cp\u003eI suoi grani stretti e i contorni scuri danno peso alla natura morta, quindi attirano l'occhio verso i grappoli verdi più chiari.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eI frutti sono modellati da colori audaci\u003c\/h3\u003e\n\u003cp\u003eMele, limoni e pere non vengono sciolti da gradienti lisci: i loro volumi nascono da brevi tocchi di rosso, giallo, verde e blu.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl foglio diventa un campo di forza\u003c\/h3\u003e\n\u003cp\u003eIl pattern pulsante delle pennellate descrive le curve attorno al frutto e trasforma il tavolo in una superficie attiva piuttosto che in un semplice supporto.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'Istituto d'Arte colloca questa natura morta tra i dipinti di frutta di stagione dipinti da Van Gogh a Parigi durante l'autunno del 1887.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRicerca\u003c\/span\u003e\u003ch3\u003eTre coppie complementari\u003c\/h3\u003e\n\u003cp\u003eGiallo-viola, blu-arancio e rosso-verde sono distribuiti nei frutti, nelle ombre e nella tovaglia per intensificare reciprocamente ogni colore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eEsposizione\u003c\/span\u003e\u003ch3\u003eUna possibile \"natura morta violenta\"\u003c\/h3\u003e\n\u003cp\u003eIl dipinto potrebbe essere apparso nella mostra di giovani artisti organizzata da Van Gogh in un ristorante parigino nel novembre-dicembre 1887.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003e215.1949 a Chicago\u003c\/h3\u003e\n\u003cp\u003eDonata al museo da Kate L. Brewster, l'opera è ora esposta nella Galleria 241 dell'Art Institute di Chicago.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.artic.edu\/artworks\/64957\/grapes-lemons-pears-and-apples\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso dell'Art Institute of Chicago →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la forma individuale dei grani, la massa centrale violacea, i riflessi colorati delle mele, i contrasti complementari e il movimento circolare della tovaglia.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl grande ammasso viola\u003c\/li\u003e\n\u003cli\u003eUva verde traslucida\u003c\/li\u003e\n\u003cli\u003eLimoni e pere gialle\u003c\/li\u003e\n\u003cli\u003eLe mele rosse in primo piano\u003c\/li\u003e\n\u003cli\u003eLe chiavi vorticose della tovaglia\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eUva, limoni, pere e mele, F382\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAutunno 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e46,5×55,2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF382 · JH1337 · 1949.215\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eIstituto d'Arte di Chicago\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna generosa natura morta con contrasti moderni\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl viola prugna, il blu lavanda, il giallo limone, il verde oliva e il rosso mattone costituiscono una ricca tavolozza per una cucina, una sala da pranzo o un soggiorno.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Raisins, citrons, poires et pommes, F382\"\u003e\n\u003ci style=\"background:#594767\"\u003e\u003c\/i\u003e\u003ci style=\"background:#99a3c1\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c7a13f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#77804b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a84f3b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice viola molto scura, grigio-blu o noce fa emergere la tovaglia chiara Una luce bianca e diffusa preserva la differenza tra uva verde e viola.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine dell'Art Institute of Chicago, 3000 × 2484 px, è stata codificata come un vero WebP nella sua definizione nativa, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eUva, limoni, pere e mele, F382, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594892333282,"sku":"POMMES_POIRES_CITRON_ET_RAISIN_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/raisins-citrons-poires-pommes-f382-van-gogh.webp?v=1785273504"},{"product_id":"quatre-tournesols-fanes-vincent-van-gogh","title":"Quattro girasoli sbiaditi, F452 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · agosto-ottobre 1887 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eQuattro girasoli sbiaditi, F452\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eQuattro capolini tagliati, già pesanti di semi, riempiono la tela senza vaso né bouquet, i loro steli ricurvi, i petali secchi e i cuori verdastri ruotano su uno spazio marrone, blu e viola impossibile da definire un semplice tavolo.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/quatre-tournesols-fanes-f452-van-gogh.webp?v=1785272880\u0026amp;format=webp\" alt=\"Quattro girasoli sbiaditi F452 di Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eQuattro girasoli sbiaditi, F452\u003c\/strong\u003eVincent van Gogh · agosto-ottobre 1887 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAgosto-ottobre 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e59,5×99,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eGirasoli a grandezza naturale, senza decorazione\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI fiori sono posti orizzontalmente e visti a brevissima distanza, due grandi capolini occupano la sinistra, mentre gli altri due si sovrappongono sulla destra, collegati da steli sinuosi.\u003c\/p\u003e\n\u003cp\u003eVan Gogh non separa chiaramente primo piano e sfondo Ombre blu, viola e marroni circondano i fiori e danno l'impressione che galleggino in un materiale colorato.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eDipinto a Parigi tra agosto e ottobre 1887, questo olio su tela di 59,5 × 99,5 cm è F452\/JH1330 È conservato al Museo Kroeller-Müller con il numero KM 105,570.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesta natura morta si basa sul contrasto tra i gialli e le arance dei fiori, i verdi dei loro cuori e i profondi blu dello spazio che li circonda Le pennellate ruotano in diverse direzioni come i petali stessi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eI fiori occupano la loro dimensione reale\u003c\/h3\u003e\n\u003cp\u003eLa loro scala monumentale trasforma quattro piante appassite nel soggetto principale, senza accessori né sfondo narrativo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eOgni capolino ha un suo movimento\u003c\/h3\u003e\n\u003cp\u003ePetali setolosi, semi stretti e brattee ricurve sono dipinti da tocchi che si irradiano, si arricciano o si incrociano.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl fondo rifiuta una profondità stabile\u003c\/h3\u003e\n\u003cp\u003eIl blu cobalto, il marrone nero e il viola formano aree mutevoli piuttosto che una tabella chiaramente descritta, rafforzando la stranezza della composizione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Kroeller-Müller presenta il dipinto come una delle vette del periodo parigino Van Gogh spinge molto lontano la sua ricerca sulle opposizioni dei colori caldi e freddi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eI primi girasoli a Parigi\u003c\/h3\u003e\n\u003cp\u003ePrima dei famosi mazzi di fiori di Arles, Van Gogh dipinse diverse nature morte di girasoli tagliati o ricoperti di semi nel 1887.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eScelta\u003c\/span\u003e\u003ch3\u003eFiori sbiaditi piuttosto che bouquet\u003c\/h3\u003e\n\u003cp\u003eNessun vaso organizza la scena: i fusti e i capolini di invecchiamento sono mostrati direttamente, a grandezza naturale, con le loro forme irregolari.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eKM 105,570\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è una delle maggiori opere del Museo Kroeller-Müller ed è documentato come attualmente esposto a Otterlo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-four-sunflowers-gone-to-seed-km-105-570\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni per il Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia dovrebbe conservare la scaglia dei quattro fiori, la sostanza secca dei petali, i centri verde-marroni, gli steli ricurvi e le ombre blu-viola che rendono lo spazio indeterminato.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI due capolini sinistri\u003c\/li\u003e\n\u003cli\u003eI petali gialli ocra\u003c\/li\u003e\n\u003cli\u003eCuori carichi di semi\u003c\/li\u003e\n\u003cli\u003eSteli spessi e ricurvi\u003c\/li\u003e\n\u003cli\u003eLo sfondo blu-marrone in movimento\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eQuattro girasoli sbiaditi, F452\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAgosto-ottobre 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e59,5×99,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF452 · JH1330 · KM 105.570\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta orizzontale, oscura e solare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl grande formato panoramico è adatto sopra un divano o una consolle Giallo ocra, verde oliva, blu notte e marrone terra danno una presenza più profonda rispetto ai bouquet di Arles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Quatre tournesols fanés, F452\"\u003e\n\u003ci style=\"background:#bc8937\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7e7b48\"\u003e\u003c\/i\u003e\u003ci style=\"background:#344752\"\u003e\u003c\/i\u003e\u003ci style=\"background:#573d31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8d6540\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone nero, noce o blu notte stringe la composizione La luce neutra rivela il blu dello sfondo senza rendere i petali gialli troppo luminosi.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine documentaria di 2839 × 1722 px è stata conservata alla sua definizione nativa e codificata come un vero e proprio WebP senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eQuattro girasoli sbiaditi, F452, dipinti per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 85 cm)","offer_id":46594893742306,"sku":"QUATRE_TOURNESOLS_FAN_S_50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/quatre-tournesols-fanes-f452-van-gogh.webp?v=1785272880"},{"product_id":"nature-morte-coins-vincent-van-gogh","title":"Natura morta con mele cotogne, F602 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · 1887 -1888 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con mele cotogne, F602\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn compatto grappolo di mele cotogne giallo oro poggia su tessuto blu turchese; la vicinanza del motivo, la quasi totale assenza di ombre fuse e gli sparsi tocchi rossi trasformano questo modesto soggetto in uno studio dei contrasti.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-aux-coings-f602-vincent-van-gogh.webp?v=1785259798\u0026amp;format=webp\" alt=\"Natura morta con mele cotogne F602 di Vincent van Gogh, Albertinum a Dresda\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con mele cotogne, F602\u003c\/strong\u003eVincent van Gogh · 1887 -1888 · Albertinum, Dresda\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e1887-1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e46×59,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAlbertinum, Dresda\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eMele cotogne modellate dal colore\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI frutti occupano il centro della tela in una massa irregolare Il belvedere leggermente in picchiata rende visibili dossi, incavi e code senza ricorrere a complesse messe in scena.\u003c\/p\u003e\n\u003cp\u003eIl tessuto blu-verde si eleva dietro le mele cotogne e riduce la profondità, le sue corte striature oblique rispondono ai tocchi gialli dei frutti, mentre pochi accenti rossi rinforzano il verde circostante.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh utilizza la natura morta come laboratorio cromatico: i gialli e le arance delle mele cotogne acquistano intensità al contatto con blu e verdi complementari.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLe Staatliche Kunstsammlungen Dresden conservano questo olio su tela di dimensioni 46 × 59,5 cm sotto il numero Gal.-Nr. 2593; il riferimento del catalogo è F602.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eGiallo contro verde blu\u003c\/h3\u003e\n\u003cp\u003eIl contrasto principale è tra frutta calda e tessuto freddo Le due famiglie di colori si rinforzano a vicenda senza bisogno di decorazioni aggiuntive.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUna profondità volutamente bassa\u003c\/h3\u003e\n\u003cp\u003eIl belvedere ravvicinato, la tela in rilievo dietro i frutti e l'assenza di ombre acuminate avvicinano la composizione alla superficie dipinta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eStrisce rosse molto calcolate\u003c\/h3\u003e\n\u003cp\u003eNel blu turchese emergono brevi linee rosse Complementari al verde, intensificano ulteriormente la vibrazione dello sfondo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso di Dresda analizza la tela come uno studio dei complementi e nota l'influenza delle stampe giapponesi nei contorni e l'assenza di ombre proiettate.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eCotogne, non angoli\u003c\/h3\u003e\n\u003cp\u003eI frutti piriformi sono mele cotogne gialle con superfici irregolari, raccolte in un mucchio visto da vicino e leggermente dall'alto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGiapponismo\u003c\/span\u003e\u003ch3\u003eContorno e ombra semplificati\u003c\/h3\u003e\n\u003cp\u003eIl fine anello ocra e la rinuncia alle ombre fuse riprendono soluzioni che Van Gogh osservava nelle stampe giapponesi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eEntrò a Dresda nel 1920\u003c\/h3\u003e\n\u003cp\u003eL'opera fu acquistata dal commerciante berlinese Karl Haberstock in cambio di un pastello da Rosalba Carriera.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/skd-online-collection.skd.museum\/Details\/Index\/242607\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale delle collezioni di Dresda →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve differenziare ogni mela cotogna senza isolarle, preservare i contrasti giallo-blu-verde e mantenere le brevissime linee rosse che scandiscono il tessuto.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eMucchio di mele cotogne giallo oro\u003c\/li\u003e\n\u003cli\u003eProtuberanze modellate in bianco e ocra\u003c\/li\u003e\n\u003cli\u003eIl tessuto blu turchese sollevato\u003c\/li\u003e\n\u003cli\u003eLe piccole striature rosse\u003c\/li\u003e\n\u003cli\u003eL'angolo viola-marrone in alto a destra\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con mele cotogne, F602\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1887-1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e46×59,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eAlbertinum, Gal.-Nr. 2593 · F602\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eAlbertinum, Dresda\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta solare su uno sfondo turchese\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una cucina, sala da pranzo o soggiorno Giallo senape, verde blu, ocra e rosso mattone si abbinano al legno naturale e alle pareti non sbiancate.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux coings, F602\"\u003e\n\u003ci style=\"background:#c89a2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e0bd50\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f7d78\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9d5938\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66564f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, rovere medio o blu petrolio evidenzia il contrasto centrale Una luce abbastanza neutra impedisce ai gialli di diventare arancioni.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa fotografia documentaria misurava 3.088×2.056 px; era codificato come un vero WebP di 3.000×1.997 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con mele cotogne, F602, dipinta per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594911338722,"sku":"NATURE_MORTE_AUX_COINS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-aux-coings-f602-vincent-van-gogh.webp?v=1785259798"},{"product_id":"paire-sabots-cuir-vincent-van-gogh","title":"Coppia di zoccoli in pelle, F607 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autunno 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eCoppia di zoccoli in pelle, F607\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue zoccoli di cuoio con suole di legno sono visti da vicino su una superficie fortemente inclinata; le loro cuciture, pieghe e usura diventano una rete di piccoli tocchi grigi, blu e marroni.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paire-sabots-cuir-f607-vincent-van-gogh.webp?v=1785258460\u0026amp;format=webp\" alt=\"Coppia di zoccoli in pelle F607 di Vincent van Gogh, Museo Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCoppia di zoccoli in pelle, F607\u003c\/strong\u003eVincent van Gogh · Autunno 1889 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutunno 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e32,2×40,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDue oggetti modesti posti in primo piano\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLo zoccolo sinistro mostra il suo interno mentre quello destro avanza verso il bordo La loro compatta sovrapposizione conferisce a questa piccola natura morta una presenza quasi monumentale.\u003c\/p\u003e\n\u003cp\u003eIl vassoio giallo-arancio sembra inclinarsi verso lo spettatore, Van Gogh anima la pelle con un minuzioso motivo di piccole linee, già utilizzato in certi dipinti parigini di due anni prima.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eA Saint-Rémy, durante un periodo in cui esitava a lasciare la clinica, Van Gogh continuò a dipingere non appena si sentì abbastanza bene Queste scarpe da lavoro gli offrono un soggetto vicino, concreto e ricco di materiale.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh colloca questo dipinto nell'autunno del 1889 e lo elenca sotto s0120V1962. misura 32,2 × 40,5 cm e porta i riferimenti F607\/JH1364.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna prospettiva volutamente inclinata\u003c\/h3\u003e\n\u003cp\u003eLa superficie si raddrizza in modo innaturale Questo bilanciere unisce gli zoccoli ed evita l'effetto di una natura morta posta a distanza.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003ePelle costruita in piccole striature\u003c\/h3\u003e\n\u003cp\u003eBrevi tratti seguono le cuciture, le pieghe e la curvatura delle tomaie, dal ritmo del pennello nasce il materiale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eGrigi colorati\u003c\/h3\u003e\n\u003cp\u003eBlu, verde, marrone e viola si mescolano nelle scarpe; lo sfondo giallo-arancio le rende più fredde e presenti.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso ufficiale corregge la datazione a lungo associata al soggetto: questa specifica coppia fu dipinta a Saint-Rémy nell'autunno del 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOggetto\u003c\/span\u003e\u003ch3\u003eSuole in pelle e legno\u003c\/h3\u003e\n\u003cp\u003eNon si tratta di semplici zoccoli tagliati interamente in legno, ma di scarpe in pelle montate su una base rigida.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eDipingere all'interno della clinica\u003c\/h3\u003e\n\u003cp\u003eVan Gogh scelse questo soggetto accessibile mentre stava attraversando un periodo in cui uscire per lavorare gli sembrava difficile.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProspettiva\u003c\/span\u003e\u003ch3\u003eUn processo già testato\u003c\/h3\u003e\n\u003cp\u003eIl piano molto inclinato e le piccole striature avvicinano questo lavoro di ricerca svolto a Parigi circa due anni prima.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0120V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare il bilanciere del supporto, le cuciture scure e le innumerevoli tonalità fredde della pelle, senza trasformare gli zoccoli in forme uniformemente grigie.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eL'interno visibile dello zoccolo sinistro\u003c\/li\u003e\n\u003cli\u003eSogliole in legno spesse\u003c\/li\u003e\n\u003cli\u003eLe cuciture e le pieghe della pelle\u003c\/li\u003e\n\u003cli\u003eLe piccole striature blu e grigie\u003c\/li\u003e\n\u003cli\u003eLo sfondo giallo-arancio inclinato\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCoppia di zoccoli in pelle, F607\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAutunno 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e32,2×40,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh s0120V1962 · F607 · JH1364\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta piccola, densa e grafica\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una scrivania, ingresso o parete della galleria Blu grigio, marrone terra, verde smorzato e giallo ocra match legno grezzo e metallo nero.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Paire de sabots en cuir, F607\"\u003e\n\u003ci style=\"background:#5e6c6c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5f5143\"\u003e\u003c\/i\u003e\u003ci style=\"background:#737d65\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c19755\"\u003e\u003c\/i\u003e\u003ci style=\"background:#343b3c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno grezzo, nero opaco o bronzo scuro accompagna la forza grafica degli zoccoli, una morbida luce laterale evidenzia le striature del materiale.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ufficiale del Museo Van Gogh misurava 6.351 × 5.018 px; è stato ridotto a 3.000 × 2.371 px nel WebP reale, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCoppia di zoccoli in pelle, F607, verniciati per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594912878818,"sku":"UNE_PAIRE_DE_SABOTS_EN_CUIR_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paire-sabots-cuir-f607-vincent-van-gogh.webp?v=1785258460"},{"product_id":"coings-citrons-poires-raisins-vincent-van","title":"Mele cotogne, limoni, pere e uva, F383 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre - ottobre 1887 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eMele cotogne, limoni, pere e uva, F383\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eMele cotogne, limoni, pere e grappoli si riuniscono in una luce quasi interamente gialla; Van Gogh dimostra qui che una gamma ristretta può produrre una natura morta vibrante e profondamente colorata.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coings-citrons-poires-raisins-f383-van-gogh.webp?v=1785257874\u0026amp;format=webp\" alt=\"Mele cotogne, limoni, pere e uva F383 di Vincent van Gogh, Museo Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMele cotogne, limoni, pere e uva, F383\u003c\/strong\u003eVincent van Gogh · Settembre - Ottobre 1887 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre-ottobre 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e48,9×65,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn'abbondanza di frutta in un mondo giallo\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eGrandi frutti occupano il primo piano, alcuni tagliati dal bordo della tela, Due grappoli si innalzano verso il centro e spezzano il susseguirsi di forme rotonde con le loro piccole bacche leggere.\u003c\/p\u003e\n\u003cp\u003eTavola, sfondo e frutti condividono gialli vicini Tocchi di verde, blu, rosso e rosa appaiono solo in ombre, contorni e riflessi, dando sollievo senza rompere l'unità.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eA Parigi, Van Gogh capisce che deve abbandonare i colori scuri del suo periodo olandese, questo studio quasi monocromatico afferma la sua nuova padronanza degli accordi luminosi ancor prima dei famosi gialli di Arles.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh identifica questo dipinto sotto s0023V1962, con i riferimenti F383\/JH1339 e le dimensioni di 48,9 × 65,5 cm.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl giallo è diminuito anziché ripetuto\u003c\/h3\u003e\n\u003cp\u003eNei frutti e nello sfondo si susseguono l'ocra, il limone, il giallo-verde e il beige dorato, le differenze di temperatura costruiscono volumi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUn ritmo di forme rotonde\u003c\/h3\u003e\n\u003cp\u003eCotogne, limoni e pere formano un fregio irregolare, interrotto dai grappoli e dai fusti ricurvi che animano la composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eChiavi in tutte le direzioni\u003c\/h3\u003e\n\u003cp\u003eIl pennello segue talvolta la curva dei frutti, talvolta la diagonale del tavolo o gli archi del fondo, trasformando la superficie in movimento continuo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso ufficiale specifica che Van Gogh provò i suoi abbinamenti con fili di lana e che dipinse anche la cornice di quest'opera.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCornice\u003c\/span\u003e\u003ch3\u003eL'unica cornice originale conservata\u003c\/h3\u003e\n\u003cp\u003eLa cornice dipinta da Van Gogh è sopravvissuta con la tela, caso eccezionale in tutta la sua opera.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDedica\u003c\/span\u003e\u003ch3\u003eUn dipinto destinato a Theo\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dedicò questa natura morta a suo fratello, che spesso lo aveva incoraggiato a introdurre più colore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eColore\u003c\/span\u003e\u003ch3\u003eProve con fili di lana\u003c\/h3\u003e\n\u003cp\u003ePrima di dipingere, l'artista giustapponeva fili colorati al fine di osservare rapidamente l'effetto di diverse combinazioni.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0023V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare i molti gialli distinti, i piccoli accenti complementari e il materiale vorticoso dello sfondo, senza trasformare l'insieme in una tonalità uniforme.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLe massicce mele cotogne in primo piano\u003c\/li\u003e\n\u003cli\u003eGrappoli di uva leggera\u003c\/li\u003e\n\u003cli\u003ePere con fusti ricurvi\u003c\/li\u003e\n\u003cli\u003eAccenti verdi e rossi\u003c\/li\u003e\n\u003cli\u003eI lunghi tocchi dello sfondo giallo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eMele cotogne, limoni, pere e uva, F383\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre-ottobre 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e48,9×65,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh s0023V1962 · F383 · JH1339\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta calda e luminosa\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una cucina, sala da pranzo o sopra una credenza Giallo ocra, verde oliva, marrone miele e tocchi di rovere rosso fiammifero e terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Coings, citrons, poires et raisins, F383\"\u003e\n\u003ci style=\"background:#b89b44\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0b35d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7e7649\"\u003e\u003c\/i\u003e\u003ci style=\"background:#94623e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c9b982\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice patinata di colore giallo, legno naturale o bronzo tenero richiama la cornice voluta da Van Gogh, La luce neutra permette di distinguere i gialli senza appannarli.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine del Museo Van Gogh misurava 7.553 × 5.596 px; è stato ridotto a 3.000 × 2.223 px e convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMele cotogne, limoni, pere e uva, F383, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594914386146,"sku":"COINGS_CITRONS_POIRES_ET_RAISINS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coings-citrons-poires-raisins-f383-van-gogh.webp?v=1785257874"},{"product_id":"nature-morte-statuette-platre-deux-romans","title":"Natura morta con statuetta, F360 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Fine 1887 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con statuetta, F360\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn torso di Venere in gesso si trova dietro due romanzi dai colori vivaci e una rosa sbiadita; Van Gogh riunisce in questa natura morta l'apprendimento accademico, la letteratura naturalistica e un fiore ambiguo.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-statuette-f360-van-gogh.webp?v=1785254982\u0026amp;format=webp\" alt=\"Natura morta con statuetta in gesso F360 di Vincent van Gogh, Museo Kroeller-Müller\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con statuetta, F360\u003c\/strong\u003eVincent van Gogh · Fine 1887 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eFine del 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e55×46 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna Venere, due romanzi e una rosa\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa statuetta grigia occupa l'asse verticale, davanti a uno sfondo diviso tra giallo e blu scuro, in primo piano si intersecano su un tessuto chiaro i libri Germinie Lacerteux e Bel-Ami.\u003c\/p\u003e\n\u003cp\u003eA sinistra una rosa bruno-rosa e le sue foglie verdi introducono un motivo vivo tra l'intonaco e gli oggetti stampati, le diagonali del tessuto e delle coperture inclinano la composizione verso lo spettatore.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl Museo Kroeller-Müller data il dipinto alla fine del 1887 Il museo lo vede forse come un saluto di addio a Parigi e Theo: la statuetta ricorda le lezioni di Ferdinand Cormon, mentre i romanzi appartengono alle letture regolarmente citate da Van Gogh.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKM numero 105.676, dimensioni di 55 × 46 cm e riferimenti F360\/JH1349 identificano questa natura morta conservata a Otterlo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUno sfondo in due colori\u003c\/h3\u003e\n\u003cp\u003eGiallo brillante e blu quasi nero dividono lo spazio dietro la statuetta Questa opposizione amplifica il rilievo dell'intonaco senza la modellazione accademica tradizionale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eOggetti che rispondono l'uno all'altro\u003c\/h3\u003e\n\u003cp\u003eLa verticalità del busto contrasta con i romanzi sdraiati e i petali cadenti Ogni elemento incarna un modo diverso di rappresentare il corpo e la vita.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl tocco parigino\u003c\/h3\u003e\n\u003cp\u003eLa fitta schiusa e i colori decisi testimoniano la trasformazione di Van Gogh attraverso il contatto con l'avanguardia parigina.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI titoli leggibili sulle copertine rendono particolarmente precisa l'identificazione dei libri.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRomanzo\u003c\/span\u003e\u003ch3\u003eGerminie Lacerteux\u003c\/h3\u003e\n\u003cp\u003eIl romanzo dei fratelli Goncourt racconta la tragica doppia vita di un servo; Van Gogh lo ammirava come un esempio di vita moderna descritta senza idealizzazione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRomanzo\u003c\/span\u003e\u003ch3\u003eBel amico\u003c\/h3\u003e\n\u003cp\u003eIl libro blu è il romanzo di Guy de Maupassant dedicato all'ascesa di un uomo ambizioso che usa il suo fascino e le sue connessioni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAtelier\u003c\/span\u003e\u003ch3\u003eIl torso di Venere\u003c\/h3\u003e\n\u003cp\u003eVan Gogh aveva già disegnato e dipinto questo tipo di fusione in gesso durante le sue lezioni nello studio di Ferdinand Cormon.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-still-life-with-plaster-statuette-km-105-676\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare le iscrizioni di copertina, il materiale striato dell'intonaco e l'equilibrio tra giallo limone, blu intenso, verde e rosa sbiadito.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl torso grigio-verde di Venere\u003c\/li\u003e\n\u003cli\u003eLa copertina gialla di Germinie Lacerteux\u003c\/li\u003e\n\u003cli\u003eIl libro blu di Bel-Ami\u003c\/li\u003e\n\u003cli\u003eLa rosa sbiadita in primo piano\u003c\/li\u003e\n\u003cli\u003eLa separazione diagonale dello sfondo giallo e blu\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con statuetta, F360\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eFine del 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e55×46 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller KM 105.676 · F360 · JH1349\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta letteraria e singolare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per libreria, scrivania o angolo lettura Giallo oro, blu inchiostro, verde oliva e rosa terra match noce e pelle.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte à la statuette, F360\"\u003e\n\u003ci style=\"background:#c7a540\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263449\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f7652\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a8675a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8b991\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice blu notte, noce o nero fine riprende la profondità dello sfondo, La luce neutra conserva la leggibilità dei titoli e le sfumature dell'intonaco.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione della sorgente misurava 4.644×5.460 px; è stato ridotto a 2.552×3.000 px e convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con statuetta, F360, dipinta per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eDue granchi, F606\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu uno sfondo verde ricoperto da grandi tocchi, due granchi rosso-arancio appaiono uno sullo stomaco, l'altro capovolto: Van Gogh trasforma una modesta natura morta in uno spettacolare studio di forme e colori complementari.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-crabes-f606-van-gogh.webp?v=1785253641\u0026amp;format=webp\" alt=\"Due granchi F606 di Vincent van Gogh, National Gallery, Londra\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDue granchi, F606\u003c\/strong\u003eVincent van Gogh · Gennaio 1889 · National Gallery, Londra - prestito di una collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e47×61 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNational Gallery, Londra - prestito di una collezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDue vedute dello stesso crostaceo?\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl granchio superiore ha il ventre chiaro, le zampe ripiegate e gli artigli rivolti verso i bordi, quello inferiore mostra il guscio arrotondato, dipinto in piccoli tocchi di rosa, giallo, rosso e bianco.\u003c\/p\u003e\n\u003cp\u003eLo sfondo non descrive né tavolo né riva Le sue pennellate blu, verdi e turchesi formano una superficie in movimento che fa emergere il calore delle conchiglie e dona alla composizione un'energia stupefacente.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa Galleria Nazionale collocò l'opera ad Arles nel 1889, probabilmente al rientro dall'ospedale nel mese di gennaio, potrebbe trattarsi di un unico granchio rappresentato sopra e poi sotto, ipotesi rinforzata dalla vicinanza al Granchio sul retro F605 del Museo Van Gogh.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl formato di 47 × 61 cm, l'inventario del prestito L995 e i riferimenti F606\/JH1662 identificano con precisione questo dipinto della Galleria Nazionale.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eRosso contro verde\u003c\/h3\u003e\n\u003cp\u003eLe calotte calde si intensificano a contatto con lo sfondo blu-verde, applicazione diretta del contrasto complementare studiato da Van Gogh alla Delacroix.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDue anatomia contrapposta\u003c\/h3\u003e\n\u003cp\u003eIl ventre segmentato del primo granchio risponde al guscio arrotondato del secondo Le zampe creano una rete di linee angolari attorno a due masse compatte.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn fondo senza profondità\u003c\/h3\u003e\n\u003cp\u003eLo spazio è volutamente appiattito I grandi tocchi verdi richiamano la libertà grafica delle stampe giapponesi ammirate dall'artista.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso di Londra collega questa natura morta al ritorno al lavoro di Van Gogh dopo la sua permanenza all'ospedale di Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eRicomincia a dipingere\u003c\/h3\u003e\n\u003cp\u003eIl 7 gennaio 1889 Van Gogh annunciò a Theo che avrebbe rilevato una o due nature morte; Due granchi potrebbero appartenere a questo riavvio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGiapponismo\u003c\/span\u003e\u003ch3\u003eKunisada e Hokusai\u003c\/h3\u003e\n\u003cp\u003eLa National Gallery riunisce il motivo del granchio delle stampe giapponesi viste da Van Gogh nell'arte giapponese e nel Giappone artistico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn'opera in prestito\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene ad una collezione privata ed è presentato dalla Galleria Nazionale con il numero L995.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/vincent-van-gogh-two-crabs\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale della Galleria Nazionale →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare l'opposizione di rosso e verde, i dettagli anatomici molto liberi e la differenza di materiale tra ventre, conchiglia e fondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl ventre chiaro del granchio superiore\u003c\/li\u003e\n\u003cli\u003eIl guscio rosso del granchio inferiore\u003c\/li\u003e\n\u003cli\u003eLe punte nere delle pinze\u003c\/li\u003e\n\u003cli\u003eI tocchi turchesi dello sfondo\u003c\/li\u003e\n\u003cli\u003eAccenti bianchi e rosa sulle conchiglie\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eDue granchi, F606\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e47×61 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale L995 · F606 · JH1662\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eNational Gallery, Londra - prestito di una collezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta vivace e inaspettata\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una cucina, sala da pranzo o ufficio Pareti turchesi, rosso mattone, arancione e crema in noce, metallo nero e verde grigio.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Deux Crabes, F606\"\u003e\n\u003ci style=\"background:#3d8075\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b44c31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d68443\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6c3a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#694536\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice nera opaca, noce o verde intenso rafforza il contrasto principale La luce neutra rivela i rosa e i gialli della conchiglia.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione della National Gallery misurava 6.000 × 4.226 px; è stato ridotto a 3.000 × 2.113 px e convertito in un vero e proprio WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDue granchi, F606, verniciati per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594919858402,"sku":"DEUX_CRABES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-crabes-f606-van-gogh.webp?v=1785253641"},{"product_id":"chaussures-vincent-van-gogh-2","title":"Scarpe, F461 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · agosto 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eScarpe, F461\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue scarpe da lavoro usurate sono posizionate sul pavimento piastrellato della Casa Gialla; Van Gogh tratta le loro pieghe, lacci e suole come le caratteristiche di un ritratto senza volto.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaussures-f461-van-gogh.webp?v=1785252910\u0026amp;format=webp\" alt=\"Scarpe F461 di Vincent van Gogh, Metropolitan Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eScarpe, F461\u003c\/strong\u003eVincent van Gogh · agosto 1888 · Metropolitan Museum of Art, New York\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAgosto 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45,7×55,2 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMetropolitan Museum of Art, New York\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn paio di scarpe nella Casa Gialla\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eEntrambe le scarpe sono viste dall'alto Quella di sinistra si apre all'indietro, mentre quella di destra ha la punta larga e la lingua sollevata, i lacci slegati attraversano la composizione in linee flessibili.\u003c\/p\u003e\n\u003cp\u003eLe piastrelle rosa, beige e grigie sono dipinte in grandi rettangoli obliqui Un'ombra di piccoli tratteggi blu si estende dietro la scarpa destra e ancora la coppia al pavimento.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl Metropolitan Museum individua questa natura morta ad Arles e riconosce sullo sfondo il pavimento piastrellato della Casa Gialla Le scarpe venivano talvolta paragonate alla scala della pazienza contadina, dipinta da Van Gogh durante la stessa estate, ma il loro proprietario rimane incerto.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'attuale avviso Met fornisce 45,7 × 55,2 cm e l'inventario del 1992.374; F461\/JH1569 distingue questo paio arlesiano dalle scarpe dipinte a Parigi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn ritratto per usura\u003c\/h3\u003e\n\u003cp\u003ePieghe, cuciture, cuoio deformato e suole spesse suggeriscono una lunga storia di utilizzo senza mostrare chi le indossasse.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUno sguardo dall'alto\u003c\/h3\u003e\n\u003cp\u003eIl punto di vista alto avvicina le scarpe allo spettatore e trasforma le piastrelle in uno sfondo quasi astratto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eMarroni colorati\u003c\/h3\u003e\n\u003cp\u003ePelle di corporatura ocra, oliva, rossa, blu e nera Le scarpe non si riducono mai ad un marrone uniforme.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh aveva già dipinto diverse paia di scarpe a Parigi; quest'opera è il suo singolare ritorno al motivo durante il periodo di Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocalità\u003c\/span\u003e\u003ch3\u003eLe tegole della Casa Gialla\u003c\/h3\u003e\n\u003cp\u003eIl Met avvicina qui il pavimento dipinto a quello visibile in altre vedute della casa occupata da Van Gogh ad Arles.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProprietario\u003c\/span\u003e\u003ch3\u003eUn'attribuzione cauta\u003c\/h3\u003e\n\u003cp\u003eLe scarpe potrebbero essere appartenute a Patience Escalier o allo stesso Van Gogh; nessuna identificazione è certa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eNumero 1992.374\u003c\/h3\u003e\n\u003cp\u003eIl Metropolitan Museum acquistò l'opera nel 1992 con una donazione della Fondazione Annenberg.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/436533\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Metropolitan Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve ritrovare la pesantezza delle suole, i lacci liberi, le pieghe del cuoio e le differenze di temperatura tra le piastrelle.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa lingua scura della scarpa destra\u003c\/li\u003e\n\u003cli\u003eI lacci sciolti al centro\u003c\/li\u003e\n\u003cli\u003eSuole spesse e usurate\u003c\/li\u003e\n\u003cli\u003ePiastrelle rosa e beige\u003c\/li\u003e\n\u003cli\u003eOmbra blu in tratteggio fine\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eScarpe, F461\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAgosto 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e45,7×55,2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Metropolitano d'Arte 1992.374 · F461 · JH1569\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Museum of Art, New York\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta sobria e molto espressiva\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per un ufficio, ingresso o officina Marrone terra, beige, grigio rosa e blu ardesia in pelle, metallo nero e legno grezzo.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Chaussures, F461\"\u003e\n\u003ci style=\"background:#66513a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b8a482\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b48f83\"\u003e\u003c\/i\u003e\u003ci style=\"background:#56697a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2e2927\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, nero-marrone o legno grezzo prolunga il carattere materico dell'opera La luce neutra mette in risalto le sfumature della pelle.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ad accesso aperto del Metropolitan Museum misurava 3.803 × 3.180 px; è stato ridotto a 3.000 × 2.509 px e convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eScarpe, F461, verniciate per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594920513762,"sku":"CHAUSSURES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaussures-f461-van-gogh.webp?v=1785252910"},{"product_id":"vase-lauriers-roses-vincent-van-gogh","title":"Oleanders, F593 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · agosto 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eOleandri, F593\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn mazzo di oleandri fiorisce in una brocca di maiolica davanti a un muro verde; ai margini del tavolo, il romanzo La Joie de vivre di Émile Zola conferisce a questa natura morta un significato intimo.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/lauriers-roses-f593-van-gogh.webp?v=1785252153\u0026amp;format=webp\" alt=\"Oleanders F593 di Vincent van Gogh, Metropolitan Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eOleandri, F593\u003c\/strong\u003eVincent van Gogh · agosto 1888 · Metropolitan Museum of Art, New York\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAgosto 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e60,3×73,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMetropolitan Museum of Art, New York\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eFiori inesauribili di fronte alla Gioia di Vivere\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa brocca blu scuro si erge al centro, la sua base circondata da una fascia chiara Le lunghe foglie verdi si irradiano in tutte le direzioni e portano grappoli rosa, bianchi e salmoni che arrivano quasi al bordo superiore.\u003c\/p\u003e\n\u003cp\u003eLo sfondo verde è costruito da tocchi rettangolari visibili Sul tavolo lilla e grigio, il libro giallo occupa l'angolo sinistro; il suo titolo e il nome di Zola sono disegnati in lettere marroni.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePer Van Gogh l'oleandro era una pianta vigorosa, sempre pronta a produrre nuovi germogli, il Metropolitan Museum associa questo simbolo di vitalità alla scelta ben visibile del romanzo La gioia di vivere.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso Met fornisce agosto 1888, 60,3 × 73,7 cm e l'inventario 62,24; i riferimenti F593\/JH1566 identificano questa grande composizione orizzontale.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn bouquet che trabocca\u003c\/h3\u003e\n\u003cp\u003eLe foglie tagliano la cornice e i fiori sono distribuiti senza simmetria Il bouquet sembra ancora crescere piuttosto che accuratamente disposto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl libro come contrappeso\u003c\/h3\u003e\n\u003cp\u003eLa massa gialla de La gioia di vivere bilancia il vaso scuro e trasforma il titolo del romanzo in un elemento visivo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eComplementi vibranti\u003c\/h3\u003e\n\u003cp\u003eLe calde rose dei fiori rinforzano il verde del muro, mentre il blu del vaso risponde ai malva della tavola.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh utilizza questa stessa brocca in maiolica in diverse nature morte create ad Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLibro\u003c\/span\u003e\u003ch3\u003eÉmile Zola in primo piano\u003c\/h3\u003e\n\u003cp\u003eLa Gioia di vivere, pubblicata nel 1884, è posta chiusa ma il suo titolo rimane leggibile e contribuisce direttamente al significato dell'opera.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDistinzione\u003c\/span\u003e\u003ch3\u003eF593, formato orizzontale\u003c\/h3\u003e\n\u003cp\u003eQuesta tela Met non deve essere confusa con il bouquet verticale F594, che attualmente non è localizzato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eNumero 62.24\u003c\/h3\u003e\n\u003cp\u003eIl dipinto entrò al Metropolitan Museum of Art nel 1962 per donazione dei coniugi John L. Loeb.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/436530\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Metropolitan Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve preservare lo spessore dei tasti a muro, la flessibilità dei fogli e la leggibilità del libro senza indurire i fiori.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eMazzi di fiori rosa pallido\u003c\/li\u003e\n\u003cli\u003eLe lunghe foglie verde scuro\u003c\/li\u003e\n\u003cli\u003eLa brocca in maiolica blu\u003c\/li\u003e\n\u003cli\u003eLa gioia di vivere nell'angolo sinistro\u003c\/li\u003e\n\u003cli\u003eI tocchi verdi dello sfondo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eOleandri, F593\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAgosto 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e60,3×73,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Metropolitano d'Arte 62.24 · F593 · JH1566\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Museum of Art, New York\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta luminosa e letteraria\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una sala da pranzo, biblioteca o soggiorno Pareti in legno naturale e crema di fiammifero verde anice, rosa cipria, blu notte e giallo ocra.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Lauriers-roses, F593\"\u003e\n\u003ci style=\"background:#81964a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d59683\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f4d50\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c9a446\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b8391\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno verde scuro, blu-nero o chiaro accompagna il bouquet La luce neutra preserva la differenza tra rose, bianchi e salmoni.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ad accesso aperto del Metropolitan Museum misurava 3.811 × 3.130 px; è stato ridotto a 3.000 × 2.464 px e convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eOleanders, F593, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594921201890,"sku":"VASE_AUX_LAURIERS_ROSES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/lauriers-roses-f593-van-gogh.webp?v=1785252153"},{"product_id":"vase-lauriers-roses-vincent-van-gogh-2","title":"Vaso oleandro, F594 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · agosto 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eVaso oleandro, F594\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eGli oleandri scaturiscono da una brocca in maiolica blu e verde davanti a un muro azzurro; questa natura morta verticale, firmata \"Vincent\", non deve essere confusa con gli F593 Oleander del Metropolitan Museum.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-lauriers-roses-f594-van-gogh.webp?v=1785251380\u0026amp;format=webp\" alt=\"Vaso Oleander F594 di Vincent van Gogh, lavoro mancante\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVaso oleandro, F594\u003c\/strong\u003eVincent van Gogh · Agosto 1888 · Lavoro scomparso, località sconosciuta dal 1944\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAgosto 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e56×36 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eLavoro mancante, luogo sconosciuto dal 1944\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn bouquet mancante, conosciuto dalle sue antiche riproduzioni\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso panciuto occupa il centro della tavola chiara La sua parte superiore, viola-blu, reca una decorazione di foglie e curve; la sua base verde turchese schiarisce la massa Le lunghe foglie scure degli allori circondano fiori rosa e diversi capolini sbiaditi.\u003c\/p\u003e\n\u003cp\u003eIl bouquet si alza quasi fino al bordo superiore, poi un ramo sfugge a destra Lo sfondo blu è animato da linee verticali Sul tavolo color crema, l'ombra del vaso rimane chiara; la firma Vincent appare marrone nell'angolo in basso a sinistra.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eF594\/JH1567 è un'opera separata dall'Oleanders F593 con il libro di Zola Il dipinto verticale misura 56 × 36 cm e la sua collocazione è sconosciuta; i cataloghi indicano che potrebbe essere scomparso durante la seconda guerra mondiale.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIn assenza di una fotografia museale originale e recente accessibile, questa scheda si basa sulla migliore riproduzione pubblica attribuita a F594 e ne indica chiaramente i limiti documentari.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn vaso in due colori\u003c\/h3\u003e\n\u003cp\u003eBlu porpora in alto e verde turchese in basso, il contenitore forma una base fredda che intensifica l'arancio-rosa dei fiori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eFiori in più fasi\u003c\/h3\u003e\n\u003cp\u003eCorolle aperte, gemme, petali cadenti e teste sbiadite conferiscono al bouquet un ritmo irregolare e una durata reale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn ramo fuori equilibrio\u003c\/h3\u003e\n\u003cp\u003eIl gambo che va a destra rompe la verticalità generale e impedisce al bouquet di diventare strettamente simmetrico.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl catalogo F594\/JH1567 documenta un olio su tela dipinto ad Arles nell'agosto del 1888, di formato verticale e oggi non localizzato.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDistinzione\u003c\/span\u003e\u003ch3\u003eF594, non F593\u003c\/h3\u003e\n\u003cp\u003eF593 è la grande composizione orizzontale con Joy of Living di Zola, custodita al Metropolitan Museum; F594 è questo bouquet verticale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFirma\u003c\/span\u003e\u003ch3\u003e\"Vincent\" sotto\u003c\/h3\u003e\n\u003cp\u003eLa firma visibile nell'angolo in basso a sinistra appartiene alla composizione conosciuta dalle riproduzioni antiche.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStato\u003c\/span\u003e\u003ch3\u003eLocalità sconosciuta\u003c\/h3\u003e\n\u003cp\u003eNessuna collezione pubblica attuale conserva ufficialmente l'opera; a volte viene segnalato come forse rubato nel 1944.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0594.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda del catalogo Van Gogh F594 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve trovare la struttura generale documentata, la divisione colorata del vaso e i diversi stati dei fiori, senza pretendere di restituire dettagli assenti dalle fonti antiche.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI grandi fiori rosa corallo\u003c\/li\u003e\n\u003cli\u003eLe foglie sono lunghe e scure\u003c\/li\u003e\n\u003cli\u003eI capolini sbiaditi al centro\u003c\/li\u003e\n\u003cli\u003eLa brocca blu viola e verde turchese\u003c\/li\u003e\n\u003cli\u003eLa firma Vincent nell'angolo inferiore\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eVaso oleandro, F594\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAgosto 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e56×36 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF594 · JH1567 · posizione corrente sconosciuta\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eLavoro mancante, luogo sconosciuto dal 1944\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn raro bouquet verticale dai colori freschi\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato stretto è adatto per una console, cucina o parete di fiori Azzurro, turchese, rosa corallo e crema abbinano legno chiaro, ceramica e pareti bianche.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase aux lauriers roses, F594\"\u003e\n\u003ci style=\"background:#789eb0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#db745f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#405d4d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3c426c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6c99f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice blu notte, legno chiaro o verde scuro mette in risalto il vaso, La luce neutra impedisce alle rose di diventare troppo rosse.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione pubblica meglio documentata misurava 2.261 × 3.179 px; è stato ridotto a 2.134 × 3.000 px e convertito in un vero e proprio WebP, senza ingrandimento.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVaso Oleander, F594, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594922316002,"sku":"VASE_AUX_LAURIERS_ROSES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-lauriers-roses-f594-van-gogh.webp?v=1785251380"},{"product_id":"nature-morte-planche-dessin-oignons-vincent","title":"Natura morta attorno a un piatto di cipolle, F604 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Inizio gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eNatura morta attorno a un piatto di cipolle, F604\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eCipolle, pipa, bottiglia, candela, caffettiera, lettere e libro di salute coprono un tavolo giallo: al ritorno dall'ospedale, Van Gogh riunisce gli oggetti della sua vita quotidiana in una natura morta intima come un autoritratto.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-plat-oignons-f604-van-gogh.webp?v=1785249864\u0026amp;format=webp\" alt=\"Natura morta attorno a un piatto di cipolle F604 di Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta attorno a un piatto di cipolle, F604\u003c\/strong\u003eVincent van Gogh · Inizio gennaio 1889 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eInizio gennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e49,5×64,4 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn tavolo ingombro che racconta il ritorno in officina\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl piatto bianco carico di cipolle occupa il centro, a sinistra si trovano una bottiglia verde, una scatola di tabacco e una pipa; in basso, una caffettiera e una candela dominano il tavolo, a destra lettere, fiammiferi, un sigillo di cera e un libro aperto completano l'inventario.\u003c\/p\u003e\n\u003cp\u003eIl tavolo è costruito da lunghi tocchi di giallo e arancione che ne seguono la prospettiva, il muro grigio-blu, al contrario, riceve una cornice verticale, tra i due, ogni oggetto è circondato da blu, verde o marrone e conserva una presenza molto autonoma.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh fu dimesso dall'ospedale di Arles il 7 gennaio 1889 Scrisse a Theo che tornò subito a lavorare con due nature morte; F604 è generalmente attaccato a questo momento di ritorno alla Casa Gialla.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Museo Kroeller-Müller identifica gli oggetti e collega la tela al ritorno al lavoro dopo il ricovero nel dicembre 1888.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl piatto come perno\u003c\/h3\u003e\n\u003cp\u003eIl grande ovale bianco riunisce al centro le cipolle, le sue curve calme si oppongono alle diagonali della tavola e delle carte.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eOggetti biografici\u003c\/h3\u003e\n\u003cp\u003eLa lettera, la pipa, il vino, il caffè e la Health Directory di Theo non sono decorativi: evocano le preoccupazioni immediate dell'artista.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eDue direzioni chiave\u003c\/h3\u003e\n\u003cp\u003eLe linee orizzontali e oblique del tavolo incontrano i piccoli segni verticali della parete, conferendo una struttura salda all'accumulo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF604\/JH1656 è un dipinto di Arles dell'inizio di gennaio 1889, oggi inventariato KM 111,075 al Museo Kroeller-Müller.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eDopo l'ospedale\u003c\/h3\u003e\n\u003cp\u003eVan Gogh tornò alla Casa Gialla all'inizio di gennaio e ricominciò a dipingere oggetti accessibili nel suo interno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLettura\u003c\/span\u003e\u003ch3\u003eL'elenco sanitario\u003c\/h3\u003e\n\u003cp\u003eIl libro a destra è una popolare guida medica; la sua presenza assume un significato particolare all'indomani della crisi di dicembre.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCorrispondenza\u003c\/span\u003e\u003ch3\u003eUna lettera di Theo\u003c\/h3\u003e\n\u003cp\u003eTra le carte una lettera del fratello, concreto richiamo al supporto materiale ed emotivo che struttura la vita quotidiana del pittore.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/en\/vincent-van-gogh-still-life-with-a-plate-of-onions\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve preservare la profusione leggibile degli oggetti, le differenze di direzione nella chiave e l'equilibrio tra il giallo del tavolo e il grigio blu del muro.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl piatto bianco e le sue cipolle germogliate\u003c\/li\u003e\n\u003cli\u003eLa bottiglia verde tagliata dal bordo sinistro\u003c\/li\u003e\n\u003cli\u003eLa pipa e la scatola del tabacco\u003c\/li\u003e\n\u003cli\u003eLa candela accesa davanti alla caffettiera\u003c\/li\u003e\n\u003cli\u003eLe lettere e il libro della salute a destra\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta attorno a un piatto di cipolle, F604\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eInizio gennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e49,5×64,4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller KM 111.075 · F604 · JH1656\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta calda, colta e molto personale\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale funziona sopra una credenza, in una cucina o in una biblioteca Giallo ocra, grigio blu, verde bottiglia e arancione si sposano bene con legno grezzo, lino e ceramica.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte autour d’un plat d’oignons, F604\"\u003e\n\u003ci style=\"background:#d09b35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d57036\"\u003e\u003c\/i\u003e\u003ci style=\"background:#718392\"\u003e\u003c\/i\u003e\u003ci style=\"background:#405b42\"\u003e\u003c\/i\u003e\u003ci style=\"background:#ede0c7\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno scuro, verde bottiglia o blu grigio supporta gli oggetti senza competere con il tavolo giallo La luce neutra mantiene le carte leggibili.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione pubblica misurava 6.596 × 4.922 px; è stato ridotto a 3.000 × 2.239 px e convertito in un vero e proprio WebP, senza ingrandimento.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta attorno a un piatto di cipolle, F604, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594923954402,"sku":"NATURE_MORTE_AVEC_PLANCHE_DESSIN_ET_OIGNONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-plat-oignons-f604-van-gogh.webp?v=1785249864"},{"product_id":"tournesols-vincent-van-gogh-2","title":"I girasoli di Filadelfia, F455 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eI girasoli di Filadelfia, F455\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDodici girasoli occupano una semplice pentola di terra: dipinta a memoria nel cuore dell'inverno, questa variazione trasforma ogni fiore in una forma singolare.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-philadelphie-van-gogh-f455.webp?v=1785247747\u0026amp;format=webp\" alt=\"I girasoli F455 di Vincent van Gogh, Philadelphia Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eI girasoli di Filadelfia, F455\u003c\/strong\u003eVincent van Gogh · gennaio 1889 · Philadelphia Museum of Art\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92,4×71,1 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo d'arte di Filadelfia\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDodici fiori, dodici stati della materia\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLe grandi corolle sono sovrapposte sopra un vaso ocra posto su un tavolo Alcuni fiori sono aperti, altri visti di profilo o già carichi di semi; i loro steli verdi formano una leggera cornice dietro la massa dei petali.\u003c\/p\u003e\n\u003cp\u003eLo sfondo giallo-verde è separato dal tavolo da una linea blu Van Gogh varia i gialli con ocra, arance, verdi e marroni, quindi cambia la direzione del tocco da un fiore all'altro per dare a ciascuno la propria fisionomia.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eF455 è una ripetizione creativa della versione con dodici girasoli dipinti nell'agosto del 1888 e oggi a Monaco: non si tratta di una copia meccanica, ma di una nuova interpretazione fatta nel gennaio del 1889.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Philadelphia Museum of Art ricorda che Van Gogh riprese il motivo a memoria in inverno e che associava il giallo al sole, al Sud e ad una luce spirituale.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn bouquet senza simmetria\u003c\/h3\u003e\n\u003cp\u003eI fiori si inclinano in più direzioni e le loro dimensioni variano molto; questa irregolarità conferisce al bouquet il suo ritmo vivace.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGialli differenziati\u003c\/h3\u003e\n\u003cp\u003eLimone, ocra, arancio e marrone verdastro evitano la monotonia La linea blu del tavolo funge da contrasto molto misurato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eOgni fiore ha il suo tocco\u003c\/h3\u003e\n\u003cp\u003eCaratteristiche radiose, piccole virgole, impasto e superfici più secche distinguono petali, cuori e semi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'inventario 1963-116-19 e i riferimenti F455\/JH1668 identificano la versione Philadelphia, una delle cinque grandi tele di girasole conservate oggi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOrigine\u003c\/span\u003e\u003ch3\u003eArles decorazione\u003c\/h3\u003e\n\u003cp\u003eNell'agosto 1888, Van Gogh immaginò diverse tele di girasole per decorare la Casa Gialla prima dell'arrivo di Paul Gauguin.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRipetizione\u003c\/span\u003e\u003ch3\u003eDopo la versione di Monaco\u003c\/h3\u003e\n\u003cp\u003eLa composizione utilizza la tela F456 dipinta l'estate precedente, ma Van Gogh modifica i contorni, i colori e la personalità dei fiori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMemoria\u003c\/span\u003e\u003ch3\u003eDipinto in pieno inverno\u003c\/h3\u003e\n\u003cp\u003eIl museo indica che questa immagine luminosa fu ripresa dalla memoria nel gennaio 1889, quando i fiori freschi non erano più il modello diretto.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.philamuseum.org\/objects\/59202\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Philadelphia Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve preservare le differenze tra i dodici fiori, la consistenza dei cuori e la sottigliezza dei tuorli, senza uniformare il bouquet in un motivo decorativo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI dodici girasoli con diversi orientamenti\u003c\/li\u003e\n\u003cli\u003eIl semplice vaso di terracotta ocra\u003c\/li\u003e\n\u003cli\u003eLa linea blu che separa tavolo e sfondo\u003c\/li\u003e\n\u003cli\u003eCuori marroni e verdi carichi di semi\u003c\/li\u003e\n\u003cli\u003eLa firma \"Vincent\" sul vaso\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eI girasoli di Filadelfia, F455\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e92,4×71,1 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte di Filadelfia 1963-116-19 · F455 · JH1668\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte di Filadelfia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn bouquet soleggiato, caldo senza essere uniforme\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl grande formato verticale diventa punto focale in un soggiorno o sala da pranzo Gialli, ocra e verdi accompagnano le pareti in legno naturale, terracotta e grigio-blu.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Les Tournesols de Philadelphie, F455\"\u003e\n\u003ci style=\"background:#d9b642\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c88b2e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b772f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#637241\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d6573\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice grigio-blu, verde scuro o noce mette in risalto i gialli senza racchiuderli, La luce neutra rivela la varietà di petali e semi.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione dell'opera del Google Art Project misura 4.562 × 5.801 px; è stato ridotto a 2.359 × 3.000 px poi convertito in un vero e proprio WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePhiladelphia Girasoli, F455, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594930376930,"sku":"TOURNESOLS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-philadelphie-van-gogh-f455.webp?v=1785247747"},{"product_id":"nature-morte-vase-quinze-tournesols-vincent","title":"Vaso con quindici girasoli, F458 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eVaso con quindici girasoli, F458\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eQuindici girasoli a diversi stadi di fioritura riempiono un vaso giallo, in un'armonia quasi interamente costruita con gialli.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-amsterdam-f458-vincent-van-gogh.webp?v=1785245041\u0026amp;format=webp\" alt=\"Vaso con quindici girasoli F458 di Vincent van Gogh, Museo Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVaso con quindici girasoli, F458\u003c\/strong\u003eVincent van Gogh · gennaio 1889 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e95×73 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eLa Ripetizione di Amsterdam, dipinta per perfezionare un simbolo\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eNel gennaio 1889, Van Gogh riprese la composizione con quindici girasoli che aveva realizzato l'estate precedente per decorare la Casa Gialla I fiori aperti, appassiti o ridotti al loro cuore granuloso sono disposti senza ordine regolare, alcuni salgono quasi fino al bordo superiore.\u003c\/p\u003e\n\u003cp\u003eIl vaso si trova su un tavolo ocra separato dal muro da una sottile linea blu, all'interno di una gamma volutamente ristretta, ogni giallo è diverso: limone, cromo, ocra, marrone dorato o verde-giallo I contorni blu-verdi e la firma \"Vincent\" impediscono alle forme di dissolversi.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa prova non cerca una copia meccanica della versione londinese F454: riorganizza i fiori e fa del giallo stesso il vero soggetto.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF458 si distingue per il suo fondo giallo intenso, il suo vaso bicolore e il suo materiale molto vario, che va dai solidi sottili ai cuori pesantemente caricati.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eQuindici stati del fiore\u003c\/h3\u003e\n\u003cp\u003eBottoni, corolle erette, petali ricurvi e capolini secchi mostrano il ciclo della pianta nello stesso bouquet.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGiallo su giallo\u003c\/h3\u003e\n\u003cp\u003eParete, tavolo, vaso e fiori condividono la stessa famiglia colorata Van Gogh, invece, crea separazioni attraverso temperatura, texture e contorni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn materiale scolpito\u003c\/h3\u003e\n\u003cp\u003eI centri dei girasoli sono lavorati da piccoli segni ripetuti e da impasto, mentre diversi petali sono posti da movimenti lunghi e rapidi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'inventario s0031V1962 e i riferimenti F458\/JH1667 identificano la ripetizione di Amsterdam, distinta dall'originale F454 conservato a Londra.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eSette dipinti ad Arles\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse quattro composizioni di girasoli nell'agosto 1888, poi tre prove all'inizio del 1889.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDecorazione\u003c\/span\u003e\u003ch3\u003eCon La Berceuse\u003c\/h3\u003e\n\u003cp\u003eImmaginò un trittico dove il ritratto di Augustine Roulin sarebbe stato incorniciato da due grandi mazzi di girasoli.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003es0031V1962\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene alla Fondazione Vincent van Gogh ed è una delle opere centrali del Museo Van Gogh.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0031V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve differenziare ogni fiore nonostante il giallo dominante e conservare i passaggi dell'impasto senza rendere pesante il bouquet.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI due grandi capolini sollevati in alto\u003c\/li\u003e\n\u003cli\u003eFiori sbiaditi con petali ricurvi\u003c\/li\u003e\n\u003cli\u003eContorni blu-verdi attorno agli steli\u003c\/li\u003e\n\u003cli\u003eLa separazione finissima tra il tavolo e il muro\u003c\/li\u003e\n\u003cli\u003eLa firma \"Vincent\" dipinta sul vaso\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eVaso con quindici girasoli, F458\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e95×73 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh s0031V1962 · F458 · JH1667\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'icona solare con sfumature molto più ricche di quanto sembri\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per un soggiorno, una sala da pranzo o un ingresso Legno chiaro caldo giallo, blu intenso, bianco sporco e terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase avec quinze tournesols, F458\"\u003e\n\u003ci style=\"background:#e6cf31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9a92b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9f7a2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#52764f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2b15c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno blu notte, verde oliva o marrone evidenzia i contorni freddi La luce calda rivela le differenze tra i tanti gialli.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di riferimento di pubblico dominio è stata ridotta a 2274 × 3000 px e quindi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVaso con quindici girasoli, F458, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594934178018,"sku":"NATURE_MORTE_VASE_AVEC_QUINZE_TOURNESOLS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-amsterdam-f458-vincent-van-gogh.webp?v=1785245041"},{"product_id":"chaise-vincent-sa-pipe-van-gogh","title":"La sedia di Vincent con la sua pipa, F498 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · dicembre 1888 - gennaio 1889 · Casa Gialla, Arles\u003c\/p\u003e\n        \u003ch2\u003eLa sedia di Vincent con la sua pipa, F498\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna sedia rustica dipinta di giallo trasporta la pipa e il tabacco di Van Gogh, rivolta verso un muro blu e su piastrelle rosse la cui prospettiva volutamente instabile ravviva l'intera stanza.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaise-vincent-f498-vincent-van-gogh.webp?v=1785244344\u0026amp;format=webp\" alt=\"La sedia di Vincent con la sua pipa F498 di Vincent van Gogh, National Gallery di Londra\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLa sedia di Vincent con la sua pipa, F498\u003c\/strong\u003eVincent van Gogh · dicembre 1888 - gennaio 1889 · National Gallery, Londra\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eDicembre 1888 - gennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e91,8×73 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGalleria Nazionale, Londra\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn autoritratto senza volto nella Casa Gialla\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh pone la sua sedia di legno e paglia al centro di una stanza quasi vuota, sul sedile, una pipa e un sacchetto di tabacco evocano le sue abitudini quotidiane, a sinistra, una scatola contrassegnata con \"Vincent\" contiene lampadine che spuntano; a destra, il bordo blu di una porta chiude il palco.\u003c\/p\u003e\n\u003cp\u003eLa sedia è vista leggermente dall'alto e rivolta verso destra Le linee delle piastrelle non convergono da una prospettiva classica: avanzano in più direzioni, il che conferisce al pavimento una tensione particolare I gialli i mobili sono rivestiti in blu e posizionati contro la parete turchese.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCon pochi oggetti ordinari, Van Gogh costruisce un ritratto di semplicità, lavoro e presenza assente, pensato come la controparte diurna della Poltrona di Gauguin.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare la rusticità del mobile, i contorni complementari e lo spazio volutamente sconnesso senza correggere la prospettiva.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna sedia molto semplice\u003c\/h3\u003e\n\u003cp\u003eLo schienale disadorno, le gambe leggermente disallineate e la seduta di paglia rimandano ai mobili contadini che Van Gogh aveva apprezzato fin dal periodo olandese.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eBlowjob and tobacco\u003c\/h3\u003e\n\u003cp\u003eQuesti oggetti familiari sostituiscono il corpo assente Il fumo potrebbe anche evocare la fragilità della vita nella tradizione olandese della natura morta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eColori diurni\u003c\/h3\u003e\n\u003cp\u003eLe piastrelle gialle, turchesi e rosse producono un effetto di luce brillante, opposto all'illuminazione notturna e ai toni scuri della poltrona di Gauguin.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eNG3862 e riferimenti F498\/JH1635 identificano la sedia iniziata alla fine del 1888 e poi leggermente rilevata da Van Gogh dopo il suo ritorno dall'ospedale nel gennaio 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDurante\u003c\/span\u003e\u003ch3\u003eDue sedie, due artisti\u003c\/h3\u003e\n\u003cp\u003eVan Gogh ha disegnato questa tela con Le Fauteuil di Paul Gauguin: mobili modesti e luce diurna per lui, poltrona elegante e notte per il suo compagno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMemoria\u003c\/span\u003e\u003ch3\u003eIl modello della sedia vuota\u003c\/h3\u003e\n\u003cp\u003eConosceva l'immagine della sedia vuota di Dickens di Luke Fildes e aveva già associato il posto non occupato alla memoria di suo padre.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eNG3862\u003c\/h3\u003e\n\u003cp\u003eLa Galleria Nazionale acquistò il dipinto nel 1924 attraverso il Fondo Courtauld; oggi appartiene alla collezione principale.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/vincent-van-gogh-van-gogh-s-chair\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale della Galleria Nazionale →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve conservare il disegno irregolare del mobile, la paglia lavorata a ventaglio, i piccoli oggetti della seduta e le direzioni contraddittorie della piastrellatura.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI contorni blu attorno al legno giallo\u003c\/li\u003e\n\u003cli\u003eLa pipa e il tabacco scherzano sulla paglia\u003c\/li\u003e\n\u003cli\u003eI bulbi nella scatola firmati \"Vincent\"\u003c\/li\u003e\n\u003cli\u003eLa grande cerniera visibile sulla porta blu\u003c\/li\u003e\n\u003cli\u003eLe linee volutamente instabili delle tessere rosse\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLa sedia di Vincent con la sua pipa, F498\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eDicembre 1888 - gennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eCasa gialla, Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e91,8×73 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale NG3862 · F498 · JH1635\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale, Londra\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'icona familiare ai gialli e al turchese\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per un ingresso, un ufficio o un soggiorno I suoi colori audaci si abbinano alle pareti in legno naturale, terracotta, grigio blu e crema.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Chaise de Vincent avec sa pipe, F498\"\u003e\n\u003ci style=\"background:#d4b451\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a5944f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8bb4ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#496e73\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a604d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in rovere naturale, marrone caldo o blu intenso mette in risalto i mobili senza appesantire la scena, una modanatura fine rispetta il carattere diretto dell'opera.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di riferimento di pubblico dominio è stata ridotta a 2.339 × 3.000 px e poi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa sedia di Vincent con la sua pipa, F498, dipinta per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594934309090,"sku":"LA_CHAISE_DE_VINCENT_AVEC_SA_PIPE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaise-vincent-f498-vincent-van-gogh.webp?v=1785244344"},{"product_id":"nature-morte-oranges-citrons-gants-bleus","title":"Arance, limoni e guanti blu, F502 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eArance, limoni e guanti blu, F502\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eNove agrumi riempiono un cesto di vimini, incorniciato da rami di cipresso e da un paio di guanti blu cobalto firmati \"Vincent Arles 89\".\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/oranges-citrons-gants-bleus-f502-vincent-van-gogh.webp?v=1785243416\u0026amp;format=webp\" alt=\"Arance e limoni con guanti blu F502 di Vincent van Gogh, Galleria Nazionale d'Arte\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eArance, limoni e guanti blu, F502\u003c\/strong\u003eVincent van Gogh · Gennaio 1889 · Galleria Nazionale d'Arte, Washington\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e48×62 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGalleria Nazionale d'Arte, Washington\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna natura morta invernale dall'aspetto attentamente composto\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh dipinse questa tela poco dopo il suo rilascio dall'ospedale di Arles Arance e limoni sono disposti in un basso cesto, le loro forme rotonde contrastano con l'intreccio secco del vimini e gli aghi dei rami scuri posti dietro.\u003c\/p\u003e\n\u003cp\u003eI guanti da giardino occupano l'angolo in basso a destra e introducono un blu intenso tra i gialli e i verdi, la loro flessibilità accartocciata risponde a frutti sodi e a un cesto rigido L'iscrizione rossa nell'angolo associa chiaramente il luogo e l'anno alla firma.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa composizione sembra naturale, ma ogni materiale ha il suo linguaggio: pelle granulosa, vimini lineari, aghi spinosi e tessuto morbido per guanti.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF502 si basa su opposizioni di texture e colore che la riproduzione deve mantenere senza standardizzare il tocco.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eNove frutti diversi\u003c\/h3\u003e\n\u003cp\u003eLe arance e i limoni variano in dimensioni, colore e contorno Le linee blu e verdi rinforzano diversi loro volumi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUn paio di guanti\u003c\/h3\u003e\n\u003cp\u003eIl cobalto dei guanti è il principale accento freddo Le loro pieghe e tre bande marroni suggeriscono un oggetto già in uso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eRami cipressi\u003c\/h3\u003e\n\u003cp\u003eRami scuri si estendono dietro il cesto come uno schermo Le loro mani allungate contrastano con forme tutte rotonde.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI riferimenti F502\/JH1664, l'inventario 2014.18.13 e la firma \"Vincent Arles 89\" identificano con precisione il lavoro di Washington.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eDopo l'ospedale\u003c\/h3\u003e\n\u003cp\u003eVan Gogh tornò al lavoro nel gennaio 1889 e scelse diverse nature morte per tornare a un ritmo pittorico regolare.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIntenzione\u003c\/span\u003e\u003ch3\u003eUn' \"aria di chic\"\u003c\/h3\u003e\n\u003cp\u003eIn una lettera a Theo, l'artista associa questa composizione a ricerche più eleganti, probabilmente legate alla speranza di vendere le sue opere.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003e2014.18.13\u003c\/h3\u003e\n\u003cp\u003ePaul e Rachel Mellon hanno conservato a lungo il dipinto, ora alla National Gallery of Art di Washington.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nga.gov\/artworks\/164923-still-life-oranges-and-lemons-blue-gloves\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale della Galleria Nazionale d'Arte →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve distinguere tra frutta, vimini, aghi e tessuto, pur mantenendo l'equilibrio tra gialli caldi e blu cobalto.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI nove agrumi dai contorni irregolari\u003c\/li\u003e\n\u003cli\u003eL'intreccio blu e marrone del cestino\u003c\/li\u003e\n\u003cli\u003eRami di cipresso posti a ventaglio\u003c\/li\u003e\n\u003cli\u003eLe pieghe e le fasce dei guanti blu cobalto\u003c\/li\u003e\n\u003cli\u003eLa firma rossa \"Vincent Arles 89\"\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eArance, limoni e guanti blu, F502\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e48×62 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale d'Arte 2014.18.13 · F502 · JH1664\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale d'Arte, Washington\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta luminosa con un accento blu brillante\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una cucina, una sala da pranzo o un soggiorno Gli agrumi riscaldano le pareti chiare mentre i guanti interagiscono con il blues profondo.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Oranges, citrons et gants bleus, F502\"\u003e\n\u003ci style=\"background:#d69a2f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e4c24a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#24628b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3e6243\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d4c39c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna montatura blu notte, marrone medio o rovere naturale collega i guanti al cestino, La luce calda evidenzia le differenze tra arance e limoni.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di riferimento di pubblico dominio è stata ridotta a 3000 × 2309 px e quindi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eArance, limoni e guanti blu, F502, verniciati per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594935619810,"sku":"NATURE_MORTE_D_ORANGES_ET_DE_CITRONS_AVEC_DES_GANTS_BLEUS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/oranges-citrons-gants-bleus-f502-vincent-van-gogh.webp?v=1785243416"},{"product_id":"tournesols-vincent-van-gogh-2-2","title":"I Girasoli di Londra, F454 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · agosto 1888 · Casa Gialla, Arles\u003c\/p\u003e\n        \u003ch2\u003eI Girasoli di Londra, F454\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eQuindici girasoli, dal bottone ancora chiuso alla testa carica di semi, compongono una sinfonia di gialli davanti ad una parete quasi luminosa.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-londres-f454-vincent-van-gogh.webp?v=1785242852\u0026amp;format=webp\" alt=\"Les Tournesols F454 di Vincent van Gogh, National Gallery di Londra\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eI Girasoli di Londra, F454\u003c\/strong\u003eVincent van Gogh · Agosto 1888 · National Gallery, Londra\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAgosto 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92,1×73 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGalleria Nazionale, Londra\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna decorazione solare per la Casa Gialla\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh dipinse questa versione nell'agosto del 1888, prima dell'arrivo di Paul Gauguin ad Arles, vuole decorare la stanza del suo ospite con grandi mazzi di fiori La composizione riunisce quindici fiori in un vaso di terracotta, ciascuno catturato in una fase diversa del suo ciclo.\u003c\/p\u003e\n\u003cp\u003eIl fondo, il tavolo, il vaso e i petali appartengono tutti alla famiglia gialla, ma i loro valori variano dal limone pallido all'ocra arancione Una sottile linea blu separa il tavolo dal muro e riappare nella firma \"Vincent\", inscritta sul vaso.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eQuesta riduzione volontaria della tavolozza trasforma la natura morta in un'esperienza di colore e materia: i capolini sembrano quasi scolpiti dall'impasto.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa versione londinese F454 si riconosce per i suoi quindici fiori, la sua gamma giallo su giallo e la firma blu posta sul ventre del vaso.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eQuindici stati del fiore\u003c\/h3\u003e\n\u003cp\u003eCoesistono bottone, corolle aperte e teste ricoperte di semi Il bouquet mostra la vitalità del girasole tanto quanto il suo deperimento.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUn dipinto in rilievo\u003c\/h3\u003e\n\u003cp\u003eI petali seguono linee lunghe e ricurve, mentre i semi sono suggeriti da tocchi piccoli, spessi e appuntiti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBlu come punteggiatura\u003c\/h3\u003e\n\u003cp\u003eLa linea sottile del tavolo e la firma bastano a far vibrare tutti i gialli senza interromperne l'unità.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'inventario NG3863 e i riferimenti F454\/JH1562 distinguono l'originale londinese dagli altri girasoli dipinti ad Arles nel 1888 e nel 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eSette versioni\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse quattro grandi mazzi di fiori nell'agosto 1888 e poi tre prove nel gennaio 1889; cinque versioni sono ora visibili nei musei.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProgetto\u003c\/span\u003e\u003ch3\u003eLa stanza di Gauguin\u003c\/h3\u003e\n\u003cp\u003eI bouquet dovevano formare una decorazione accogliente nella Casa Gialla e sostenere il progetto di uno studio di artisti nel sud.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eNG3863\u003c\/h3\u003e\n\u003cp\u003eLa Galleria Nazionale acquistò questo dipinto dal Fondo Courtauld nel 1924; è una delle maggiori versioni riconosciute da Van Gogh.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/vincent-van-gogh-sunflowers\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale della Galleria Nazionale →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve differenziare ogni giallo, rispettare la varietà dei fiori e ricostruire l'impasto senza trasformare lo sfondo in una zona piana uniforme.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI quindici fiori a diversi stadi di maturità\u003c\/li\u003e\n\u003cli\u003eCapolini spessi carichi di semi\u003c\/li\u003e\n\u003cli\u003eLa linea blu tra il muro e il tavolo\u003c\/li\u003e\n\u003cli\u003eLa firma \"Vincent\" sul vaso\u003c\/li\u003e\n\u003cli\u003eIl passaggio dal giallo limone all'ocra marrone\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eI Girasoli di Londra, F454\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAgosto 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eCasa gialla, Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e92,1×73 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale NG3863 · F454 · JH1562\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale, Londra\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'icona gialla che illumina subito la stanza\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale e la dominanza solare sono adatti per un soggiorno, una sala da pranzo o un ingresso La tela si abbina alle pareti bianche, blu, verdi o in terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Les Tournesols de Londres, F454\"\u003e\n\u003ci style=\"background:#e5cf64\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d4aa38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a8782e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d8a45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3f6d77\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in rovere, marrone caldo o blu scuro fa risaltare il bouquet Evita l'oro troppo giallo che ridurrebbe le sottili lacune nella tavolozza.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di riferimento di pubblico dominio è stata ridotta a 2.360 × 3.000 px e poi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLondon Sunflowers, F454, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594936439010,"sku":"TOURNESOLS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-londres-f454-vincent-van-gogh.webp?v=1785242852"},{"product_id":"roses-anemones-vincent-van-gogh","title":"Rose e anemoni - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · giugno 1890 · Auvers-sur-Oise, Francia\u003c\/p\u003e\n        \u003ch2\u003eRose e anemoni\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn un vaso giapponese blu, rose pallide e anemoni rossi si aprono davanti a uno sfondo verde intenso Il bouquet, molto vicino allo spettatore, diventa un campo di tocchi colorati piuttosto che una saggia natura morta.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/roses-anemones-van-gogh-orsay-rf1954-12.webp?v=1785224342\u0026amp;format=webp\" alt=\"Rose e anemoni di Vincent van Gogh, Museo d'Orsay, RF 1954 12\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRose e anemoni\u003c\/strong\u003eVincent van Gogh Giugno 1890 · Musée d'Orsay, Parigi\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGiugno 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e51,7×52 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo d'Orsay, Parigi\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn bouquet quadrato su sfondo verde\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso bianco e blu è posto al bordo di un tavolo il cui colore quasi si confonde con lo sfondo, le rose cremose occupano la parte superiore, mentre anemoni rossi e fogliame scendono verso i lati, diversi fiori sono tagliati dall'inquadratura.\u003c\/p\u003e\n\u003cp\u003eLo sfondo verde è animato da tocchi obliqui visibili I bianchi delle rose contengono gialli, rosa e blu; gli anemoni portano centri neri e rossi brillanti Il vaso giapponese fornisce una base fredda per questa profusione.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa composizione quadrata avvicina il bouquet alla scala dello spettatore: fiori, foglie e vaso sembrano crescere verso i limiti della tela.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl museo d'Orsay conserva Rose e anemoni sotto l'inventario RF 1954 12 L'opera è catalogata F764\/JH2045 e va distinta dai mazzi di rose dipinti poche settimane prima a Saint-Rémy.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn'inquadratura volutamente serrata\u003c\/h3\u003e\n\u003cp\u003eIl bouquet riempie quasi completamente il quadrato I fiori tagliati dai bordi e gli steli che si discostano dal centro danno l'impressione di una crescita che si estende oltre la tela.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl verde come colore attivo\u003c\/h3\u003e\n\u003cp\u003eLo sfondo non è neutro: contrappone la sua vibrazione verde ai rossi degli anemoni e fa risaltare i rosa chiari Le sue pennellate partecipano al movimento generale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn vaso giapponese riconoscibile\u003c\/h3\u003e\n\u003cp\u003eIl contenitore bianco e blu ricorda il duraturo interesse di Van Gogh per le stampe e gli oggetti giapponesi, la sua decorazione fredda e compatta stabilizza la massa irregolare del bouquet.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eRose e anemoni è un olio su tela di 51,7 × 52 cm, dipinto ad Auvers nel giugno 1890, reca i riferimenti F764\/JH2045 e l'inventario RF 1954 12.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTitolo\u003c\/span\u003e\u003ch3\u003eUn vaso giapponese\u003c\/h3\u003e\n\u003cp\u003eL'opera è conosciuta anche come Natura morta: vaso giapponese con rose e anemoni Il contenitore bianco e blu permette di riconoscere questa versione nei numerosi bouquet di Auvers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eNella famiglia Gachet fino al 1954\u003c\/h3\u003e\n\u003cp\u003eDopo la morte di Van Gogh, il dipinto passò da Theo a Paul Gachet Jr. Lo conservò fino alla sua donazione allo Stato francese nel 1954.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003eDal Jeu de Paume a Orsay\u003c\/h3\u003e\n\u003cp\u003eAssegnata prima al Museo del Louvre poi esposta al Jeu de Paume, l'opera si unì alle collezioni del Museo d'Orsay quando aprì nel 1986.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/roses-et-anemones-753\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso del museo d'Orsay\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare il verde vibrante dello sfondo, la luce sfumata delle rose, i rossi scuri degli anemoni e il disegno blu del vaso giapponese.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eRose crema modellate in giallo, rosa e blu\u003c\/li\u003e\n\u003cli\u003eAnemoni rossi con centri quasi neri\u003c\/li\u003e\n\u003cli\u003eIl vaso giapponese blu e bianco\u003c\/li\u003e\n\u003cli\u003eLo sfondo verde ricoperto di tocchi obliqui\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eRose e anemoni\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGiugno 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e51,7×52 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eRF 1954 12 · F764 · JH2045\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'Orsay, Parigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta quadrata, vivace e generosa\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eI fiori verdi e rossi dominanti portano la presenza immediata in una sala da pranzo, cucina o soggiorno Il formato quasi quadrato funziona bene su una parete stretta o in una composizione di cornice.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Roses et anémones\"\u003e\n\u003ci style=\"background:#397052\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d7cda5\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b84f45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#314f6f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#74663d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice blu notte ricorda il vaso; un legno dorato marrone scuro o discreto riscalda le rose Evitare un verde troppo vicino al fondo, che ridurrebbe la separazione della tela.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'unica immagine sul foglio è un file a colori × 1955 px del 1941, convertito in WebP reale senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRose e anemoni, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (60 x 60 cm)","offer_id":46594978676962,"sku":"ROSES_ET_AN_MONES_60x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/roses-anemones-van-gogh-orsay-rf1954-12.webp?v=1785224342"},{"product_id":"vase-iris-vincent-van-gogh","title":"Vaso Iris - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · maggio 1890 · Saint-Rémy-de-Provence, Francia\u003c\/p\u003e\n        \u003ch2\u003eVaso dell'iride\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDa un vaso ocra davanti a uno sfondo giallo quasi soleggiato scaturisce un bouquet di iris blu-viola, Dipinto pochi giorni prima della partenza da Saint-Rémy, questa grande natura morta è uno studio volutamente intenso dei colori complementari.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-iris-van-gogh-museum-s0050v1962.webp?v=1785223168\u0026amp;format=webp\" alt=\"Vaso Iris di Vincent van Gogh, Museo Van Gogh, s0050V1962\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVaso dell'iride\u003c\/strong\u003eVincent van Gogh · maggio 1890 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMaggio 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92,7×73,9 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eIris fredde proiettate su un muro giallo\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso, posto molto in basso su una tavola ocra, porta un bouquet più alto di esso, le foglie verdi si alzano in lunghe lame mentre i fiori sbocciano in grappoli irregolari, diversi steli si piegano verso i bordi e un fiore cade a destra del contenitore.\u003c\/p\u003e\n\u003cp\u003eLo sfondo giallo non è uniforme: è ricoperto da tocchi orizzontali e verticali che modulano la luce, le iridi sono costruite da blu, viola, bianco e alcuni contorni molto scuri Il giallo della parete e il blu del bouquet si rinforzano a vicenda.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh non cerca la delicatezza di un bouquet da salotto: dona ai fiori una scala monumentale e trasforma il contrasto giallo-viola nel soggetto principale.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera s0050V1962 è la versione verticale a fondo giallo, catalogata F678\/JH1977, non va confusa con la versione orizzontale a fondo rosa oggi al Metropolitan Museum of Art.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn bouquet quasi a grandezza naturale\u003c\/h3\u003e\n\u003cp\u003eIl grande formato da 92,7 cm permette alle iridi di occupare quasi tutta l'altezza I fiori tagliati dal bordo superiore fanno sembrare che il bouquet continui oltre la cornice.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl contrasto giallo-viola\u003c\/h3\u003e\n\u003cp\u003eVan Gogh combina due colori opposti sulla ruota dei colori I petali appaiono più freddi e profondi contro il giallo caldo della parete e l'arancio-marrone del vaso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn colore trasformato dal tempo\u003c\/h3\u003e\n\u003cp\u003eLe iridi erano in origine più viola, parte del pigmento rosso essendo sbiadito, i fiori appaiono ora più blu; questa evoluzione appartiene alla storia materiale dell'opera.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh conserva Vaso d'iris con il numero s0050V1962 Questo olio su tela di 92,7 × 73,9 cm, dipinto a Saint-Rémy nel maggio 1890, reca i riferimenti F678 e JH1977.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eQuattro mazzi di fiori del maggio 1890\u003c\/h3\u003e\n\u003cp\u003eAl termine del soggiorno a Saint-Rémy, Van Gogh dipinse due mazzi di iris e due mazzi di rose, esplora così diverse opposizioni cromatiche e due orientamenti su tela.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersione\u003c\/span\u003e\u003ch3\u003eF678, lo sfondo giallo\u003c\/h3\u003e\n\u003cp\u003eQuesta composizione verticale pone i fiori su un giallo brillante Il suo compagno F680, più orizzontale, cerca al contrario una morbida armonia di iridi viola su uno sfondo inizialmente rosa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eFondazione Vincent van Gogh\u003c\/h3\u003e\n\u003cp\u003eL'opera appartiene alla Fondazione Vincent van Gogh ed è conservata al Museo Van Gogh di Amsterdam sotto inventario s0050V1962.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0050V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve preservare la chiarissima opposizione tra giallo e blu, il materiale visibile dei petali e la sagoma irregolare del bouquet.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIris blu-viola circondate da contorni scuri\u003c\/li\u003e\n\u003cli\u003eLe lunghe foglie verdi che attraversano il bouquet\u003c\/li\u003e\n\u003cli\u003eIl vaso ocra modellato da gialli e marroni\u003c\/li\u003e\n\u003cli\u003eLo sfondo giallo animato da pennellate visibili\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eVaso dell'iride\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMaggio 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e92,7×73,9 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003es0050V1962· F678· JH1977\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna presenza floreale monumentale e luminosa\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl giallo dominante riscalda un soggiorno, una sala da pranzo o un ingresso Blues e verdi trovano un'eco naturale nel legno scuro, nell'ottone, nei tessuti indaco e nelle pareti color crema.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase d’iris\"\u003e\n\u003ci style=\"background:#d2bd27\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f5d90\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d4c89\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66824a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bd772b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno dorato blu scuro, marrone intenso o discreto contiene l'energia dello sfondo giallo Una semplice modanatura lascia respirare la silhouette ritagliata delle iridi.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ufficiale di pubblico dominio misura 2.480 × 3.122 px È stata convertita in un vero e proprio WebP di 2.383 × 3.000 px, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVaso Iris, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594981167330,"sku":"VASE_D_IRIS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-iris-van-gogh-museum-s0050v1962.webp?v=1785223168"},{"product_id":"fleurs-verre-vincent-van-gogh","title":"Fiori in un bicchiere - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · giugno 1890 · Auvers-sur-Oise, Francia\u003c\/p\u003e\n        \u003ch2\u003eFiori in un bicchiere\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn un vetro trasparente a stelo, Van Gogh riunisce alcuni steli di campanule blu, fiori bianchi e piccoli tocchi rossi Il bouquet appare fragile e quasi improvvisato su uno sfondo grigio-blu in gran parte spazzolato.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-dans-un-verre-van-gogh-f589.webp?v=1785222264\u0026amp;format=webp\" alt=\"Fiori in un bicchiere di Vincent van Gogh, Auvers-sur-Oise, F589\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eFiori in un bicchiere\u003c\/strong\u003eVincent van Gogh · Giugno 1890 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGiugno 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41,3×33,3 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBouquet leggero appeso sopra un tavolo bianco\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vetro stretto è posto leggermente a destra del centro La sua base e il suo taglio sono disegnati da contorni turchesi, riflessi bianchi e pochi tocchi marroni che rivelano il fondo attraverso il contenitore.\u003c\/p\u003e\n\u003cp\u003eGli steli si aprono a ventaglio verso il bordo superiore Le campane blu si raggruppano a destra, un fiore rosso scandisce la sommità e le foglie verdi cadono intorno al vetro Una linea curva separa il tavolo molto chiaro dalla parete grigio-blu.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl vetro quasi trasparente e lo spazio lasciato vuoto conferiscono a questa natura morta un respiro insolito, nonostante il vigore visibile di ogni pennellata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera F589 si riconosce per il vetro a stelo, i campanari blu, il grande tavolo bianco e lo sfondo grigio costruito da tratteggi verticali e orizzontali.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTrasparenza senza illusionismo\u003c\/h3\u003e\n\u003cp\u003eBastano poche linee turchesi per descrivere il vetro Van Gogh non cerca una finitura liscia: i riflessi sono segni colorati che rimangono perfettamente visibili.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUn bouquet decentrato e arioso\u003c\/h3\u003e\n\u003cp\u003eI fiori occupano principalmente la parte destra mentre un lungo stelo va verso sinistra Questa asimmetria rende spontanea la disposizione e apre ampie zone di fondo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn tavolo quasi non verniciato\u003c\/h3\u003e\n\u003cp\u003eI bianchi crema rivelano la texture della tela e le ripetizioni del pennello, questa superficie calma accentua la finezza della base in vetro.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eFiori in un bicchiere è un olio su tela di 41,3 × 33,3 cm dipinto ad Auvers nel giugno 1890 Elencato sotto F589 e JH2033, è attualmente conservato in una collezione privata.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAutenticità\u003c\/span\u003e\u003ch3\u003eConfermato dal Museo Van Gogh\u003c\/h3\u003e\n\u003cp\u003eAlla vendita di Sotheby's del 2020, la casa ha indicato che l'autenticità dell'opera era stata confermata dal Museo Van Gogh di Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\u003ch3\u003eDa Arles per Auvers\u003c\/h3\u003e\n\u003cp\u003eVecchi cataloghi a volte lo datano dal 1888 Ricerche più recenti lo collegano ora al piccolo gruppo di nature morte floreali dipinte ad Auvers nel 1890.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCorso\u003c\/span\u003e\u003ch3\u003eUna provenienza movimentata\u003c\/h3\u003e\n\u003cp\u003eSequestrata ad Alfred Lindon durante l'occupazione, l'opera fu recuperata dopo la guerra e poi restituita al suo erede Jacques Lindon prima di unirsi a diverse collezioni americane.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.sothebys.com\/en\/buy\/auction\/2020\/impressionist-modern-art-evening-sale-2\/vincent-van-gogh-fleurs-dans-un-verre\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso documentato di Sotheby's\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve mantenere la trasparenza grafica del vetro, il freddo blu dei fiori e le grandi riserve chiare, senza ispessire artificialmente i fusti.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl vetro a stelo disegnato da pochi contorni turchesi\u003c\/li\u003e\n\u003cli\u003eI campanari azzurri raggruppati a destra\u003c\/li\u003e\n\u003cli\u003eIl piccolo fiore rosso vicino al bordo superiore\u003c\/li\u003e\n\u003cli\u003eLa curva che separa il tavolo bianco dal muro grigio\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eFiori in un bicchiere\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGiugno 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e41,3×33,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF589 · JH2033\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta chiara e leggera\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl piccolo formato verticale è adatto per una camera da letto, ingresso o composizione di cornice Blu grigio, verde mare e bianco sporco si abbinano a interni luminosi e legni pallidi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Fleurs dans un verre\"\u003e\n\u003ci style=\"background:#c9d0ca\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d99a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4b8b71\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7a85b3\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a84c39\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in rovere grigio-blu, patinato verde o chiaro mantiene la freschezza della palette Un margine bianco o crema sottolinea la finezza del vetro.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa fotografia di vendita ad alta definizione misura 1.621 × 2.000 px È stata convertita in un vero e proprio WebP senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eFiori in un bicchiere, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594981920994,"sku":"FLEURS_DANS_UN_VERRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-dans-un-verre-van-gogh-f589.webp?v=1785222264"},{"product_id":"vase-fleurs-chardons-vincent-van-gogh","title":"Vaso con fiori e cardi - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · giugno 1890 · Auvers-sur-Oise, Francia\u003c\/p\u003e\n        \u003ch2\u003eVaso con fiori e cardi\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn vaso in terracotta reca un bouquet quasi interamente composto da cardi blu, foglie tagliate e steli secchi, su fondo verde mare Van Gogh contrappone la durezza della pianta alla semplice rotondità del contenitore.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-fleurs-chardons-van-gogh-pola-museum.webp?v=1785222262\u0026amp;format=webp\" alt=\"Vaso con fiori e cardi di Vincent van Gogh, Museo d'Arte di Pola\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVaso con fiori e cardi\u003c\/strong\u003eVincent van Gogh · giugno 1890 · Museo d'Arte Pola, Hakone\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGiugno 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40,8×33,6 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo d'arte Pola, Hakone\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eCardi spinosi in un vaso molto semplice\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso rosso-marrone si trova al centro di un tavolo chiaro e riempie quasi tutta la metà inferiore, i suoi anelli concentrici, dipinti di marrone, rosso e nero, danno peso alla ceramica.\u003c\/p\u003e\n\u003cp\u003eIn alto le foglie di colore verde-azzurro formano una corona irregolare attorno a due capolini viola, lunghi steli chiari e neri attraversano il bouquet in diagonale, lo sfondo turchese, posto in linee visibili, avvolge il tutto in luce fresca.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa composizione mette in dialogo tre materiali: ceramica pesante, foglie affilate e lo sfondo chiaro coperto dal pennello.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera 016-0020 si riconosce per il suo piccolo formato verticale, il suo vaso globulare rosso-marrone, i suoi due cardi viola e il suo fondo turchese quasi monocromo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna base circolare molto stabile\u003c\/h3\u003e\n\u003cp\u003eLe curve ripetute del vaso formano una base compatta Compensano steli e foglie instabili che si disperdono in tutte le direzioni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl nero come disegno\u003c\/h3\u003e\n\u003cp\u003eVan Gogh utilizza contorni blu-neri per separare le foglie, i fiori e il bordo del vaso, questo disegno scuro rimane visibile tra l'impasto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUno sfondo che rimane materiale\u003c\/h3\u003e\n\u003cp\u003eIl turchese non è mai liscio Le linee verticali e orizzontali mostrano la progressione del pennello e mantengono attiva l'intera superficie.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo d'Arte di Pola conserva questo olio su tela di dimensioni 40,8 × 33,6 cm sotto il riferimento 016-0020 Dipinto ad Auvers nel giugno 1890, corrisponde ai cataloghi F599 e JH2044.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003eCollezione Hakone\u003c\/h3\u003e\n\u003cp\u003eVaso con fiori e cardi è uno dei tre oli Van Gogh conservati dal Museo d'Arte Pola, insieme a Le Pont de Gleize e Touffes d'herbe.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersione\u003c\/span\u003e\u003ch3\u003eF599, un piccolo bouquet\u003c\/h3\u003e\n\u003cp\u003eIl formato 40,8 × 33,6 cm e il vaso globulare distinguono F599 dalla grande natura morta verticale F763, trattata nel lotto precedente.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eAuvers, giugno 1890\u003c\/h3\u003e\n\u003cp\u003eNelle settimane successive al suo arrivo ad Auvers, Van Gogh tornò alla natura morta floreale Il museo data ufficialmente questa composizione al 1890 e i cataloghi specificano il mese di giugno.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.polamuseum.or.jp\/en\/collection\/016-0020\/\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il bando del Museo d'Arte Pola\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve preservare i contorni blu-neri, il rosso terroso del vaso e la luminosità dello sfondo turchese, senza ammorbidire le forme speziate dei cardi.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI due capolini viola-blu al centro\u003c\/li\u003e\n\u003cli\u003eLe foglie seghettate circondate dall'oscurità\u003c\/li\u003e\n\u003cli\u003eI lunghi steli obliqui sopra il bouquet\u003c\/li\u003e\n\u003cli\u003eGli anelli rossi e marroni del vaso\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eVaso con fiori e cardi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGiugno 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e40,8×33,6 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e016-0020 · F599 · JH2044\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte Pola, Hakone\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn piccolo bouquet vivace per uno spazio ravvicinato\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per un ingresso, una mensola o una parete di piccoli quadri Turchese, terracotta e viola accompagnano legno biondo, ceramiche e tessuti naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase avec fleurs et chardons\"\u003e\n\u003ci style=\"background:#8cc8b2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b826d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#723d2d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6c6fa4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263d3a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno rosso marrone, blu petrolio o chiaro utilizza le tre principali famiglie di colori Un margine discreto esalta il piccolo formato originale.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa fotografia ufficiale del Museo d'Arte Pola misura 1.226 × 1.500 px È stata convertita in un vero e proprio WebP senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVaso con fiori e cardi, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594982117602,"sku":"VASE_AVEC_FLEURS_ET_CHARDONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-fleurs-chardons-van-gogh-pola-museum.webp?v=1785222262"},{"product_id":"fleurs-sauvages-chardons-vase-vincent-van","title":"Fiori e cardi selvatici in un vaso - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · giugno 1890 · Auvers-sur-Oise, Francia\u003c\/p\u003e\n        \u003ch2\u003eFiori e cardi selvatici in un vaso\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn un vaso di terra rossa, Van Gogh riunisce cardi, fogliame e fiori selvatici in un bouquet volutamente indisciplinato, la massa vegetale scura, attraversata da blu e bianchi, si staglia su uno sfondo verde chiaro striato di tocchi orizzontali.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-sauvages-chardons-vase-van-gogh-f763.webp?v=1785221567\u0026amp;format=webp\" alt=\"Fiori e cardi selvatici in un vaso di Vincent van Gogh, F763\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eFiori e cardi selvatici in un vaso\u003c\/strong\u003eVincent van Gogh · Giugno 1890 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGiugno 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e67×47 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn bouquet selvaggio traboccante dal suo vaso\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso cilindrico occupa il fondo della composizione, leggermente sfalsato a sinistra, lunghi steli neri si librano sul bordo superiore, mentre foglie seghettate e capolini di cardo formano un nucleo compatto al centro.\u003c\/p\u003e\n\u003cp\u003eVicino alla sommità appare un fiore rosso isolato, rispondente alla terracotta del recipiente, i bianchi gessosi, i blu freddi e i verdi quasi neri sono posti in spessi tocchi; dietro di essi, lo sfondo verde acqua rimane più regolare e sposta il bouquet in avanti.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa natura morta non cerca né simmetria né eleganza floreale: trae la sua forza da steli incrociati, foglie spinose e materiale colorato.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera F763 si riconosce per il suo formato verticale, il vaso rosso-marrone, la grande foglia giallo-verde posta a destra e il fiore rosso sospeso in cima al bouquet.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna silhouette volutamente irregolare\u003c\/h3\u003e\n\u003cp\u003eI fusti escono da tutti i lati e tagliano il fondo ad angoli diversi Questa dispersione conferisce al bouquet l'energia di una pianta ancora viva piuttosto che l'ordine di una disposizione decorativa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl vaso come ancora\u003c\/h3\u003e\n\u003cp\u003eLa sua forma semplice e il colore caldo stabilizzano l'abbondanza superiore I contorni neri collegano visivamente il contenitore ai rami più lunghi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eColori separati dalla chiave\u003c\/h3\u003e\n\u003cp\u003eBlues, bianchi e gialli non si sciolgono Ogni pennellata rimane leggibile e descrive un fiore, una foglia o un riflesso di luce allo stesso tempo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eFiori e cardi selvatici in vaso è un olio su tela di 67 × 47 cm dipinto ad Auvers nel giugno 1890 Conservato in collezione privata, reca i riferimenti F763 e JH2030.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF763 · JH2030\u003c\/h3\u003e\n\u003cp\u003eQuesti riferimenti distinguono questa grande natura morta verticale da altri vasi di fiori realizzati ad Auvers nello stesso mese, i cui formati e bouquet differiscono.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eGiugno ad Auvers\u003c\/h3\u003e\n\u003cp\u003eVan Gogh arrivò ad Auvers nel maggio del 1890, in quest'ultimo periodo, alternò paesaggi, ritratti e diverse nature morte floreali con inquadrature molto dirette.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\u003ch3\u003eUn'opera in una collezione privata\u003c\/h3\u003e\n\u003cp\u003eNessun museo pubblico è attualmente elencato per F763 nei cataloghi visionati Il file conserva quindi questa cauta collocazione senza attribuirgli uno stabilimento immaginario.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0763.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F763 del catalogo online\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve preservare l'opposizione tra lo sfondo verde chiaro, il vaso caldo e il cuore quasi nero del bouquet, senza levigare i contorni nervosi delle foglie.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl fiore rosso isolato nella parte superiore\u003c\/li\u003e\n\u003cli\u003eLa grande foglia giallo-verde che sale a destra\u003c\/li\u003e\n\u003cli\u003eCardi blu e bianchi al centro del bouquet\u003c\/li\u003e\n\u003cli\u003eIl vaso rosso-marrone con contorni neri visibili\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eFiori e cardi selvatici in un vaso\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGiugno 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e67×47 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF763 · JH2030\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta verticale, cruda e molto colorata\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato stretto è adatto per una sezione di parete, un ingresso o uno spazio tra due mobili Verdi, blu cobalto e terracotta interagiscono con legno scuro, lino ecru e pareti di salvia o crema.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Fleurs sauvages et chardons dans un vase\"\u003e\n\u003ci style=\"background:#5f947a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263c2d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6e72a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b4432f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b3bc39\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone intenso, verde bosco o naturale riprende i contorni del bouquet, una modanatura abbastanza semplice lascia respirare gli steli, che arrivano quasi al bordo superiore.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di pubblico dominio disponibile misura 1.194 × 1.801 px È stato convertito in un vero e proprio WebP senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eFiori e cardi selvatici in un vaso, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594985263330,"sku":"FLEURS_SAUVAGES_ET_CHARDONS_DANS_UN_VASE_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-sauvages-chardons-vase-van-gogh-f763.webp?v=1785221567"},{"product_id":"branches-marronnier-fleur-vincent-van-gogh","title":"Rami di castagno in fiore - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · maggio 1890 · Auvers-sur-Oise, Francia\u003c\/p\u003e\n        \u003ch2\u003eRami di castagno in fiore\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu uno sfondo azzurro ricoperto di tratteggio si dispiegano grappoli di fiori bianchi e rosa, le grandi foglie stellate, circondate dall'oscurità, circondano i ceri del castagno in una composizione senza fango né orizzonte.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branches-marronnier-fleur-van-gogh.webp?v=1785217865\u0026amp;format=webp\" alt=\"Rami di castagno in fiore, natura morta di Vincent van Gogh, maggio 1890\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRami di castagno in fiore\u003c\/strong\u003eVincent van Gogh · Maggio 1890 · Collezione Emil Bührle, Kunsthaus Zurigo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMaggio 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73×92 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione Emil Bührle, Kunsthaus Zurigo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eFiori di castagno visti da vicino\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eUn ramo attraversa la tela in diagonale e porta diversi grappoli pesanti di piccoli fiori chiari Le luci gialle, rosa e blu danno volume a ciascuna candela senza dettagliare tutte le corolle.\u003c\/p\u003e\n\u003cp\u003eIntorno ai fiori si aprono foglie palmate, alcune di colore verde intenso, altre gialle o rossastre, tra i fusti rimane pienamente visibile lo sfondo blu-violaceo; le sue pennellate serrate fanno vibrare lo spazio.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eRimuovendo il vaso e la profondità, Van Gogh trasforma i rami tagliati in uno schermo decorativo di fiori, foglie e linee.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera BU 0053 si riconosce dal suo formato orizzontale, dai suoi grandi grappoli bianchi, dalle foglie palmate circondate dal blu e dallo sfondo viola schiuso.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIncorniciatura senza contenitore\u003c\/h3\u003e\n\u003cp\u003eNon appare alcun vaso: i rami entrano direttamente nel campo Il motivo sembra così estendersi oltre i quattro bordi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eFoglie come stelle\u003c\/h3\u003e\n\u003cp\u003eLe foglioline si irradiano da un punto centrale e sono rinforzate da contorni scuri, strutturano la composizione tra le masse dei fiori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn fondo che rimane attivo\u003c\/h3\u003e\n\u003cp\u003eIl blu non è un piatto neutro Il tratteggio curvo segue gli steli e riempie ogni intervallo con un movimento costante.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eRami di castagno in fiore è un olio su tela di 73 × 92 cm dipinto ad Auvers nel maggio 1890 L'opera F820, oggi inventariata BU 0053, appartiene alla Collezione Emil Bührle in prestito a lungo termine alla Kunsthaus di Zurigo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInventario\u003c\/span\u003e\u003ch3\u003eBU0053 ·F820\u003c\/h3\u003e\n\u003cp\u003eIl file Kunsthaus dà l'inventario BU 0053 e il riferimento di La Faille F820 Il catalogo Hulsker lo identifica sotto JH2010.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePresentazione\u003c\/span\u003e\u003ch3\u003eAlla Kunsthaus dal 2021\u003c\/h3\u003e\n\u003cp\u003eLa Collezione Emil Bührle ha messo questo dipinto in prestito a lungo termine alla Kunsthaus di Zurigo quando è stata aperta la sua nuova estensione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eEpisodio\u003c\/span\u003e\u003ch3\u003eTrovato nel 2008\u003c\/h3\u003e\n\u003cp\u003eRubata con altri tre dipinti a Zurigo il 10 febbraio 2008, l'opera è stata ritrovata nove giorni dopo in un'auto e restituita senza danni.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/collection.kunsthaus.ch\/multimedia\/6\/586966-en.pdf\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il file ufficiale Kunsthaus Zurigo\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve mantenere la densità degli ammassi, la struttura radiosa delle foglie e il tratteggio blu che mantiene in movimento lo sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI lunghi grappoli bianchi punteggiati di rosa\u003c\/li\u003e\n\u003cli\u003eLe grandi foglie palmate dai contorni scuri\u003c\/li\u003e\n\u003cli\u003eLa diagonale principale dei rami\u003c\/li\u003e\n\u003cli\u003eIl fondo blu-viola completamente tratteggiato\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eRami di castagno in fiore\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMaggio 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e73×92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eBU 0053 · F820 · JH2010\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione Emil Bührle, Kunsthaus Zurigo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAmpia fioritura su un blu vibrante\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl grande formato orizzontale anima un soggiorno, una camera da letto o una sala da pranzo Viola blu, verdi e bianchi cremosi si sposano bene con legno chiaro, ottone e tessuti greggi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Branches de marronnier en fleurs\"\u003e\n\u003ci style=\"background:#4a6694\"\u003e\u003c\/i\u003e\u003ci style=\"background:#486944\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9d4b8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8a171\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8f5d6f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice blu notte, verde intenso o oro patinato mette in risalto i contorni e i fiori, una modanatura sobria lascia il motivo pieno della sua pienezza.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento pubblico di 3.870×3.066 px è stato ridotto a 3.000×2.377 px e quindi convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRami di castagno in fiore, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46595004924130,"sku":"BRANCHES_DE_MARRONNIER_EN_FLEUR_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branches-marronnier-fleur-van-gogh.webp?v=1785217865"},{"product_id":"verre-illets-vincent-van-gogh","title":"Bicchiere per occhielli - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · giugno 1890 · Auvers-sur-Oise, Francia\u003c\/p\u003e\n        \u003ch2\u003eBicchiere occhiello\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn mazzo di garofani bianchi, blu e rosso scuro si inserisce in un semplice bicchiere verde Con qualche verga, uno sfondo giallo chiaro e l'ombra bluastra del tavolo, Van Gogh costruisce una natura morta chiara, quasi trasparente.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/verre-aux-oeillets-vincent-van-gogh-reproduction-huile.webp?v=1785215360\u0026amp;format=webp\" alt=\"Bicchiere per occhiello di Vincent van Gogh, 1890, collezione privata\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eBicchiere occhiello\u003c\/strong\u003eVincent van Gogh · Giugno 1890 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGiugno 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41×32 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eOcchielli trasparenti in vetro verde trasparente\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI fiori sono divisi in due gruppi asimmetrici, a sinistra le corolle blu e bianche si stringono attorno a diversi steli che salgono al bordo superiore, a destra avanzano due garofani rosso-viola davanti a una piccola nuvola di fiori pallidi.\u003c\/p\u003e\n\u003cp\u003eIl vetro cilindrico è indicato da contorni blu-neri e passaggi verdi che rivelano le aste sommerse, sul tavolo un'ombra grigio-blu va a sinistra Lo sfondo giallo rimane quasi vuoto e rende i contorni particolarmente visibili.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa trasparenza del contenitore e i vuoti tra i fiori conferiscono al bouquet una fragilità molto diversa dai grandi vasi floreali di Auvers.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera F598 si riconosce per il suo piccolo vetro verde, il suo bouquet decentrato, i lunghi steli nudi e il fondo giallo quasi monocromo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn contenitore trasparente\u003c\/h3\u003e\n\u003cp\u003eIl vetro non è dipinto come un volume opaco Gli steli, i riflessi verdi e poche linee blu scuro sono sufficienti a suggerire le pareti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUn bouquet aperto deliberatamente\u003c\/h3\u003e\n\u003cp\u003eLe corolle non formano una massa continua Gli spazi gialli tra loro e i lunghi steli conferiscono un ritmo arioso alla composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eContorni e zone pianeggianti\u003c\/h3\u003e\n\u003cp\u003eIl Museo Van Gogh avvicina questa natura morta al gusto dell'artista per le stampe giapponesi: semplici piani colorati, contorni visibili e rapida esecuzione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVetro con garofani è un olio su tela dipinto ad Auvers nel giugno 1890 Conservato in collezione privata, è catalogato F598 e JH2043.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eTra una dozzina di bouquet di Auvers\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse principalmente paesaggi durante il suo soggiorno, ma creò anche una serie variegata di nature morte floreali, spesso per il suo piacere o come regalo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormato\u003c\/span\u003e\u003ch3\u003eUna tela di 41×32 cm\u003c\/h3\u003e\n\u003cp\u003eLe dimensioni ridotte si abbinano all'economia del motivo: un bicchiere, pochi fiori, un tavolo leggero e quasi nessun accessorio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF598 · JH2043\u003c\/h3\u003e\n\u003cp\u003eQuesti riferimenti contraddistinguono il bicchiere garofano del vaso di fiori di campo F280 e i grandi bouquet custoditi nei musei.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Glas_mit_Nelken.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda documentale per l'opera F598\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve conservare la leggerezza dei vuoti, i contorni irregolari degli occhielli e la trasparenza del vetro, senza ispessire artificialmente questo piccolo bouquet.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa discrepanza tra il gruppo bianco-azzurro e i due garofani scuri\u003c\/li\u003e\n\u003cli\u003eI lunghi steli verdi lasciati quasi nudi\u003c\/li\u003e\n\u003cli\u003eLe aste visibili attraverso il vetro cilindrico\u003c\/li\u003e\n\u003cli\u003eL'ombra grigio blu posta sul tavolo giallo chiaro\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eBicchiere occhiello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGiugno 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e41×32 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF598 · JH2043 · Collezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta leggera per uno spazio intimo\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per una cucina, una camera da letto o una piccola parete per ufficio Gialli chiari, verdi e blu illuminano il legno naturale e interni dai toni crema.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Verre aux œillets\"\u003e\n\u003ci style=\"background:#ddd876\"\u003e\u003c\/i\u003e\u003ci style=\"background:#89a254\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d8fb2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#ece5c2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b425b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice verde oliva, blu grigio o rovere chiaro accompagna la delicatezza del bouquet, una modanatura fine conserva l'impressione di leggerezza.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa referenza pubblica meglio identificata misura 1.206 × 1.704 px È stata convertita in un vero e proprio WebP senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVetro occhiello, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46595024355554,"sku":"VERRE_AUX_ILLETS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/verre-aux-oeillets-vincent-van-gogh-reproduction-huile.webp?v=1785215360"},{"product_id":"vase-marguerites-coquelicots-vincent-van-gogh","title":"Vaso margherita e papavero - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · giugno 1890 · Auvers-sur-Oise, Francia\u003c\/p\u003e\n        \u003ch2\u003eVaso margherita e papavero\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn bouquet traboccante di papaveri rossi, margherite bianche e mirtilli scaturisce da un vaso marrone posto su una tavola rotonda Van Gogh concentra in questa natura morta i fiori selvatici dei campi di Auvers e li contrappone a uno sfondo verde molto chiaro.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-marguerites-coquelicots-vincent-van-gogh.webp?v=1785215355\u0026amp;format=webp\" alt=\"Vaso margherita e papavero di Vincent van Gogh, 1890\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVaso margherita e papavero\u003c\/strong\u003eVincent van Gogh · giugno 1890 · Museo d'arte della canzone, Pechino\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGiugno 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e66×51 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo d'arte della canzone, Pechino\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn bouquet selvaggio che trabocca dal vaso e dalla cornice\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI papaveri formano una grande massa rossa al centro e nella parte superiore, a sinistra i piccoli fiori blu stringono il bouquet; le margherite bianche scendono verso la tavola e attraversano visivamente il bordo della vaso Diversi steli lunghi e sottili rimangono isolati sul fondo.\u003c\/p\u003e\n\u003cp\u003eIl vaso rosso-bruno è costruito da fasce orizzontali più chiare Il suo volume stabile contrasta con la dispersione dei fiori e con gli steli che cadono a destra Il cerchio quasi bianco del tavolo sostiene il tutto senza chiudere il fondo della composizione.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl bouquet unisce densità e dispersione: un nucleo rosso compatto, poi fiori e steli che fuoriescono in tutte le direzioni.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera F280 si riconosce per il suo grande bouquet rosso, il suo vaso di terracotta marrone a righe, le margherite cadenti e lo sfondo verde mare.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTre famiglie di fiori\u003c\/h3\u003e\n\u003cp\u003eI papaveri forniscono massa rossa, le margherite aprono dischi bianchi e gialli, mentre i mirtilli creano un'area blu più stretta a sinistra.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUno sfondo lasciato vivo\u003c\/h3\u003e\n\u003cp\u003eIl verde pallido non è uniforme Passaggi larghi e più chiari e alcune zone di tela visibile danno aria intorno alle corolle.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl tavolo come base\u003c\/h3\u003e\n\u003cp\u003eIl suo arco grigio-blu incornicia la base del vaso e rende leggibili i fusti pendenti, questo semicerchio calma la composizione senza diventare una decorazione dettagliata.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesta natura morta di Auvers è catalogata F280 e JH2032 Google Arts \u0026amp; Culture la presenta oggi nella collezione del Song Art Museum di Pechino.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eUna natura morta delle ultime settimane\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse diversi mazzi di fiori ad Auvers nel giugno 1890, nel mezzo di una produzione dedicata principalmente a paesaggi e ritratti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eFiori di campo\u003c\/h3\u003e\n\u003cp\u003eIl mix di papaveri, margherite e piccoli fiori blu conferisce al bouquet un carattere scelto piuttosto che composto secondo le regole di una disposizione del soggiorno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF280· JH2032\u003c\/h3\u003e\n\u003cp\u003eQuesti riferimenti distinguono questo vaso marrone da Glass con garofani e altre nature morte floreali realizzate contemporaneamente.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/artsandculture.google.com\/asset\/vase-with-daisies-and-poppies-vincent-willem-van-gogh\/pgEmgJ41BtogpA\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Song Art Museum\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve conservare la forma irregolare del bouquet, la distribuzione delle tre famiglie di fiori e gli steli traboccanti, senza trasformare questa vivace raccolta in una disposizione simmetrica.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl denso nucleo di papaveri rossi e arancioni\u003c\/li\u003e\n\u003cli\u003eLa zona dei mirtilli si concentrava a sinistra\u003c\/li\u003e\n\u003cli\u003eLe margherite bianche che scendono verso la tavola\u003c\/li\u003e\n\u003cli\u003eLe strisce chiare del vaso e i lunghi steli pendenti a destra\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eVaso margherita e papavero\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGiugno 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e66×51 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF280· JH2032\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte della canzone, Pechino\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn bouquet generoso per illuminare un interno\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl rosso dei fiori e il verde mare portano una presenza gioiosa in una sala da pranzo, cucina o soggiorno Il formato verticale è facilmente posizionato sopra una console o tra due mobili.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase aux marguerites et coquelicots\"\u003e\n\u003ci style=\"background:#b9482d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d36b34\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a9c98f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#315b73\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c2aa69\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone terra, verde tenue o naturale ricorda il vaso e lo sfondo, una modanatura sobria lascia il bouquet in espansione.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento corrisponde esattamente a F280 Il suo file da 1.520 × 2.000 px è stato convertito in un vero e proprio WebP alla sua definizione originale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVaso margherita e papavero, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46595028222178,"sku":"VASE_AVEC_MARGUERITES_ET_COQUELICOTS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-marguerites-coquelicots-vincent-van-gogh.webp?v=1785215355"},{"product_id":"tournesols-vincent-van-gogh-3","title":"Girasoli, versione Philadelphia - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · gennaio 1889 · Arles, Francia\u003c\/p\u003e\n        \u003ch2\u003eGirasoli, versione Philadelphia\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDodici girasoli a diversi stadi di fioritura traboccano da un semplice vaso Van Gogh dipinge questa variazione in pieno inverno, a memoria, e trasforma quasi interamente la tela in uno studio di gialli, ocra e verdi.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-vincent-van-gogh-1889-philadelphia.webp?v=1785212880\u0026amp;format=webp\" alt=\"Girasoli di Vincent van Gogh, 1889, Philadelphia Art Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eGirasoli, versione Philadelphia\u003c\/strong\u003eVincent van Gogh · gennaio 1889 · Philadelphia Art Museum, Filadelfia\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92,4×71,1 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo d'arte di Filadelfia, Filadelfia\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDodici fiori, dodici presenze diverse\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI capolini si sovrappongono senza formare un bouquet regolare Alcune setole con petali, altre mostrano un grande cuore marrone o cominciano ad appassire Steli verdi e foglie ricurve collegano questa costellazione al vaso posto su un tavolo giallo.\u003c\/p\u003e\n\u003cp\u003eVan Gogh realizzò questo dipinto nel gennaio 1889 come variazione della composizione con dodici girasoli dipinti ad Arles nell'agosto 1888, oggi a Monaco di Baviera, non copia meccanicamente il primo dipinto: egli individualizza maggiormente i fiori e spinge ulteriormente l'accordo generale dei gialli.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa ripetizione di una gamma ristretta rivela una sorprendente diversità di forme, materiali e stati del fiore.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa versione Philadelphia dovrebbe essere distinta dagli altri Girasoli per l'esatta disposizione dei suoi dodici fiori, il suo sfondo giallo e i suoi accenti colorati.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna composizione di ventagli\u003c\/h3\u003e\n\u003cp\u003eLe grandi teste formano una corona irregolare attorno all'asse del vaso, i fiori superiori si estendono in verticale, mentre le foglie inferiori aprono il bouquet verso i lati.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGiallo nelle varianti\u003c\/h3\u003e\n\u003cp\u003eLimone, ocra, senape, marrone dorato e crema giustappongono Verdi e alcuni accenti rossi o blu impediscono alla gamma calda di diventare uniforme.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn materiale spesso\u003c\/h3\u003e\n\u003cp\u003ePetali e cuori sono costruiti da impasto, piccole virgole e linee radianti Questa texture dona ad ogni fiore la propria densità.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Philadelphia Art Museum fa risalire questa versione al 1889 e la descrive come una nuova interpretazione fatta a memoria durante l'inverno.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eI Girasoli di Arles\u003c\/h3\u003e\n\u003cp\u003eVan Gogh immaginò diversi bouquet per decorare la Casa Gialla e accogliere Paul Gauguin, Cinque grandi versioni sono ora custodite in collezioni internazionali.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVariazione\u003c\/span\u003e\u003ch3\u003eDopo la tela di Monaco\u003c\/h3\u003e\n\u003cp\u003eQuesto dipinto riprende la composizione con dodici fiori realizzata nell'agosto del 1888, ma modifica i colori, i contorni e la personalità di ogni capolino.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eInventario 1963-116-19\u003c\/h3\u003e\n\u003cp\u003eL'opera appartiene ai coniugi Carroll S. Tyson, Jr. del Philadelphia Art Museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.philamuseum.org\/objects\/59202\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Philadelphia Art Museum\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve differenziare ciascuno dei dodici fiori, mantenere il disegno degli steli e ricreare la ricchezza dei gialli senza appiattire l'impasto.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eL'esatta disposizione dei dodici capolini e delle foglie\u003c\/li\u003e\n\u003cli\u003eCuori marroni modellati in piccoli tocchi radiosi\u003c\/li\u003e\n\u003cli\u003eSfumature di giallo sullo sfondo, sul tavolo e sui petali\u003c\/li\u003e\n\u003cli\u003eIl contorno del vaso e la sottile linea orizzontale del tavolo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eGirasoli, versione Philadelphia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e92,4×71,1 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1963-116-19\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte di Filadelfia, Filadelfia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'icona solare per un soggiorno\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl bouquet verticale diventa naturalmente il punto focale di un soggiorno, sala da pranzo o ingresso Le sue pareti di luce calda giallo, legni naturali, blu notte e tessuti ecru.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Tournesols, version de Philadelphie\"\u003e\n\u003ci style=\"background:#d9b62f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b58a24\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7c6429\"\u003e\u003c\/i\u003e\u003ci style=\"background:#47723f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d89c3d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno blu molto scuro, marrone caldo o naturale fa risaltare i gialli La doratura opaca rimane possibile se il suo profilo è semplice e meno luminoso della tela.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento visivo è l'immagine ad alta definizione del Google Art Project associata al dipinto di Filadelfia, ridotta a 3.000 px e convertita in WebP senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eGirasoli, versione Philadelphia, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46595044212962,"sku":"TOURNESOLS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-vincent-van-gogh-1889-philadelphia.webp?v=1785212880"},{"product_id":"lauriers-roses-vincent-van-gogh-601","title":"Oleandri - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · agosto 1888 · Arles, Francia\u003c\/p\u003e\n        \u003ch2\u003eOleandri\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eI fiori rosa traboccano di una brocca in maiolica mentre sul tavolo poggia un libro giallo Van Gogh unisce il vigore vegetale degli oleandri al titolo del romanzo di Émile Zola, La gioia di vivere.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/lauriers-roses-vincent-van-gogh-met.webp?v=1785211661\u0026amp;format=webp\" alt=\"Oleanders di Vincent van Gogh, 1888, Metropolitan Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eOleandri\u003c\/strong\u003eVincent van Gogh · Agosto 1888 · Metropolitan Museum of Art, New York\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAgosto 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e60,3×73,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eIl Metropolitan Museum of Art di New York\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn bouquet pensato come affermazione di vita\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI rami si diffondono ampiamente su entrambi i lati del vaso Le foglie lunghe e scure formano diagonali che contrastano con le corolle rotonde, dipinte di rosa, bianco e rosso La brocca decorata stabilizza il bouquet al centro della composizione.\u003c\/p\u003e\n\u003cp\u003eSul tavolo, Van Gogh mette una copia de La Joie de vivre di Émile Zola Il Met spiega che l'artista considerava gli oleandri dei fiori gioiosi e rinvigorenti, capaci di produrre costantemente nuovi germogli IL book rende esplicita questa idea senza trasformare la scena in un'allegoria accademica.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa forza del dipinto nasce dal dialogo tra crescita vegetale, colore complementare e riferimento letterario.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl formato orizzontale si basa sull'ampiezza del bouquet, sul contrasto rosa-verde e sulla chiara presenza del libro in primo piano.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn movimento laterale\u003c\/h3\u003e\n\u003cp\u003eLe foglie appuntite conducono l'occhio verso i bordi della tela, il loro movimento impedisce al bouquet di chiudersi attorno al vaso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eRosa contro verde\u003c\/h3\u003e\n\u003cp\u003eI petali caldi vibrano contro il fogliame verde e il fondo verde oliva, bianchi e rossi più concentrati danno sollievo ai grappoli di fiori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl Libro Giallo\u003c\/h3\u003e\n\u003cp\u003ePosta in basso a sinistra, La Joie de vivre bilancia il peso del vaso e introduce una superficie gialla che fa ripartire la luce dal tavolo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Met fa risalire il dipinto all'agosto 1888, durante la prima estate di Van Gogh ad Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSimbolo\u003c\/span\u003e\u003ch3\u003eFiori rinvigorenti\u003c\/h3\u003e\n\u003cp\u003eVan Gogh ammira la generosa fioritura e i continui nuovi germogli di oleandri, che associa all'energia positiva.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLetteratura\u003c\/span\u003e\u003ch3\u003eLa gioia di vivere\u003c\/h3\u003e\n\u003cp\u003eIl romanzo di Émile Zola, ben identificabile sulla tavola, rafforza il significato del bouquet e richiama l'importanza della lettura per l'artista.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eInventario 62.24\u003c\/h3\u003e\n\u003cp\u003eL'opera è custodita al Metropolitan Museum of Art, che ne rende disponibile l'immagine ufficiale in alta definizione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/436530\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Metropolitan Museum of Art\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve restituire abbondanza senza perdere struttura: ogni massa floreale ha la sua forma, mentre le foglie conservano la loro direzione e densità.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eVariazioni di rosa, bianco e rosso in grappoli floreali\u003c\/li\u003e\n\u003cli\u003eLe lunghe foglie verdi e i loro contorni scuri\u003c\/li\u003e\n\u003cli\u003eLa decorazione blu e marrone della brocca in maiolica\u003c\/li\u003e\n\u003cli\u003eIl titolo e la forma del libro giallo senza irrigidire la chiave\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eOleandri\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAgosto 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e60,3×73,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e62.24\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eIl Metropolitan Museum of Art di New York\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna vivace natura morta per uno spazio luminoso\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl bouquet orizzontale è particolarmente indicato sopra una console, una credenza o un divano Le rose forniscono calore, mentre i verdi consentono una combinazione naturale con legno chiaro, ottone alterato o tessuti greggi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Lauriers-roses\"\u003e\n\u003ci style=\"background:#9aa047\"\u003e\u003c\/i\u003e\u003ci style=\"background:#315132\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d89a8c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#eee2c8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6ac48\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in rovere medio, verde molto scuro o oro opaco accompagna la tavolozza senza competere con il bouquet Evitare modanature floreali troppo impegnative, che ripeterebbero inutilmente il motivo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eQuesto foglio utilizza un'immagine ufficiale di pubblico dominio fornita dal Metropolitan Museum of Art, convertita in WebP ad alta definizione senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eOleandri, dipinti per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Vincent van Gogh","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":48025910280418,"sku":"VINCENT-VAN-GOGH-LAURIERS-ROSES","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/lauriers-roses-vincent-van-gogh-met.webp?v=1785211661"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/chaise-de-vincent-avec-une-pipe-van-gogh-reproductions-tableaux-a-la-peinture-lhuile-908.webp?v=1745933913","url":"https:\/\/it.alphareproduction.com\/collections\/van-gogh-natura-morto.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}