{"title":"Van Gogh e il Giappone","description":"\u003cstyle\u003e\n  .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n  .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n  @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n  \u003csection class=\"rr-hero\" style=\"--rr-watermark:'VAN GOGH ET LE JAPON'\"\u003e\n    \u003cdiv class=\"rr-wrap\"\u003e\n      \u003cdiv class=\"rr-hero-grid\"\u003e\n        \u003cdiv\u003e\n          \u003cp class=\"rr-eyebrow\"\u003e1886 -1890 · stampe, incorniciatura e sogno Provenza\u003c\/p\u003e\n          \u003ch2\u003eVan Gogh e il Giappone\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n          \u003cp class=\"rr-lead\"\u003eScopri Van Gogh e il Giappone, riprodotti a mano in olio su tela.\u003c\/p\u003e\n          \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eVedi riproduzioni\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#van-gogh-et-le-japon-guide\"\u003eScegli un'opera\u003c\/a\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cfigure class=\"rr-art\"\u003e\n          \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/1920px-Van_Gogh_-_la_courtisane.jpg?v=1784002887\" alt=\"Fabbrica giapponese Oiran di Vincent van Gogh\" loading=\"lazy\"\u003e\n          \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eL'universo di Van Gogh e il Giappone\u003c\/strong\u003eOiran, Père Tanguy, Langlois bridge e Arlésienne mostrano quattro relazioni di Van Gogh in Giappone: copia, collezione esposta, paesaggio trasposto e figura costruita da aree pianeggianti.\u003c\/figcaption\u003e\n        \u003c\/figure\u003e\n      \u003c\/div\u003e\n      \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1886-1888\u003c\/strong\u003e\u003cspan\u003eRaccolta e studio delle stampe a Parigi\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1887\u003c\/strong\u003e\u003cspan\u003eSerie giapponese\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003eArles\u003c\/strong\u003e\u003cspan\u003eLa Provenza considerata il Giappone meridionale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e°2.100\u003c\/strong\u003e\u003cspan\u003eOpere realizzate da Van Gogh - stima complessiva\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\n  \u003cdiv class=\"rr-benefits\"\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eDipinto a mano\u003c\/b\u003e\u003cspan\u003eVera pittura ad olio, nessuna stampa.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFormati a scelta\u003c\/b\u003e\u003cspan\u003eUna composizione adattata alle dimensioni ordinate.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamina la tua tavola prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eRichiedi aggiustamenti prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003e1886 -1890 · stampe, incorniciatura e sogno Provenza\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eOiran, Père Tanguy, Langlois bridge e Arlésienne mostrano quattro relazioni di Van Gogh in Giappone: copia, collezione esposta, paesaggio trasposto e figura costruita da aree pianeggianti.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eVan Gogh scoprì massicciamente le stampe giapponesi a Parigi, le raccolse e le espose con suo fratello Theo Giapponese: Oiran ingrandisce una figura tratta da una stampa di Keisai Eisen e la circonda con un bordo inventato dove si trovano le rane e le gru giocano su parole francesi legate alla prostituzione Il Ritratto di Padre Tanguy pone il mercante di colori davanti a un muro di ukiyo-e: il modello europeo e le immagini giapponesi condividono la superficie senza una prospettiva profonda HA Arles, Van Gogh spera di trovare un \"Giappone del Sud\" nella chiarezza provenzale; il ponte di Langlois unisce disegno pulito, acqua e lavandaie a questa immaginazione L'Arlesienne utilizza finalmente contorno, aree pianeggianti e un arredamento semplificato senza imitare una stampa preciso L'influenza è quindi un metodo di inquadratura e colore, non un semplice esotismo La selezione \"Van Gogh e il Giappone\" confronta in particolare Japonnerie: Oiran e Ritratto di Padre Tanguy La sua lettura favorisce il colore.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eVan Gogh non cerca di dipingere come un artista giapponese identificato: usa le stampe per disimparare certe abitudini europee.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eCorso e stile\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eViaggio, soggetti e linguaggio pittorico\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eVan Gogh scoprì massicciamente le stampe giapponesi a Parigi, le raccolse e le espose con suo fratello Theo Giapponese: Oiran ingrandisce una figura tratta da una stampa di Keisai Eisen e la circonda con un bordo inventato dove si trovano le rane e le gru giocano su parole francesi legate alla prostituzione Il Ritratto di Padre Tanguy pone il mercante di colori davanti a un muro di ukiyo-e: il modello europeo e le immagini giapponesi condividono la superficie senza una prospettiva profonda HA Arles, Van Gogh spera di trovare un \"Giappone del Sud\" nella chiarezza provenzale; il ponte di Langlois unisce disegno pulito, acqua e lavandaie a questa immaginazione L'Arlesienne utilizza finalmente contorno, aree pianeggianti e un arredamento semplificato senza imitare una stampa preciso L'influenza è quindi un metodo di inquadratura e colore, non un semplice esotismo.\u003c\/p\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1886\u003c\/time\u003e\u003ch3\u003eRaccogli ukiyo-e\u003c\/h3\u003e\n\u003cp\u003eVan Gogh acquista, classifica e mostra numerose stampe, questa pietra miliare fa luce sulla collezione \"Van Gogh e il Giappone\" privilegiando il colore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1887\u003c\/time\u003e\u003ch3\u003eCopia per capire\u003c\/h3\u003e\n\u003cp\u003eEisen e Hiroshige diventano esercizi di colore e inquadratura.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1888-1890\u003c\/time\u003e\u003ch3\u003eTrasporre in Provenza\u003c\/h3\u003e\n\u003cp\u003eLe lezioni di giapponese passano attraverso ponti, ritratti e giardini.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eContorno scuro\u003c\/h3\u003e\n\u003cp\u003eLa linea separa le aree piane senza modellazione progressiva Questa linea guida una lettura centrata sul colore di \"Van Gogh e il Giappone\".\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eOrizzonte alto\u003c\/h3\u003e\n\u003cp\u003eLo spazio si sposta verso la superficie piuttosto che verso la profondità.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eRitaglio inaspettato\u003c\/h3\u003e\n\u003cp\u003eUn modello tagliato suggerisce un mondo oltre la cornice.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eColore non locale\u003c\/h3\u003e\n\u003cp\u003eL'accordo espressivo ha la precedenza sulla fedeltà ottica.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eEsplora per universo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eConfronta quattro usi del Giappone\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eCopiare, esporre, trasporre e assimilare permettono di distinguere l'influenza reale e la semplice etichetta.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eOiran\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eTrasforma una stampa\u003c\/h3\u003e\n\u003cp\u003eLa figura di Eisen cambia scala e contesto.\u003c\/p\u003e\n\u003cb\u003ePer copiare Leggendo \"Van Gogh e il Giappone\" per colore.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eTanguy\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eVisualizza una collezione\u003c\/h3\u003e\n\u003cp\u003eLe stampe circondano il mercante come un manifesto.\u003c\/p\u003e\n\u003cb\u003ePer Parigi\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eLanglois\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eGiapponesizzare la Provenza\u003c\/h3\u003e\n\u003cp\u003eAcqua, ponte e lavandaie diventano un paesaggio da sogno.\u003c\/p\u003e\n\u003cb\u003ePer Arles\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eArlesiano\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eAssimilare le zone pianeggianti\u003c\/h3\u003e\n\u003cp\u003eContorno e arredamento semplificati costruiscono una figura moderna.\u003c\/p\u003e\n\u003cb\u003ePer il ritratto\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eOiran si espande e trasforma Eisen\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eGiapponese: Oiran\u003c\/h3\u003e\n\u003cp\u003eGiochi di figura, bordo e iconografici rendono la copia una nuova composizione.\u003c\/p\u003e\n\u003cb\u003eOpera storica di Van Gogh e del Giappone\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003ePadre Tanguy posa davanti all'ukiyo-e\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eRitratto di padre Tanguy\u003c\/h3\u003e\n\u003cp\u003eIl muro di stampe rende visibile la collezione e abolisce la profondità tradizionale.\u003c\/p\u003e\n\u003cb\u003eOpera storica di Van Gogh e del Giappone\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eOpere da scoprire\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eQuattro opere per capire Van Gogh e il Giappone\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eLa selezione riunisce Oiran, Père Tanguy, il ponte di Langlois e L'Arlésienne.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"4\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/japonaiserie-oiran-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/courtisane-apres-eisen-f373-van-gogh.webp?v=1785286798\" alt=\"Giapponese: Oiran - Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eOiran si espande e trasforma Eisen\u003c\/small\u003e\u003ch3\u003eGiapponese: Oiran\u003c\/h3\u003e\n\u003cspan\u003eGiochi di figura, bordo e iconografici rendono la copia una nuova composizione.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/portrait-pere-tanguy-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/portrait-du-pere-tanguy-vincent-van-gogh-image-1-reproduction-huile-sur.webp?v=1781321200\" alt=\"Ritratto di padre Tanguy - Vincent van Gogh immagine 1 dipinto dipinto ad olio su tela\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003ePadre Tanguy posa davanti all'ukiyo-e\u003c\/small\u003e\u003ch3\u003eRitratto di padre Tanguy\u003c\/h3\u003e\n\u003cspan\u003eIl muro di stampe rende visibile la collezione e abolisce la profondità tradizionale.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/pont-langlois-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/le-pont-langlois-vincent-van-gogh-image-1-copie-peinte-main_07f1644f-bdb0-402b-88b3-acdd0e47a596.webp?v=1781328405\" alt=\"Il ponte di Langlois - Vincent van Gogh immagine 1 copia di dipinto dipinto a mano\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eLanglois traspone il Giappone in Provenza\u003c\/small\u003e\u003ch3\u003eIl ponte di Langlois\u003c\/h3\u003e\n\u003cspan\u003ePonte, acqua e lavandaie regalano ad Arles una lucidità culturalmente da sogno.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/l-arlesienne-madame-ginoux-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/arlesienne-madame-ginoux-livres-van-gogh-met.webp?v=1785211664\" alt=\"L'Arlésienne\/Madame Ginoux - Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eL'Arlesienne assimila contorno e superficie\u003c\/small\u003e\u003ch3\u003eL'Arlésienne\/Madame Ginoux\u003c\/h3\u003e\n\u003cspan\u003eLa figura si staglia in zone pianeggianti senza riprodurre letteralmente una stampa.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eIl nostro metodo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eUna riproduzione dipinta, non un'impressione\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOgni dipinto è realizzato in olio su tela da un artista specializzato, quindi controllato con voi prima della spedizione.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eDal lavoro al tuo interno\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eScelta del lavoro\u003c\/b\u003e\u003cspan\u003eSoggetto, orientamento e dimensioni adattati alla tua parete.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella finita.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRitocco\u003c\/b\u003e\u003cspan\u003eLe regolazioni rimangono possibili prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eOgni riproduzione è unica.\u003c\/strong\u003e Lievi variazioni di tocco e di materiale testimoniano il lavoro manuale del pittore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" id=\"van-gogh-et-le-japon-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eScegliere saggiamente\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eScegli una riproduzione giapponese\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eVerticale per Oiran e ritratti, orizzontale per Langlois Cornice in legno pregiato nero o chiaro; luce neutra su aree piane.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Van Gogh et le Japon\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eI nostri benchmark\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eSala\u003c\/b\u003eInstalla \"Japonerie: Oiran\" come punto focale, con uno sguardo al colore.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eUfficio\u003c\/b\u003eScegli una cornice o un dettaglio legato a \"Ritratto di Padre Tanguy\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFormato\u003c\/b\u003eConserva le proporzioni dell'opera scelta nella collezione Van Gogh e Japan.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePalette\u003c\/b\u003eAbbina il pezzo ai toni specifici di Van Gogh e del Giappone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinire\u003c\/b\u003eL'olio su tela evidenzia effetti di contorno scuro.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCornice\u003c\/b\u003eScegli il legno, il nero o l'oro a seconda dell'atmosfera di Van Gogh e del Giappone.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003ePrima di scegliere il tuo Van Gogh e il Giappone\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eLe riproduzioni sono dipinte con pittura ad olio?\u003c\/summary\u003e\u003cp\u003eSì. Ogni riproduzione è dipinta a mano ad olio su tela, senza stampa.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome ripristinare il colore in una riproduzione di Van Gogh e del Giappone?\u003c\/summary\u003e\u003cp\u003eIl pittore utilizza la composizione, i valori, i colori e i materiali visibili nell'opera scelta della collezione Van Gogh e Japan, con particolare attenzione al colore.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003ePosso ordinare un'opera di Van Gogh e Japan in formato personalizzato?\u003c\/summary\u003e\u003cp\u003eSì. Le dimensioni sono adattate rispettando le proporzioni e l'equilibrio dell'opera selezionata.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome convalido la mia riproduzione di Van Gogh e del Giappone?\u003c\/summary\u003e\u003cp\u003eLe fotografie dettagliate vengono inviate prima della spedizione; è possibile richiedere modifiche prima dell'invio.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eEsplora Van Gogh e il Giappone\u003c\/h3\u003e\n\u003cp\u003eScegli un'opera di Van Gogh e del Giappone e ricevi un dipinto ad olio realizzato appositamente per i tuoi interni.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eVedi tutte le riproduzioni\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"portrait-pere-tanguy-vincent-van-gogh","title":"Ritratto di padre Tanguy, F363 - Vincent van 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var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autunno 1887 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eRitratto di padre Tanguy, F363\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eJulien Tanguy, commerciante di colori di rue Clauzel, posa di fronte, mani incrociate sullo stomaco; la sua giacca blu e il cappello di paglia spiccano davanti a una parete interamente ricoperta di stampe giapponesi.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/portrait-pere-tanguy-f363-vincent-van-gogh.webp?v=1785266220\u0026amp;format=webp\" alt=\"Ritratto di Padre Tanguy F363 di Vincent van Gogh, Museo Rodin\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRitratto di padre Tanguy, F363\u003c\/strong\u003eVincent van Gogh · Autunno 1887 · Museo Rodin, Parigi\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutunno 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92×73 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Rodin, Parigi\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn commerciante di colori che divenne un saggio giapponese\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eTanguy occupa il centro in una posa frontale e immobile, il suo viso barbuto, le mani giunte e la giacca da lavoro formano una massa calma.\u003c\/p\u003e\n\u003cp\u003eAttorno ad esso, geishe, il paesaggio del Monte Fuji, fiori e rami creano uno sfondo senza profondità, i rossi, i verdi e i gialli delle stampe rispondono ai tocchi del ritratto.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eDipinto a Parigi nell'autunno del 1887, il Ritratto di Padre Tanguy è F363\/JH1351 Questo olio su tela di dimensioni 92 × 73 cm è conservato al Museo Rodin con il numero P.07302.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh combina la ritrattistica frontale, il tocco neoimpressionista e la sua ammirazione per le stampe giapponesi per esprimere la quieta bontà del modello.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003ePose crea stabilità\u003c\/h3\u003e\n\u003cp\u003eIl busto simmetrico e le mani incrociate conferiscono a Tanguy l'aspetto meditativo di un vecchio saggio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl fondo rimuove la profondità\u003c\/h3\u003e\n\u003cp\u003eLe stampe giustapposte fungono da mosaico colorato piuttosto che dalla parete vera e propria di un negozio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eCircolano complementari\u003c\/h3\u003e\n\u003cp\u003eBlu della giacca, arance del viso, rossi e verdi delle immagini rispondono tra loro su tutta la superficie.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Museo Rodin documenta il modello, il suo negozio, i tre ritratti dipinti da Van Gogh e il gusto comune degli artisti per il Giappone.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModello\u003c\/span\u003e\u003ch3\u003eJulien-François Tanguy\u003c\/h3\u003e\n\u003cp\u003e\"Padre Tanguy\" vendeva e schiacciava colori, a volte accettando dipinti in cambio di rifornimenti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eIl secondo di tre ritratti\u003c\/h3\u003e\n\u003cp\u003eF363 è la versione grande del Museo Rodin, separata da F263 a Copenaghen e F364 in collezione privata.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eUn'opera acquisita da Rodin\u003c\/h3\u003e\n\u003cp\u003eTanguy non volle mai separarsi dal ritratto; Auguste Rodin lo acquistò dopo la morte del mercante.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.musee-rodin.fr\/musee\/collections\/oeuvres\/pere-tanguy\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso Museo Rodin →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve preservare la frontalità, le mani incrociate, il profondo blu della giacca e la leggibilità di ogni stampa senza rendere meccanico lo sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl cappello di paglia\u003c\/li\u003e\n\u003cli\u003eIl viso barbuto e frontale\u003c\/li\u003e\n\u003cli\u003eMani incrociate\u003c\/li\u003e\n\u003cli\u003eLa giacca blu oltremare\u003c\/li\u003e\n\u003cli\u003eStampe giapponesi\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eRitratto di padre Tanguy, F363\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAutunno 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e92×73 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF363 · JH1351 · P.07302\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Rodin, Parigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn ritratto monumentale a sfondo giapponese\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale e la ricchezza di colori sono adatti per un soggiorno, una biblioteca o un ufficio Blu, rosso, verde e giallo danno una presenza eccezionale.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Portrait du Père Tanguy, F363\"\u003e\n\u003ci style=\"background:#263e72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b66a43\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b39a46\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d7650\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bb433b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice blu nera, noce o rosso-marrone accompagna la giacca e le stampe La luce neutra conserva i dettagli di sfondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine documentaria misurava 1.682×2.200 px; è stato codificato secondo la sua definizione nativa nel WebP reale, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRitratto di Padre Tanguy, F363, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594901868770,"sku":"PORTRAIT_DU_P_RE_TANGUY_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/portrait-pere-tanguy-f363-vincent-van-gogh.webp?v=1785266220"},{"product_id":"allee-jardin-public-arles-vincent-van","title":"Un sentiero nel giardino pubblico di Arles, F470 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eUn vicolo nel giardino pubblico di Arles, F470\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn sentiero giallo attraversa il giardino pubblico di Arles tra fitti massicci; gli escursionisti camminano sotto gli alberi, davanti a una fila di case con tetti arancioni.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/allee-jardin-public-arles-f470-van-gogh.webp?v=1785266215\u0026amp;format=webp\" alt=\"Un vicolo nel giardino pubblico di Arles F470 di Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eUn vicolo nel giardino pubblico di Arles, F470\u003c\/strong\u003eVincent van Gogh · Settembre 1888 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73×92 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna passeggiata incorniciata dagli alberi\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl sentiero parte dal bordo inferiore e si restringe verso il centro Tronchi e fogliame scuri costruiscono una volta irregolare attorno alle piccole figure.\u003c\/p\u003e\n\u003cp\u003eGialli e verdi dominano il terreno e il fogliame Il blu del cielo e le facciate rosse dello sfondo creano pause nette in questa vegetazione serrata.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eDipinto ad Arles nel settembre 1888, questo olio su tela di 73 × 92 cm è F470\/JH1582 È conservato al Museo Kroeller-Müller di Otterlo.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa profondità nasce meno da una prospettiva geometrica che dal susseguirsi di fasce colorate, tronchi e figure decrescenti.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl vialetto conduce lo sguardo\u003c\/h3\u003e\n\u003cp\u003eLa sua forma chiara apre il primo piano e conduce direttamente al gruppo di camminatori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGli alberi formano l'architettura\u003c\/h3\u003e\n\u003cp\u003eTronchi verticali e rami obliqui incorniciano il palco come i montanti di un set.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eI complementi animano lo sfondo\u003c\/h3\u003e\n\u003cp\u003eTra i verdi compaiono tetti rossi e cielo blu, che danno profondità senza indebolire il colore.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa datazione e i riferimenti legano proprio questo dipinto agli studi del giardino pubblico effettuati prima dell'arrivo di Gauguin.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF470\/JH1582\u003c\/h3\u003e\n\u003cp\u003eQuesti numeri identificano Otterlo Alley tra diverse viste molto vicino ad Arles Park.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocalità\u003c\/span\u003e\u003ch3\u003eIl giardino di fronte alla Casa Gialla\u003c\/h3\u003e\n\u003cp\u003eVan Gogh potrebbe raggiungere rapidamente questo parco urbano da Place Lamartine.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStagione\u003c\/span\u003e\u003ch3\u003eLa fine dell'estate ad Arles\u003c\/h3\u003e\n\u003cp\u003eLa chioma, ancora verde, è attraversata da gialli che annunciano il passaggio verso l'autunno.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0470.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsultare la scheda F470\/JH1582 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare l'apertura luminosa del sentiero, i piccoli camminatori e la diversità dei tocchi in ogni massa di albero.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl Vicolo Giallo Centrale\u003c\/li\u003e\n\u003cli\u003eCamminatori sotto gli alberi\u003c\/li\u003e\n\u003cli\u003eTronchi scuri\u003c\/li\u003e\n\u003cli\u003eI tetti arancioni in basso\u003c\/li\u003e\n\u003cli\u003eI tocchi azzurri del cielo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eUn vicolo nel giardino pubblico di Arles, F470\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e73×92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF470 · JH1582 · KM 111.101\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn vicolo luminoso con verdi sfumati\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl grande formato orizzontale è adatto per un soggiorno, ampio corridoio o ufficio I verdi sono riscaldati dall'ocra del sentiero e dai tetti rossi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Une allée du jardin public d’Arles, F470\"\u003e\n\u003ci style=\"background:#9a963d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3a34a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#526b3d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#436877\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a95c39\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in rovere chiaro, verde oliva o marrone rosso evidenzia il percorso La luce neutra mantiene il cielo fresco.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine documentaria misurava 2.200×1.723 px; è stato codificato secondo la sua definizione nativa nel WebP reale, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eUn viale nel giardino pubblico di Arles, F470, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594902655202,"sku":"UNE_ALL_E_DU_JARDIN_PUBLIC_D_ARLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/allee-jardin-public-arles-f470-van-gogh.webp?v=1785266215"},{"product_id":"alyscamps-feuilles-automne-qui-tombent-vincent","title":"Leaffall ad Alyscamps, F486 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Intorno al 1 novembre 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eLeaffall ad Alyscamps, F486\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDa un alto belvedere, tre tronchi blu bloccano un sentiero rosso-arancio dove avanzano due camminatori; antiche tombe, panchine e figure sono compresse in un'inquadratura senza orizzonte ispirata alle stampe giapponesi.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chute-des-feuilles-les-alyscamps-f486-vincent-van-gogh.webp?v=1785262734\u0026amp;format=webp\" alt=\"Foglie che cadono all'Alyscamps F486 di Vincent van Gogh, Museo Kroeller-Müller\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLeaffall ad Alyscamps, F486\u003c\/strong\u003eVincent van Gogh · Intorno al 1 novembre 1888 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eIntorno al 1 novembre 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72,8×91,9 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna vista a volo d'uccello di Allée des Alyscamps\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eTre massicci alberi occupano il primo piano e quasi tagliano il palco in pannelli Dietro di essi, compaiono tra le panchine e le tombe le due figure a sinistra e la giovane vestita di rosso.\u003c\/p\u003e\n\u003cp\u003eNon è visibile alcun cielo Il terreno arancione si eleva fino al bordo superiore, mentre il verde chiaro della zona sinistra e i tronchi blu creano profondità in zone pianeggianti piuttosto che nella prospettiva classica.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl Museo Kroeller-Müller data il dipinto intorno al 1 novembre 1888 e mette in risalto il punto di vista insolitamente alto, l'inquadratura giapponese e lo sbiadimento dei tronchi un tempo viola.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa versione KM 108.668 misura 72,8 × 91,9 cm e corrisponde a F486\/JH1620, si riconosce dai suoi tre alberi centrali e dalla sua assenza di orizzonte.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eProspettiva dall'alto\u003c\/h3\u003e\n\u003cp\u003eLo spettatore domina le figure e i mobili del vicolo Questa scelta riunisce i piani e conferisce al terreno una presenza eccezionale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTronchi il cui colore è cambiato\u003c\/h3\u003e\n\u003cp\u003eIl museo spiega che in origine erano viola La graduale scomparsa del pigmento rosso li faceva apparire blu.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eSagome quasi caricaturali\u003c\/h3\u003e\n\u003cp\u003eLa coppia a sinistra è riassunta da poche linee espressive, mentre la donna rossa sullo sfondo scandisce la navata con un accento acceso.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del museo descrive in dettaglio la posizione, i personaggi, l'inquadratura e l'evoluzione del colore di questa precisa versione degli Alyscamp.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocalità\u003c\/span\u003e\u003ch3\u003eUna famosa passeggiata ad Arles\u003c\/h3\u003e\n\u003cp\u003eL'antico percorso fiancheggiato da tombe romane e paleocristiane è già un'attrazione e un luogo per passeggiare ai tempi di Van Gogh.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersione\u003c\/span\u003e\u003ch3\u003eF486 e JH1620\u003c\/h3\u003e\n\u003cp\u003eI tre tronchi centrali e la coppia vista dall'alto contraddistinguono questa composizione per F487, dipinta sullo stesso tema.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInfluenza\u003c\/span\u003e\u003ch3\u003eUna cornice vicina alle stampe\u003c\/h3\u003e\n\u003cp\u003eLa vista a volo d'uccello, le forme tagliate e le silhouette ridotte a poche linee ricordano le soluzioni grafiche giapponesi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-falling-leaves-les-alyscamps-km-108-668\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve rispettare la vista a volo d'uccello, la successione dei tre tronchi, le sagome semplificate e le grandi relazioni tra arancione, blu e verde.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI tre tronchi blu in primo piano\u003c\/li\u003e\n\u003cli\u003eLa coppia sotto gli alberi\u003c\/li\u003e\n\u003cli\u003eLa giovane donna in rosso\u003c\/li\u003e\n\u003cli\u003eIl terreno arancione senza orizzonte\u003c\/li\u003e\n\u003cli\u003eLe panchine e le tombe grigio-verdi\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLeaffall ad Alyscamps, F486\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eIntorno al 1 novembre 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e72,8×91,9 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller KM 108.668 · F486 · JH1620\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn paesaggio giapponese di arancione e blu\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale porta una forte presenza in un soggiorno, ufficio o ingresso Arancione bruciato, grigio blu, verde anice e nero rispondono al legno scuro.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Chute des feuilles aux Alyscamps, F486\"\u003e\n\u003ci style=\"background:#c9623d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3e6671\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b9b55\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d39c47\"\u003e\u003c\/i\u003e\u003ci style=\"background:#333b38\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice nera opaca, blu intenso o noce incanala le aree piane La luce calda moderata evidenzia il terreno senza rimuovere i dettagli grigio-verdi.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine documentaria di pubblico dominio misurava 3.870 × 3.072 px; è stato ridotto a 3.000 × 2.381 px nel WebP reale, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCaduta di foglie ad Alyscamps, F486, verniciata per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594907341026,"sku":"LES_ALYSCAMPS_FEUILLES_D_AUTOMNE_QUI_TOMBENT_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chute-des-feuilles-les-alyscamps-f486-vincent-van-gogh.webp?v=1785262734"},{"product_id":"portrait-lui-meme-estampe-japonaise-vincent","title":"Autoritratto con stampa giapponese, F319 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · dicembre 1887 · Parigi\u003c\/p\u003e\n        \u003ch2\u003eAutoritratto con stampa giapponese, F319\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eVan Gogh si rappresenta in busto, barba rossa e giacca blu scuro, davanti a una stampa giapponese a strisce chiare; il viso è costruito da una moltitudine di tratteggi colorati che rendono il look particolarmente intenso.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/autoportrait-estampe-japonaise-f319-van-gogh.webp?v=1785254372\u0026amp;format=webp\" alt=\"Autoritratto con stampa giapponese F319 di Vincent van Gogh, Kunstmuseum Basel\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eAutoritratto con stampa giapponese, F319\u003c\/strong\u003eVincent van Gogh · Dicembre 1887 · Kunstmuseum Basel - deposito del Dr h. c. Emile Dreyfus\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eDicembre 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e43,2×33,9 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKunstmuseum Basel - deposito del Dr h. v. Emile Dreyfus\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eIl pittore di fronte al suo Giappone immaginario\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl volto leggermente girato occupa quasi tutta la parte superiore Occhi verde scuro guardano lo spettatore; giallo, rosa, verde e arancione si susseguono su fronte, guance e barba.\u003c\/p\u003e\n\u003cp\u003eSullo sfondo, la stampa giapponese non è descritta con precisione: strisce verticali blu e bianche e poche forme grigie sono sufficienti per creare un arredamento piatto, ritmato come una superficie stampata.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eProdotto a Parigi nel dicembre 1887, questo autoritratto testimonia il profondo interesse di Van Gogh per le stampe giapponesi, che collezionò con Theo, qui non copia un foglio identificabile: trasforma lo sfondo in un'evocazione grafica del Giaponismo.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Kunstmuseum Basel oggi dà 43,2 × 33,9 cm per questo olio su tela, depositato dal Dr h. v. Emile Dreyfus e catalogato F319\/JH1333.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn volto fatto di tratteggio\u003c\/h3\u003e\n\u003cp\u003eI tocchi seguono i volumi della fronte, delle guance e della barba Il verde, il giallo e il rosso non si mescolano completamente e fanno vibrare l'incarnato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl contrasto del capo\u003c\/h3\u003e\n\u003cp\u003eLa giacca e la cravatta blu-nere formano una base densa, opposta alla chiarezza del viso e allo sfondo quasi bianco.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl giaponismo come ambientazione\u003c\/h3\u003e\n\u003cp\u003eLe verticali tagliate, lo spazio appiattito e la semplificazione dei motivi richiamano le qualità che Van Gogh ammirava nelle stampe ukiyo-e.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera riunisce due temi essenziali degli anni parigini: l'autoritratto come campo di sperimentazione e la scoperta dell'arte giapponese.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn deposito a Basilea\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è conservato al Kunstmuseum Basel come deposito del Dr h. v. Emile Dreyfus.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGiapponismo\u003c\/span\u003e\u003ch3\u003eCentinaia di stampe\u003c\/h3\u003e\n\u003cp\u003eA Parigi, Vincent e Theo costruirono un'importante collezione di stampe giapponesi, progettate per la loro incorniciatura e gli accordi di colore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\u003ch3\u003eDicembre 1887\u003c\/h3\u003e\n\u003cp\u003eLa data colloca questo autoritratto alla fine del soggiorno parigino, poche settimane prima della partenza di Van Gogh per Arles nel febbraio 1888.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/kunstmuseumbasel.ch\/de\/sammlung\/schwerpunkte\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la presentazione ufficiale del Kunstmuseum Basel →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la densità del tratteggio, gli occhi verde scuro, l'opposizione tra barba rossa e giacca blu, nonché la leggerezza grafica dello sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eOcchi verdi diretti verso lo spettatore\u003c\/li\u003e\n\u003cli\u003eSchiusa gialla e rosa del viso\u003c\/li\u003e\n\u003cli\u003eLa barba arancione e rossa\u003c\/li\u003e\n\u003cli\u003eLa giacca nera blu\u003c\/li\u003e\n\u003cli\u003eLe strisce verticali della stampa in basso\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eAutoritratto con stampa giapponese, F319\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eDicembre 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e43,2×33,9 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eKunstmuseum Basel G 1970.7 · F319 · JH1333\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eKunstmuseum Basel - deposito del Dr h. v. Emile Dreyfus\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn autoritratto chiaro con sguardo magnetico\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per una scrivania, una biblioteca o una galleria di ritratti, pareti in blu inchiostro, rosso arancione, verde oliva e avorio match in noce, rovere e grigio caldo.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Autoportrait à l’estampe japonaise, F319\"\u003e\n\u003ci style=\"background:#253c50\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bf6f3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#718058\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8c892\"\u003e\u003c\/i\u003e\u003ci style=\"background:#aab7ae\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice blu notte, nero opaco o noce focalizza l'occhio sul viso La luce neutra aiuta a distinguere la schiusa verde, rosa e gialla.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione senza cornice misurava 2.514×3.228 px; è stato ridotto a 2.336×3.000 px e convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eAutoritratto con stampa giapponese, F319, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · maggio 1890 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eFarfalle e papaveri, F748\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue farfalle giallo pallido attraversano un miscuglio di steli verdi e papaveri rossi; in questo piccolo formato verticale, Van Gogh osserva il giardino molto da vicino e conferisce al minimo frammento di vegetazione la scala di un paesaggio.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/papillons-coquelicots-f748-van-gogh.webp?v=1785254365\u0026amp;format=webp\" alt=\"Farfalle e papaveri F748 di Vincent van Gogh, Museo Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eFarfalle e papaveri, F748\u003c\/strong\u003eVincent van Gogh · maggio 1890 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMaggio 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e34,5×25,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn giardino guardava all'altezza degli insetti\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eL'inquadratura taglia su tutti i lati i fusti e le foglie, le due farfalle in primo piano formano un punto chiaro in mezzo ai verdi, mentre un terzo insetto arancione appare più in alto, vicino a un papavero.\u003c\/p\u003e\n\u003cp\u003eLo sfondo grigio-azzurro non rappresenta né cielo né orizzonte: riempie gli intervalli tra le piante, questa superficie piana, animata da tocchi verticali, fa emergere le sinuose sagome dei fusti e le corolle rosse.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eDipinta a Saint-Rémy nel maggio 1890, poco prima della partenza di Van Gogh per Auvers-sur-Oise, l'opera unisce l'osservazione botanica a un'inquadratura molto serrata L'artista ha iniziato con fiori e farfalle, poi ha posto lo sfondo blu attorno ai loro contorni.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventario s0188V1962, dimensioni di 34,5 × 25,5 cm e riferimenti F748\/JH2013 identificano questo piccolo dipinto del Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn'inquadratura senza orizzonte\u003c\/h3\u003e\n\u003cp\u003eLo sguardo è immerso nell'erba, togliendo la linea dell'orizzonte Van Gogh trasforma pochi fiori isolati in una rete vegetale che sembra estendersi all'esterno della tela.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDisegno per contorno\u003c\/h3\u003e\n\u003cp\u003eGli steli verde scuro serpeggiano di colore azzurro chiaro come linee di inchiostro Le farfalle sono definite da poche aree piatte gialle bordate di nero.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn'influenza giapponese\u003c\/h3\u003e\n\u003cp\u003eL'asimmetria, i motivi tagliati a bordo e l'attenzione ai fiori e agli insetti ricordano le stampe giapponesi di fiori e uccelli ammirate da Van Gogh.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eFarfalle e papaveri appartengono agli ultimi studi sulle piante effettuati all'interno del terreno del manicomio di Saint-Rémy.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF748 e JH2013\u003c\/h3\u003e\n\u003cp\u003eI due numeri di catalogo distinguono questa tela da altri dipinti di farfalle realizzati da Van Gogh ad Arles e Saint-Rémy.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMetodo\u003c\/span\u003e\u003ch3\u003eLo sfondo dipinto per ultimo\u003c\/h3\u003e\n\u003cp\u003eL'esame della superficie mostra che i fiori e gli insetti erano riservati prima che il grigio blu fosse applicato attorno a loro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGiapponismo\u003c\/span\u003e\u003ch3\u003eFiori, insetti e asimmetria\u003c\/h3\u003e\n\u003cp\u003eVan Gogh collezionò stampe giapponesi; il loro modo di isolare un motivo naturale qui nutre l'inquadratura e la semplificazione delle forme.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0188V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve rispettare la finezza dei fusti, la trasparenza delle ali e la tensione tra gli arancio-rossi, i verdi scuri e il grigio blu dello sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLe due farfalle giallo pallido in primo piano\u003c\/li\u003e\n\u003cli\u003eLa piccola farfalla arancione al centro\u003c\/li\u003e\n\u003cli\u003eI papaveri rossi tagliati dalla cornice\u003c\/li\u003e\n\u003cli\u003eI lunghi steli verde scuro\u003c\/li\u003e\n\u003cli\u003eI tocchi grigio-blu visibili tra le piante\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eFarfalle e papaveri, F748\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMaggio 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e34,5×25,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh s0188V1962 · F748 · JH2013\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn piccolo formato botanico molto vivace\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesta composizione verticale è adatta per una camera da letto, ufficio o piccola parete Rosso papavero, verde fogliame, giallo pallido e grigio blu match legno chiaro e tessuti naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Papillons et coquelicots, F748\"\u003e\n\u003ci style=\"background:#b5432e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#315f49\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e2d68a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#879d9a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b713c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice verde intenso, rovere chiaro o nero fine evidenzia il design degli steli senza appesantire questo piccolo formato, La luce neutra conserva la sottigliezza del blues.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione del Museo Van Gogh misurava 2.480 × 3.348 px; è stato ridotto a 2.222 × 3.000 px e convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eFarfalle e papaveri, F748, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594918875362,"sku":"PAPILLONS_ET_COQUELICOTS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/papillons-coquelicots-f748-van-gogh.webp?v=1785254365"},{"product_id":"deux-crabes-vincent-van-gogh","title":"Due granchi, F606 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eDue granchi, F606\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu uno sfondo verde ricoperto da grandi tocchi, due granchi rosso-arancio appaiono uno sullo stomaco, l'altro capovolto: Van Gogh trasforma una modesta natura morta in uno spettacolare studio di forme e colori complementari.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-crabes-f606-van-gogh.webp?v=1785253641\u0026amp;format=webp\" alt=\"Due granchi F606 di Vincent van Gogh, National Gallery, Londra\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDue granchi, F606\u003c\/strong\u003eVincent van Gogh · Gennaio 1889 · National Gallery, Londra - prestito di una collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e47×61 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNational Gallery, Londra - prestito di una collezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDue vedute dello stesso crostaceo?\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl granchio superiore ha il ventre chiaro, le zampe ripiegate e gli artigli rivolti verso i bordi, quello inferiore mostra il guscio arrotondato, dipinto in piccoli tocchi di rosa, giallo, rosso e bianco.\u003c\/p\u003e\n\u003cp\u003eLo sfondo non descrive né tavolo né riva Le sue pennellate blu, verdi e turchesi formano una superficie in movimento che fa emergere il calore delle conchiglie e dona alla composizione un'energia stupefacente.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa Galleria Nazionale collocò l'opera ad Arles nel 1889, probabilmente al rientro dall'ospedale nel mese di gennaio, potrebbe trattarsi di un unico granchio rappresentato sopra e poi sotto, ipotesi rinforzata dalla vicinanza al Granchio sul retro F605 del Museo Van Gogh.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl formato di 47 × 61 cm, l'inventario del prestito L995 e i riferimenti F606\/JH1662 identificano con precisione questo dipinto della Galleria Nazionale.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eRosso contro verde\u003c\/h3\u003e\n\u003cp\u003eLe calotte calde si intensificano a contatto con lo sfondo blu-verde, applicazione diretta del contrasto complementare studiato da Van Gogh alla Delacroix.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDue anatomia contrapposta\u003c\/h3\u003e\n\u003cp\u003eIl ventre segmentato del primo granchio risponde al guscio arrotondato del secondo Le zampe creano una rete di linee angolari attorno a due masse compatte.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn fondo senza profondità\u003c\/h3\u003e\n\u003cp\u003eLo spazio è volutamente appiattito I grandi tocchi verdi richiamano la libertà grafica delle stampe giapponesi ammirate dall'artista.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso di Londra collega questa natura morta al ritorno al lavoro di Van Gogh dopo la sua permanenza all'ospedale di Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eRicomincia a dipingere\u003c\/h3\u003e\n\u003cp\u003eIl 7 gennaio 1889 Van Gogh annunciò a Theo che avrebbe rilevato una o due nature morte; Due granchi potrebbero appartenere a questo riavvio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGiapponismo\u003c\/span\u003e\u003ch3\u003eKunisada e Hokusai\u003c\/h3\u003e\n\u003cp\u003eLa National Gallery riunisce il motivo del granchio delle stampe giapponesi viste da Van Gogh nell'arte giapponese e nel Giappone artistico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn'opera in prestito\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene ad una collezione privata ed è presentato dalla Galleria Nazionale con il numero L995.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/vincent-van-gogh-two-crabs\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale della Galleria Nazionale →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare l'opposizione di rosso e verde, i dettagli anatomici molto liberi e la differenza di materiale tra ventre, conchiglia e fondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl ventre chiaro del granchio superiore\u003c\/li\u003e\n\u003cli\u003eIl guscio rosso del granchio inferiore\u003c\/li\u003e\n\u003cli\u003eLe punte nere delle pinze\u003c\/li\u003e\n\u003cli\u003eI tocchi turchesi dello sfondo\u003c\/li\u003e\n\u003cli\u003eAccenti bianchi e rosa sulle conchiglie\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eDue granchi, F606\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e47×61 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale L995 · F606 · JH1662\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eNational Gallery, Londra - prestito di una collezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta vivace e inaspettata\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una cucina, sala da pranzo o ufficio Pareti turchesi, rosso mattone, arancione e crema in noce, metallo nero e verde grigio.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Deux Crabes, F606\"\u003e\n\u003ci style=\"background:#3d8075\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b44c31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d68443\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6c3a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#694536\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice nera opaca, noce o verde intenso rafforza il contrasto principale La luce neutra rivela i rosa e i gialli della conchiglia.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione della National Gallery misurava 6.000 × 4.226 px; è stato ridotto a 3.000 × 2.113 px e convertito in un vero e proprio WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDue granchi, F606, verniciati per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594919858402,"sku":"DEUX_CRABES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-crabes-f606-van-gogh.webp?v=1785253641"},{"product_id":"autoportrait-oreille-bandee-vincent-van-gogh","title":"Autoritratto orecchio fasciato, F527 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · gennaio 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eAutoritratto orecchio fasciato, F527\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBerretto foderato di pelliccia, cappotto verde e benda bianca incorniciano il viso pallido di Van Gogh; dietro di lui, una tela su cavalletto e una stampa giapponese affermano la sua volontà di tornare al lavoro.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/autoportrait-oreille-bandee-f527-van-gogh.webp?v=1785252915\u0026amp;format=webp\" alt=\"Autoritratto con orecchio bendato F527 di Vincent van Gogh, Courtauld Gallery\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eAutoritratto orecchio fasciato, F527\u003c\/strong\u003eVincent van Gogh · gennaio 1889 · Courtauld Gallery, Londra\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGennaio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e60,5×50 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCourtauld Gallery, Londra\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eRitorno alla pittura dopo l'ospedale\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh rappresenta se stesso in tre quarti, lo sguardo rivolto verso lo spettatore La benda passa sotto il mento e si alza sul lato destro dell'immagine, inversione dovuta all'uso di uno specchio.\u003c\/p\u003e\n\u003cp\u003eA sinistra appare il bordo di una tela ancora quasi vuota, a destra è attaccata al muro, vicino ad una porta blu, una coloratissima stampa giapponese, il cappotto verde occupa tutta la parte inferiore.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl Courtauld data l'autoritratto al gennaio 1889, circa una settimana dopo la dimissione di Van Gogh dall'ospedale, la cuffia di pelliccia mantiene la spessa benda e protegge l'artista dal freddo dell'inverno arlesiano.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso di ritiro riporta 60,5 × 50 cm e l'inventario P.1948.SC.175; F527\/JH1657 distingue quest'opera dall'Autoritratto con orecchio fasciato e pipa F529.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eSpecchio inverte orecchio\u003c\/h3\u003e\n\u003cp\u003eVan Gogh si ferì all'orecchio sinistro, ma il riflesso lo colloca a destra nel dipinto La benda bianca diventa così un elemento importante della composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDue segni del pittore\u003c\/h3\u003e\n\u003cp\u003eLa tela da cavalletto e la stampa giapponese incorniciano il volto: evocano sia il lavoro ripreso che una delle sue grandi fonti visive.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn volto in brevi tocchi\u003c\/h3\u003e\n\u003cp\u003eVerdi, arance, rosa e blu modellano la fronte e le guance senza contorni lisci, conferendo agli occhi una presenza tesa.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eCourtauld presenta questo autoritratto come prova della determinazione di Van Gogh a continuare a dipingere in condizioni difficili.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eGennaio 1889\u003c\/h3\u003e\n\u003cp\u003eL'opera fu prodotta poco dopo l'episodio del 23 dicembre 1888 e la fine della convivenza con Paul Gauguin nella Casa Gialla.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDecorare\u003c\/span\u003e\u003ch3\u003eUn'officina riconoscibile\u003c\/h3\u003e\n\u003cp\u003eQuesto è l'unico autoritratto di Van Gogh in cui l'ambiente di lavoro è così chiaramente identificabile.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eP.1948.SC.175\u003c\/h3\u003e\n\u003cp\u003eL'opera entrò nella Galleria Courtauld per lascito di Samuel Courtauld nel 1948 ed è oggi esposta.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/gallerycollections.courtauld.ac.uk\/object-p-1948-sc-175\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale della Courtauld Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare lo sguardo frontale, il candore sfumato della benda, il verde del cappotto e i piccoli dettagli colorati della stampa.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLo sguardo verde rivolto verso lo spettatore\u003c\/li\u003e\n\u003cli\u003eLa benda bianca sotto il mento\u003c\/li\u003e\n\u003cli\u003eIl cappello blu con bordo nero\u003c\/li\u003e\n\u003cli\u003eLa tela su cavalletto a sinistra\u003c\/li\u003e\n\u003cli\u003eStampa giapponese dietro la spalla\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eAutoritratto orecchio fasciato, F527\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGennaio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e60,5×50 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Courtauld P.1948.SC.175 · F527 · JH1657\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCourtauld Gallery, Londra\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn iconico autoritratto con verdi e blu intensi\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per una libreria, un ufficio o un soggiorno Pareti in tinta verde intenso, blu, bianco sporco e arancione, metallo nero e neutre.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Autoportrait à l’oreille bandée, F527\"\u003e\n\u003ci style=\"background:#356b5d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3c6b8a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d7d3bd\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b4744e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#242a2b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice nera opaca, blu notte o noce rafforza il viso senza competere con la stampa La luce neutra preserva i verdi del cappotto.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione pubblica misurava 2.536×3.083 px; è stato ridotto a 2.468×3.000 px e convertito in un vero e proprio WebP, senza ingrandimento.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eAutoritratto con orecchio bendato, F527, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594920120546,"sku":"AUTOPORTRAIT_L_OREILLE_BAND_E_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/autoportrait-oreille-bandee-f527-van-gogh.webp?v=1785252915"},{"product_id":"mousme-vincent-van-gogh","title":"La Mousmé, F431 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · luglio 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eLa Mousmé, F431\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna giovane donna arlesiana tiene un ramo di oleandro, vestita con un corpetto a strisce rosse e blu e una gonna a pois arancione davanti a uno sfondo verde mare.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/mousme-f431-vincent-van-gogh.webp?v=1785245046\u0026amp;format=webp\" alt=\"La Mousmé F431 di Vincent van Gogh, Galleria Nazionale d'Arte Washington\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLa Mousmé, F431\u003c\/strong\u003eVincent van Gogh · Luglio 1888 · Galleria Nazionale d'Arte, Washington\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eLuglio 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73,3×60,3 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGalleria Nazionale d'Arte, Washington\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn ritratto provenzale sognato in tutto il Giappone\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa parola \"mousmé\" deriva dal romanzo Madame Chrysanthème di Pierre Loti e designa una giovane donna giapponese Van Gogh non dipinge, però, un modello giapponese: dà questo titolo a un arlesiano la cui giovinezza, l'abito coloratissimo e la posa sobria evocano il suo ideale del Giappone.\u003c\/p\u003e\n\u003cp\u003eLa poltrona curva in legno disegna un grande cerchio nero dietro il corpo Il corpetto a strisce verticali incontra una gonna blu cosparsa di pois arancioni; il viso e le mani sono modellati da tocchi di rosa, verde e giallo Il ramo fiorito collega discretamente le due mani.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl ritratto associa ad una persona reale di Arles una costruzione immaginaria nutrita da stampe giapponesi e letteratura contemporanea.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI complementari rosso-verde e blu-arancio, così come i motivi a strisce e punteggiati, conferiscono al ritratto la sua intensità senza distogliere l'attenzione dallo sguardo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn capo in due ritmi\u003c\/h3\u003e\n\u003cp\u003eLe strisce del corpetto allungano il busto; i pois arancioni della gonna, al contrario, creano una superficie vibrante ed espansiva.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUn rametto di oleandro\u003c\/h3\u003e\n\u003cp\u003eI fiori pallidi portano un dettaglio delicato al centro della gonna e collegano la giovane donna al giardino mediterraneo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn fondo quasi vuoto\u003c\/h3\u003e\n\u003cp\u003eIl verde acqua non descrive interni, isola la silhouette come un colore solido in una stampa e rinforza i rossi del capo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'adesione del 1963.10.151 e i riferimenti F431\/JH1519 identificano il ritratto di Washington, dipinto ad Arles nel luglio 1888.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTitolo\u003c\/span\u003e\u003ch3\u003eUna parola di Pierre Loti\u003c\/h3\u003e\n\u003cp\u003eVan Gogh prese in prestito \"mousmé\" da Madame Chrysanthème, un romanzo molto popolare che contribuì al fascino francese per il Giappone.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProgetto\u003c\/span\u003e\u003ch3\u003eIl ritratto moderno\u003c\/h3\u003e\n\u003cp\u003eConsiderava la ritrattistica uno dei modi più profondi per raggiungere le emozioni e cercava l'espressione attraverso il colore piuttosto che attraverso la modellazione accademica.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eChester Dale\u003c\/h3\u003e\n\u003cp\u003eAcquisito da Chester Dale nel 1929, il dipinto fu lasciato in eredità nel 1963 alla National Gallery of Art.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nga.gov\/artworks\/46626-la-mousme\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale della Galleria Nazionale d'Arte →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve conservare l'equilibrio del viso, la nitidezza dei motivi tessili e le piccole variazioni colorate della pelle.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl nastro rosso tra i capelli\u003c\/li\u003e\n\u003cli\u003eLe strisce rosse e blu del corpetto\u003c\/li\u003e\n\u003cli\u003eI bottoni dorati allineati\u003c\/li\u003e\n\u003cli\u003ePois arancioni sulla gonna blu\u003c\/li\u003e\n\u003cli\u003eIl ramo dell'oleandro teneva sulle ginocchia\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLa Mousmé, F431\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eLuglio 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e73,3×60,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale d'Arte 1963.10.151 · F431 · JH1519\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale d'Arte, Washington\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn ritratto grafico con colori complementari\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per una camera da letto, ufficio o soggiorno Verde acqua, blu e terracotta si combinano con legno nero, ottone e tessuti semplici.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Mousmé, F431\"\u003e\n\u003ci style=\"background:#acd0bf\"\u003e\u003c\/i\u003e\u003ci style=\"background:#34588b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a64f3e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d68b2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e3c6a1\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna fine cornice nera, rosso-marrone o rovere chiaro riprende la poltrona e le strisce senza competere con la gonna a pois.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine aperta della National Gallery of Art è stata ridotta a 2.453 × 3.000 px e poi convertita in WebP, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa Mousmé, F431, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594933784802,"sku":"LA_MOUSM__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/mousme-f431-vincent-van-gogh.webp?v=1785245046"},{"product_id":"coin-jardin-papillons-vincent-van-gogh","title":"Angolo giardino con farfalle, F460 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Maggio - Giugno 1887 · Giardini pubblici di Asnières, vicino a Parigi\u003c\/p\u003e\n        \u003ch2\u003eAngolo giardino con farfalle, F460\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn'aiuola vista da vicino diventa una rete di fili d'erba, fiori rosa e farfalle bianche o rosse, senza orizzonte che distragga l'occhio.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-jardin-papillons-f460-vincent-van-gogh.webp?v=1785241257\u0026amp;format=webp\" alt=\"Angolo giardino con farfalle F460 di Vincent van Gogh, collezione privata\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eAngolo giardino con farfalle, F460\u003c\/strong\u003eVincent van Gogh · Maggio - Giugno 1887 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMaggio-giugno 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e50,4×61,4 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eNatura osservata come superficie vivente\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh colloca lo spettatore quasi al livello del suolo in un giardino pubblico di Asnières, invece di ordinare il paesaggio attorno a un cielo e un orizzonte, riempie la tela di vegetazione: i ciuffi si irradiano, un massiccio rosa attraversa il centro e tra le foglie compaiono sei farfalle.\u003c\/p\u003e\n\u003cp\u003eI tasti cambiano direzione con ogni elemento Diventano lunghi e curvi nell'erba, corti e stretti nell'aiuola, poi si illuminano attorno alle ali Questo vocabolario di linee, nutrito dall'impressionismo, il neoimpressionismo e stampe giapponesi, annuncia la lavorazione più intensa degli anni successivi.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl soggetto si inserisce in un angolo del giardino, ma la vicinanza, l'inquadratura tagliata e la varietà del tocco trasformano questo frammento in un paesaggio completo.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesto dipinto non si limita ad un verde dominante: la sua ricchezza deriva da direzioni, spessori e colori accuratamente differenziati.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eInquadratura senza cielo\u003c\/h3\u003e\n\u003cp\u003eLa tela è interamente occupata dal terreno e dalla vegetazione I ciuffi tagliati dai bordi allungano mentalmente il giardino oltre la cornice.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eSei accenti in movimento\u003c\/h3\u003e\n\u003cp\u003eLe farfalle sono minuscole ma essenziali: i loro bianchi, gialli e rossi scandiscono il verde e guidano lo sguardo da un gruppo di erbe all'altro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eChiavi orientate\u003c\/h3\u003e\n\u003cp\u003eLe linee seguono la crescita delle foglie, la curva dei ciuffi e il contorno dei fiori, la loro direzione costruisce volumi senza modellazioni tradizionali.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF460\/JH1676 corrisponde all'opera oggi datata al periodo parigino, distinta dalle Due Farfalle Bianche F402 dipinte ad Arles nel 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF460 · JH1676\u003c\/h3\u003e\n\u003cp\u003eVecchi cataloghi collocarono la tela ad Arles nel 1889; lo studio dei materiali da parte del Museo Van Gogh supporta ora un'esecuzione parigina nel 1887.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocalità\u003c\/span\u003e\u003ch3\u003eAsnières\u003c\/h3\u003e\n\u003cp\u003eVan Gogh lavorò nei giardini pubblici di Asnières, a nord-ovest di Parigi, dove sperimentò una tavolozza chiara e un'inquadratura ravvicinata.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eCollezione privata\u003c\/h3\u003e\n\u003cp\u003eA lungo custodito dalla famiglia dell'artista e poi in diverse collezioni private, il dipinto è stato venduto da Christie's nel maggio 2024.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.christies.com\/en\/lot\/lot-6482966\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni documentate di Christie's →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve far sentire la profusione senza trasformare il giardino in uno schema confuso: ogni famiglia di chiavi ha la sua direzione e densità.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eInquadratura ravvicinata che elimina completamente il cielo\u003c\/li\u003e\n\u003cli\u003eLe sei farfalle bianche, gialle e rosse\u003c\/li\u003e\n\u003cli\u003eIl massiccio centrale di piccoli fiori rosa\u003c\/li\u003e\n\u003cli\u003eCiuffi d'erba ventilati\u003c\/li\u003e\n\u003cli\u003eContrasti di verde, blu, rosa e crema\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eAngolo giardino con farfalle, F460\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMaggio-giugno 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eGiardini pubblici di Asnières, vicino a Parigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e50,4×61,4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF460 · JH1676\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn giardino vibrante per una parete leggera o colorata\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale e l'inquadratura senza orizzonte portano una presenza quasi tessile, verdi profondi, rosa e bianchi funzionano bene in un soggiorno, camera da letto o ufficio abbinati al legno naturale.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Coin de jardin avec papillons, F460\"\u003e\n\u003ci style=\"background:#276c52\"\u003e\u003c\/i\u003e\u003ci style=\"background:#73943e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d88e92\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8d2a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b6f87\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice di rovere medio, verde scuro o marrone fine contiene molti tocchi La luce morbida rivela il materiale senza schiacciare le farfalle più pallide.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di riferimento di pubblico dominio è stata ridotta a 3000 × 2381 px e quindi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eAngolo da giardino con farfalle, F460, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594938372322,"sku":"COIN_DE_JARDIN_AVEC_PAPILLONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-jardin-papillons-f460-vincent-van-gogh.webp?v=1785241257"},{"product_id":"moisson-vincent-van-gogh","title":"La Vendemmia a La Crau, F412 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh Giugno 1888 · Plaine de la Crau, vicino ad Arles\u003c\/p\u003e\n        \u003ch2\u003eLa Vendemmia a La Crau, F412\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSotto un cielo verde bluastro, la pianura gialla di Crau riunisce carri, macine, scale e mietitrici, con le rovine di Montmajour all'orizzonte.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moisson-f412-vincent-van-gogh.webp?v=1785240561\u0026amp;format=webp\" alt=\"La Vendemmia a La Crau F412 di Vincent van Gogh, Museo Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLa Vendemmia a La Crau, F412\u003c\/strong\u003eVincent van Gogh · giugno 1888 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGiugno 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73×92 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn'intera giornata di lavoro in pianura\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh dipinge il raccolto estivo da un punto leggermente alto I campi formano grandi fasce gialle e verdi; un carro blu, macine coniche, mucchi di covoni e piccole figure distribuiscono l'opera su tutta la larghezza.\u003c\/p\u003e\n\u003cp\u003eIn lontananza appaiono la montagna e l'abbazia di Montmajour, quasi fuse in blu, in primo piano un recinto leggero e una striscia di grano tagliato separano lo spettatore dalla pianura Il colore ordina la scena ancor più del disegno: giallo oro, blu, verde oliva e rosso mattone.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh non dipinge un momento spettacolare, ma la somma dei gesti del raccolto: ogni attrezzo, ogni figura e ogni mucchio di grano trova il suo posto nella pianura.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa riproduzione deve mantenere l'ampiezza orizzontale, la moltitudine di piccoli schemi e la chiara gerarchia tra primo piano, piano e orizzonte.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna mappa di lavoro\u003c\/h3\u003e\n\u003cp\u003eLe attività sono distribuite come cartelli: carretto blu, macine, scale, covoni e operai, la loro esatta posizione rende leggibile la scena.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDominio giallo\u003c\/h3\u003e\n\u003cp\u003eCoesistono diversi gialli, dal grano tenue alle ocre delle macine, Verdi e Blu li separano per evitare una superficie uniforme.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn orizzonte lontano\u003c\/h3\u003e\n\u003cp\u003eLe Alpilles e Montmajour rimangono basse e bluastre Questa discrezione dà tutta la sua estensione alla pianura di Crau.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF412\/JH1440 è il grande dipinto del giugno 1888 conservato al Museo Van Gogh, a volte intitolato La Crau o Raccolta a La Crau.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF412· JH1440\u003c\/h3\u003e\n\u003cp\u003eLa presenza del carro azzurro e di Montmajour distingue quest'opera da altre scene di vendemmia dipinte nella stessa estate.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003es0030V1962\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene alla Fondazione Vincent van Gogh ed è conservato al Museo Van Gogh di Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStagione\u003c\/span\u003e\u003ch3\u003eGiugno 1888\u003c\/h3\u003e\n\u003cp\u003eDopo i frutteti primaverili, Van Gogh scelse il raccolto per tradurre l'estate provenzale in giallo e blu.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/artsandculture.google.com\/asset\/the-harvest\/UAEejbUbf7fwSg?avm=2\u0026amp;hl=fr\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa difficoltà deriva dalla profusione: ogni dettaglio deve rimanere visibile senza indebolire le grandi fasce di colore che portano la composizione.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl carrello blu e i diversi gruppi di mietitrici\u003c\/li\u003e\n\u003cli\u003eLe varie forme di macine, covoni e scale\u003c\/li\u003e\n\u003cli\u003eLe grandi fasce gialle e verdi della pianura\u003c\/li\u003e\n\u003cli\u003eLa recinzione chiara e i pennelli in primo piano\u003c\/li\u003e\n\u003cli\u003eLa linea blu di Montmajour e delle Alpilles\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLa Vendemmia a La Crau, F412\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eGiugno 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003ePlaine de la Crau, vicino ad Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e73×92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh s0030V1962 · F412 · JH1440\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna grande distesa di giallo bilanciata dal blu\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl dipinto porta luce e ampiezza in un soggiorno o in una sala da pranzo La sua tavolozza calda si sposa bene con legno naturale, bianco sporco, grigio blu e terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Moisson à La Crau, F412\"\u003e\n\u003ci style=\"background:#c9a635\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d4bd64\"\u003e\u003c\/i\u003e\u003ci style=\"background:#597b68\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7799a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8a5a35\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice di quercia chiara o marrone dorato estende il grano Il nero opaco crea un contrasto più grafico attorno all'orizzonte blu.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ufficiale di pubblico dominio del Museo Van Gogh è stata ridotta a 3.000 × 2.379 px e poi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa Moisson a La Crau, F412, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594938568930,"sku":"LA_MOISSON_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moisson-f412-vincent-van-gogh.webp?v=1785240561"},{"product_id":"pechers-fleurs-vincent-van-gogh","title":"Peschi 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · aprile 1889 · Plaine de la Crau, vicino ad Arles\u003c\/p\u003e\n        \u003ch2\u003ePeschi in fiore a Crau, F514\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna vasta pianura di frutteti bianchi e rosa si apre alle Alpilles innevate, sotto un cielo composto da innumerevoli tocchi blu e crema.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pechers-fleurs-f514-vincent-van-gogh.webp?v=1785240553\u0026amp;format=webp\" alt=\"Peschi in fiore nella pianura Crau F514 di Vincent van Gogh, Courtauld Gallery\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePeschi in fiore a Crau, F514\u003c\/strong\u003eVincent van Gogh · aprile 1889 · Courtauld Gallery, Londra\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAprile 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e65×81 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCourtauld Gallery, Londra\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eLa primavera provenzale guardava attraverso il Giappone\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh dipinse la pianura aperta a est di Arles all'inizio della primavera del 1889. peschi in campi occupati dalla fioritura separati da fossati, recinzioni e sentieri; case basse e alberi isolati conducono verso la linea blu delle Alpilles.\u003c\/p\u003e\n\u003cp\u003eIn una lettera a Theo, l'artista riunisce i fiori bianchi e la montagna ancora innevata di ciliegi e il Monte Fuji visti nelle stampe giapponesi da lui raccolte La tela combina punti spessi per i fiori, linee allungate nei campi e un cielo completamente vibrante.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl paesaggio reale di Crau diventa un equivalente provenzale del Giappone sognato da Van Gogh: una pianura chiara, ordinata per colore e stagione.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa riproduzione deve preservare la grande profondità del panorama senza perdere la trama dei frutteti in primo piano.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna pianura stratificata\u003c\/h3\u003e\n\u003cp\u003eSentieri, fossati e appezzamenti si sovrappongono a fasce oblique fino alle case, queste linee danno profondità senza ricorrere a una prospettiva rigida.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eFiori in punti\u003c\/h3\u003e\n\u003cp\u003eI peschi sono resi da piccoli impasto bianchi, rosa e azzurro tenue, devono rimanere distinti dall'erba e dalle recinzioni tracciate da linee più lunghe.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn cielo intrecciato\u003c\/h3\u003e\n\u003cp\u003eIl cielo non è piatto: migliaia di brevi tocchi blu, grigi e crema producono una luce fresca che risponde ai fiori.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl formato, l'inventario Courtauld e le referenze F514\/JH1681 distinguono questo panorama dai numerosi frutteti dipinti ad Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF514 · JH1681\u003c\/h3\u003e\n\u003cp\u003eQuesto dipinto raffigura il Crau con peschi in fiore nell'aprile 1889, non i frutteti più vicini della primavera 1888.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eP.1932.SC.176\u003c\/h3\u003e\n\u003cp\u003eSamuel Courtauld acquistò l'opera nel 1927 per poi donarla alla Courtauld Gallery nel 1932.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIspirazione\u003c\/span\u003e\u003ch3\u003eCiliegi e Monte Fuji\u003c\/h3\u003e\n\u003cp\u003eVan Gogh associava gli alberi in fiore e la montagna lontana ai paesaggi delle stampe giapponesi che ammirava.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/gallerycollections.courtauld.ac.uk\/object-p-1932-sc-176\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso Courtauld Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eL'equilibrio dipende dalla differenza tra il design lineare degli appezzamenti, il materiale punteggiato dei fiori e la vibrazione stretta del cielo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa profondità di strisce di terra e fossati\u003c\/li\u003e\n\u003cli\u003eL'impasto bianco e rosa dei peschi\u003c\/li\u003e\n\u003cli\u003ePiccole case che stabiliscono la scala del panorama\u003c\/li\u003e\n\u003cli\u003eLa linea blu delle Alpilles sotto la neve\u003c\/li\u003e\n\u003cli\u003eLa rete di tasti corti nel cielo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003ePeschi in fiore a Crau, F514\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAprile 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003ePlaine de la Crau, vicino ad Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e65×81 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Courtauld P.1932.SC.176 · F514 · JH1681\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCourtauld Gallery, Londra\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn panorama fresco, luminoso e molto aperto\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale ingrandisce visivamente una stanza ed è adatto sopra un divano o una credenza Blu pallido, verdi grigi e bianchi floreali si abbinano a un interno chiaro.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Pêchers en fleurs dans la Crau, F514\"\u003e\n\u003ci style=\"background:#7da4ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c7c9b8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#71866e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b6a885\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5d6e82\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in rovere chiaro, legno sbiancato o marrone fine mantiene il paesaggio leggero Evitare una modanatura troppo dorata e riscalderà eccessivamente il blu.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine di riferimento di pubblico dominio è stata ridotta a 3000 × 2389 px e quindi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePeschi in fiore a Crau, F514, dipinti per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594940338402,"sku":"P_CHERS_EN_FLEURS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pechers-fleurs-f514-vincent-van-gogh.webp?v=1785240553"},{"product_id":"chataignes-rouges-parc-public-arles-vincent","title":"Castagni rossi a Arles Park, F517 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · aprile 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eCastagni rossi ad Arles Park, F517\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn ampio e limpido sentiero sprofonda sotto castagni in fiori rossi, animato da pochi minuscoli camminatori e da un tocco frammentato che fa circolare la luce.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/marronniers-rouges-f517-vincent-van-gogh.webp?v=1785239805\u0026amp;format=webp\" alt=\"Castagni rossi nel parco pubblico di Arles F517 di Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCastagni rossi ad Arles Park, F517\u003c\/strong\u003eVincent van Gogh · aprile 1889 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAprile 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72,5×92 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eArles Park alla vigilia della partenza\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eNella primavera del 1889, Van Gogh tornò al parco pubblico di Arles che aveva già dipinto l'autunno precedente, Il sentiero occupa la metà inferiore della tela e conduce a un gruppo di figure; ai lati, i tronchi scuri formano una corridoio sotto una volta di fogliame verde scandito da fiori rossi.\u003c\/p\u003e\n\u003cp\u003eLa prospettiva è leggibile, ma il dipinto non diventa mai descrittivo in senso accademico Lungo il percorso brevi tocchi di giallo, crema, blu e rosa si uniscono come un mosaico; sugli alberi, accenti rossi e bianchi spezzano i verdi e riflettono la fioritura.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eLa passeggiata familiare diventa uno studio della luce filtrata: il sentiero conduce l'occhio, mentre il fogliame trasforma lo spazio in una volta colorata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesta scena si basa sulla profondità del sentiero, sul ritmo verticale dei tronchi e sulla dispersione controllata dei rossi nella chioma degli alberi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn vialetto profondo\u003c\/h3\u003e\n\u003cp\u003eI bordi del sentiero convergono verso i camminatori e riducono gradualmente la scala delle figure La prospettiva deve rimanere chiara sotto l'abbondanza del tocco.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUna volta di fogliame\u003c\/h3\u003e\n\u003cp\u003eLe masse verdi si incontrano sopra il vialetto senza formare un soffitto uniforme, le aperture blu, crema e giallo lasciano respirare la luce.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eI fiori rossi\u003c\/h3\u003e\n\u003cp\u003eGli accenti rossi sono sparsi per il fogliame, con qualche eco nell'abbigliamento, la loro rarità conferisce loro tutto il loro peso cromatico.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa tela F517\/JH1689 è documentata come opera dell'aprile 1889 custodita in una collezione privata.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\u003ch3\u003eAprile 1889\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse questa fioritura durante le sue ultime settimane ad Arles, prima del suo ingresso volontario a Saint-Rémy all'inizio di maggio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF517· JH1689\u003c\/h3\u003e\n\u003cp\u003eQuesti due numeri distinguono la tela da altre vedute del parco pubblico e dei vari Giardini dei Poeti dipinti nel 1888.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\u003ch3\u003eCollezione privata\u003c\/h3\u003e\n\u003cp\u003eNessuna istituzione pubblica attuale è attribuita a quest'opera nei cataloghi di riferimento consultati.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0517.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda del catalogo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa difficoltà è quella di mantenere la leggibilità del sentiero e dei camminatori ripristinando la vibrazione quasi continua dei piccoli tocchi.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa convergenza della navata e la scala decrescente delle figure\u003c\/li\u003e\n\u003cli\u003eIl ritmo irregolare dei tronchi su entrambi i lati\u003c\/li\u003e\n\u003cli\u003eIl mosaico di gialli, blu e creme nel percorso\u003c\/li\u003e\n\u003cli\u003eI fiori rossi distribuiti senza sovraccarico nel fogliame\u003c\/li\u003e\n\u003cli\u003eI passaggi di cielo e luce tra i rami\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCastagni rossi ad Arles Park, F517\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAprile 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e72,5×92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF517· JH1689\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn paesaggio primaverile ricco ma equilibrato\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto sopra un divano, una credenza o una scrivania I verdi profondi e i gialli del percorso forniscono calore, mentre i rossi danno piccoli punti di accento.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Marronniers rouges dans le parc d’Arles, F517\"\u003e\n\u003ci style=\"background:#314a36\"\u003e\u003c\/i\u003e\u003ci style=\"background:#73844a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c5ae61\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8f3e35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f7f86\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice patinata in rovere marrone o medio accompagna la profondità degli alberi Una modanatura in oro molto fine può prendere le luci del sentiero.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003ePoiché l'opera si trova in una collezione privata, la migliore riproduzione pubblica verificabile disponibile è stata conservata nella sua definizione nativa di 1.224 × 954 px e poi convertita in WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCastagni rossi ad Arles Park, F517, dipinti per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594942304482,"sku":"CH_TAIGNES_ROUGES_DANS_LE_PARC_PUBLIC_D_ARLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/marronniers-rouges-f517-vincent-van-gogh.webp?v=1785239805"},{"product_id":"iris-vincent-van-gogh","title":"L'Iris, F601 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Maggio 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eL'Iride, F601\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUno studio verticale e molto ravvicinato in cui un fiore viola domina le lunghe foglie, le gemme ancora chiuse e il terreno attraversato da tocchi radiosi.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/iris-f601-vincent-van-gogh.webp?v=1785239802\u0026amp;format=webp\" alt=\"Iris F601 di Vincent van Gogh, Galleria Nazionale del Canada\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eL'Iride, F601\u003c\/strong\u003eVincent van Gogh · maggio 1889 · Galleria Nazionale del Canada, Ottawa\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMaggio 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e62,2×48,3 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su cartone diradato, montato su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGalleria Nazionale del Canada, Ottawa\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna pianta isolata diventa un intero paesaggio\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh abbassa lo sguardo al livello del massiccio e rimuove ogni orizzonte L'iride aperta, posta nella metà superiore sinistra, è accompagnata da diversi bottoni blu-violacei; le lamine fogliari occupano quasi tutta la larghezza e ancorare la pianta in un terreno ricoperto di verdi, ocra e grigi bluastri.\u003c\/p\u003e\n\u003cp\u003eDipinto poco dopo l'arrivo dell'artista a Saint-Paul-de-Mausole, questo studio non va confuso con la vasta aiuola Iris F608 custodita al Getty, qui, l'inquadratura verticale e la concentrazione su un solo piede conferiscono all'osservazione botanica un'intensità quasi monumentale.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl soggetto sembra modesto, ma l'inquadratura serrata, i contorni blu e il movimento circolare delle erbe trasformano un'iride da giardino in una presenza autonoma.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa lealtà si basa sulla scala della pianta, sulla circolazione dei tocchi e sul contrasto tra il viola del fiore e i verdi del fogliame.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn asse vivente\u003c\/h3\u003e\n\u003cp\u003eIl fusto fiorifero si eleva leggermente a sinistra del centro mentre le foglie si allargano a ventaglio, questo equilibrio asimmetrico deve rimanere flessibile: la pianta si alza in piedi senza irrigidirsi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTocchi radiosi\u003c\/h3\u003e\n\u003cp\u003eNell'erba e nello sporco le pennellate cambiano direzione attorno al piede, creano una vibrazione centrifuga che collega il fiore a tutto il campo del dipinto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eViola contro verde\u003c\/h3\u003e\n\u003cp\u003eIl blu-viola scuro dell'iride si staglia contro il giallo e il verde smeraldo, i piccoli accenti gialli del terreno rinforzano questo contrasto complementare senza competere con il fiore.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl supporto, il formato e i numeri di catalogo permettono di distinguere questo studio dalle altre iridi dipinte da Van Gogh a Saint-Rémy.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF601 · JH1699\u003c\/h3\u003e\n\u003cp\u003eQuesti riferimenti si riferiscono allo studio verticale di un singolo iris, non alla grande aiuola orizzontale F608 del J. Paul Getty Museum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eCartone su tela\u003c\/h3\u003e\n\u003cp\u003eL'originale è dipinto ad olio su cartone assottigliato poi montato su tela, particolare materico conservato nell'avviso di Ottawa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eOttawa dal 1954\u003c\/h3\u003e\n\u003cp\u003eLa National Gallery of Canada acquistò l'opera nel 1954; il suo numero di inventario è 6294.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/artsandculture.google.com\/asset\/iris-gogh-vincent-van\/dAG8nKO7-lEMAw?hl=fr\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso della National Gallery of Canada →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesta composizione richiede una pittura precisa senza asciugare il tocco: le foglie strutturano il formato, ma il terreno deve mantenere il suo rapido movimento.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa posizione esatta del fiore aperto e boccioli viola\u003c\/li\u003e\n\u003cli\u003eLa gamma delle foglie lunghe e le loro sovrapposizioni\u003c\/li\u003e\n\u003cli\u003eI contorni blu scuro che separano i verdi senza indurirli\u003c\/li\u003e\n\u003cli\u003eIl movimento radioso dei piccoli tocchi nell'erba\u003c\/li\u003e\n\u003cli\u003eGli accenti gialli sparsi che risvegliano la tavolozza\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eL'Iride, F601\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eMaggio 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su cartone diradato, montato su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e62,2×48,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale del Canada 6294 · F601 · JH1699\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale del Canada, Ottawa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eVerdi brillanti arricchiti con viola intenso\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per una parete stretta, tra due aperture o sopra un mobile compatto La tavolozza delle piante fornisce profondità senza dominare una stanza luminosa.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de L’Iris, F601\"\u003e\n\u003ci style=\"background:#315e45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f963e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b2a447\"\u003e\u003c\/i\u003e\u003ci style=\"background:#343b7b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a98a58\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in rovere naturale, noce chiaro o nero opaco enfatizza la verticalità Evitare un tappetino troppo bianco, che indebolirebbe le aree grigio-verdi del terreno.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione digitale di pubblico dominio è stata convertita in WebP a 2.332 × 3.000 px, senza allargamento artificiale e mantenendo le proporzioni dell'originale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eL'Iris, F601, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594942894306,"sku":"IRIS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/iris-f601-vincent-van-gogh.webp?v=1785239802"},{"product_id":"entree-carriere-pres-saint-remy-vincent","title":"Ingresso ad una cava vicino a Saint-Rémy - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Inizio ottobre 1889 · Saint-Rémy-de-Provence, Francia\u003c\/p\u003e\n        \u003ch2\u003eIngresso ad una cava vicino a Saint-Rémy\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn'apertura scura sprofonda in una parete di roccia chiara, rivestita di pini e terra rossa Van Gogh semplifica la cava in grandi piani lilla, grigi, ocra e verdi, quindi ravviva le superfici con un tocco stretto.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/entree-carriere-f635-van-gogh-reproduction-peinture-huile.webp?v=1785233590\u0026amp;format=webp\" alt=\"Ingresso ad una cava vicino a Saint-Rémy di Vincent van Gogh - riproduzione di dipinti ad olio\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eIngresso ad una cava vicino a Saint-Rémy\u003c\/strong\u003eVincent van Gogh · Inizio ottobre 1889 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eInizio ottobre 1889\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e52×64 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna cavità viola tra rocce pallide\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eL'ingresso forma un rettangolo irregolare, quasi nero, leggermente decentrato Sezioni di roccia bianco-grigia e lilla lo incorniciano come blocchi ad incastro, mentre una striscia rosso-arancio segna la destra del sito.\u003c\/p\u003e\n\u003cp\u003eI pini si aggrappano al bordo superiore e sinistro della cava Le loro masse verdi e i tronchi ricurvi rompono le pareti minerali; in lontananza rimangono visibili un cielo azzurro e una cresta viola.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eL'immagine non riguarda tanto l'illusione di una pietra realistica quanto la regolazione di grandi aree colorate: apertura scura, rocce chiare, terra rossa, alberi verdi e cielo blu.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesto olio su tela di dimensioni 52 × 64 cm è citato F635\/JH1767 È datato inizio ottobre 1889 e appartiene ad una collezione privata.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eL'apertura funge da centro di gravità\u003c\/h3\u003e\n\u003cp\u003eLa cavità scura focalizza subito lo sguardo I suoi bordi irregolari e i tocchi viola all'interno, tuttavia, impediscono che diventi un nero piatto uniforme.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLa roccia è divisa in grandi piani\u003c\/h3\u003e\n\u003cp\u003eBianco sporco, lilla, grigio blu e rosa sono giustapposti in forme spigolose I contorni rimangono leggibili nonostante le brevi linee che descrivono gli incidenti superficiali.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eI pini sbilanciano deliberatamente la pietra\u003c\/h3\u003e\n\u003cp\u003eA sinistra, un albero scuro scende davanti alla parete; in alto, i rami seguono il crinale, la pianta introduce curve dove la cava impone delle nette rotture.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'ingresso ad una cava vicino a Saint-Rémy misura 52 × 64 cm Il dipinto reca F635\/JH1767 ed è custodito in una collezione privata.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLettera\u003c\/span\u003e\u003ch3\u003eUn'opera descritta a Émile Bernard\u003c\/h3\u003e\n\u003cp\u003eVerso l'8 ottobre 1889 Van Gogh menzionò un ingresso di cava fatto di rocce lilla pallide in terra rossastra La descrizione corrisponde precisamente a F635.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGiappone\u003c\/span\u003e\u003ch3\u003eUn confronto con i disegni giapponesi\u003c\/h3\u003e\n\u003cp\u003eNella stessa lettera, il pittore avvicinava la scena a certi disegni giapponesi, in particolare suddividendo il motivo in grandi piani di colore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDialogo\u003c\/span\u003e\u003ch3\u003eUn'eco della ricerca di Pont-Aven\u003c\/h3\u003e\n\u003cp\u003eVan Gogh scrisse a Bernard che il disegno e la distribuzione dei colori sembravano vicini a ciò che il suo corrispondente stava allora facendo a Pont-Aven.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghletters.org\/vg\/letters\/let809\/letter.html\" target=\"_blank\" rel=\"noopener\"\u003eLeggi la lettera 809 di Vincent van Gogh a Émile Bernard\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la cavità viola, i piani di roccia lilla e bianco-grigio, la striscia rossa di terra, i pini scuri e la piccola apertura di cielo azzurro.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa profondità viola dell'ingresso\u003c\/li\u003e\n\u003cli\u003eRotture angolari di blocchi di roccia\u003c\/li\u003e\n\u003cli\u003eIl contrasto tra pietra chiara e terra rossa\u003c\/li\u003e\n\u003cli\u003eI pini che ritagliano il bordo sinistro e la cresta\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIngresso ad una cava vicino a Saint-Rémy\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eInizio ottobre 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e52×64 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF635 · JH1767\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eLillà minerali arricchiti con terra verde e rossa\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per un soggiorno, un ufficio o sopra un'unità base Grigio lilla, verde pino e rosso terra si abbinano alla pietra, alla quercia affumicata e alle calde pareti beige.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Entrée d’une carrière près de Saint-Rémy\"\u003e\n\u003ci style=\"background:#817777\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b9ad9e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#473e4b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#38493c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9c573d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice grigio antracite, rosso-marrone o verde scuro riprende le riprese principali Una semplice modanatura lascia che la cavità e le rocce conservino la loro forza grafica.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione di pubblico dominio di 2520 × 2052 px è stata convertita in vero WebP nella sua definizione originale, senza ritaglio artificiale o ingrandimento.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eIngresso ad una cava vicino a Saint-Rémy, dipinta per il vostro interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594961965282,"sku":"ENTR_E_D_UNE_CARRI_RE_PR_S_DE_SAINT_R_MY_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/entree-carriere-f635-van-gogh-reproduction-peinture-huile.webp?v=1785233590"},{"product_id":"jardin-papillons-vincent-van-gogh","title":"Giardino delle Farfalle - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Primavera 1890 · Saint-Rémy-de-Provence, Francia\u003c\/p\u003e\n        \u003ch2\u003eGiardino farfalle\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eLo sguardo si tuffa direttamente nelle erbe del giardino Due farfalle bianche si stagliano a malapena dalla vegetazione, in mezzo a una rete di foglie e steli dipinti in più direzioni.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-aux-papillons-van-gogh-museum-s0110v1962.webp?v=1785228952\u0026amp;format=webp\" alt=\"Giardino delle farfalle di Vincent van Gogh, Museo Van Gogh, s0110V1962\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eGiardino farfalle\u003c\/strong\u003eVincent van Gogh · Primavera 1890 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrimavera 1890\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e54,8×45,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn frammento di giardino senza orizzonte\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa tela non mostra né cielo né architettura Le foglie lunghe partono dal centro e i bordi come travi; il loro orientamento è sufficiente per creare aree di profondità nella vista a volo d'uccello.\u003c\/p\u003e\n\u003cp\u003eLe due farfalle sono costruite da pochi tocchi color crema bordati di verde, la loro semplicità contrasta con la densità delle erbe, dove si mescolano verde oliva, grigio blu, ocra e marrone rosso.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eRimuovendo tutti i punti di riferimento del paesaggio, Van Gogh trasforma una macchia d'erba in una superficie vivente: le farfalle non dominano il giardino, quasi scompaiono lì.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh conserva quest'opera sotto inventario s0110V1962 Datato primavera 1890, porta i riferimenti F402\/JH1677.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUn punto di vista molto alto\u003c\/h3\u003e\n\u003cp\u003eL'inquadratura a tuffo porta la vegetazione verso la superficie Questa costruzione priva di orizzonti avvicina la tela alle composizioni giapponesi che Van Gogh raccolse e studiò.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDue farfalle volutamente discrete\u003c\/h3\u003e\n\u003cp\u003eL'argomento annunciato dal titolo occupa solo una piccola area Le ali leggere diventano pause in mezzo ai verdi piuttosto che uno schema isolato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eOgni ciuffo ha il suo ritmo\u003c\/h3\u003e\n\u003cp\u003eLe foglie sono raggruppate in ventagli, curvi e diagonali Le differenze di direzione sostituiscono l'ombra tradizionale per organizzare lo spazio.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eGiardino delle Farfalle è un olio su tela di 54,8 × 45,7 cm, dipinto a Saint-Rémy nella primavera del 1890. reca s0110V1962, F402 e JH1677.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocalità\u003c\/span\u003e\u003ch3\u003eIl giardino di Saint-Paul-de-Mausole\u003c\/h3\u003e\n\u003cp\u003eVan Gogh trovò motivi accessibili nel giardino recintato dello stabilimento quando non poteva allontanarsi Lì dipinse alberi, fiori, erbe e insetti in diverse stagioni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAttribuzione\u003c\/span\u003e\u003ch3\u003eUn'opera del Museo Van Gogh\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene al Museo Van Gogh, inventario s0110V1962 È stato prestato al Rijksmuseum, il che spiega l'attribuzione talvolta incontrata su vecchi fascicoli.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGiapponismo\u003c\/span\u003e\u003ch3\u003eUna natura osservata molto da vicino\u003c\/h3\u003e\n\u003cp\u003eL'inquadratura tagliata, la mancanza di profondità atmosferica e l'attenzione alle piccole forme naturali estendono le lezioni apprese dalle stampe giapponesi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0110V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve preservare l'inquadratura senza orizzonte, le due farfalle chiare, la diversità dei verdi e i cambi di direzione che strutturano ciascun ciuffo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLe due farfalle bianche poste a sinistra del centro\u003c\/li\u003e\n\u003cli\u003eLe lunghe foglie che si irradiano da più punti\u003c\/li\u003e\n\u003cli\u003eI tocchi ocra e rosso nascosti nei verdi\u003c\/li\u003e\n\u003cli\u003eIl movimento circolare delle erbe attorno agli insetti\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eGiardino farfalle\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003ePrimavera 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e54,8×45,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003es0110V1962· F402· JH1677\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn frammento di giardino profondo e rilassante\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato verticale è adatto per una camera da letto, una libreria o una parete verde I verdi oliva e gli accenti crema interagiscono con le pareti in legno naturale, rattan e sabbia.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Jardin aux papillons\"\u003e\n\u003ci style=\"background:#2f4931\"\u003e\u003c\/i\u003e\u003ci style=\"background:#52633a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#758050\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a8a58\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0caaa\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice verde scuro, bronzo o rovere mette in risalto il materiale senza distrarre le farfalle Una modanatura fine è adatta per un'inquadratura molto ravvicinata.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ufficiale è stata convertita in un vero e proprio WebP di 2.507 × 3.000 px, senza ritaglio artificiale o ingrandimento.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eGiardino delle farfalle, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594971730146,"sku":"JARDIN_AUX_PAPILLONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-aux-papillons-van-gogh-museum-s0110v1962.webp?v=1785228952"},{"product_id":"japonaiserie-oiran-vincent-van-gogh","title":"Giapponese: cortigiana dopo Eisen - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · ottobre - novembre 1887 · Parigi, Francia\u003c\/p\u003e\n        \u003ch2\u003eGiapponese: Courtesan dopo Eisen\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu uno sfondo giallo spicca una cortigiana giapponese, vestita con un kimono dai colori vivaci, Van Gogh ingrandisce una stampa di Keisai Eisen e la circonda con un lussureggiante arredamento di bambù, ninfee, gru e rane.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/japonaiserie-oiran-courtisane-van-gogh-museum.webp?v=1785212217\u0026amp;format=webp\" alt=\"Giapponese, cortigiana dopo Eisen, di Vincent van Gogh, 1887, Museo Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eGiapponese: Courtesan dopo Eisen\u003c\/strong\u003eVincent van Gogh · ottobre - novembre 1887 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOttobre-novembre 1887\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e100,7×60,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su cotone\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna stampa giapponese trasformata dalla pittura\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa figura occupa l'intera altezza del pannello centrale Il suo kimono a motivi geometrici, l'acconciatura elaborata e l'obi annodato sul davanti segnalano una cortigiana Attorno ad essa, la grande cornice verde funziona come una seconda immagine dove acqua, piante e animali si sovrappongono.\u003c\/p\u003e\n\u003cp\u003eVan Gogh riprende un'incisione di Keisai Eisen riprodotta sulla copertina della rivista Paris Illustrated nel 1886 Trasferisce il modello utilizzando una griglia, lo ingrandisce poi intensifica i contorni e i colori Il risultato non è uno copia neutra: era un'interpretazione parigina del Giappone che ammirava.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eL'opera rivela come Van Gogh assimili l'inquadratura, le zone pianeggianti e la linea della stampa per rinnovare la propria pittura.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl formato stretto richiede grande precisione nella silhouette centrale e una chiara gerarchia tra il kimono, lo sfondo giallo e il bordo verde.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUna figura monumentale\u003c\/h3\u003e\n\u003cp\u003eIl corpo forma una lunga curva a S e riempie quasi tutto il pannello Il contorno scuro isola la cortigiana come in una stampa, nonostante lo spessore della materia pittorica.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eUn kimono molto costruito\u003c\/h3\u003e\n\u003cp\u003eL'arancio piatto, il rosso, il giallo e il blu sono incrociati con motivi distinti La loro varietà deve rimanere organizzata per preservare la lettura del capo e del gesto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eUn confine a doppio senso\u003c\/h3\u003e\n\u003cp\u003eGru, rane, bambù e ninfee evocano un Giappone immaginario Il museo ricorda anche il gioco di parole francese che collega gru e rana al mondo della prostituzione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh conserva l'opera con il titolo di Courtesan (da Eisen) e la data da ottobre a novembre 1887.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModello\u003c\/span\u003e\u003ch3\u003eKeisai Eisen\u003c\/h3\u003e\n\u003cp\u003eLa cortigiana deriva da una stampa del maestro giapponese Keisai Eisen, nota a Van Gogh con la copertina ingrandita di un numero illustrato di Parigi dedicato al Giappone.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMetodo\u003c\/span\u003e\u003ch3\u003eUn rapporto alla griglia\u003c\/h3\u003e\n\u003cp\u003eVan Gogh squadrisce la riproduzione al fine di trasferire la figura in un formato molto più grande, tracce di questo processo sono ancora visibili nella costruzione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eInventario s0116V1962\u003c\/h3\u003e\n\u003cp\u003eLa tela, dipinta su cotone, appartiene al Museo Van Gogh I suoi riferimenti di catalogo sono F0373 e JH1298.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0116V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Van Gogh\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve mantenere la nitidezza grafica della figura, la diversità dei motivi e la saturazione delle aree solide, pur mantenendo una materia oleosa visibile.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa curva della silhouette e l'espressione facciale di profilo\u003c\/li\u003e\n\u003cli\u003eI motivi del kimono e l'obi legato sul davanti\u003c\/li\u003e\n\u003cli\u003eLo sfondo giallo uniforme bordato da una rete rossa e blu\u003c\/li\u003e\n\u003cli\u003eLe gru, rane, bambù e ninfee nel telaio\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eGiapponese: Courtesan dopo Eisen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eOttobre-novembre 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eParigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su cotone\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e100,7×60,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003es0116V1962 · F0373 · JH1298\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'opera verticale, grafica e intensamente colorata\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl suo formato slanciato è adatto per un ingresso, tra due aperture o sopra una consolle stretta Giallo e verde trovano un equilibrio naturale accanto a una parete bianco sporco, blu notte o rosso terra.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Japonaiserie : Courtisane d’après Eisen\"\u003e\n\u003ci style=\"background:#d8b52d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2b6a4c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c34a35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#244777\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e6b166\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna semplicissima cornice in legno nero, verde intenso o marrone rafforza il look di stampa Evitare la doratura ornata, che farebbe concorrenza al già ricchissimo bordo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento visivo proviene dall'immagine ufficiale IIIF del Museo Van Gogh, ridotta a 3.000 px sul lato lungo e convertita in WebP senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eGiapponese: cortigiana dopo Eisen, dipinta per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Vincent van Gogh","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":47907694280930,"sku":"VINCENT-VAN-GOGH-JAPONAISERIE-OIRAN","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/japonaiserie-oiran-courtisane-van-gogh-museum.webp?v=1785212217"},{"product_id":"l-arlesienne-madame-ginoux-vincent-van-gogh","title":"L'Arlésienne, Madame Ginoux con un ombrellone e guanti - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Inizio novembre 1888 · Arles, Francia\u003c\/p\u003e\n        \u003ch2\u003eL'Arlesienne con il parasole e i guanti\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDavanti a uno sfondo di limone è rappresentata Marie Ginoux, con il viso appoggiato sulla mano, sul tavolo verde Van Gogh pone un parasole chiuso e un paio di guanti: questi oggetti contraddistinguono la prima versione custodita al museo d'Orsay.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/arlesienne-madame-ginoux-parasol-gants-van-gogh-orsay.webp?v=1785211670\u0026amp;format=webp\" alt=\"L'Arlésienne, Madame Ginoux con un ombrellone e guanti, di Vincent van Gogh, 1888, Musée d'Orsay\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eL'Arlesienne con il parasole e i guanti\u003c\/strong\u003eVincent van Gogh · Inizio novembre 1888 · Musée d'Orsay, Parigi\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eInizio novembre 1888\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92,5×73,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo d'Orsay, Parigi\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn arlesiano dipinto con presunta velocità\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa figura è isolata davanti a un vasto sfondo giallo pallido, il suo abbigliamento nero e blu di Prussia forma una massa compatta, illuminata dal pettorale chiaro, La mano contro la guancia e lo sguardo abbassato conferiscono alla posa una gravità meditativa.\u003c\/p\u003e\n\u003cp\u003eVan Gogh scrive di aver dipinto questa figura in un'ora Il museo d'Orsay evidenzia il contrasto tra la velocità visibile del tatto e l'immobilità del modello, attraverso il tavolo corrono in primo piano il parasole scuro e i guanti verdi, al posto dei libri della versione del Met.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIl dipinto trasforma una donna nota all'artista in un'icona provenzale, senza cancellare la singolarità del suo volto.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQuesta versione deve rimanere distinta dal ritratto del Met: lo sfondo è più chiaro e il primo piano contiene un ombrello e guanti, non libri.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUno sfondo di limone\u003c\/h3\u003e\n\u003cp\u003eIl giallo chiaro circonda la silhouette senza profondità architettonica Le sue variazioni di materiale preservano la velocità dell'opera e fanno vibrare i contorni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eNero e blu di Prussia\u003c\/h3\u003e\n\u003cp\u003eIl capo non è una massa nera uniforme Blu profondi, grigi e tocchi più chiari danno forma alle maniche e al busto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eParasole e guanti\u003c\/h3\u003e\n\u003cp\u003eQuesti accessori formano una diagonale scura sul tavolo verde, permettono di individuare subito la prima versione del novembre 1888.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del museo d'Orsay data l'opera all'inizio di novembre 1888 e la identifica dall'inventario RF 1952 6.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModello\u003c\/span\u003e\u003ch3\u003eIl proprietario del Café de la Gare\u003c\/h3\u003e\n\u003cp\u003eMarie Ginoux riceve regolarmente Van Gogh e Gauguin, si prese cura anche di Van Gogh durante il suo ricovero nel dicembre 1888.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eEsecuzione\u003c\/span\u003e\u003ch3\u003eUna figura dipinta in un'ora\u003c\/h3\u003e\n\u003cp\u003eLo stesso Van Gogh insiste sulla velocità del ritratto, percepibile nelle pennellate libere dello sfondo e dell'abbigliamento.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eInventario RF 1952 6\u003c\/h3\u003e\n\u003cp\u003eIl dipinto, donato allo Stato nel 1952, è oggi custodito al museo d'Orsay di Parigi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/larlesienne-14058\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del museo d'Orsay\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl pittore deve preservare la velocità del tocco mantenendo perfettamente riconoscibili posa, mani, ombrellone e guanti.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003ePosizione della mano ed espressione meditativa di Marie Ginoux\u003c\/li\u003e\n\u003cli\u003eLe sfumature del capo tra nero, blu di Prussia e grigio\u003c\/li\u003e\n\u003cli\u003eLa pettorina ricamata leggera e l'acconciatura regionale\u003c\/li\u003e\n\u003cli\u003eIl parasole e i guanti sul tavolo, specifici per questa versione\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eL'Arlesienne con il parasole e i guanti\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eInizio novembre 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eArles, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e92,5×73,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eRF 19526\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'Orsay, Parigi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn'icona provenzale con presenza immediata\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa tela anima fortemente una biblioteca, un salotto o un ufficio Lo sfondo al limone porta luce, mentre il blu-nero del capo e il verde della tavola lo ancorano in un arredamento con legni caldi o pareti sobrie.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de L’Arlésienne au parasol et aux gants\"\u003e\n\u003ci style=\"background:#d8c760\"\u003e\u003c\/i\u003e\u003ci style=\"background:#182931\"\u003e\u003c\/i\u003e\u003ci style=\"background:#355064\"\u003e\u003c\/i\u003e\u003ci style=\"background:#cad8bd\"\u003e\u003c\/i\u003e\u003ci style=\"background:#556c3c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone scuro, nero bluastro o rovere medio evidenzia la silhouette Mantenere una semplice modanatura: il materiale del fondo e la diagonale del parasole sono sufficienti per strutturare l'insieme.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento visivo ad alta definizione proviene dal Google Art Project per l'opera del museo d'Orsay; è stato ridotto a 3000 px e convertito in un vero e proprio WebP senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eL'Arlesienne con ombrellone e guanti, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Vincent van Gogh","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":47922028118242,"sku":"VINCENT-VAN-GOGH-ARLESIENNE-MADAME-GINOUX","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/arlesienne-madame-ginoux-parasol-gants-van-gogh-orsay.webp?v=1785211670"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/1920px-Van_Gogh_-_la_courtisane.jpg?v=1784002887","url":"https:\/\/it.alphareproduction.com\/collections\/van-gogh-et-le-giappone.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}