{"title":"Pittura natura morta","description":"\u003cstyle\u003e\n  .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n  .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n  @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n  \u003csection class=\"rr-hero\" style=\"--rr-watermark:'PEINTURE NATURE MORTE'\"\u003e\n    \u003cdiv class=\"rr-wrap\"\u003e\n      \u003cdiv class=\"rr-hero-grid\"\u003e\n        \u003cdiv\u003e\n          \u003cp class=\"rr-eyebrow\"\u003eXVI -XX secolo · Oggetti, fiori, frutti e vanità\u003c\/p\u003e\n          \u003ch2\u003ePittura di natura morta\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n          \u003cp class=\"rr-lead\"\u003eScopri Still Life Painting, riprodotto a mano ad olio su tela.\u003c\/p\u003e\n          \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eVedi riproduzioni\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#nature-morte-guide\"\u003eScegli un'opera\u003c\/a\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cfigure class=\"rr-art\"\u003e\n          \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/corbeille-de-fruits-caravage-reproductions-tableaux-a-la-peinture-lhuile-924.jpg?v=1746848063\" alt=\"Pittura di natura morta\" loading=\"lazy\"\u003e\n          \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eIl mondo della pittura di natura morta\u003c\/strong\u003eLa natura morta organizza oggetti familiari, fiori, frutti e materiali per studiare la luce, il colore, il tempo che passa e la presenza silenziosa delle cose.\u003c\/figcaption\u003e\n        \u003c\/figure\u003e\n      \u003c\/div\u003e\n      \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003eIntorno al 1600\u003c\/strong\u003e\u003cspan\u003eAutonomia di genere in Europa\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003eXVII secolo\u003c\/strong\u003e\u003cspan\u003eGrande boom olandese e fiammingo\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003eFiori -frutti -oggetti\u003c\/strong\u003e\u003cspan\u003eTre famiglie di motivi maggiori\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003ePiù di 500 anni\u003c\/strong\u003e\u003cspan\u003eStoria del genere, stima complessiva\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\n  \u003cdiv class=\"rr-benefits\"\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eDipinto a mano\u003c\/b\u003e\u003cspan\u003eVera pittura ad olio, nessuna stampa.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFormati a scelta\u003c\/b\u003e\u003cspan\u003eUna composizione adattata alle dimensioni ordinate.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamina la tua tavola prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eRichiedi aggiustamenti prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eXVI -XX secolo · Oggetti, fiori, frutti e vanità\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eLa natura morta organizza oggetti familiari, fiori, frutti e materiali per studiare la luce, il colore, il tempo che passa e la presenza silenziosa delle cose.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eLa natura morta divenne un genere autonomo in Europa intorno al 1600, in particolare in Italia, nei Paesi Bassi e nelle Fiandre Il Cesto di Frutta di Caravaggio, dipinto intorno al 1596, dà frutti e lascia una presenza attenta come quella di una figura Nel XVII secolo, tavole servite, mazzi di fiori e vanità combinavano virtuosismo e riflessione sull'abbondanza, la fragilità e il tempo Cézanne ha poi trasformato mele, tovaglie e volumi in un laboratorio di pittura moderna; Van Gogh intensifica fiori e oggetti attraverso il colore; Mondrian ha ulteriormente esplorato il genere prima del suo passaggio all'astrazione La selezione \"Pittura di natura morta\" confronta in particolare Bouquet di rose e fiori in un vaso antico La sua lettura favorisce la luce.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eIn una natura morta, il minimo oggetto può diventare un evento pittorico non appena la luce, la materia e lo spazio lo rendono pienamente visibile.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eCorso e stile\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eViaggio, soggetti e linguaggio pittorico\u003c\/h2\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003eIntorno al 1500-1600\u003c\/time\u003e\u003ch3\u003eOggetti e alimenti acquisiscono la loro autonomia\u003c\/h3\u003e\n\u003cp\u003eI dettagli secondari diventano gradualmente soggetti principali di dipinti indipendenti Questa pietra miliare illumina la collezione \"Still Life Painting\" privilegiando la luce.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003eXVII secolo\u003c\/time\u003e\u003ch3\u003eIl genere raggiunge una straordinaria diversità\u003c\/h3\u003e\n\u003cp\u003eMazzi di fiori, tavoli, selvaggina e vanità incontrano gusti, conoscenze e mercati europei.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003esecoli XIX-XX\u003c\/time\u003e\u003ch3\u003eLa natura morta diventa un laboratorio di modernità\u003c\/h3\u003e\n\u003cp\u003eCézanne, Van Gogh, Bonnard e Mondrian rinnovano spazio, colore e struttura.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eComposizione\u003c\/h3\u003e\n\u003cp\u003eLa posizione degli oggetti costruisce equilibrio, tensione e circolazione dello sguardo Questa linea guida una lettura di \"Still Life Painting\" centrata sulla luce.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eMateria\u003c\/h3\u003e\n\u003cp\u003eVetro, metallo, frutta, petalo e tessuto permettono di confrontare gli effetti della vernice.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eLuce\u003c\/h3\u003e\n\u003cp\u003eRiflessioni e ombre danno peso, volume e atmosfera alle cose immobili.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eTempo\u003c\/h3\u003e\n\u003cp\u003eFiore sbiadito, frutta matura o oggetto consumato richiamano la fragilità di qualsiasi presenza.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eEsplora per universo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eSei letture specifiche di Still Life Painting\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOpere, linguaggio visivo e monumenti storici costituiscono un percorso esclusivamente dedicato alla Pittura di Natura Morta.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eBouquet\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eLa rosa diventa uno studio del colore e della materia\u003c\/h3\u003e\n\u003cp\u003ePetali, fogliame e sfumature compongono una generosa presenza decorativa.\u003c\/p\u003e\n\u003cb\u003ePer un soggiorno romantico Lettura \"Still Life Painting\" alla luce.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eVaso antico\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eFiori e contenitori uniscono natura e storia\u003c\/h3\u003e\n\u003cp\u003eIl contrasto tra vivente e oggetto costruisce una composizione elegante e verticale.\u003c\/p\u003e\n\u003cb\u003ePer un antipasto raffinato\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eComposizione classica\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eOggetti e frutti bilanciano masse e luce\u003c\/h3\u003e\n\u003cp\u003eIl layout silenzioso invita ad osservare texture, volumi e intervalli.\u003c\/p\u003e\n\u003cb\u003ePer una sala da pranzo\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eMondrian\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eLa natura morta annuncia una ricerca di struttura\u003c\/h3\u003e\n\u003cp\u003eMele, pentola e casseruola permettono al pittore di ordinare piante, linee e colori.\u003c\/p\u003e\n\u003cb\u003ePer un interno moderno\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003ePalette\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eScegli l'armonia floreale o il contrasto dei materiali\u003c\/h3\u003e\n\u003cp\u003eI colori del motivo determinano un'atmosfera morbida, scura o energica.\u003c\/p\u003e\n\u003cb\u003ePer chiarire l'umore\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eFormato\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eConcedere orientamento e disposizione degli oggetti\u003c\/h3\u003e\n\u003cp\u003eI bouquet verticali e i tavoli orizzontali richiedono proporzioni diverse.\u003c\/p\u003e\n\u003cb\u003ePer scegliere le dimensioni\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eOpere da scoprire\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eOpere di pittura di natura morta\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOgni carta si riferisce direttamente alla sua riproduzione disponibile su Shopify.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"4\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/bouquet-rose-cm\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bouquet-de-rose-100-x-130-cm-image-2-copie-tableau-huile.jpg?v=1780657347\" alt=\"Mazzo di rose dipinte ad olio\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eFiori\u003c\/small\u003e\u003ch3\u003eMazzo di rose\u003c\/h3\u003e\n\u003cspan\u003eLa profusione di petali e le variazioni di rosa creano una ricca composizione decorativa.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/fleurs-vase-antique-cm\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-dans-un-vase-antique-60-x-90-cm-image-2-copie.jpg?v=1780656546\" alt=\"Fiori in un vaso antico dipinto ad olio\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eEleganza classica\u003c\/small\u003e\u003ch3\u003eFiori in un vaso antico\u003c\/h3\u003e\n\u003cspan\u003eIl bouquet e il vaso scultoreo uniscono colore naturale, materiale ed equilibrio verticale.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/nature-morte-cm\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-60-x-90-cm-image-5-tableau-peint-main.jpg?v=1780656562\" alt=\"Classico olio di natura morta dipinto\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eOggetti e luce\u003c\/small\u003e\u003ch3\u003eNatura morta\u003c\/h3\u003e\n\u003cspan\u003eLa disposizione di forme e texture trasforma oggetti familiari in una scena silenziosa.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/nature-morte-pommes-pot-fleurs-casserole\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pommes-pot-de-fleurs-et-casserole-en-metal-piet-mondrian_8d0defb5-0dd5-4a81-bef8-dc9a56afe78a.webp?v=1781469702\" alt=\"Natura morta con mele, vaso di fiori e casseruola di Piet Mondrian\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eVerso la modernità\u003c\/small\u003e\u003ch3\u003eMele, vaso di fiori e casseruola - Piet Mondrian\u003c\/h3\u003e\n\u003cspan\u003eSemplici oggetti, piani e colori rivelano ricerche strutturali effettuate prima dell'astrazione.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eIl nostro metodo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eUna riproduzione dipinta, non un'impressione\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOgni dipinto è realizzato in olio su tela da un artista specializzato, quindi controllato con voi prima della spedizione.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eDal lavoro al tuo interno\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eScelta del lavoro\u003c\/b\u003e\u003cspan\u003eSoggetto, orientamento e dimensioni adattati alla tua parete.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella finita.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRitocco\u003c\/b\u003e\u003cspan\u003eLe regolazioni rimangono possibili prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eOgni riproduzione è unica.\u003c\/strong\u003e Lievi variazioni di tocco e di materiale testimoniano il lavoro manuale del pittore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" id=\"nature-morte-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eScegliere saggiamente\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eAppendi un'opera di pittura di natura morta\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eI soggetti e i toni della pittura di natura morta richiedono un formato, un luogo e un'inquadratura scelti per il lavoro preciso.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Peinture nature morte\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eI nostri benchmark\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eSala\u003c\/b\u003eInstalla \"Bouquet of Roses\" come punto focale, con uno sguardo alla luce.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eUfficio\u003c\/b\u003eScegli una cornice o un dettaglio legato a \"Fiori in vaso antico\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFormato\u003c\/b\u003eConserva le proporzioni dell'opera scelte dalla collezione Still Life Painting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePalette\u003c\/b\u003eAbbina il pezzo ai toni specifici di Still Life Painting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinire\u003c\/b\u003eL'olio su tela enfatizza gli effetti compositivi.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCornice\u003c\/b\u003eScegli il legno, il nero o l'oro a seconda dell'atmosfera di Still Life Painting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003ePrima di scegliere la tua vernice still life\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eLe riproduzioni sono dipinte con pittura ad olio?\u003c\/summary\u003e\u003cp\u003eSì. Ogni riproduzione è dipinta a mano ad olio su tela, senza stampa.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome ripristinare la luce in una riproduzione di Still Life Painting?\u003c\/summary\u003e\u003cp\u003eIl pittore utilizza la composizione, i valori, i colori e i materiali visibili nell'opera scelta della collezione Still Life Painting, con particolare attenzione alla luce.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003ePosso ordinare un'opera di Still Life Painting in formato personalizzato?\u003c\/summary\u003e\u003cp\u003eSì. Le dimensioni sono adattate rispettando le proporzioni e l'equilibrio dell'opera selezionata.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome convalido la mia riproduzione di Still Life Painting?\u003c\/summary\u003e\u003cp\u003eLe fotografie dettagliate vengono inviate prima della spedizione; è possibile richiedere modifiche prima dell'invio.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eEsplora la pittura di natura morta\u003c\/h3\u003e\n\u003cp\u003eScegli un'opera di pittura di natura morta e ricevi un dipinto ad olio realizzato appositamente per il tuo interno.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eVedi tutte le riproduzioni\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"fleurs-vase-antique-cm","title":"Fiori in un Vaso Antico | Dimensioni: 60x90 cm","description":"\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\n\u003cdiv class=\"relative p-1 rounded-sm flex items-center justify-center bg-token-main-surface-primary text-token-text-primary h-8 w-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col flex-grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-4o\" class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+\u0026amp;]:mt-5\" dir=\"auto\" data-message-id=\"03e71e69-f41a-4061-9f62-227efd926888\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert light\"\u003e\n\u003cp data-start=\"0\" data-end=\"296\"\u003e\u003cstrong data-start=\"0\" data-end=\"13\"\u003eArtista :\u003c\/strong\u003e Artista thailandese \u003cmeta charset=\"utf-8\"\u003e(nome sul certificato)\u003cbr data-start=\"33\" data-end=\"36\"\u003e\u003cstrong data-start=\"36\" data-end=\"47\"\u003eTitolo :\u003c\/strong\u003e Fiori in un Vaso Antico\u003cbr data-start=\"75\" data-end=\"78\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"78\" data-end=\"94\"\u003eDimensioni :\u003c\/strong\u003e 60 x 90 cm\u003cbr data-start=\"105\" data-end=\"108\"\u003e\u003cstrong data-start=\"108\" data-end=\"120\"\u003eRarità :\u003c\/strong\u003e Unica\u003cbr data-start=\"127\" data-end=\"130\"\u003e\u003cstrong data-start=\"130\" data-end=\"141\"\u003eAnno :\u003c\/strong\u003e 2021\u003cbr data-start=\"146\" data-end=\"149\"\u003e\u003cstrong data-start=\"149\" data-end=\"164\"\u003eTecnica :\u003c\/strong\u003e Pittura ad olio\u003cbr data-start=\"183\" data-end=\"186\"\u003e\u003cstrong data-start=\"186\" data-end=\"199\"\u003eInscatolato:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eNon incluso\u003cbr data-start=\"203\" data-end=\"206\"\u003e\u003cstrong data-start=\"206\" data-end=\"222\"\u003eCertificato :\u003c\/strong\u003e Fornito dalla galleria\u003cbr data-start=\"245\" data-end=\"248\"\u003e\u003cstrong data-start=\"248\" data-end=\"263\"\u003eFirma :\u003c\/strong\u003e Firmata a mano dall'artista\u003c\/p\u003e\n\u003cp data-start=\"298\" data-end=\"821\"\u003e\u003cstrong data-start=\"298\" data-end=\"315\"\u003eDescrizione:\u003c\/strong\u003e\u003cbr data-start=\"315\" data-end=\"318\"\u003e\u003cem data-start=\"318\" data-end=\"347\"\u003eFiori in un Vaso Antico\u003c\/em\u003e è un'impressionante ed elegante pittura ad olio di 60 x 90 cm realizzata da un talentuoso artista thailandese, creata nel 2021. Quest'opera unica presenta un bouquet magnificamente disposto di fiori in un vaso antico decorato, catturando la bellezza senza tempo della natura morta. L'uso magistrale del colore, della luce e della texture da parte dell'artista dà vita alla scena, mettendo in risalto i petali delicati dei fiori e i dettagli complessi del vaso.\u003c\/p\u003e\n\u003cp data-start=\"1240\" data-end=\"1509\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIdeale per collezionisti e appassionati d'arte che apprezzano le opere che celebrano l'eleganza della natura morta e l'interazione tra bellezza naturale e creazioni umane, questo dipinto è un'aggiunta senza tempo ed evocativa a qualsiasi collezione d'arte.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Default Title","offer_id":46332658254050,"sku":"","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-dans-un-vase-antique-60-x-90-cm-image-2-copie.jpg?v=1780656546"},{"product_id":"nature-morte-cm","title":"Natura morta | Dimensioni: 60x90 cm","description":"\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\n\u003cdiv class=\"relative p-1 rounded-sm flex items-center justify-center bg-token-main-surface-primary text-token-text-primary h-8 w-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col flex-grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"03e71e69-f41a-4061-9f62-227efd926888\" dir=\"auto\" class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+\u0026amp;]:mt-5\" data-message-model-slug=\"gpt-4o\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert light\"\u003e\n\u003cp data-end=\"281\" data-start=\"0\"\u003e\u003cstrong data-end=\"13\" data-start=\"0\"\u003eArtista :\u003c\/strong\u003e Artista thailandese \u003cmeta charset=\"utf-8\"\u003e(nome sul certificato)\u003cbr data-end=\"36\" data-start=\"33\"\u003e\u003cstrong data-end=\"47\" data-start=\"36\"\u003eTitolo :\u003c\/strong\u003e Natura Morta\u003cbr data-is-only-node=\"\" data-end=\"63\" data-start=\"60\"\u003e\u003cstrong data-end=\"79\" data-start=\"63\"\u003eDimensioni :\u003c\/strong\u003e 60 x 90 cm\u003cbr data-end=\"93\" data-start=\"90\"\u003e\u003cstrong data-end=\"105\" data-start=\"93\"\u003eRarità :\u003c\/strong\u003e Unica\u003cbr data-end=\"115\" data-start=\"112\"\u003e\u003cstrong data-end=\"126\" data-start=\"115\"\u003eAnno :\u003c\/strong\u003e 2021\u003cbr data-end=\"134\" data-start=\"131\"\u003e\u003cstrong data-end=\"149\" data-start=\"134\"\u003eTecnica :\u003c\/strong\u003e Pittura ad olio\u003cbr data-end=\"171\" data-start=\"168\"\u003e\u003cstrong data-end=\"184\" data-start=\"171\"\u003eInscatolato:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eNon incluso\u003cbr data-end=\"191\" data-start=\"188\"\u003e\u003cstrong data-end=\"207\" data-start=\"191\"\u003eCertificato :\u003c\/strong\u003e Fornito dalla galleria\u003cbr data-end=\"233\" data-start=\"230\"\u003e\u003cstrong data-end=\"248\" data-start=\"233\"\u003eFirma :\u003c\/strong\u003e Firmata a mano dall'artista\u003c\/p\u003e\n\u003cp data-end=\"823\" data-start=\"283\"\u003e\u003cstrong data-end=\"300\" data-start=\"283\"\u003eDescrizione:\u003c\/strong\u003e\u003cbr data-end=\"303\" data-start=\"300\"\u003e\u003cem data-end=\"317\" data-start=\"303\"\u003eNatura Morta\u003c\/em\u003e è un'affascinante e meticolosamente realizzata pittura a olio di 60 x 90 cm da un talentuoso artista thailandese, creata nel 2021. Quest'opera unica presenta una composizione accuratamente disposta di oggetti quotidiani, animata dall'uso magistrale del colore, della luce e della texture da parte dell'artista. 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Quest'opera unica cattura la bellezza senza tempo di un bouquet lussureggiante di rose, simboleggiando l'amore, la passione e l'armonia delicata della natura. La maestria dell'artista nell'uso dei colori, della luce e delle texture dà vita alla scena, mettendo in risalto i minimi dettagli di ogni petalo e i toni ricchi e vibranti della composizione.\u003c\/p\u003e\n\u003cp data-end=\"1092\" data-start=\"827\"\u003eAccompagnata da due certificati di autenticità, rilasciati dalla galleria e dall'artista, nonché da una firma autografa, \u003cem data-end=\"965\" data-start=\"951\"\u003eBouquet Rose\u003c\/em\u003e è un pezzo unico che testimonia il talento dell'artista nel catturare la bellezza della natura e le emozioni che essa ispira.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1309\" data-start=\"1094\"\u003eIdeale per collezionisti e appassionati d'arte che apprezzano le nature morte raffinate e il gioco sottile tra luce e texture, questo dipinto rappresenta un'aggiunta senza tempo e incantevole a qualsiasi 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.ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-201\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Un grande interno da studio dipinto a ventuno · Musée d'Orsay\u003c\/p\u003e\n\u003ch2\u003eAngolo officina W6\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eIn uno studio di alto tappeto rosso si accumulano un armadio scuro, cornici, tele risvoltate, un ombrello e accessori vari, sul mobiletto aperto una scatola gialla attira la luce come un piccolo palcoscenico Firmato \"O. Monet. 61\", questo dipinto monumentale appartiene alle primissime opere conservate del pittore.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-atelier-w6-claude-monet.webp?v=1785200497\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Angolo officina W6 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eAngolo officina W6\u003c\/strong\u003eClaude Monet· 1861\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1861\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e180×130 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eMNR 136 · Wildenstein 6\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn laboratorio senza pittore diventa il suo ritratto attraverso gli oggetti\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl grande mobile nero occupa il centro a sinistra e si eleva davanti a una parete carica di quadri, alla sua destra cornici, cornici e maniche inclinate compongono un fascio di diagonali La scatola aperta, posta quasi nel mezzo, interrompe il tutto con il suo giallo luminoso.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eIl tappeto rosso a motivi avanza fino al bordo inferiore e dà una soglia allo spettatore Sopra dominano i marroni, i verdi scuri e i neri, ma piccole aree chiare rivelano modanature, tessuti e carte La scala del formato trasforma questo inventario in un arredamento quasi a grandezza naturale.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eIl pittore rimane assente, eppure la sua presenza si legge ovunque: nelle tele accatastate, gli accessori scelti e l'ordine molto calcolato di un apparente disordine.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn ritratto indiretto dello spazio di lavoro\u003c\/h3\u003e\n\u003cp\u003eNon serve nessun personaggio: cornici, quadri, mobili e oggetti definiscono l'identità del laboratorio L'accumulazione diventa il soggetto principale di questa composizione giovanile.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa verticalità amplifica il disordine\u003c\/h3\u003e\n\u003cp\u003eI mobili, le cornici e la parete si estendono verso l'alto, mentre il tappeto apre una profondità stretta, con 180 cm di altezza, l'opera mette lo spettatore di fronte alla scala reale degli oggetti.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eFoci di colore ordinano quelle marroni\u003c\/h3\u003e\n\u003cp\u003eIl giallo della scatola e il rosso del tappeto contrastano con i verdi neri e i legni scuri Questi accenti impediscono agli interni di chiudersi in un tono uniforme.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl visual corrisponde a Coin d'atelier, firmato e datato 1861, inventario MNR 136 del catalogo Musée d'Orsay e Wildenstein 6 L'unico WebP misura 532 × 800 px, massima definizione dell'esatto file pubblico disponibile, senza allargamento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eI mobili centrali non sono mai neri piatti\u003c\/h3\u003e\n\u003cp\u003eRiflessi marroni, verdi e grigi rivelano porte, modanature e superfici Deve rimanere profondo pur conservando i suoi volumi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa scatola gialla costituisce il fuoco luminoso\u003c\/h3\u003e\n\u003cp\u003eIl suo coperchio aperto e l'interno chiaro catturano immediatamente l'occhio La sua intensità deve essere forte ma integrata nei toni caldi vicini.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eIl tappeto costruisce il primo piano\u003c\/h3\u003e\n\u003cp\u003eRossi, marroni, rosa e motivi chiari danno un fondamento all'insieme La sua prospettiva conduce verso l'arredamento senza diventare decorativa a scapito degli oggetti.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDipinto nel 1861, questo olio su tela misura 180 × 130 cm È conservato al Museo d'Orsay con il numero MNR 136 ed elencato come Wildenstein 6.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eFirma\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003e\"O. Monet. 61\" in basso a destra\u003c\/h3\u003e\n\u003cp\u003eL'iscrizione associa inoltre Oscar al nome con cui l'artista sarebbe diventato famoso e data proprio questo grande dipinto realizzato quando aveva ventuno anni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eStato\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn'opera di recupero Musei Nazionali\u003c\/h3\u003e\n\u003cp\u003eRinvenuto in Germania dopo la seconda guerra mondiale, il dipinto fu affidato alla custodia dei musei nazionali nel 1950, lo status MNR consente la restituzione se vengono identificati i legittimi proprietari.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCorso\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eDal Louvre e dal Jeu de Paume al Museo d'Orsay\u003c\/h3\u003e\n\u003cp\u003eAttribuita al Louvre nel 1950, l'opera fu presentata al Jeu de Paume dal 1952 al 1986, poi assegnata al museo d'Orsay quando aprì.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eMantenere l'elevata verticalità dell'officina.\u003c\/li\u003e\n\u003cli\u003eColora mobili e pareti molto scuri.\u003c\/li\u003e\n\u003cli\u003eRiserva il giallo brillante nella scatola aperta.\u003c\/li\u003e\n\u003cli\u003eCostruisci il tappeto rosso senza indurire tutti i suoi motivi.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eAngolo officina W6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1861\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e180×130 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale monumentale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'Orsay, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMNR 136 · Wildenstein 6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/coin-datelier-900\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée d'Orsay - Angolo officina, MNR 136\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesto interno di carattere è adatto per una libreria, un ufficio o una stanza con materiali caldi Una cornice patinata nera, noce o bronzo estende i mobili; una parete beige, verde intenso o grigio caldo rivela rossi e gialli.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Coin d’atelier W6 – Claude Monet\"\u003e\n\u003ci style=\"background:#29251f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4a4233\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d5b3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a74e3e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2a846\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eW6 angolo officina, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46591769084130,"sku":"COIN_D_ATELIER_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-atelier-w6-claude-monet.webp?v=1785200497"},{"product_id":"nature-morte-faisan-claude-monet","title":"Natura morta con fagiano W7 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-200\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Un fagiano e accessori per la caccia in chiaroscuro · Museo di Belle Arti di Rouen\u003c\/p\u003e\n\u003ch2\u003eNatura morta con fagiano W7\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSul bordo scolpito di un tavolo giace un fagiano, il suo piumaggio rosso e maculato acceso contro una grande tenda verde nera, dall'ombra spuntano un cesto di bottiglie, vetro e un corno da polvere, intorno al 1861 Monet compose uno dei suoi dipinti più antichi conservati, ancora vicino a Chardin e Troyon ma già molto libero nel trattamento delle piume.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-faisan-w7-claude-monet.webp?v=1785200067\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Natura morta con fagiano W7 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNatura morta con fagiano W7\u003c\/strong\u003eClaude Monet · intorno al 1861\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1861\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e76×62 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eMNR 637 · D.1954.5.1 · Wildenstein 7\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl piumaggio luminoso del fagiano emerge da un'ambientazione quasi interamente scura\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eL'uccello riposa in diagonale, la testa cade oltre il bordo destro del tavolo, la sua ala chiara si innalza sopra un dorso macchiato di rosso, marrone e bianco La curva del corpo concentra la luce al centro del formato.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eAlle sue spalle si fondono con la tenda verde scuro il cesto di vimini, le bottiglie e il vetro a stelo, a sinistra il corno di polvere e il suo cordone introducono una forma chiara e obliqua, il bordo scolpito del tavolo chiude la composizione con una fascia marrone.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eL'arredamento della caccia rimane pittoresco, ma il rapido tocco del piumaggio rende già il materiale dipinto il vero centro di interesse.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn chiaroscuro ereditato dalla natura morta tradizionale\u003c\/h3\u003e\n\u003cp\u003eIl fondo assorbe quasi tutti gli accessori e proietta il fagiano in avanti Questa organizzazione ricorda Chardin mentre rinforza l'effetto tattile delle piume.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn tocco di fuoco lasciato visibile\u003c\/h3\u003e\n\u003cp\u003eL'avviso di Rouen sottolinea che la tela appare in alcuni punti del raccolto Queste riserve e gesti rapidi suggeriscono volume e setosità senza una finitura liscia.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn motivo inserito nel Trofeo della Caccia\u003c\/h3\u003e\n\u003cp\u003eIl corno di polvere e il suo cordone verde riappaiono nella grande composizione del 1862 Il collegamento mostra come Monet abbia poi sviluppato un repertorio di nature morte di selvaggina.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'immagine corrisponde alla natura morta con fagiano, intorno al 1861, MNR 637, deposito D.1954.5.1 nel catalogo Rouen e Wildenstein 7. L'unico WebP misura 453 × 548 px, definizione massima dell'esatto file pubblico disponibile, senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eIl piumaggio alterna precisione e riserva\u003c\/h3\u003e\n\u003cp\u003ePiccole macchie bianche e rosse descrivono il dorso, mentre l'ala e il collare sono resi da passaggi più ampi, questi cambi di ritmo devono essere mantenuti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa tenda non è nera uniforme\u003c\/h3\u003e\n\u003cp\u003eI verdi bottiglia, i marroni e i grigi suggeriscono pieghe e accessori Un fondo bloccato rimuoverebbe la profondità e il cestello.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eIl bordo del tavolo deve rimanere ricco ma secondario\u003c\/h3\u003e\n\u003cp\u003eLe sue modanature marroni e i caldi riflessi trasportano l'uccello. Descriverli eccessivamente distrarrebbe l'attenzione dal piumaggio.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDipinto intorno al 1861, questo olio su tela misura 76 × 62 cm Elencato Wildenstein 7, reca il numero MNR 637 ed è depositato al Museo di Belle Arti di Rouen sotto inventario D.1954.5.1.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGiovani\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUno dei primi dipinti conservati di Monet\u003c\/h3\u003e\n\u003cp\u003eIl numero W7 precede i grandi paesaggi che ne stabiliranno la reputazione Monet aveva solo circa vent'anni quando si avvicinò a questo soggetto tradizionale con materiale già personale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eRiferimenti\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eDa Chardin a Constant Troyon\u003c\/h3\u003e\n\u003cp\u003eIl museo riunisce la composizione delle grandi nature morte di Chardin e l'arte animale di Troyon, che Monet ammirava sin dal Salon del 1859.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCorso\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn'opera ritrovata in Germania nel dopoguerra\u003c\/h3\u003e\n\u003cp\u003eScoperto in Baviera nel 1949 poi rimpatriato, il dipinto rientra nel sistema MNR, dal 1954 è affidato al museo di Rouen in attesa di un'eventuale restituzione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003ePreservare la curva di luce del fagiano.\u003c\/li\u003e\n\u003cli\u003eVariare i tocchi del piumaggio.\u003c\/li\u003e\n\u003cli\u003eMantenere gli accessori leggibili nell'ombra.\u003c\/li\u003e\n\u003cli\u003eMantenere la tenda verde molto scura ma sfumata.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con fagiano W7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1861\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e76×62 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée d'Orsay, in deposito presso il Museo di Belle Arti di Rouen, Rouen, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMNR 637 · D.1954.5.1 · Wildenstein 7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/musees-rouen-normandie.fr\/en\/oeuvres\/nature-morte-au-faisan-still-life-with-pheasant\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musei di Rouen - Natura morta con fagiano, MNR 637\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta è adatta per una sala da pranzo, biblioteca o interno con carattere Una cornice in noce, nero patinato o bronzo estende il suo chiaroscuro; una parete color ocra pallido, verde intenso o grigio caldo rivela il fagiano.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nature morte au faisan W7 – Claude Monet\"\u003e\n\u003ci style=\"background:#18201a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3b3528\"\u003e\u003c\/i\u003e\u003ci style=\"background:#75513a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a96b45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c5b292\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNatura morta con fagiano W7, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591770656994,"sku":"NATURE_MORTE_AU_FAISAN_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-faisan-w7-claude-monet.webp?v=1785200067"},{"product_id":"vie-morte-bouteille-carafe-pain-vin","title":"Natura morta con bottiglia, caraffa, pane e vino W13 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-200\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Un pasto semplice studiato con il vetro, il pane e la luce · Galleria Nazionale d'Arte\u003c\/p\u003e\n\u003ch2\u003eNatura morta con bottiglia, caraffa, pane e vino W13\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSu una tovaglia bianca sono poste una bottiglia verde, una caraffa d'acqua, un bicchiere, un piatto e una lunga pagnotta, il coltello nero parte dall'angolo inferiore e conduce verso gli oggetti, mentre dal bordo sinistro viene tagliata una bottiglia d'ambra, intorno al 1862-1863, Monet dipinse questo tavolo senza preme con materiale libero e una gamma di grigi d'argento.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-bouteille-w13-claude-monet.webp?v=1785200065\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Natura morta con bottiglia, caraffa, pane e vino W13 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNatura morta con bottiglia, caraffa, pane e vino W13\u003c\/strong\u003eClaude Monet · intorno al 1862 -1863\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1862-1863\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e39,69×59,85 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e2014.18.32 · Wildenstein 13\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl bicchiere trasparente e la tovaglia trasparente ravvivano un pasto volutamente ordinario\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl tavolo forma una stretta diagonale da sinistra verso la parete destra La caraffa panciuta, il vetro a stelo e le bottiglie stabiliscono una successione di verticali di diversa altezza Il pane, posto in basso, allunga la composizione orizzontalmente.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa tovaglia bianca è accartocciata e modellata da grigi freddi, Il piatto riceve pochi pezzi gialli, magari pane o burro, mentre il coltello dirige il manico verso lo spettatore, Il muro combina pannelli marroni e grigi senza fornire una decorazione precisa.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa trasparenza dell'acqua, l'opacità del vino, la crosta del pane e le pieghe della tovaglia diventano quattro problemi di pittura combinati su un tavolo.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna composizione guidata dal coltello e dal bordo del tavolo\u003c\/h3\u003e\n\u003cp\u003eIl manico nero salta all'occhio dal primo piano, poi la lama conduce al piatto e al bicchiere Il tavolo obliquo estende questo movimento verso la bottiglia e il pane.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl vetro è reso dal fondo che lo attraversa\u003c\/h3\u003e\n\u003cp\u003eLa caraffa e il vetro non hanno contorni continui Bastano riflessi bianchi, grigi e neri per indicarne le pareti, mentre attraverso di essi rimangono visibili i toni della parete e della tovaglia.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna fattura gratuita dei primi anni\u003c\/h3\u003e\n\u003cp\u003eLa NGA descrive diversi oggetti come volutamente indistinti Le pennellate visibili danno più importanza ai rapporti di materia e luce che a una finitura illusionista.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'immagine corrisponde a Natura morta con bottiglia, caraffa, pane e vino, circa 1862 -1863, inventario della National Gallery of Art 2014.18.32 e catalogo Wildenstein 13. L'esclusivo WebP misura 3.000 × 1.975 px, derivato dall'immagine aperta da 4.000 px senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eLa tovaglia bianca è una rete di grigi\u003c\/h3\u003e\n\u003cp\u003eArgento, blu, beige e qualche bianco più schietto descrivono le pieghe Il bianco uniforme farebbe perdere direzione alla direzione del tavolo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa bottiglia verde rimane trasparente in alcuni punti\u003c\/h3\u003e\n\u003cp\u003eRiflessi gialli e grigi seguono la sua spalla e il colletto, mentre il vino scuro occupa il fondo La parete dovrebbe ancora apparire intorno ai suoi contorni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eIl pane è composto da un materiale caldo e opaco\u003c\/h3\u003e\n\u003cp\u003eOcra, marroni e piccole luci color crema danno la crosta La sua estremità spezzata deve rimanere distinta senza diventare un dettaglio troppo chiaro.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDipinto intorno al 1862 -1863, questo olio su tela misura 39,69 × 59,85 cm È conservato alla National Gallery of Art sotto l'inventario del 18.14.32 e porta il numero Wildenstein 13.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003ePeriodo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUna natura morta dagli inizi di Monet\u003c\/h3\u003e\n\u003cp\u003eIl numero W13 colloca l'opera proprio all'inizio del catalogo ragionato, prima dei grandi paesaggi all'aperto e delle scene di figure degli anni 1860.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eProvenienza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn'opera data anticamente a Eugène Boudin\u003c\/h3\u003e\n\u003cp\u003eLa provenienza pubblicata dalla NGA riporta il dipinto a Eugène Boudin, mentore normanno di Monet, passa poi per Edmond Maître e Durand-Ruel.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eL'eredità di Paul Mellon completata nel 2014\u003c\/h3\u003e\n\u003cp\u003ePaul Mellon acquisì il dipinto dopo la vendita della collezione Block nel 1981 La sua eredità, con diritto di utilizzo a vita a Rachel Lambert Mellon, è entrata definitivamente a far parte della NGA nel 2014.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eConserva la diagonale del coltello e del tavolo.\u003c\/li\u003e\n\u003cli\u003eRealizza lenti senza contorni rigidi.\u003c\/li\u003e\n\u003cli\u003eVariare i grigi della tovaglia.\u003c\/li\u003e\n\u003cli\u003eMantenere il pane caldo e opaco contro gli oggetti lucidi.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con bottiglia, caraffa, pane e vino W13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1862-1863\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e39,69×59,85 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eGalleria Nazionale d'Arte, Washington, DC, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e2014.18.32 · Wildenstein 13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.nga.gov\/artworks\/164942-still-life-bottle-carafe-bread-and-wine\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Galleria Nazionale d'Arte - Natura morta con bottiglia, caraffa, pane e vino, 2014.18.32\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta sobria è adatta per una cucina, una sala da pranzo o un ufficio Una cornice nera, noce o grigio argento accompagna la caraffa; una parete bianca calda, grigio perla o verde bottiglia rivela gli oggetti.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nature morte avec bouteille, carafe, pain et vin W13 – Claude Monet\"\u003e\n\u003ci style=\"background:#b8b8af\"\u003e\u003c\/i\u003e\u003ci style=\"background:#85877f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#555c47\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b744a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#332f2a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida, leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNatura morta con bottiglia, caraffa, pane e vino W13, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46591770919138,"sku":"STILL_LIFE_WITH_BOTTLE_CARAFE_BREAD_AND_WINE_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-bouteille-w13-claude-monet.webp?v=1785200065"},{"product_id":"trophee-chasse-claude-monet","title":"Trofeo di caccia W10 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-200\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Gioco, fucili e accessori da caccia · Museo Fabre\u003c\/p\u003e\n\u003ch2\u003eTrofeo di caccia W10\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eDue fucili attraversano un mucchio di fagiani, beccacce e accessori per la caccia, sulla parete chiara è appeso un corno da polvere, mentre una borsa scura e uccelli occupano il tavolo in primo piano Firmato e datato 1862, questa ambiziosa natura morta mostra il giovane Monet attento alla tradizione di Chardin e alla pittura animale di Constant Troyon.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/trophee-chasse-w10-claude-monet.webp?v=1785200061\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Trofeo di caccia W10 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eTrofeo di caccia W10\u003c\/strong\u003eClaude Monet· 1862\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1862\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e104×75 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eMNR 213 · D2006.3.1 · Wildenstein 10\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eL'incrocio dei fucili richiede un'abbondanza di piume e oggetti\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI cannoni neri si alzano diagonalmente dal gruppo di gioco e si intersecano vicino al bordo superiore, alle loro curve risponde un corno di polvere marrone, sospeso a destra, queste linee dividono lo sfondo chiaro in triangoli e danno slancio al formato verticale.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eSulla tavola, gli uccelli si sovrappongono in ordine non apparente: piumaggi rossi, marroni, grigi e bianchi formano una massa densa, interrotta da becchi, ali e zampe, il tessuto e la borsa molto scuri approfondiscono il centro e fanno emergere il fagiano rosso in primo piano.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003ePrima di dipingere i riflessi della Senna, Monet prova qui il suo materiale su metallo, cuoio e la varietà quasi tattile dei piumaggi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna grande natura morta progettata per impressionare\u003c\/h3\u003e\n\u003cp\u003eA oltre un metro di altezza, la composizione supera la scala di un semplice studio, i fucili allungano il tavolo verticalmente e danno al gioco una presentazione quasi monumentale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eL'influenza di Troyon e degli antichi maestri\u003c\/h3\u003e\n\u003cp\u003eLa pittura di animali di Constant Troyon segna il giovane Monet, mentre l'accumulo di selvaggina richiama Chardin e la tradizione francese del trofeo di caccia.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna firma giovanile chiaramente datata\u003c\/h3\u003e\n\u003cp\u003eIn basso a destra compare l'iscrizione \"O.C. Monet 62\" Associa nuovamente Oscar a Claude e colloca precisamente questo dipinto tra le prime ambiziose opere del pittore.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl visual corrisponde al Trofeo di Caccia del 1862, MNR 213, deposito D2006.3.1 presso il museo Fabre e catalogo Wildenstein 10 L'unico WebP misura 425 × 600 px, massima definizione dell'esatto file pubblico disponibile, senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eLa struttura dei fucili senza dominare tutti i dettagli\u003c\/h3\u003e\n\u003cp\u003eLe loro botti quasi nere sono bordate da riflessi marroni e grigi Linee troppo uniformi farebbero sparire il loro volume e la patina del metallo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eOgni piumaggio ha la sua temperatura\u003c\/h3\u003e\n\u003cp\u003eIl rosso rame del fagiano, il grigio-marrone degli uccelli laterali e piccoli tocchi bianchi devono rimanere distinti all'interno della massa scura.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eLo sfondo chiaro contiene ombre calde\u003c\/h3\u003e\n\u003cp\u003eBeige, rosa e grigi modellano il muro dietro gli oggetti Questa varietà stacca le silhouette senza creare un contrasto artificialmente duro.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eFirmato e datato 1862, questo olio su tela misura 104 × 75 cm Elencato Wildenstein 10, reca il numero MNR 213 ed è depositato al museo Fabre sotto inventario D2006.3.1.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eStato\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn'opera di recupero Musei Nazionali\u003c\/h3\u003e\n\u003cp\u003eRecuperato in Germania dagli Alleati nel 1945 poi rimpatriato in Francia, il dipinto è conservato in attesa dell'identificazione dei legittimi proprietari, il suo status MNR è distinto da un'acquisizione ordinaria.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDeposito\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eDal museo d'Orsay al museo Fabre nel 2006\u003c\/h3\u003e\n\u003cp\u003eLo Stato affida l'opera al museo Fabre, dove reca il numero di deposito D2006.3.1. la scheda istituzionale indica che attualmente è tenuta in riserva.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIconografia\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eFagiani, beccacce, pistole, borsa e corno da polvere\u003c\/h3\u003e\n\u003cp\u003eIl repertorio di caccia permette a Monet di confrontarsi con materiali brillanti, elastici e ruvidi in una composizione abilmente organizzata.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eRispettare il grande incrocio di fucili.\u003c\/li\u003e\n\u003cli\u003eDissociare i diversi piumaggi.\u003c\/li\u003e\n\u003cli\u003eMantenere la massa centrale profonda ma leggibile.\u003c\/li\u003e\n\u003cli\u003eConserva le ombre colorate dello sfondo chiaro.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eTrofeo di caccia W10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1862\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e104×75 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée d'Orsay, in deposito presso il museo Fabre, Montpellier, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMNR 213 · D2006.3.1 · Wildenstein 10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.museefabre.fr\/recherche\/musee%3AMUS_BIEN%3A5700\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Museo Fabre - Trofeo di caccia, deposito MNR 213\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta verticale è adatta per una biblioteca, una sala da pranzo o interni classici Una cornice in noce, bronzo o nero patinato accompagna i fucili; una parete beige, verde intenso o grigio caldo rivela i piumaggi.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Trophée de chasse W10 – Claude Monet\"\u003e\n\u003ci style=\"background:#d0b497\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f4a37\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9d4c2f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3b3029\"\u003e\u003c\/i\u003e\u003ci style=\"background:#211c18\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eTrofeo di caccia W10, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46591771443426,"sku":"TROPH_E_DE_CHASSE_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/trophee-chasse-w10-claude-monet.webp?v=1785200061"},{"product_id":"nature-morte-quartier-viande-claude-monet","title":"Natura morta: il distretto della carne W14 - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-197\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Uno studio su carne, grasso e luce · Musée d'Orsay\u003c\/p\u003e\n\u003ch2\u003eNatura morta: il distretto della carne W14\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn quarto di carne rossa occupa quasi tutta la tavola, foderata di grasso giallo e bianco che cattura violentemente la luce, sulla destra spiccano due spicchi d'aglio, mentre un contenitore marrone scompare sullo sfondo scuro, intorno al 1864 il giovane Monet si avvicina alla natura morta con materiale denso e potenti contrasti, ben prima dei paesaggi luminosi che lo renderanno famoso.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-quartier-viande-w14-claude-monet.webp?v=1785198219\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Natura morta: il quartiere di carne W14 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNatura morta: il distretto della carne W14\u003c\/strong\u003eClaude Monet · intorno al 1864\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1864\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e24×33 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eRF 1675 · Wildenstein 14\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLa carne rossa emerge dallo sfondo marrone come una massa di colore e materia\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl pezzo di carne è posto molto vicino al bordo anteriore del tavolo Le sue pieghe rosse, marroni e carmine sono circondate da un grasso chiaro dipinto con grandi tocchi di crema e giallo Il taglio irregolare crea un rilievo quasi topografico, rinforzato dall'ombra nera che separa il cibo dal basso.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eA destra due spicchi d'aglio grigio-bianco danno misura al quarto grande ed estendono gli accenti chiari, in alto a sinistra dal buio escono appena un contenitore marrone e una piccola forma pendente, il tavolo ocra forma una fascia stabile dove Monet pone il suo monogramma scuro.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eIl soggetto di tutti i giorni diventa una prova di pittura: rendere il peso della carne, la trasparenza del grasso e la lucentezza dell'aglio con una gamma volutamente stretta.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eChiaroscuri insoliti nell'immagine pubblica di Monet\u003c\/h3\u003e\n\u003cp\u003eLo sfondo nero-marrone assorbe quasi tutti gli oggetti secondari e proietta la carne in avanti La luce si concentra sulle superfici grasse e bagnate, conferendo al piccolo formato un'intensità monumentale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn materiale spesso per descrivere le texture\u003c\/h3\u003e\n\u003cp\u003eI tocchi ampi e visibili non cercano la finitura liscia di una natura morta accademica Differenziano fibre rosse, membrane gialle, legno opaco e pelle secca dall'aglio.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn esercizio giovanile già incentrato sul colore\u003c\/h3\u003e\n\u003cp\u003eAnche in quest'opera scura il rosso non è mai uniforme: carminio, arancio, marrone e rosa si oppongono ai gialli del grasso e ai grigi dei baccelli, da questi rapporti colorati nasce la forma.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl visual corrisponde alla Natura morta: il distretto della carne, inventario RF 1675 del Musée d'Orsay e catalogo Wildenstein 14 L'unico file è un vero e proprio WebP di 1.221 × 926 px, conservato alla sua definizione di sorgente senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eI rossi devono mantenere la loro profondità\u003c\/h3\u003e\n\u003cp\u003eCarminio scuro negli incavi, rosso-arancio sui piani illuminati e marrone nelle transizioni fanno il volume Una saturazione uniforme farebbe perdere la sensazione di carne e peso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eIl grasso non è mai bianco puro\u003c\/h3\u003e\n\u003cp\u003eGiallo dorato, crema, rosa pallido e marrone chiaro si mescolano nei bordi Questi colori caldi traducono il materiale traslucido e collegano la carne alla tavola ocra.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eI dettagli periferici rimangono deliberatamente oscuri\u003c\/h3\u003e\n\u003cp\u003eLa pentola e la forma piccola a sinistra appaiono solo per pochi contorni Alleggerendoli distrarrebbe l'attenzione dalla massa centrale e indebolirebbe il chiaroscuro.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDipinto intorno al 1864, questo olio su tela misura 24 × 33 cm È conservato al museo d'Orsay sotto l'inventario RF 1675 e porta il numero Wildenstein 14.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003ePeriodo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn'opera dagli inizi di Claude Monet\u003c\/h3\u003e\n\u003cp\u003eLa datazione intorno al 1864 pone la tela prima delle grandi composizioni di figure e prima della prima mostra impressionista Monet aveva allora ventitré o ventiquattro anni e lavorava ancora tra Parigi e la Normandia.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eL'eredità Moreau-Nélaton ai musei nazionali\u003c\/h3\u003e\n\u003cp\u003eÉtienne Moreau-Nélaton nel 1906 diede l'opera allo Stato, passò per il Museo del Louvre poi per il Museo Jeu de Paume prima di essere assegnata al Museo d'Orsay nel 1986.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCatalogo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUno dei primi dipinti elencati di Monet\u003c\/h3\u003e\n\u003cp\u003eIl numero 14 di Wildenstein colloca questa natura morta all'inizio del catalogo ragionato Il piccolo monogramma M visibile sul bordo della tavola accompagna questa antica attribuzione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eMantenere la massa rosso scuro al centro.\u003c\/li\u003e\n\u003cli\u003eVariare i tuorli e le creme dal grasso.\u003c\/li\u003e\n\u003cli\u003eTenere il fondo in profondità senza perdere il contenitore.\u003c\/li\u003e\n\u003cli\u003eRendere gli spicchi d'aglio piccoli ma illuminati con luce intensa.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta: il distretto della carne W14\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1864\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e24×33 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'Orsay, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eRF 1675 · Wildenstein 14\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/nature-morte-le-quartier-de-viande-992\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso di referenza - Musée d'Orsay - Natura morta: il distretto della carne, RF 1675\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta intensa natura morta è adatta per una cucina, una sala da pranzo o interni con materiali naturali Una cornice nero-marrone, noce o bronzo ne rinforza il chiaroscuro; una parete color ocra pallido, grigio caldo o verde intenso rivela rossi.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nature morte : le quartier de viande W14 – Claude Monet\"\u003e\n\u003ci style=\"background:#241916\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b2f23\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b3826\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d08b45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8c19a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNatura morta: il quartiere di carne W14, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46591773802722,"sku":"NATURE_MORTE_LE_QUARTIER_DE_VIANDE_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-quartier-viande-w14-claude-monet.webp?v=1785198219"},{"product_id":"fleurs-printemps-claude-monet","title":"Fiori di primavera W20 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h3{margin:54px 0 12px;font-size:28px;line-height:1.05}.ar-monet .ar-card p{margin:0;color:var(--muted);font-size:14px}.ar-monet .ar-card:first-child p{color:#d9e5dd}\n.ar-monet .ar-product{background:#d8d2bd}.ar-monet .ar-product-grid{display:grid;grid-template-columns:.8fr 1.2fr;gap:70px}.ar-monet .ar-focus{margin:28px 0 0;padding:0;list-style:none;border-top:1px solid var(--line)}.ar-monet .ar-focus li{padding:14px 0;border-bottom:1px solid var(--line);font-size:14px}.ar-monet .ar-focus li:before{content:\"✓\";margin-right:10px;color:var(--green);font-weight:800}.ar-monet .ar-panel{padding:36px;background:rgba(255,253,247,.68)}.ar-monet .ar-panel h3{margin:0 0 20px;font-size:30px}.ar-monet .ar-table{width:100%;border-collapse:collapse}.ar-monet .ar-table th,.ar-monet .ar-table td{padding:12px 0;border-top:1px solid var(--line);font-size:14px;text-align:left;vertical-align:top}.ar-monet .ar-table th{width:40%;padding-right:15px;color:#59625b}.ar-monet .ar-source{display:inline-block;margin-top:21px;color:#315744;font-size:12px;font-weight:800;letter-spacing:.05em;text-transform:uppercase}.ar-monet .ar-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:55px}.ar-monet .ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-195\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Peonie, ortensie, lillà e gerani · Cleveland Museum of Art\u003c\/p\u003e\n\u003ch2\u003eFiori primaverili W20\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eLe peonie bianche scivolano sul bordo inferiore, i lillà traboccano dai loro cesti e le grandi ortensie fioriscono a sinistra Più in alto, i gerani rossi emergono da uno sfondo quasi marrone nero In questa imponente natura morta del 1864, Monet riunisce diverse piante in piena maturità e trasforma la loro disposizione discendente in una cascata di luce, foglie e petali.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-printemps-w20-claude-monet.webp?v=1785196797\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Fiori primaverili W20 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eFiori primaverili W20\u003c\/strong\u003eClaude Monet· 1864\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1864\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e116,8×90,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1953.155 · Wildenstein 20\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna cascata floreale scende dall'ombra alla luce\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI gerani rossi occupano la sommità e sembrano retrocedere sullo sfondo scuro, in basso, il fogliame verde collega i vasi di ortensie, il cesto lilla e i piccoli fiori arancioni, questa architettura vegetale si allarga gradualmente avvicinandosi al primo piano.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eGrandi peonie bianche e rosa formano la zona più luminosa Alcune riposano ancora tra le foglie, altre sono poste direttamente sul tavolo con fiori rossi I loro petali sono modellati da grigi, malva e tocchi caldi che evitano qualsiasi bianco uniforme.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa precisione botanica non immobilizza mai il bouquet: il tocco vivace fa scintillare le foglie, i grappoli si gonfiano e le peonie si spostano fuori dall'ombra.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna composizione progettata come una fuoriuscita\u003c\/h3\u003e\n\u003cp\u003eI fiori non sono racchiusi in un unico vaso Pentole, cesto e steli tagliati creano diversi punti di partenza, poi le masse colorate si estendono verso il basso e verso l'esterno.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLo sfondo scuro amplifica ogni differenza di colore\u003c\/h3\u003e\n\u003cp\u003eRossi, blu, rosa e bianchi appaiono con particolare intensità contro il marrone nero Le foglie forniscono la transizione e impediscono ai fiori di apparire isolati l'uno dall'altro.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn lavoro giovanile già attento agli effetti temporanei\u003c\/h3\u003e\n\u003cp\u003eIl Cleveland Museum of Art colloca il dipinto nel primo anno veramente produttivo di Monet Lo stato molto fiorente dei fiori e la luce che scorre sui petali introducono la nozione di fugace trasformazione che diventerà centrale nella sua arte.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'immagine corrisponde a Spring Flowers del 1864, conservata al Cleveland Museum of Art sotto l'inventario del 1953.155 e catalogata Wildenstein 20. l'immagine aperta in alta definizione è stata convertita in un vero e proprio WebP di 2.284 × 3.000 px.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eLe peonie sono modellate dai colori, non dal bianco puro\u003c\/h3\u003e\n\u003cp\u003eTra i petali si susseguono grigio perla, rosa, malva, crema e marrone, questi spazi devono rimanere leggibili per ripristinarne il volume e la maturità.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eOgni specie ha un tocco distinto\u003c\/h3\u003e\n\u003cp\u003eI grappoli stretti di lillà, le palline morbide di ortensia e le grandi corolle di peonie non sono costruiti con lo stesso gesto Questa diversità rende il bouquet credibile e vivo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eIl fondo conserva passaggi caldi\u003c\/h3\u003e\n\u003cp\u003eMarroni, verdi profondi e rossi ovattati avvolgono i gerani Un nero neutro toglierebbe profondità e la graduale transizione tra ombra e fiori.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDipinto nel 1864, questo olio su tela misura 116,8 × 90,5 cm senza cornice, è conservato al Cleveland Museum of Art sotto l'inventario del 1953.155 ed elencato come Wildenstein 20.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eFlora\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003ePeonie, ortensie, lillà e gerani\u003c\/h3\u003e\n\u003cp\u003eL'avviso del museo identifica le grandi peonie in primo piano, le ortensie in vaso, i lillà posti in un cesto e i gerani rossi sul retro, il loro pieno sviluppo crea un'abbondanza volutamente instabile.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eScala\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUna natura morta alta oltre un metro\u003c\/h3\u003e\n\u003cp\u003eA 116,8 cm di altezza, la tela conferisce ai fiori una presenza quasi a grandezza naturale, il formato verticale rinforza il movimento che parte dai gerani e scende verso le peonie tagliate.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn'opera acquisita grazie al Fondo Hanna\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è entrato nel Cleveland Museum of Art nel 1953 come donazione dell'Hanna Fund Il museo lo distribuisce come parte del suo programma Open Access.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eRispettare la cascata discendente delle masse floreali.\u003c\/li\u003e\n\u003cli\u003eDifferenziare il tocco specifico per ogni specie.\u003c\/li\u003e\n\u003cli\u003eConservare i mezzitoni in peonie bianche.\u003c\/li\u003e\n\u003cli\u003eMantenere vivo e leggermente colorato lo sfondo marrone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eFiori primaverili W20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1864\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e116,8×90,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCleveland Museum of Art, Cleveland, Ohio, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1953.155 · Wildenstein 20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.clevelandart.org\/art\/1953.155\" target=\"_blank\" rel=\"noopener\"\u003eVedi nota di riferimento - Cleveland Museum of Art - Spring Flowers, 1953.155\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta è adatta per una sala da pranzo, soggiorno o camera da letto Una cornice patinata in oro, mogano o nero-marrone mette in risalto il suo sfondo profondo; una parete verde salvia, rosa cipria o verde crema mette in risalto i fiori.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Fleurs de printemps W20 – Claude Monet\"\u003e\n\u003ci style=\"background:#332e24\"\u003e\u003c\/i\u003e\u003ci style=\"background:#405139\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a4250\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b59ba4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5cbc5\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eFiori primaverili W20, dipinti per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591776719074,"sku":"FLEURS_DE_PRINTEMPS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-printemps-w20-claude-monet.webp?v=1785196797"},{"product_id":"vie-fleurs-fruits-claude-monet","title":"Fiori e frutti W139 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet 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.ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-164\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Una natura morta di Bougival nel 1869 · J. Paul Getty Museum\u003c\/p\u003e\n\u003ch2\u003eFiori e frutti W139\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn bouquet trabocca da un vaso decorato, circondato da un cesto, mele, pere e grappoli d'uva, sulla tovaglia bianca, ogni frutto riceve una luce diversa Monet compone un'abbondanza molto strutturata e sperimenta diversi modi di applicare la vernice a seconda del materiale rappresentato.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-fruits-w139.webp?v=1785172379\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Fiori e frutti W139 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eFiori e frutti W139\u003c\/strong\u003eClaude Monet· 1869\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1869\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e100,3×81,3 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e83.PA.215 · Wildenstein 139\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl bouquet domina una tavola organizzata dalla frutta\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl vaso occupa l'asse centrale e porta un bouquet asimmetrico che si estende fortemente a sinistra Fiori bianchi, rossi, rosa, gialli e blu si incastrano senza fondersi Una grande zona scura intorno al bouquet ne rafforza la lucentezza.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eSul tavolo, il cesto si inclina leggermente verso lo spettatore e rilascia diversi frutti, Mele, pere e uva sono distribuite su entrambi i lati del vaso Le pieghe della tovaglia conducono l'occhio verso il basso collegando gli oggetti sparsi.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eQuesta natura morta non si basa su una finitura uniforme: Monet cambia tocco per differenziare tovaglia, frutta, ceramica e petali.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn bouquet volutamente asimmetrico\u003c\/h3\u003e\n\u003cp\u003eLa massa floreale si allarga a sinistra mentre alcuni steli si allungano a destra Il vaso centrale stabilizza questo equilibrio irregolare.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn tavolo inclinato verso lo spettatore\u003c\/h3\u003e\n\u003cp\u003eLa tovaglia rivela in gran parte il suo design e avvicina i frutti al bordo, la sua prospettiva dà profondità al grande formato verticale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eChiavi adattate a ciascun materiale\u003c\/h3\u003e\n\u003cp\u003eIl Getty distingue un dipinto ampio e piatto nella tovaglia, più abbozzato nelle mele e corto, stretto, nei petali.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl riferimento univoco corrisponde all'inventario 83.PA.215 del J. Paul Getty Museum, Wildenstein versione 139 Il file Open Content è stato ridotto senza ingrandimento a 2.433 × 3.000 px poi codificato in WebP.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eI bianchi cambiano a seconda del materiale\u003c\/h3\u003e\n\u003cp\u003ePetali e tovaglia non condividono lo stesso bianco: i fiori sono più spessi e colorati, il tessuto più largo e grigio bluastro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eIl vaso rimane parzialmente nascosto\u003c\/h3\u003e\n\u003cp\u003eIl bouquet e i frutti passano davanti alla sua forma I suoi motivi blu devono essere leggibili senza attirare più l'occhio che i fiori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eI frutti portano riflessi simili\u003c\/h3\u003e\n\u003cp\u003eVerdi, rossi e gialli cambiano a contatto con la tovaglia, il vaso e le ombre Nessun frutto è trattato come un colore locale isolato.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eDipinto nel 1869, questo olio su tela di dimensioni 100,3 × 81,3 cm è conservato al J. Paul Getty Museum nell'inventario 83.PA.215 e classificato Wildenstein 139.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eAtelier\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUna natura morta dipinta a Bougival\u003c\/h3\u003e\n\u003cp\u003eMonet produsse la composizione in un laboratorio durante il suo soggiorno nell'estate e nell'autunno del 1869 a Bougival, dove svolse anche le sue ricerche all'aperto sulla Senna.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eEsperienza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa luce cambia colore e contorno\u003c\/h3\u003e\n\u003cp\u003eGli oggetti conservano la loro presenza, ma i loro limiti sono ammorbiditi e i loro colori influenzati dai riflessi Questa ricerca contribuisce a innovazioni che nutriranno l'impressionismo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eFirma\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eFirmato in alto a destra\u003c\/h3\u003e\n\u003cp\u003eLa firma Claude Monet appare nella zona scura sopra il bouquet Il dipinto appartiene al Getty con il riferimento 83.PA.215.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eRispettare l'estensione asimmetrica del bouquet a sinistra.\u003c\/li\u003e\n\u003cli\u003eDifferenziare il tocco dei petali, dei frutti e della tovaglia.\u003c\/li\u003e\n\u003cli\u003eMantenere i motivi blu del vaso senza enfatizzarli eccessivamente.\u003c\/li\u003e\n\u003cli\u003eMantenere la profondità delle ombre dietro i fiori.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eFiori e frutti W139\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1869\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e100,3×81,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eJ. Paul Getty Museum, Los Angeles, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e83.PA.215 · Wildenstein 139\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.getty.edu\/art\/collection\/object\/103RF8\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso di referenza - J. Paul Getty Museum - 83.PA.215\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta grande natura morta verticale è adatta per una sala da pranzo, una cucina a vista o un soggiorno Una cornice verde intenso, noce o oro opaco rinforza lo sfondo scuro e fa brillare i fiori e la tovaglia.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Fleurs et fruits W139 – Claude Monet\"\u003e\n\u003ci style=\"background:#d8d3c4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b94f3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d4a13f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#496d63\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f3832\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eFiori e frutti W139, verniciati per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591812305122,"sku":"STILL_LIFE_WITH_FLOWERS_AND_FRUIT_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-fruits-w139.webp?v=1785172379"},{"product_id":"rouges-claude-monet","title":"Rubinetti W140 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.ar-monet .ar-hero{position:relative;padding:68px 0 46px;background:linear-gradient(125deg,#f7f5eb,#dce8df);overflow:hidden}.ar-monet .ar-hero:before{content:\"MONET\";position:absolute;right:-15px;top:-10px;color:rgba(65,106,86,.06);font:clamp(90px,17vw,220px)\/1 Georgia,serif;letter-spacing:.06em}.ar-monet .ar-hero-grid{position:relative;display:grid;grid-template-columns:.9fr 1.1fr;gap:54px;align-items:center}.ar-monet .ar-hero h2{margin:0;font:400 clamp(43px,4.5vw,62px)\/.95 Georgia,'Times New Roman',serif!important;letter-spacing:-.055em}.ar-monet .ar-hero h2 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-159\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Due pesci su un panno intorno al 1870 · Harvard Art Museums\u003c\/p\u003e\n\u003ch2\u003eTriglia W140\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eDue triglie sono poste su un panno bianco accartocciato, visto da una certa altezza e incorniciato il più fedelmente possibile, da un tessuto dipinto su grandi piani color crema, grigio e bianco spiccano i loro rosa, arance e verdi argentei Monet conferisce a un soggetto molto semplice la tensione di una composizione moderna: i pesci non sono né allineati né decorati, ma sospesi tra l'osservazione diretta e la preparazione imminente.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/rougets-w140-claude-monet.webp?v=1785168284\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Rougets W140 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eTriglia W140\u003c\/strong\u003eClaude Monet · Intorno al 1870\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eIntorno al 1870\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e31,1×46 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1925.16 · Wildenstein 140\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eDue diagonali colorate animano un lino bianco\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl pesce superiore è orientato verso destra, la testa sollevata da una piega di tessuto, quello inferiore punta in senso opposto e avanza verso il bordo sinistro, lo spostamento dei corpi e delle code forma una X flessibile al centro della tela, senza rigida simmetria.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eIl lino bianco è un'architettura a sé stante Le sue pieghe si innalzano dietro il pesce, scavano in ombre grigie poi cadono su uno sfondo verde oliva Il bordo scuro della tela e la firma rosso-marrone in basso a destra chiudono questa cornice molto ravvicinata.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eIl bianco non è uno sfondo vuoto: le sue pieghe trasportano i pesci, dirigono le loro diagonali e fanno circolare la luce attorno alle loro scaglie.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn'inquadratura alta e volutamente serrata\u003c\/h3\u003e\n\u003cp\u003eLo spettatore guarda quasi verticalmente Parte della biancheria esce dall'inquadratura, facendola apparire come una scena catturata su un tavolo piuttosto che una disposizione cerimoniale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eCorpi dipinti in colori giustapposti\u003c\/h3\u003e\n\u003cp\u003eIl rosa salmone, l'arancione, il grigio verde e il bianco descrivono i volumi senza disegno dettagliato di ogni scala, gli occhi e le branchie forniscono solo pochi accenti precisi.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn contrasto tra materiale vivente e tessuto\u003c\/h3\u003e\n\u003cp\u003eI pesci usano tocchi corti, mutevoli e lucenti Il lino è costruito da gesti grigio-bianchi più grandi che ne enfatizzano il peso e le pieghe.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl riferimento univoco corrisponde all'oggetto 231940 dell'Harvard Art Museums Il file 2400 × 1632 px ha mantenuto la sua risoluzione nativa, senza ingrandimento, quindi è stato convertito in WebP.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eDue direzioni di lettura opposte\u003c\/h3\u003e\n\u003cp\u003eLa testa e la coda rispondono in diagonale Questa opposizione mantiene lo sguardo al centro nonostante lo spazio molto ridotto intorno al pesce.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eRossi temperati dal verde oliva\u003c\/h3\u003e\n\u003cp\u003eIl colore caldo della triglia è circondato da bianchi rotti e da uno sfondo grigio verde Questo rapporto rende la carne luminosa senza saturarla.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eFrank pennellate sulla lavanderia\u003c\/h3\u003e\n\u003cp\u003eLe ombre delle pieghe sono posate in lunghe fasce grigie e verdi, devono rimanere visibili per conservare l'energia della piccola tela.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta dipinta intorno al 1870 misura 31,1 × 46 cm È conservata presso l'Harvard Art Museums sotto l'inventario del 1925.16 e classificata Wildenstein 140.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSoggetto\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eDue pesci comuni prima della preparazione\u003c\/h3\u003e\n\u003cp\u003eL'avviso di Harvard sottolinea la quotidianità del motivo e il punto di vista ravvicinato, ancora nulla separa la contemplazione pittorica dal gesto domestico che seguirà.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eContesto\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eEsperienze di natura morta degli anni 1870\u003c\/h3\u003e\n\u003cp\u003eMonet si interessò quindi di oggetti, fiori e cibo Harvard avvicina questa ricerca a Delacroix, alle reinterpretazioni di Manet e alla rinnovata attenzione per Chardin.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eProvenienza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUna donazione al Fogg Museum nel 1925\u003c\/h3\u003e\n\u003cp\u003eDopo Edmond Maître, Durand-Ruel e il dottor Albert C. Barnes, il dipinto tornò a Durand-Ruel Gli Amici del Fogg Art Museum lo offrirono al museo nel 1925.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eRispettare l'orientamento opposto dei due pesci e il divario tra i loro corpi.\u003c\/li\u003e\n\u003cli\u003eConservare rosa, arance e verdi argentei senza trasformare la carne in rosso uniforme.\u003c\/li\u003e\n\u003cli\u003eRealizzare le pieghe della biancheria con grandi gesti grigio-bianchi e non con contorni rigidi.\u003c\/li\u003e\n\u003cli\u003eConservare lo sfondo olivastro, il bordo scuro e la firma come limiti della composizione.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eTriglia W140\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eIntorno al 1870\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e31,1×46 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eHarvard Art Museums\/Fogg Museum, Cambridge, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1925.16 · Wildenstein 140\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/harvardartmuseums.org\/collections\/object\/231940\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Harvard Art Museums - oggetto 231940, inventario 1925.16\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta piccola natura morta, luminosa e grafica, trova il suo posto in una cucina, una sala da pranzo o una composizione murale Una cornice in legno scuro, oliva o oro fino mette in risalto i suoi rossi e bianchi rotti.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Rougets W140 – Claude Monet\"\u003e\n\u003ci style=\"background:#a94f38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d27d59\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bfae98\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e1dfd2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#77784e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eTriglia W140 rossa, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46591818170594,"sku":"LES_ROUGETS_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/rougets-w140-claude-monet.webp?v=1785168284"},{"product_id":"chrysanthemes-claude-monet","title":"Crisantemi W492 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet 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.ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-157\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Un bouquet acquisito dal dottor Gachet nel 1878 · Musée d'Orsay\u003c\/p\u003e\n\u003ch2\u003eCrisantemi W492\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn mazzo di crisantemi bianchi e rosa trabocca da un vaso rosso posto su un tessuto a righe I fiori si stagliano appena dalla carta da parati punteggiata di piccoli rami, perché Monet fa circolare tra il motivo reale e l'arredamento gli stessi toni crema, rosa, verde e marrone La natura morta diventa così una superficie densa dove il vaso stabilizza una profusione di tocchi flessuosi.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chrysanthemes-w492-claude-monet.webp?v=1785166805\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Crisantemi W492 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eCrisantemi W492\u003c\/strong\u003eClaude Monet· 1878\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1878\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e54,3×65,2 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eRF 1951 36 · Wildenstein 492\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl bouquet trabocca in un arredamento che è esso stesso fiorito\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl vaso rosso occupa il centro inferiore e forma una massa stabile, quasi cilindrica, Gli steli fuoriescono in più direzioni; i fiori più chiari si raccolgono a sinistra e in alto, mentre le rose più dense si concentrano a destra, tra le corolle si inseriscono poche foglie scure.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eIl fondo beige è scandito da piccoli motivi vegetali blu-grigi e rossi, al di sotto del vaso un tessuto o tappeto riceve fasce diagonali e accenti colorati che prolungano il movimento del bouquet, il tavolo non è quindi un semplice supporto: i suoi obliqui rispondono ai fusti e impediscono alla composizione di diventare simmetrica.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eFiori, carta da parati e tessuto condividono lo stesso tocco; solo il vaso rosso riunisce questa profusione attorno a un centro solido.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna piramide vegetale volutamente irregolare\u003c\/h3\u003e\n\u003cp\u003eIl bouquet si allarga sopra il vaso ma nessuno dei due lati ripete l'altro I fiori bianchi aprono la forma, le rose la densificano e le foglie scure creano incavi.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn rosso che circola in tutta la tela\u003c\/h3\u003e\n\u003cp\u003eIl vaso offre la zona più satura Il suo colore riappare in tocchi più piccoli in crisantemi, carta da parati e tessuti, che collega il centro al perimetro.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eCorollas descritto senza un disegno chiuso\u003c\/h3\u003e\n\u003cp\u003eOgni fiore nasce da brevi gesti color crema, rosa o marrone chiaro I contorni rimangono aperti; bastano la densità e la direzione dei tasti per differenziare i volumi.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl singolo riferimento corrisponde all'inventario RF 1951 36 del museo d'Orsay Il file di pubblico dominio misura 2.536 × 2.081 px; è mantenuto alla sua definizione nativa, senza ingrandimento, poi codificato in WebP.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn vaso rosso come baricentro\u003c\/h3\u003e\n\u003cp\u003eLa sua forma semplice bilancia gli steli che si aprono in tutte le direzioni Il chiaro riflesso sulla sua superficie dovrebbe rimanere più discreto dei fiori.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eBianchi colorati piuttosto che puri\u003c\/h3\u003e\n\u003cp\u003eI crisantemi chiari mescolano ombre color crema, rosa pallido, grigie e piccole brune Questa varietà dona il loro volume senza isolarli improvvisamente dallo sfondo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eTre texture legate dal gesto\u003c\/h3\u003e\n\u003cp\u003eCorolle, carta da parati e tessuti sono trattati con tocchi visibili, ma la loro scala cambia I fiori rimangono rotondi, i motivi delle pareti piccoli e le strisce di supporto più larghe.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl museo d'Orsay conserva quest'olio su tela di dimensioni 54,3 × 65,2 cm sotto l'inventario RF 1951 36; è identificato come Wildenstein 492.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eRegistrazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn dipinto firmato e datato 1878\u003c\/h3\u003e\n\u003cp\u003eIn basso a sinistra compare la firma \"Claude Monet\" e in basso a destra la data 1878, queste due iscrizioni incorniciano la base del bouquet senza rompere l'arredamento.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eAcquisizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eIl dottor Gachet acquista l'opera da Monet\u003c\/h3\u003e\n\u003cp\u003ePaul Gachet acquisì la natura morta direttamente dall'artista nel dicembre 1878, rimase poi con il figlio, anch'egli di nome Paul, fino al 1951.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDon\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn ingresso nelle collezioni nazionali nel 1951\u003c\/h3\u003e\n\u003cp\u003ePaul Gachet fils offre il dipinto allo Stato per i Musei Nazionali Dopo il Louvre e il Jeu de Paume, l'opera è stata assegnata al Museo d'Orsay nel 1986.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eMantenere il vaso rosso come massa centrale senza standardizzare la sua superficie.\u003c\/li\u003e\n\u003cli\u003eDifferenziare tra crisantemi bianchi, rosa e sbiaditi da piccole variazioni di temperatura.\u003c\/li\u003e\n\u003cli\u003eMantenere i motivi della carta da parati abbastanza discreti da sostenere il bouquet.\u003c\/li\u003e\n\u003cli\u003eConservare in primo piano gli obliqui colorati del tessuto.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCrisantemi W492\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1878\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e54,3×65,2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'Orsay, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eRF 1951 36 · Wildenstein 492\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/chrysanthemes-1299\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée d'Orsay - inventario RF 1951 36\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eI suoi rossi terrosi, le rose in polvere e il fondo crema riscaldano una sala da pranzo, un soggiorno o una camera da letto Una cornice in legno scuro, oro patinato o rosso-marrone riprende il vaso e lascia respirare i fiori.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Chrysanthèmes W492 – Claude Monet\"\u003e\n\u003ci style=\"background:#a34335\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2b2a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e0d4b9\"\u003e\u003c\/i\u003e\u003ci style=\"background:#75806d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b4437\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eCrisantemi W492, verniciati per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591820005602,"sku":"CHRYSANTH_MES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chrysanthemes-w492-claude-monet.webp?v=1785166805"},{"product_id":"vivre-phasans-fleurs-claude-monet","title":"Natura morta con fagiani e pivieri W550 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-149\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Una natura morta del 1879 · Minneapolis Institute of Art\u003c\/p\u003e\n\u003ch2\u003eNatura morta con fagiani e pivieri W550\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSu una tovaglia bianca sono disposti due fagiani e diversi pivieri, davanti a un fondo grigio blu quasi spoglio, piumaggi marroni, neri, rossi e argentati concentrano tutta la ricchezza cromatica Monet trasforma questo gioco in uno studio della materia, del peso e della luce trattenuta.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vivre-phasans-fleurs-claude-monet.webp?v=1785159706\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Natura morta con fagiani e pivieri W550 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNatura morta con fagiani e pivieri W550\u003c\/strong\u003eClaude Monet· 1879\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1879\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e67,95×90,17 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e84.140 · Wildenstein 550\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eI piumaggi danno forma ad una composizione senza decorazione\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI due fagiani occupano il centro e il primo piano, i loro corpi massicci si incrociano leggermente, le loro lunghe code corrono verso i bordi e le loro teste scure poggiano sulla tovaglia, intorno a loro i pivieri grigi e bianchi creano volumi più corti e chiari.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa tovaglia scende verso lo spettatore in grandi pieghe azzurre e avorio, lo sfondo grigio, ricoperto da discrete variazioni, rimuove ogni aneddoto, questa sobrietà costringe l'occhio a seguire le differenze di tessitura: piume fini, ali lucide, becchi, gambe e tessuto accartocciato.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eQui, la luce non descrive un paesaggio: rivela il peso degli uccelli, la direzione delle piume e le pieghe della tovaglia.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna diagonale formata dalle code\u003c\/h3\u003e\n\u003cp\u003eLe lunghe piume conducono lo sguardo dal centro a destra e bilanciano i piccoli uccelli raggruppati a sinistra.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eMarroni costruiti per sovrapposizione\u003c\/h3\u003e\n\u003cp\u003eOcra, rossi, neri, verdi e riflessi dorati si mescolano nei fagiani Il colore impedisce ai loro volumi di diventare due masse scure.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl bianco come colore attivo\u003c\/h3\u003e\n\u003cp\u003eLa tovaglia e i pivieri utilizzano bianchi diversi, sfumati di blu, grigio o rosa Queste tonalità organizzano i piani e i contatti.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'immagine in alta definizione corrisponde alla tela 84.140, W550, del Minneapolis Institute of Art Permette di osservare la direzione dei piumaggi, il disegno delle ali e le finissime transizioni tra la tovaglia e gli uccelli leggeri.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUna massa centrale molto bassa\u003c\/h3\u003e\n\u003cp\u003eGli uccelli sono raggruppati vicino al piano della tavola, lasciando un ruolo di respirazione e contrasto sul fondo vuoto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUna tavolozza volutamente stretta\u003c\/h3\u003e\n\u003cp\u003eDominano il grigio blu, l'avorio, il marrone e il rosso Alcuni riflessi verdi o dorati compaiono solo nelle piume.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eChiavi che seguono i materiali\u003c\/h3\u003e\n\u003cp\u003eIl gesto si allunga sulle code, si stringe sulle ali e diventa più largo nelle pieghe del tessuto e del fondo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl Minneapolis Institute of Art conserva questa natura morta sotto l'inventario 84.140; corrisponde al numero 550 del catalogo ragionato Wildenstein.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eTitolo associato\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eFagiani e valvole\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è descritto anche con questo titolo francese; l'identificazione del museo distingue i fagiani dai pivieri posti attorno ad essi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eFormato\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUna natura morta su larga scala\u003c\/h3\u003e\n\u003cp\u003eCon quasi 90 cm di larghezza, la composizione conferisce agli uccelli una presenza quasi a grandezza naturale e rende il bianco della tovaglia un vero e proprio spazio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eDonazione di Anne Pierce Rogers\u003c\/h3\u003e\n\u003cp\u003eL'opera entra nel Minneapolis Institute of Art in memoria di John DeCoster Rogers e reca l'inventario 84.140.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eRispettare l'anatomia specifica, l'orientamento e il peso di ogni uccello.\u003c\/li\u003e\n\u003cli\u003eDifferenziare i bianchi della tovaglia e quelli dei pivieri dalla loro temperatura.\u003c\/li\u003e\n\u003cli\u003eSeguire la direzione delle piume piuttosto che applicare una consistenza uniforme.\u003c\/li\u003e\n\u003cli\u003eMantenere vivo lo sfondo grigio-blu ma abbastanza sobrio da sostenere il gruppo centrale.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con fagiani e pivieri W550\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1879\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e67,95×90,17 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMinneapolis Institute of Art, Minneapolis, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e84.140 · Wildenstein 550\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/artsandculture.google.com\/asset\/still-life-with-pheasants-and-plovers\/LwFTfTOefsJrxA?hl=en\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Minneapolis Institute of Art\/Google Arts \u0026amp; Culture\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta offre una presenza più seria rispetto ai paesaggi di Monet I suoi grigi blu, bianchi e marroni rossi sono adatti per una sala da pranzo, una biblioteca o un interno con materiali naturali; una cornice in noce, nero tenue o bronzo gli conferisce una bella profondità.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nature morte aux faisans et aux pluviers W550 – Claude Monet\"\u003e\n\u003ci style=\"background:#72797d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d3d0c5\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b4d35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a673e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f3437\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNatura morta con fagiani e pivieri W550, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591829278946,"sku":"STILL_LIFE_WITH_PHEASANTS_AND_PLOVERS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vivre-phasans-fleurs-claude-monet.webp?v=1785159706"},{"product_id":"service-claude-monet","title":"Il servizio da tè W244 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-146\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Natura morta del 1872 · Dallas Museum of Art\u003c\/p\u003e\n\u003ch2\u003eIl servizio da tè W244\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eDue tazze, una piccola teiera e una pentola di salvia sono poste su una tovaglia bianca attorno a un piano laccato rosso Monet trasforma questa scena domestica in uno studio dei materiali: porcellana blu, foglie vellutate, metallo lucido, lino plissettato e riflessi colorati.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/service-the-w244-claude-monet.webp?v=1785156917\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Il Set da Tè W244 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl servizio da tè W244\u003c\/strong\u003eClaude Monet· 1872\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1872\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e53,3×72,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e2019.67.12.McD · Wildenstein 244\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn pasto assente, raccontato dai suoi oggetti\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl vassoio rosso occupa la parte giusta e porta due tazze piene, i loro piattini e una tozza teiera, i motivi blu della porcellana sono suggeriti da tocchi rapidi, abbastanza precisi da scandire ogni pezzo senza trasformare il dipinto in un inventario decorativo.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eA sinistra una salvia trabocca da una fioriera bianca e blu Le sue grandi foglie fredde rispondono ai piatti, mentre il fondo marrone e grigio stabilizza l'intera composizione Un cucchiaio isolato sulla tovaglia conduce l'occhio verso il vassoio e introduce una discreta lucentezza metallica.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa natura morta si basa su una conversazione di superfici: il rosso liscio del vassoio, il bianco plissettato della tovaglia e la porcellana lucida rispondono l'uno all'altro senza mai irrigidirsi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl vassoio come centro cromatico\u003c\/h3\u003e\n\u003cp\u003eIl suo rosso vermiglio crea un grande trapezio che riunisce i piatti e ravviva una tavolozza dominata da bianchi, grigi e marroni, i riflessi scuri posti sulla sua superficie gli conferiscono una profondità laccata.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eBianchi sempre colorati\u003c\/h3\u003e\n\u003cp\u003eTovaglia, tazze, piattini e teiera non condividono lo stesso bianco Monet li sfuma di blu, lilla, crema e grigio in modo da separare i materiali e trattenere la luce.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa pianta come massa vivente\u003c\/h3\u003e\n\u003cp\u003eLe foglie di salvia formano un volume irregolare che bilancia la geometria del vassoio, i loro bordi morbidi e i verdi tenui impediscono al tutto di apparire troppo ordinato.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eSulla tela è stato ritagliato il riferimento della fotografia del Dallas Museum of Art, la sua definizione permette di seguire i motivi in porcellana, i riflessi del vassoio rosso e la trama delle pieghe della tovaglia.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn'asimmetria attentamente bilanciata\u003c\/h3\u003e\n\u003cp\u003eLa pianta occupa la sinistra, il vassoio si estende verso destra e la piccola teiera forma la cerniera tra i due set.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn materiale diverso per ogni oggetto\u003c\/h3\u003e\n\u003cp\u003eTocchi morbidi nelle lenzuola, riflessi più netti sulla porcellana, slittamenti orizzontali sullo sfondo e pennellate oblique nella lavanderia.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eRosso come accento principale\u003c\/h3\u003e\n\u003cp\u003eL'altopiano è l'unica grande zona calda e satura; salta all'occhio senza cancellare le delicate contusioni del servizio.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'avviso e il catalogo ragionato del Dallas Museum of Art identificano questa natura morta del 1872, ora conservata con il numero 2019.67.12.McD.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSoggetto\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn servizio di porcellana bianca e blu\u003c\/h3\u003e\n\u003cp\u003eMonet combina due tazze, una teiera, una pentola decorata e un cucchiaio con un vassoio rosso, favorendo i rapporti di colore e consistenza.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003ePeriodo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eL'anno di installazione ad Argenteuil\u003c\/h3\u003e\n\u003cp\u003eDipinta nel 1872, l'opera appartiene al momento in cui Monet riprese a lungo il suo lavoro in Francia e rinnovò sia il paesaggio che la natura morta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eMuseo d'arte di Dallas\u003c\/h3\u003e\n\u003cp\u003eL'olio su tela misura 53,3 × 72,7 cm e reca le referenze 2019.67.12.McD e Wildenstein 244.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eDifferenziare i bianchi della tovaglia, della teiera, delle tazze e dei piattini variando le temperature.\u003c\/li\u003e\n\u003cli\u003eMantenere la forma esatta del vassoio rosso e i suoi riflessi scuri senza appiattire la sua superficie.\u003c\/li\u003e\n\u003cli\u003eSuggerisci disegni in porcellana blu con vivida precisione, senza contorni meccanici.\u003c\/li\u003e\n\u003cli\u003eRestituisci il volume delle foglie di salvia con riflessi verdi, blu e crema.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl servizio da tè W244\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1872\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e53,3×72,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eDallas Museum of Art, Dallas, Texas, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e2019.67.12.McD · Wildenstein 244\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/dma.org\/art\/collection\/object\/5336031\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Dallas Museum of Art\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta combina un rosso intenso con bianchi bluastri e verdi salvia Porta una presenza raffinata in una sala da pranzo, una cucina elegante o un soggiorno; una discreta cornice in noce, nero opaco o oro si sposa particolarmente bene con la sua tavolozza.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Service à thé W244 – Claude Monet\"\u003e\n\u003ci style=\"background:#a73425\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e0ded5\"\u003e\u003c\/i\u003e\u003ci style=\"background:#566985\"\u003e\u003c\/i\u003e\u003ci style=\"background:#526554\"\u003e\u003c\/i\u003e\u003ci style=\"background:#574638\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl set da tè W244, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591833800930,"sku":"LE_SERVICE_TH__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/service-the-w244-claude-monet.webp?v=1785156917"},{"product_id":"nature-morte-melon-claude-monet","title":"Natura morta con melone W245 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 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.ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-144\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Natura morta · Museu Calouste Gulbenkian\u003c\/p\u003e\n\u003ch2\u003eNatura morta con melone W245\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn melone aperto, pesche, uva e un grande piatto di porcellana blu e bianca compongono una generosa natura morta Monet contrappone le forme rotonde dei frutti alla geometria della tavola e all'arredamento vivace delle ceramiche.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-melon-w245-claude-monet.webp?v=1785155006\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Natura morta con melone W245 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNatura morta con melone W245\u003c\/strong\u003eClaude Monet· 1872\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1872\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e53×72 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eInv. 450 · Wildenstein 245\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eFrutta, porcellana e tovaglia in un bilancio molto calcolato\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eA destra il melone striato e tagliato mostra la sua polpa arancione tra costolette verdi e crema, dal piatto trabocca un grappolo d'uva che avanza verso il bordo del tavolo, a sinistra le pesche sono impilate in una ciotola di composta davanti ad un grande piatto apparecchiato, la cui decorazione blu salta subito all'occhio.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa tovaglia bianca non funge da sfondo neutro: le sue pieghe creano diagonali e zone d'ombra che collegano gli oggetti La parete grigia, più stabile, fa risaltare i frutti e le porcellane Le calde arance del melone e delle pesche rispondono al blu intenso dell'arredamento, mentre le uve introducono una transizione più opaca.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa ricchezza del dipinto nasce da tre materiali molto diversi - frutta, porcellana e tessuto - che Monet unisce attraverso la luce e un gioco di colori complementari.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eMelone come volume aperto\u003c\/h3\u003e\n\u003cp\u003eLe costole alternano verde, giallo e bianco spezzate attorno alla carne arancione Il volume dipende da questi passaggi progressivi e dall'ombra proiettata sul piatto, non da un contorno scuro.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa porcellana come contrappunto\u003c\/h3\u003e\n\u003cp\u003eL'arredamento blu e bianco crea una superficie quasi grafica dietro le pesche Dovrebbe rimanere preciso ma leggermente integrato con il tocco generale, in modo da non apparire stampato sopra la vernice.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna tovaglia che collega gli oggetti\u003c\/h3\u003e\n\u003cp\u003eLe pieghe conducono lo sguardo dell'albero della composta verso il melone poi verso l'uva, i bianchi contengono beige, grigio, rosa e blu, che conferisce al tessuto il suo peso e la sua profondità.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl riferimento permette di distinguere i dettagli della decorazione in porcellana, le variazioni della pelle di melone e le ombre colorate della tovaglia, tre elementi determinanti per una copia fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eMasse rotonde equilibrate\u003c\/h3\u003e\n\u003cp\u003ePiatto, pesche, melone e uva rispondono tra loro nella forma, mentre il bordo della tavola stabilizza l'insieme.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eBlu contro arancione\u003c\/h3\u003e\n\u003cp\u003eLa porcellana fredda intensifica i toni caldi dei frutti e dona energia alla composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eTexture opposte\u003c\/h3\u003e\n\u003cp\u003eLa buccia ruvida del melone, la morbidezza delle pesche, la lucentezza dell'uva e la tovaglia opaca richiedono tocchi diversi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta del 1872 appartiene al Museo Calouste Gulbenkian ed è un importante esempio della ricerca di Monet al di fuori del paesaggio.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGenere\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUna rara natura morta ambiziosa\u003c\/h3\u003e\n\u003cp\u003eMonet distribuisce qui una composizione elaborata in cui gli oggetti domestici diventano un campo per studiare colore, luce e texture.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eMuseo Calouste Gulbenkian\u003c\/h3\u003e\n\u003cp\u003eL'opera è conservata a Lisbona con il numero di inventario 450.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eRiferimento\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eWildenstein 245\u003c\/h3\u003e\n\u003cp\u003eDipinto nel 1872, questo olio su tela misura 53 × 72 cm e unisce melone, pesche, uva e porcellana blu e bianca.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eRender le costole del melone mediante transizioni di colore anziché separazioni rigide.\u003c\/li\u003e\n\u003cli\u003eConservare il dettaglio blu della porcellana senza conferirle una nitidezza estranea al resto del dipinto.\u003c\/li\u003e\n\u003cli\u003eDifferenziare carne, buccia, pesche e uva utilizzando materiali adatti per pennelli.\u003c\/li\u003e\n\u003cli\u003eCostruisci le pieghe della tovaglia con bianchi colorati e ombre trasparenti.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con melone W245\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1872\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e53×72 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseu Calouste Gulbenkian, Lisbona, Portogallo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eInv. 450 · Wildenstein 245\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/artsandculture.google.com\/asset\/still-life-with-melon-claude-monet\/eAGt_EjVkeHHjQ\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Google Arts \u0026amp; Culture · Museu Calouste Gulbenkian\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eArance di frutta, blu porcellana e bianchi caldi creano un punto focale ideale per una sala da pranzo, una cucina elegante o un soggiorno Una cornice in noce, blu intenso o oro patinato rafforza il suo carattere di dipinto da collezione.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nature morte au melon W245 – Claude Monet\"\u003e\n\u003ci style=\"background:#d78245\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d3a36b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#315883\"\u003e\u003c\/i\u003e\u003ci style=\"background:#ded7c7\"\u003e\u003c\/i\u003e\u003ci style=\"background:#85816b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNatura morta con melone W245, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591835144418,"sku":"NATURE_MORTE_AU_MELON_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-melon-w245-claude-monet.webp?v=1785155006"},{"product_id":"nature-morte-melon-espagne-claude-monet","title":"Natura morta con melone spagnolo W544 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet 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.ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-142\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Vétheuil · autunno 1879 · W544\u003c\/p\u003e\n\u003ch2\u003eNatura morta con melone spagnolo W544\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn cesto trabocca di mele e grappoli d'uva davanti a uno sfondo verde molto scuro, a destra un melone intero e una grossa fetta aperta introducono forme pesanti e lisce; sulla tovaglia chiara altri frutti e grappoli sparsi conducono l'occhio al bordo del tavolo Dipinto a Vétheuil durante l'autunno del 1879, questo olio su tela di 90 × 68 cm è custodito al Museo Barberini con il numero MB-Mon-07 Corrisponde a Wildenstein 544 e reca in basso a destra la firma di Monet.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-melon-espagne-w544-claude-monet.webp?v=1785152984\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Natura morta con melone spagnolo W544 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNatura morta con melone spagnolo W544\u003c\/strong\u003eClaude Monet· 1879\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1879\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e90×68 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eMB-lun-07 · Wildenstein 544\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLa luce proviene da sinistra e trasforma ogni superficie: buccia del frutto, vimini del cesto, polpa del melone, tovaglia damascata e legno della tavola\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl cesto occupa la metà sinistra, ma il suo contenuto trabocca da tutti i lati, le mele rosse e verdi formano accenti rotondi nel mezzo degli ammassi più irregolari, a destra, l'intero melone retrocede nell'ombra mentre la fetta di luce avanza sulla tovaglia; questa opposizione bilancia l'abbondanza del cesto.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eIl tessuto non è uno sfondo neutro Le sue pieghe scendono diagonalmente, la sua trama damascata appare con rapidi tocchi di grigio e rosa, poi si ferma sul legno marrone a righe del tavolo Monet varia così le texture senza racchiudere ogni oggetto in un contorno rigido: la luce collega i materiali più di quanto li separi.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eIl Museo Barberini lega questa natura morta alla tradizione fiamminga del XVII secolo, dove l'abbondanza di frutti evoca prosperità e piaceri della vita La fetta di melone, pronta per essere assaggiata, fa appello direttamente ai sensi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl cesto e il melone formano due pali di peso diverso\u003c\/h3\u003e\n\u003cp\u003eA sinistra, il cesto riunisce molti piccoli volumi; a destra, il melone impone un'unica massa La grande fetta chiara serve come transizione tra queste due zone.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa tovaglia conduce l'occhio in profondità\u003c\/h3\u003e\n\u003cp\u003eIl suo bordo scende dal cesto verso il primo piano, poi sale sotto il melone, questa diagonale anima il formato verticale e fa circolare la luce per tutta la parte inferiore.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLo sfondo scuro intensifica i colori senza indurirli\u003c\/h3\u003e\n\u003cp\u003eVerdi profonde, grigi e marroni assorbono i contorni superiori I rossi delle mele, gli azzurri delle uve e il giallo-verde del melone guadagnano così presenza rimanendo integrati nell'atmosfera.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa singola immagine rappresenta esattamente l'inventario MB-Mon-07 e Wildenstein 544 Il file ufficiale di Museum Barberini era limitato a 2.257 × 3.000 px, senza ingrandimento artificiale, poi codificato come un vero e proprio WebP.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eRispettare il contrasto tra abbondanza e vuoto\u003c\/h3\u003e\n\u003cp\u003eIl cesto molto denso lascia una zona scura sopra il melone Riempire questo vuoto o spostare il frutto distruggerebbe il particolare equilibrio di W544.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eConservare la polpa limpida ma colorata\u003c\/h3\u003e\n\u003cp\u003eLa fetta di melone combina ombre color crema, rosa, verde e piccole ombre blu Il bianco puro lo farebbe apparire ritagliato e toglierebbe la sensazione di carne umida.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eDifferenziare i materiali dalla chiave\u003c\/h3\u003e\n\u003cp\u003eIl vimini richiede tratti brevi e incrociati, tocchi rotondi d'uva, gesti rapidi della tovaglia e passaggi più ampi di melone La loro varietà conferisce la sua ricchezza tattile alla composizione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl Museo Barberini e il catalogo ragionato documentano questa Natura morta con Melone spagnolo, olio su tela del 1879, 90 × 68 cm, inventario MB-Mon-07 e riferimento Wildenstein 544.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSerie\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUna delle tre grandi nature morte di frutta\u003c\/h3\u003e\n\u003cp\u003eDurante le piogge e poi il gelo dell'autunno 1879, Monet lavorò nel suo studio di Vétheuil Dipinse tre composizioni dello stesso arrangiamento; le altre due sono oggi al Metropolitan Museum of Art e all'Art Institute di Chicago.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eVariazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eL'unica versione con un melone tagliato\u003c\/h3\u003e\n\u003cp\u003eW544 è l'unico dei tre a includere tutto il melone e la sua fetta Questo dettaglio apre la composizione verso il gusto e l'olfatto, al di là del solo effetto visivo di colori e texture.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCorso\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUna provenienza segnata da espropriazione e restituzione\u003c\/h3\u003e\n\u003cp\u003eConfiscato da Paul Rosenberg nel 1941, il dipinto fu restituito al mercante nel 1948 La sua storia documentata passò poi attraverso la Kimbell Art Foundation prima del suo ingresso nella collezione Hasso Plattner.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione Wildenstein 544 e l'inventario MB-Mon-07\u003c\/li\u003e\n\u003cli\u003eIl cesto di mele e uva a sinistra\u003c\/li\u003e\n\u003cli\u003eTutto il melone e la sua fetta posta a destra\u003c\/li\u003e\n\u003cli\u003eLa leggera tovaglia damascata che scende sul tavolo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con melone spagnolo W544\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1879\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e90×68 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Barberini, Potsdam, Germania\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eMB-lun-07 · Wildenstein 544\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/sammlung.museum-barberini.de\/en\/MB-Mon-07_claude-monet-still-life-with-a-honeydew-melon\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale dell'opera - Museum Barberini · MB-Mon-07\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta verticale è adatta per una sala da pranzo, una cucina raffinata o un soggiorno Una parete verde intenso, grigio caldo o crema e una cornice marrone scuro fanno risaltare il frutto senza competere con la ricchezza del tavolo.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nature morte au melon d’Espagne W544 – Claude Monet\"\u003e\n\u003ci style=\"background:#34453f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6e7762\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9e493c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a4a452\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1caba\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNatura morta con melone spagnolo W544, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591840420066,"sku":"NATURE_MORTE_AU_MELON_D_ESPAGNE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-melon-espagne-w544-claude-monet.webp?v=1785152984"},{"product_id":"pommes-raisins-claude-monet","title":"Mele e uva W546 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-140\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Vétheuil · 1880 · W546\u003c\/p\u003e\n\u003ch2\u003eMele e uva W546\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSu una tovaglia bianca accartocciata, un cesto poco profondo riunisce mele verdi e rosse, uva nera e grappoli biondi Altri frutti rotolano verso i bordi del tavolo, come se l'ordine della natura morta fosse stato appena disfatto Monet firma e data la tela in alto a sinistra, ma tratta principalmente il tessuto, i frutti e lo sfondo come un paesaggio di luce Questo olio su tela di 66,5 × 82,5 cm è conservato all'Art Institute of Chicago con il numero 1933.1152 Corrisponde a Wildenstein 546.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pommes-raisins-w546-claude-monet.webp?v=1785150539\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Mele e uva W546 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eMele e uva W546\u003c\/strong\u003eClaude Monet· 1880\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1880\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e66,5×82,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1933.1152 · Wildenstein 546\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn tavolo inclinato diventa un terreno di luce dove i frutti sembrano scivolare fuori dal cesto e disperdersi nello spazio\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl tavolo è visto da una certa altezza Il suo bordo attraversa il primo piano in diagonale e la tovaglia si dispiega come una grande superficie chiara, ricoperta di blu, rosa e grigi Il cesto occupa la metà superiore; la sua ellisse compressa conferma il tuffo, mentre le mele isolate in basso e a destra avvicinano il motivo allo spettatore.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eI frutti non sono ripieni di un solo colore locale Gialli di limone, verdi freddi, rosso-arancio, viola e riflessi bianchi si sovrappongono in piccoli tocchi spessi Lo sfondo marrone rimane più sottile e aperto Questa differenza di materiale fa avanzare i grappoli e le mele senza ricorrere a un contorno accademico continuo.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eL'Art Institute of Chicago fa notare che le piccole e colorate linee orizzontali della tovaglia ricordano il modo in cui Monet dipingeva le rughe dell'acqua nei suoi paesaggi, anche all'interno, fa quindi circolare la luce con il vocabolario dell'impressionismo all'aperto.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLe immersioni minano l'equilibrio della natura morta\u003c\/h3\u003e\n\u003cp\u003eL'inclinazione netta del tavolo conferisce ai frutti sparsi l'aspetto di oggetti pronti a rotolare verso il bordo La composizione rimane abilmente costruita, ma evita la stabilità frontale di una natura morta tradizionale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa tovaglia bianca contiene un'intera gamma di colori\u003c\/h3\u003e\n\u003cp\u003eBlues, malva, rosa e giallo descrivono le pieghe tanto quanto la luce Tocchi orizzontali e discontinui unificano questa grande superficie senza trasformarla in una superficie piana neutra.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLo spessore della vernice varia in base all'area\u003c\/h3\u003e\n\u003cp\u003eMele e uva sono modellate da impasto sovrapposto; il fondo riceve lavaggi marroni molto più sottili Questo contrasto di materiale rafforza la presenza tattile dei frutti.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa singola immagine rappresenta esattamente l'inventario 1933.1152 Il file ufficiale dell'Art Institute of Chicago è limitato a 3.000 × 2.398 px per il negozio, senza ingrandimento artificiale, quindi codificato come un vero WebP.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eConservare il tavolo visto dall'alto\u003c\/h3\u003e\n\u003cp\u003eL'ellisse molto appiattita del cestello e la diagonale del bordo devono rimanere consistenti Una prospettiva raddrizzata toglierebbe la sensazione di movimento propria di W546.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eConservare i lividi nella tovaglia\u003c\/h3\u003e\n\u003cp\u003eIl tessuto non è bianco uniforme Le sue ombre blu-grigio e lilla rispondono ai contorni freddi delle mele e separano i frutti chiari dal loro sostegno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eDistinguere tra impasto e passaggi sottili\u003c\/h3\u003e\n\u003cp\u003eI punti salienti dei frutti devono mantenere un materiale più denso rispetto allo sfondo marrone, levigare l'intera tela allo stesso modo cancellerebbe i dati essenziali rivelati dallo studio tecnico del museo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'Art Institute of Chicago documenta Mele e Uva, olio su tela del 1880, 66,5 × 82,5 cm, inventario 1933.1152 e catalogo Wildenstein 546.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eContesto\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eIl gruppo concentrato di nature morte dipinte nel 1879 -1880\u003c\/h3\u003e\n\u003cp\u003eMonet dipinse frutta per tutta la sua carriera, ma questi due anni costituirono il suo sforzo più sostenuto nel genere, I dipinti vendettero poi più facilmente di certi paesaggi, senza ridurre la loro ricerca di colore e luce.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eTecnica\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn disegno a carboncino e coperture su vernice secca\u003c\/h3\u003e\n\u003cp\u003eL'esame del museo ha individuato il carbone ai bordi del tavolo, del cesto e di diversi frutti, Monet prima mette numerosi passaggi bagnati sul bagnato, poi ritorna sulla tela asciutta per rinforzare le luci e aggiungere una mela a destra.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eStoria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003ePossibilmente esposto a La Vie moderne nel giugno 1880\u003c\/h3\u003e\n\u003cp\u003eIl dipinto potrebbe corrispondere al Cesto di frutta mostrato durante la mostra personale di Monet, dopo diverse visite a Durand-Ruel, Martin A. Ryerson lo comprò nel 1915 e lo lasciò in eredità al museo nel 1933.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eWildenstein versione 546 e inventario 1933.1152\u003c\/li\u003e\n\u003cli\u003eLa firma e la data Claude Monet 1880 in alto a sinistra\u003c\/li\u003e\n\u003cli\u003eLa tovaglia animata con tocchi di blu, rosa e grigio\u003c\/li\u003e\n\u003cli\u003eLa differenza di materiale tra frutti incollati e fondo marrone chiaro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eMele e uva W546\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1880\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e66,5×82,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eArt Institute of Chicago, Chicago, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1933.1152 · Wildenstein 546\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.artic.edu\/artworks\/16549\/apples-and-grapes\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso, lo studio tecnico e la provenienza - Art Institute of Chicago · 1933.1152\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta orizzontale è adatta per una sala da pranzo, cucina a vista o soggiorno Una parete in avorio, grigio blu o marrone rosato e una cornice in noce fanno emergere i verdi acidi, i viola dell'uva e la freschezza della tovaglia.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Pommes et raisins W546 – Claude Monet\"\u003e\n\u003ci style=\"background:#75865f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b5a65a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8a5b55\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f4557\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c7c6c0\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eMele e uva W546, verniciate per il vostro interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591842287842,"sku":"APPLES_AND_GRAPES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pommes-raisins-w546-claude-monet.webp?v=1785150539"},{"product_id":"pommes-raisins-claude-monet-2","title":"Mele e uva W545 - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-136\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Vétheuil · 1879 -1880 · W545\u003c\/p\u003e\n\u003ch2\u003eMele e uva W545\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSu una tovaglia bianca accartocciata, un cesto trabocca di mele rosse e gialle miste a grappoli di uva nera chiara, davanti a lui sono posti alcuni frutti; due pere gialle isolate a destra bilanciano questa massa compatta Dipinto nel 1879-1880, questo olio su tela di 67,6 × 89,5 cm appartiene al Metropolitan Museum of Art con il numero 57.1880 Dipinto nel 1879-1880, questo olio su tela di 67,6 × 89,5 cm appartiene al Metropolitan Museum of Art con il numero 57.183. Corrisponde a Wildenstein 545.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pommes-raisins-w545-claude-monet.webp?v=1785145299\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Mele e uva W545 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eMele e uva W545\u003c\/strong\u003eClaude Monet· 1879 -1880\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1879-1880\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e67,6×89,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e57.183 · Wildenstein 545\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna natura morta dove frutta, vimini e le pieghe della tovaglia si oppongono ai loro materiali sotto una luce laterale\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl cesto è leggermente decentrato a sinistra e forma una bassa ellisse, Gli ammassi scuri occupano il suo cuore, circondato da mele rosse, arancioni e gialle che si muovono avanti o indietro a seconda del loro valore Davanti, un piccolo ammasso di luce e diversi frutti rompono la simmetria, come se la composizione fosse stata appena disposta.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa tovaglia non funge da sfondo neutro: le sue pieghe bianche, grigie, lilla e bluastre attraversano il tavolo lungo diagonalmente, a destra il suo bordo ricade su un mobile in legno rosso-marrone le cui linee rigide contrastano con la flessibilità del tessuto Lo sfondo scuro assorbe i contorni superiori e rafforza la lucentezza dei frutti.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eIl maltempo che costringe Monet a lavorare in casa non sospende le sue ricerche sulla luce: la concentra sulla lucentezza delle pelli, sulla trasparenza dei grani e sulle ombre colorate del bucato.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl cesto forma il baricentro\u003c\/h3\u003e\n\u003cp\u003eLa sua viminiera ocra collega i frutti rossi ai mobili marroni Le curve di intrecciatura sostengono la massa dei grappoli senza diventare un disegno decorativo troppo preciso.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLe uve sono costruite in piccoli tocchi\u003c\/h3\u003e\n\u003cp\u003eI grani neri contengono riflessi viola, blu e chiari; i grappoli bianchi mescolano giallo, rosa e verde Il loro volume nasce da queste variazioni piuttosto che da un contorno regolare.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa tovaglia conduce l'occhio alle pere\u003c\/h3\u003e\n\u003cp\u003eLe sue pieghe diagonali partono dal cesto e si aprono verso destra I due frutti gialli, distanziati su questo campo chiaro, impediscono alla composizione di pesare interamente sul lato sinistro.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa singola immagine rappresenta l'inventario 57.183 nella sua composizione completa La sua definizione nativa di 3000 × 2281 px è conservata senza ingrandimento, quindi il file JPEG viene ricodificato in un vero WebP.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eMantenere la gerarchia tra frutta e tovaglia\u003c\/h3\u003e\n\u003cp\u003eI bianchi del tessuto dovrebbero rimanere colorati e meno lucenti dei riflessi posti sulle mele e sui chicchi, un bianco puro uniforme schiaccerebbe i volumi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eDifferenziare ogni famiglia di uva\u003c\/h3\u003e\n\u003cp\u003eIl grappolo scuro rimane compatto e profondo; gli acini chiari in primo piano sono più trasparenti e dispersi Il loro trattamento non deve diventare identico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eConservare le ampie pieghe della lavanderia\u003c\/h3\u003e\n\u003cp\u003eIl materiale del tessuto è indicato da ampi passaggi, talvolta lasciati aperti Troppo dettaglio darebbe una resa fotografica estranea al tocco di Monet.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl Metropolitan Museum of Art documenta Mele e Uva, olio su tela del 1879 -1880, 67,6 × 89,5 cm, inventario 57,183 e catalogo Wildenstein 545.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eContesto\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUna sessione indoor imposta dal maltempo\u003c\/h3\u003e\n\u003cp\u003eIl Met afferma che Monet dipinse tre nature morte da tavolo con cesti di mele e uva durante un periodo piovoso del 1879-1880, quando la vita all'aria aperta era momentaneamente impraticabile.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eTestimonianza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn \"dipinto di frutta\" riportato nel novembre 1879\u003c\/h3\u003e\n\u003cp\u003eMarthe Hoschedé, futura nuora di Monet, ha notato che stava lavorando attivamente alle sue nature morte Questa testimonianza pone il successo al centro della vita familiare di Vétheuil.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eDono di Henry R. Luce nel 1957\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è registrato con il numero 57.183 nel Dipartimento di Dipinti Europei È esposto al Met Fifth Avenue nella galleria 818.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eWildenstein versione 545 e inventario 57.183\u003c\/li\u003e\n\u003cli\u003eIl cesto traboccante di mele e grappoli\u003c\/li\u003e\n\u003cli\u003eLe due pere isolate a destra\u003c\/li\u003e\n\u003cli\u003eLe pieghe lilla e blu della tovaglia bianca\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eMele e uva W545\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1879-1880\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e67,6×89,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Museum of Art, New York, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e57.183 · Wildenstein 545\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/437130\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso e il contesto della creazione - Metropolitan Museum of Art · 57.183\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta è adatta per una sala da pranzo, una cucina elegante o un soggiorno con materiali naturali Una parete color crema, verde oliva o marrone rosato e una cornice patinata in oro o noce rinforzano i rossi delle mele e le ombre dell'uva.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Pommes et raisins W545 – Claude Monet\"\u003e\n\u003ci style=\"background:#7c2e27\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d38a34\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b7a35e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4c3941\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8d0bb\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eMele e uva W545, verniciate per il vostro interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591847366882,"sku":"APPLES_AND_GRAPES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pommes-raisins-w545-claude-monet.webp?v=1785145299"},{"product_id":"poires-raisins-claude-monet","title":"Pere e uva W631 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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.ar-table{width:100%;border-collapse:collapse}.ar-monet .ar-table th,.ar-monet .ar-table td{padding:12px 0;border-top:1px solid var(--line);font-size:14px;text-align:left;vertical-align:top}.ar-monet .ar-table th{width:40%;padding-right:15px;color:#59625b}.ar-monet .ar-source{display:inline-block;margin-top:21px;color:#315744;font-size:12px;font-weight:800;letter-spacing:.05em;text-transform:uppercase}.ar-monet .ar-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:55px}.ar-monet .ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-122\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · natura morta · 1880 · W631\u003c\/p\u003e\n\u003ch2\u003ePere e uva W631\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSu una tovaglia bianca inclinata verso lo spettatore, Monet sparge pere gialle e verdi, grappoli di uva chiara e nera, due mele rosse e lunghe foglie di felce, il tavolo sembra quasi pendere dalla cornice, ma i frutti rimangono unificati dalle loro ombre colorate Firmato e datato Claude Monet 1880 in alto a sinistra, questo olio su tela di 65 × 81 cm è conservato nella Hamburger Kunsthalle con il numero HK-1568 e corrisponde a Wildenstein 631.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/poires-raisins-w631-claude-monet.webp?v=1785127874\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Pere e uva W631 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003ePere e uva W631\u003c\/strong\u003eClaude Monet· 1880\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1880\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e65×81 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eHK-1568 · Wildenstein 631\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna tovaglia inclinata trasforma i frutti in una costellazione colorata\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl pianoro bianco si eleva diagonalmente da destra a sinistra e riduce di molto la profondità, i frutti sono distribuiti attorno a due gruppi di uva, mentre le felci attraversano la tovaglia e collegano visivamente gli elementi separati.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eIl bianco della tela non è mai neutro: riceve blu, viola, verde e giallo Le pere sono modellate da opposizioni di giallo limone e marrone rosato; le uve scure concentrano i valori più profondi.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa natura morta è tenuta insieme meno da una disposizione simmetrica che da una circolazione di colori: ogni frutto risponde ad un altro attraverso la tovaglia.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn tavolo volutamente instabile\u003c\/h3\u003e\n\u003cp\u003eLa forte inclinazione avvicina i frutti al piano del dipinto e permette loro di vedere contemporaneamente il loro volume, la tovaglia e il fogliame steso.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue ammassi come nuclei di densità\u003c\/h3\u003e\n\u003cp\u003eUva nera e uva leggera riuniscono molti piccoli tocchi Contrastano con i volumi più semplici e più grandi di pere.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue mele rosse sul bordo inferiore\u003c\/h3\u003e\n\u003cp\u003eSeparati dal gruppo principale, bilanciano la firma rossa in alto e impediscono alla composizione di chiudersi solo al centro.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'unica immagine ufficiale della Hamburger Kunsthalle misura 1.250 × 1.018 px È codificata in WebP reale alla sua definizione nativa, senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eConserva le pieghe blu della tovaglia\u003c\/h3\u003e\n\u003cp\u003eDanno il rilievo del tessuto e impediscono che diventi uno sfondo bianco uniforme senza profondità.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003ePreservare la varietà di pere\u003c\/h3\u003e\n\u003cp\u003eOgni frutto ha una temperatura diversa, dal verde freddo all'ocra rosa; questa diversità è essenziale al ritmo dell'insieme.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eMantenere le felci libere e discontinue\u003c\/h3\u003e\n\u003cp\u003eLa loro rapida verniciatura dovrebbe rimanere più leggera della frutta, con riserve visibili tra i volantini.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa Hamburger Kunsthalle documenta Pere e Uva, olio su tela del 1880, 65 × 81 cm, firmato e datato in alto a sinistra, inventario HK-1568 e catalogo Wildenstein 631.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003ePeriodo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUna natura morta nel cuore degli anni 1878-1882\u003c\/h3\u003e\n\u003cp\u003eIl museo colloca questo dipinto nella fase in cui Monet riprende intensamente il genere e applica la sua ricerca sul colore e sulla luce a oggetti simili.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCostruzione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn tavolo rivestito in tessuto bianco\u003c\/h3\u003e\n\u003cp\u003eLe istruzioni sottolineano la diagonale pronunciata del vassoio e la distribuzione libera di pere, uva, mele e felci su tutta la superficie.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eAcquisizione anticipata in Germania\u003c\/h3\u003e\n\u003cp\u003eDopo Monet, il dipinto appartenne a Th. Delius si trasferì quindi a Durand-Ruel, La Verein von Kunstfreunden von 1870 lo acquisì per offrirlo alla Kunsthalle.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione Wildenstein 631\u003c\/li\u003e\n\u003cli\u003eLa tovaglia bianca inclinata\u003c\/li\u003e\n\u003cli\u003eI grappoli chiari e neri\u003c\/li\u003e\n\u003cli\u003eLe felci che passano attraverso la composizione\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003ePere e uva W631\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1880\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e65×81 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eHamburger Kunsthalle, Amburgo, Germania\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eHK-1568 · Wildenstein 631\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/online-sammlung.hamburger-kunsthalle.de\/de\/objekt\/HK-1568\/birnen-und-trauben\" target=\"_blank\" rel=\"noopener\"\u003eConsultare l'avviso ufficiale - Hamburger Kunsthalle · HK-1568\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta orizzontale è adatta per una cucina, una sala da pranzo o un soggiorno Una parete grigio blu, verde intenso o crema e una cornice in oro opaco rafforzano il suo equilibrio tra freschezza e calore.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Poires et raisins W631 – Claude Monet\"\u003e\n\u003ci style=\"background:#cbd0cf\"\u003e\u003c\/i\u003e\u003ci style=\"background:#889582\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2b448\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6d4b43\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9f4938\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003ePere e uva W631, verniciate per il vostro interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591866929378,"sku":"POIRES_ET_RAISINS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/poires-raisins-w631-claude-monet.webp?v=1785127874"},{"product_id":"astres-claude-monet","title":"Asters W627 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-120\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Vétheuil · 1880 · W627\u003c\/p\u003e\n\u003ch2\u003eAsters W627\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn mazzo di astri bianchi, viola e gialli trabocca da un vaso bianco e blu posto su una tavola rotonda rosso scuro I fiori occupano più della metà della tela e si stagliano su uno sfondo marrone dorato ricoperto di tocchi liberi Dipinto nel 1880, questo olio su tela di 83,2 × 68 cm è conservato al Los Angeles County Museum of Art con il numero M.2025.64.19 e corrisponde a Wildenstein 627.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/asters-w627-claude-monet.webp?v=1785126157\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Asters W627 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eAsters W627\u003c\/strong\u003eClaude Monet· 1880\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1880\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e83,2×68 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eM.2025.64.19 · Wildenstein 627\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eBouquet autunnale irrompe su vaso giapponese\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI capolini radianti si accumulano in una massa quasi sferica, più larga del vaso, pochi steli fuoriescono verso i bordi, mentre il riflesso verticale del contenitore appare sulla superficie scura del tavolo.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eI petali bianchi ricevono blu, rosa, giallo e grigio Il fogliame profondo funge da ombra tra i fiori Il vaso freddo e il tavolo rosso creano due supporti colorati sotto il bouquet.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eOgni astro è una piccola esplosione di tocchi, ma il tutto è tenuto insieme dalla massa scura delle foglie, dal vaso stretto e dal cerchio rosso del tavolo.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna massa floreale volutamente straripante\u003c\/h3\u003e\n\u003cp\u003eIl bouquet va ben oltre il vaso e si avvicina ai bordi superiori, questa grandezza trasforma la natura morta in una presenza quasi monumentale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl vaso giapponese come asse verticale\u003c\/h3\u003e\n\u003cp\u003eIl suo arredamento blu e bianco unisce i gambi e offre un freddo contrappunto ai marroni in basso e al rosso del tavolo.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003ePetali dipinti in frammenti\u003c\/h3\u003e\n\u003cp\u003eMonet non racchiude fiori in contorni Tocchi chiari si irradiano attorno a centri gialli o marroni e si mescolano con il fogliame.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'unica immagine di riferimento di LACMA è un vero e proprio WebP di 2.100 × 2.560 px conservato alla sua definizione nativa, senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eMantenere la diversità degli astri\u003c\/h3\u003e\n\u003cp\u003eI fiori dovrebbero variare in dimensioni, orientamento e colore, con bianchi caldi e freddi piuttosto che con uno schema ripetuto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eConservare il riflesso del vaso sul tavolo\u003c\/h3\u003e\n\u003cp\u003eQuesto passaggio verticale chiaro collega l'oggetto alla superficie rosso scuro e conferisce profondità al fondo della composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eMantenere lo sfondo marrone sfumato\u003c\/h3\u003e\n\u003cp\u003eMescola ocra, grigio, verde e rosso e non deve essere sostituito da un solido scuro uniforme.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLaCMA documenta Asters, olio su tela del 1880, 83,19 × 67,95 cm, donazione della collezione A. Jerrold Perenchio, inventario M.2025.64.19 e catalogo Wildenstein 627.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003ePeriodo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eIl grande insieme di nature morte dal 1880-1882\u003c\/h3\u003e\n\u003cp\u003eMonet dipinse poi diverse grandi tele, ciascuna dedicata a una specie floreale, tra cui girasoli, crisantemi e questi astri autunnali.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGiapponismo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn vaso legato al gusto di Monet per la ceramica giapponese\u003c\/h3\u003e\n\u003cp\u003eLACMA avvicina la sua forma e il suo arredamento alle creazioni di Makuzu Kôzan, notate all'Esposizione Universale di Parigi del 1878.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eThe Don A. Jerrold Perenchio\u003c\/h3\u003e\n\u003cp\u003eL'opera si è unita al Los Angeles County Museum of Art con questa importante collezione impressionista e moderna e reca l'inventario M.2025.64.19.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione Wildenstein 627\u003c\/li\u003e\n\u003cli\u003eAster bianchi e viola\u003c\/li\u003e\n\u003cli\u003eIl vaso giapponese blu e bianco\u003c\/li\u003e\n\u003cli\u003eIl tavolo rotondo rosso scuro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eAsters W627\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1880\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e83,2×68 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte della contea di Los Angeles, Los Angeles, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eM.2025.64.19 · Wildenstein 627\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/collections.lacma.org\/object\/218712\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - LACMA · M.2025.64.19\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta verticale è adatta per una sala da pranzo, soggiorno o ingresso Una parete ocra, verde oliva o crema e una cornice in oro opaco estendono il suo calore.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Asters W627 – Claude Monet\"\u003e\n\u003ci style=\"background:#d0d1c3\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b3a2aa\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c4a34c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#596050\"\u003e\u003c\/i\u003e\u003ci style=\"background:#704239\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eAsters W627, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591868535010,"sku":"ASTERS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/asters-w627-claude-monet.webp?v=1785126157"},{"product_id":"bouquet-tournesols-claude-monet","title":"Bouquet di girasoli W628 - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-118\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Vétheuil · 1881 · W628\u003c\/p\u003e\n\u003ch2\u003eBouquet di girasoli W628\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn grande mazzo di girasoli riempie quasi completamente la tela, i capolini visti di fronte, di profilo o inclinati sono sovrapposti sopra un vaso giapponese, mentre le foglie scure staccano i gialli dal fondo marrone Dipinto nel 1881, questo olio su tela di 101 × 81,3 cm è custodito al Metropolitan Museum of Art con il numero 29.100.107 e corrisponde a Wildenstein 628.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bouquet-tournesols-w628-claude-monet.webp?v=1785124818\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Bouquet di girasoli W628 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eBouquet di girasoli W628\u003c\/strong\u003eClaude Monet· 1881\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1881\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e101×81,3 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e29.100.107 · Wildenstein 628\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn bouquet monumentale costruito di gialli, verdi e marroni\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI fiori più alti quasi toccano il bordo superiore I loro steli convergono verso uno stretto vaso decorato con motivi blu e bianchi, invece di allineare le corolle, Monet le gira in diverse direzioni e fa circolare lo sguardo per tutta la massa.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eI tuorli vanno dal limone chiaro all'ocra arancione; i cuori combinano marrone, verde oliva e nero, lo sfondo caldo assorbe le foglie in alcuni punti e fa emergere i petali illuminati La tavola è solo una fascia scura che stabilizza il vaso.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eI girasoli non vengono inventariati uno ad uno: Monet ne dipinge il peso, l'orientamento e il modo in cui il loro giallo cambia a contatto con il fondo e le foglie.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eCapolini osservati da diverse angolazioni\u003c\/h3\u003e\n\u003cp\u003eAlcuni girasoli si aprono davanti allo spettatore, altri mostrano il loro profilo o il loro rovescio Questa diversità conferisce al bouquet il suo vero volume.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl vaso come asse discreto\u003c\/h3\u003e\n\u003cp\u003eLa sua forma verticale riunisce gli steli e rifocalizza una composizione volutamente traboccante I suoi motivi freddi forniscono un contrappunto ai gialli caldi.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna luce prodotta dai colori\u003c\/h3\u003e\n\u003cp\u003eI petali chiari si distinguono dallo sfondo marrone e dal fogliame profondo Monet raggiunge la lucentezza senza isolare ogni fiore con un contorno.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'unica immagine di riferimento del Metropolitan Museum of Art è stata convertita in un vero e proprio WebP di 2.429 × 3.000 px Conserva i dettagli dei petali, del fogliame e del vaso.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003ePreservare i diversi orientamenti dei fiori\u003c\/h3\u003e\n\u003cp\u003eLa riproduzione deve distinguere facce, profili e lati inversi in modo da preservare la costruzione spaziale del bouquet.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eMantenere la profondità dello sfondo marrone\u003c\/h3\u003e\n\u003cp\u003eUno sfondo troppo nero indurirebbe la scena; troppo leggero, farebbe perdere ai girasoli la loro lucentezza concentrata.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eMantenere visibile il vaso giapponese\u003c\/h3\u003e\n\u003cp\u003eI suoi blu e bianchi rimangono discreti, ma la sua forma e la sua decorazione identificano con precisione questa versione W628.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl Metropolitan Museum of Art documenta Bouquet di Girasoli, olio su tela del 1881, 101 × 81,3 cm, inventario 29.100.107 e catalogo Wildenstein 628.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eEsposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003ePresentato alla Settima Mostra Impressionista\u003c\/h3\u003e\n\u003cp\u003eMonet espose il dipinto nel 1882 I critici notarono poi l'audacia e l'energia di questa natura morta di dimensioni insolite.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGiardino\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eFiori coltivati a Vétheuil\u003c\/h3\u003e\n\u003cp\u003eIl Met collega il bouquet ai girasoli che crescevano lungo il sentiero che conduceva al giardino di Monet, motivo presente anche nelle sue vedute di Vétheuil.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eL'eredità Havemeyer del 1929\u003c\/h3\u003e\n\u003cp\u003eL'opera entrò al Metropolitan Museum con la collezione di Louisine W. Havemeyer, grande mecenate che aveva riunito importanti dipinti francesi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione Wildenstein 628\u003c\/li\u003e\n\u003cli\u003eI capolini si orientavano in più direzioni\u003c\/li\u003e\n\u003cli\u003eIl vaso giapponese blu e bianco\u003c\/li\u003e\n\u003cli\u003eIl contrasto tra sfondo giallo e marrone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eBouquet di girasoli W628\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1881\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e101×81,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Museum of Art, New York, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e29.100.107 · Wildenstein 628\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/437112\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Metropolitan Museum of Art · 29.100.107\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta natura morta verticale è adatta per una sala da pranzo, cucina elegante o soggiorno Una parete in terracotta, verde oliva o crema e una cornice in oro opaco sostengono il suo calore.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Bouquet de tournesols W628 – Claude Monet\"\u003e\n\u003ci style=\"background:#d7ad3c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#ae7b2f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6c7040\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d392b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9d0aa\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eBouquet di girasoli W628, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591870271714,"sku":"BOUQUET_DE_TOURNESOLS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bouquet-tournesols-w628-claude-monet.webp?v=1785124818"},{"product_id":"galettes-claude-monet","title":"Les Galettes W746 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-96\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Pourville · 1882 · W746\u003c\/p\u003e\n\u003ch2\u003eLe torte W746\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eDue grandi polpette a sbuffo poggiano sulle loro rastrelliere di vimini, vicino a una bottiglia e a un coltello posto su una tovaglia leggera Dipinto nel 1882, questo olio su tela di dimensioni 65 × 81 cm appartiene a una collezione privata e corrisponde a Wildenstein 746.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/les-galettes-w746.webp?v=1784868415\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Les Galettes W746 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eLe torte W746\u003c\/strong\u003eClaude Monet· 1882\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1882\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e65×81 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eWildenstein 746\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eDue pasticcini ordinari diventano un paesaggio di cerchi, briciole e materia dorata\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLe due frittelle occupano il centro del tavolo, una leggermente più alta e più scura dell'altra, le loro forme rotonde rispondono a rastrelliere intrecciate, mentre la bottiglia in alto a sinistra e il coltello in basso a destra stabilizzano la diagonale della composizione.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eL'impasto è costruito da tocchi di giallo, crema, marrone e rosa La tovaglia mescola bianco, blu e grigio anziché un tono uniforme; le sue pieghe e ombre danno aria intorno agli oggetti.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eMonet tratta la superficie laminata mentre tratta una scogliera o un mare: con tocchi colorati che catturano la luce tanto quanto il materiale.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue cerchi ravvicinati ma mai identici\u003c\/h3\u003e\n\u003cp\u003eLa frittella sinistra appare più larga e chiara; quella di destra è più rossa e parzialmente coperta, questa asimmetria evita l'effetto decorativo della perfetta ripetizione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eWicker collega i pasticcini alla tavola\u003c\/h3\u003e\n\u003cp\u003eLe linee marroni delle cremagliere sporgono sotto i bordi e creano una trama intermedia tra l'impasto irregolare e le morbide pieghe della tovaglia.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn ricordo del soggiorno a Pourville\u003c\/h3\u003e\n\u003cp\u003eMonet soggiornò nel 1882 presso l'hotel-ristorante di Paul Graff, noto come À la Renommée des Galettes Queste specialità servite su portavimini divennero oggetto di questa natura morta.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eViene utilizzata una sola immagine esatta di W746 Il WebP reale misura 1020 × 812 px, la migliore definizione pubblica affidabile individuata per questa versione, conservata senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eConservare le differenze tra i due pancake\u003c\/h3\u003e\n\u003cp\u003eColore, diametro e impasto variano Rendendoli identici si toglierebbe il movimento e la percezione molto concreta del pasto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eTenere le rastrelliere visibili sotto l'impasto\u003c\/h3\u003e\n\u003cp\u003eLa loro intrecciatura marrone dà scaglie e spiega la presentazione delle frittelle Deve rimanere leggibile senza diventare un motivo troppo regolare.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eConserva le ombre blu della tovaglia\u003c\/h3\u003e\n\u003cp\u003eQuesti passaggi freddi fanno risaltare i gialli e gli ocra Uno sfondo bianco puro appiattirebbe il tavolo e indebolirebbe il calore dei pasticcini.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl catalogo ragionato identifica Les Galettes come Wildenstein 746: un olio su tela del 1882, 65 × 81 cm, oggi custodito in una collezione privata.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eContesto\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'hotel À la Renommée des Galettes di Pourville\u003c\/h3\u003e\n\u003cp\u003ePaul Antoine Graff, cuoco e albergatore, accoglie Monet durante la sua campagna di Normandia, Le sue frittelle di burro vengono servite sulle cremagliere mostrate nel dipinto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGenere\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUna rara natura morta nel cuore di una campagna paesaggistica\u003c\/h3\u003e\n\u003cp\u003eNel 1882, Monet dipinse principalmente spiagge, scogliere e sentieri intorno a Pourville Il soggetto della tavola collega direttamente la vita alberghiera a questo periodo di lavoro sulla costa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMostre\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn'opera esposta in diverse mostre impressioniste\u003c\/h3\u003e\n\u003cp\u003eIl foglio Commons documenta in particolare la sua presentazione a Filadelfia nel 2015 e al museo Marmottan Monet nel 2018 -2019, pur indicando il suo status di collezione privata.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione Wildenstein 746\u003c\/li\u003e\n\u003cli\u003eI due pancake su portavimini\u003c\/li\u003e\n\u003cli\u003eLa bottiglia scura in alto a sinistra\u003c\/li\u003e\n\u003cli\u003eLe pieghe blu e grigie della tovaglia\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLe torte W746\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1882\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e65×81 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata, Opera elencata nel catalogo ragionato\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eWildenstein 746\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Claude_Monet_-_Les_Galettes.jpg\" target=\"_blank\" rel=\"noopener\"\u003eVisualizza riproduzione e riferimenti - Wikimedia Commons · Wildenstein 746\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta calda natura morta è adatta per una cucina, una sala da pranzo o una zona pranzo Una parete color crema, blu ardesia o terracotta e un'ambientazione marrone naturale rafforzano il suo carattere gourmet.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Les Galettes W746 – Claude Monet\"\u003e\n\u003ci style=\"background:#bd8b4e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2ad6d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6c7aa\"\u003e\u003c\/i\u003e\u003ci style=\"background:#77818a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5d4b3b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eLes Galettes W746, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591886688482,"sku":"LES_GALETTES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/les-galettes-w746.webp?v=1784868415"},{"product_id":"caches-raisins-claude-monet","title":"Cesto di uva, mele cotogne e pere W954 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-82\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · natura morta decorativa · 1883 · W954\u003c\/p\u003e\n\u003ch2\u003eCesto di uva, mele cotogne e pere W954\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSu fondo frondoso dipinto a tocchi rapidi appare un cesto di uva scura, mele cotogne dorate e pere, questo olio su tela verticale di 51,1 × 38,1 cm, realizzato nel 1883 come pannello decorativo, è custodito al Columbus Museum of Art con il numero 1991.001.040 e corrisponde a Wildenstein 954.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-raisins-coings-poires-w954.webp?v=1784858227\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Cesto di uva, mele cotogne e pere W954 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eCesto di uva, mele cotogne e pere W954\u003c\/strong\u003eClaude Monet· 1883\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1883\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e51,1×38,1 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1991.001.040 · Wildenstein 954\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eI frutti si fondono in una superficie progettata per la decorazione\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl cesto occupa il centro inferiore della composizione I grappoli cadono sul suo bordo, mentre le mele cotogne e le pere formano masse più rotonde e luminose, su un tavolo ben definito non è posto nulla: frutti, fogliame e fondo condividono lo stesso spazio.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eI tuorli caldi dei frutti contrastano con il viola nero dell'uva e i verdi profondi Il cestiere è suggerito da poche linee oblique, senza un disegno accurato Questa economia di mezzi mantiene l'unità decorativa del pannello.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eNel W954, Monet non costruisce una natura morta chiusa su un tavolo: fa emergere i frutti di uno schermo vegetale destinato a comunicare con un interno.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna composizione progettata in altezza\u003c\/h3\u003e\n\u003cp\u003eIl formato verticale concentra i frutti nell'asse centrale e lascia sviluppare sopra di esso il fogliame, corrisponde alla funzione di pannello prevista per una porta.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eFrutti definiti dal colore\u003c\/h3\u003e\n\u003cp\u003eLe mele cotogne e le pere sono costruite da gialli, verdi e ocra giustapposti. L'uva utilizza viola scuro e blu anziché contorni individuali.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUno sfondo che unisce il pattern\u003c\/h3\u003e\n\u003cp\u003eIl fogliame non si separa nettamente dallo sfondo I tasti circolano intorno al cesto e trasformano il tutto in una superficie continua.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eViene utilizzata una sola immagine di W954 Il file è un vero e proprio WebP di 1736 × 2396 px, conservato alla risoluzione della sorgente e senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eMantenere la forma generale del cestello\u003c\/h3\u003e\n\u003cp\u003eIl vimini deve rimanere leggibile senza diventare un esercizio nei dettagli Bastano pochi obliqui e varianti marroni per sostenere i frutti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eDifferenziare tra giallo e viola\u003c\/h3\u003e\n\u003cp\u003eIl contrasto tra i frutti dorati e gli ammassi scuri conferisce all'opera la sua struttura Colori troppo uniformi farebbero scomparire questa opposizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMateria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eRispettare il tocco decorativo\u003c\/h3\u003e\n\u003cp\u003eLe foglie, i frutti e lo sfondo sono dipinti con una libertà paragonabile Lisciando le transizioni o isolando ogni oggetto si ridurrebbe l'energia del pannello.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl Columbus Museum of Art identifica questo cesto di uva come un olio su tela del 1883, 51,1 × 38,1 cm, inventario 1991.001.040 e Wildenstein 954.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eInsieme\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUno dei sei pannelli destinati ad una porta\u003c\/h3\u003e\n\u003cp\u003eMonet realizza sei composizioni di frutta e fiori per un progetto decorativo legato al salotto di Paul Durand-Ruel, La porta sembra non essere mai stata costruita.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eFunzione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn dipinto progettato per l'architettura d'interni\u003c\/h3\u003e\n\u003cp\u003eIl formato verticale e la superficie completamente occupata possono essere spiegati da questa destinazione L'opera doveva essere letta a distanza come elemento dell'arredamento.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eRiferimento W954\u003c\/h3\u003e\n\u003cp\u003eIl numero di Wildenstein e l'inventario del 1991.001.040 permettono di distinguere questo cesto dalle altre nature morte di Monet, in particolare quelle dipinte su un tavolo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione Wildenstein 954\u003c\/li\u003e\n\u003cli\u003eIl cesto centrale e il suo formato verticale\u003c\/li\u003e\n\u003cli\u003eIl contrasto tra uva viola e frutti dorati\u003c\/li\u003e\n\u003cli\u003eIl tocco continuo che collega il fogliame al fondo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eCesto di uva, mele cotogne e pere W954\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1883\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e51,1×38,1 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eColumbus Museum of Art, Columbus, Ohio, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1991.001.040 · Wildenstein 954\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Basket_of_Grapes_by_Claude_Monet,_Columbus_Museum_of_Art_.JPG\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il riferimento visivo - Immagine documentata dell'opera 1991.001.040\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa tavolozza di giallo maturo, viola e verde scuro è adatta per una sala da pranzo, cucina elegante o libreria Un muro di ocra chiaro, oliva o crema e noce rafforzano il suo carattere decorativo.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Panier de raisins, coings et poires W954 – Claude Monet\"\u003e\n\u003ci style=\"background:#9a7a35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0ad55\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d4854\"\u003e\u003c\/i\u003e\u003ci style=\"background:#667148\"\u003e\u003c\/i\u003e\u003ci style=\"background:#816042\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eCesto di uva, mele cotogne e pere W954, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eRiproduzione di pittura ad olio su tela realizzata singolarmente, foto controllata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591896355042,"sku":"BASKET_OF_GRAPES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-raisins-coings-poires-w954.webp?v=1784858227"},{"product_id":"peche-claude-monet-3","title":"Il vaso di pesche - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet 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.ar-table{width:100%;border-collapse:collapse}.ar-monet .ar-table th,.ar-monet .ar-table td{padding:12px 0;border-top:1px solid var(--line);font-size:14px;text-align:left;vertical-align:top}.ar-monet .ar-table th{width:40%;padding-right:15px;color:#59625b}.ar-monet .ar-source{display:inline-block;margin-top:21px;color:#315744;font-size:12px;font-weight:800;letter-spacing:.05em;text-transform:uppercase}.ar-monet .ar-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:55px}.ar-monet .ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-3\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1866 circa · natura morta della giovinezza\u003c\/p\u003e\n\u003ch2\u003eIl vaso di pesche\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn grande barattolo di frutta conservata, quattro pesche fresche e un piatto di marmo venato: prima dei paesaggi impressionisti, il giovane Monet misurava già la luce dalle trame che trasformava.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/01-bocal-de-peches.webp?v=1784347950\" alt=\"Le Bocal de pesche - Claude Monet - vista completa\" loading=\"lazy\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl vaso di pesche\u003c\/strong\u003eClaude Monet · intorno al 1866\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1866\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e55,5×46 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e2525B\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eVetro, frutta e marmo offrono tre esperienze di luce\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eUn barattolo pieno di pesche viene posto su un tavolo di marmo accanto a quattro frutti freschi Lo sfondo blu-verde rimane quasi vuoto in modo da focalizzare tutta l'attenzione sul vetro, le pelli vellutate, il liquido ambrato e la superficie riflettente.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLe pesche del vaso appaiono più gialle e traslucide di quelle poste sul tavolo, Monet differenzia così gli stati della materia: frutta fresca, frutta conservata, liquido ambrato, vetro trasparente e pietra fredda, la firma scura chiude la composizione in basso a destra.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eQuesta natura morta non solo racconta ciò che è posto sul tavolo: confronta ciò che la luce fa con vetro, frutta, liquido e marmo.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/01-bocal-de-peches.webp?v=1784347950\" alt=\"Analisi delle pesche Le Bocal - Claude Monet\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl barattolo come colonna\u003c\/h3\u003e\n\u003cp\u003eLa grande forma verticale occupa la metà sinistra Il suo coperchio, i riflessi e le pesche sovrapposte creano un'architettura stabile sopra il marmo agitato.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eCosti rispetto a quelli trattenuti\u003c\/h3\u003e\n\u003cp\u003eI frutti esterni sono opachi, rosati e leggermente irregolari Nel barattolo, le forme diventano più gialle e luminose sotto l'effetto di vetro e liquido.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eMarmo come specchio rotto\u003c\/h3\u003e\n\u003cp\u003eVene bianche e riflessi scuri non descrivono l'acqua Appartengono ad una lastra di marmo lucido che moltiplica le direzioni in primo piano.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/02-bocal-et-fruits-detail.webp?v=1784347949\" alt=\"Vetro, frutta e liquido ambrato - dettaglio di Le Bocal de pesche - Claude Monet\" loading=\"lazy\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eVetro, frutta e liquido ambrato\u003c\/strong\u003eQuesto dettaglio rivela i riflessi verticali sul vaso, le variazioni di giallo e rosa nei frutti, e il modo in cui il bicchiere ne distorce i contorni.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/03-vue-reelle-albertinum-dresde.webp?v=1784347949\" alt=\"Il dipinto fotografato a Dresda - dettaglio di Le Bocal de pesche - Claude Monet\" loading=\"lazy\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl dipinto fotografato a Dresda\u003c\/strong\u003eLa fotografia vera e propria scattata all'Albertinum permette di confrontare la presenza materica del dipinto e una colorimetria della stanza leggermente più opaca.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista corretta raggiunge 3178 × 3891 px La terza immagine è una vera e propria fotografia dell'opera ad Albertinum, 2508 × 3074 px, di Dguendel tramite Wikimedia Commons Tutti i file vengono convertiti in WebP senza ingrandimento artificiale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eTitolo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eDas Pfirsichglas: La giara di pesca\u003c\/h3\u003e\n\u003cp\u003eLa collezione di Dresda conserva questa natura morta sotto il suo titolo tedesco Das Pfirsichglas Il vaso costituisce l'asse verticale dell'intera composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGiovani\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eMonet ha circa ventisei anni\u003c\/h3\u003e\n\u003cp\u003eCreato intorno al 1866, il dipinto appartiene ai primi anni del pittore, prima della prima mostra impressionista nel 1874.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn dipinto dell'Albertinum\u003c\/h3\u003e\n\u003cp\u003eL'opera è conservata presso la Galerie Neue Meister des Staatliche Kunstsammlungen Dresden, all'Albertinum, con il numero 2525 B.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa trasparenza del barattolo senza sbiancare il bicchiere\u003c\/li\u003e\n\u003cli\u003eLe differenze tra frutta fresca e conservata\u003c\/li\u003e\n\u003cli\u003eI riflessi del marmo senza confonderli con l'acqua\u003c\/li\u003e\n\u003cli\u003eIl grande sfondo blu-verde, sfumato ma silenzioso\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl vaso di pesche\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1866\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e55,5×46 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eGalleria Neue Meister, Albertinum, Dresda, Germania\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e2525B\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/skd-online-collection.skd.museum\/Details\/Index\/292305\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Staatliche Kunstsammlungen Dresden\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eIl formato verticale e la tavolozza di blu petrolio, ambra e pesca sono adatti per una composizione di cucina, sala da pranzo o natura morta Una cornice scura o legno naturale rafforza il contrasto del marmo.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Bocal de pêches – Claude Monet\"\u003e\n\u003ci style=\"background:#304f50\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6c7c72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2a34f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9bd89\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e0c8ad\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl vaso di pesche, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591985877218,"sku":"WISTERIA_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/01-bocal-de-peches.webp?v=1784347950"},{"product_id":"nature-morte-bible-vincent-van-gogh","title":"Natura morta nella Bibbia, F117 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · ottobre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta nella Bibbia, F117\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna pesante Bibbia aperta domina la tavola, accompagnata da un candelabro con candela spenta e da un breve romanzo di Émile Zola Van Gogh contrappone così il libro del padre pastore a La gioia di vivere, una lettura moderna che lui stesso aveva molto manipolato.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-bible-f117-jh946-van-gogh.webp?v=1785382739\u0026amp;format=webp\" alt=\"Natura morta nella Bibbia F117 JH946 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta nella Bibbia, F117\u003c\/strong\u003eVincent van Gogh · ottobre 1885 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOttobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e65,7×78,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDue libri, due visioni del mondo\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa monumentale Bibbia si apre a ventaglio e occupa quasi tutta la larghezza, il suo dorso spesso, le pagine pesanti e i fermagli conferiscono al libro una presenza fisica, mentre il romanzo giallo appare piccolo e vicino al bordo.\u003c\/p\u003e\n\u003cp\u003eIl candelabro verticale bilancia l'obliquo del romanzo Le pagine sono dipinte di grigio, beige e verde smorzato anziché di bianco; pochi accenti arancioni e blu fanno vibrare la superficie all'interno di uno spazio in gran parte marrone e nero.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta nella Bibbia F117\/JH946 è un olio su tela di dimensioni 65,7 × 78,5 cm, dipinto a Nuenen nell'ottobre del 1885 È conservato al Museo Van Gogh con il numero s0008V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh lega direttamente gli oggetti alle tensioni intellettuali tra Vincent e suo padre Theodorus, pastore morto pochi mesi prima, la Bibbia di famiglia e il romanzo di Zola mettono a confronto tradizione religiosa e modernità.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa Bibbia ha un peso materiale\u003c\/h3\u003e\n\u003cp\u003eLo spessore del volume, l'incavo della rilegatura e le pagine che cadono sono modellate da grandi tocchi Il libro diventa quasi un monumento posto sul tavolo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl romanzo introduce la modernità\u003c\/h3\u003e\n\u003cp\u003eIn primo piano appare in giallo la Gioia di vivere di Émile Zola, le sue piccole dimensioni e l'orientamento obliquo contrastano con la stabilità della Bibbia.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa candela è già spenta\u003c\/h3\u003e\n\u003cp\u003eIl candelabro sta dietro i libri, ma manca la sua fiamma Questa assenza rafforza la gravità della composizione senza imporre una sola lettura simbolica.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Van Gogh conserva quest'opera con il numero s0008V1962 È elencato F117\/JH946, misura 65,7 × 78,5 cm ed è stato dipinto a Nuenen nell'ottobre 1885.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIdentità\u003c\/span\u003e\u003ch3\u003eF117 e JH946\u003c\/h3\u003e\n\u003cp\u003eQuesti riferimenti designano la natura morta che riunisce la Bibbia di famiglia, un candelabro e La gioia di vivere di Émile Zola.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFamiglia\u003c\/span\u003e\u003ch3\u003eLa Bibbia di Theodorus van Gogh\u003c\/h3\u003e\n\u003cp\u003eIl grande libro apparteneva al padre di Vincent, un pastore protestante morto nel marzo del 1885, Van Gogh lo dipinse pochi mesi dopo questa morte.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003es0008V1962\u003c\/h3\u003e\n\u003cp\u003eQuesto numero di inventario identifica l'opera nella collezione del Museo Van Gogh di Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0008V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la massa della Bibbia aperta, la profondità delle pagine, il candelabro spento, il romanzo giallo di Zola e gli accenti colorati tra i marroni.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eL'imponente volume della Bibbia\u003c\/li\u003e\n\u003cli\u003ePagine grigio crema e verde\u003c\/li\u003e\n\u003cli\u003eIl candelabro con la candela spenta\u003c\/li\u003e\n\u003cli\u003eLa copertina gialla di The Joy of Living\u003c\/li\u003e\n\u003cli\u003eIl tavolo marrone con tocchi visibili\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta nella Bibbia, F117\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eOttobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e65,7×78,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF117· JH946· s0008V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta colta in marrone, crema e giallo\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa composizione porta una forte presenza in una biblioteca, in un ufficio o in una sala di lettura, Un'ambientazione buia e una luce calda fanno emergere il libro aperto e la piccola nota gialla del romanzo.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte à la Bible, F117\"\u003e\n\u003ci style=\"background:#15160f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#383527\"\u003e\u003c\/i\u003e\u003ci style=\"background:#706248\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a08b63\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c4a74f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone nero, noce o bronzo patinato accompagna le terre di Nuenen, La luce morbida e laterale rivela impasto e sfumature senza appiattire le zone scure.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine ad alta definizione di 6811×5642 px è stata ridotta a 3000×2485 px e convertita in un vero WebP senza ingrandimento.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta nella Bibbia, F117, dipinta per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46592359301346,"sku":"NATURE_MORTE_LA_BIBLE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-bible-f117-jh946-van-gogh.webp?v=1785382739"},{"product_id":"nature-morte-pommes-pot-fleurs-casserole","title":"Natura morta: mele, vaso di fiori e pentola di metallo - Piet Mondrian","description":"\u003ch2\u003e🌟 Introduzione – Immersione nella Storia della Natura morta: mele, vaso di fiori e casseruola in metallo - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e📍 Contesto storico della Natura morta: mele, vaso di fiori e casseruola in metallo\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAnno:\u003c\/strong\u003e 1900\u003cbr\u003e\u003cstrong\u003eMuseo:\u003c\/strong\u003e Non specificato\u003cbr\u003eDimensioni: 68 x 94 cm\u003c\/p\u003e\u003cp\u003eCreata alla fine del XIX secolo, questa \u003cstrong\u003epittura\u003c\/strong\u003e iconica si inserisce nel cambiamento artistico dell'epoca, dove i movimenti avanguardistici nascenti esplorano composizioni innovative. Situata ad Amsterdam, questa tela riflette l'emergere dello stile modernista, pioniere nell'avventura pittorica di \u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003ePiet Mondrian\u003c\/a\u003e e del suo impegno verso la semplificazione delle forme e dei colori.\u003c\/p\u003e\u003ch3\u003e🖋️ Aneddoto significativo di Piet Mondrian\u003c\/h3\u003e\u003cp\u003e« La natura, nella sua essenza, è la più bella delle composizioni. » Queste parole risuonano da una mattina soleggiata in cui Mondrian, nel suo atelier inondato di luce, ha catturato le sfumature brillanti degli oggetti quotidiani. Ad ogni colpo di pennello, cercava di infondere una parte di armonia a quest \u003cstrong\u003eopera pittorica\u003c\/strong\u003e, connettendo l'umano e il mondo naturale.\u003c\/p\u003e\u003ch3\u003e📖 Scena rappresentata nella Natura morta: mele, vaso di fiori e casseruola in metallo\u003c\/h3\u003e\u003cp\u003eIn questo quadro, le mele brillano come gioielli sulla \u003cstrong\u003etela\u003c\/strong\u003e, mentre un elegante vaso di fiori si erge al loro fianco, richiamando la bellezza effimera della natura. La casseruola in metallo, con i suoi riflessi brillanti, funge da ponte tra il naturale e l'artificiale, una metafora della vita domestica e del quotidiano. La luce danza su ogni oggetto, creando un'atmosfera pacifica ma dinamica, rivelando una sensibilità rinnovata verso gli elementi semplici che ci circondano.\u003c\/p\u003e\u003ch3\u003e📜 Posto nell'opera la carriera di Piet Mondrian\u003c\/h3\u003e\u003cp\u003eQuesta \u003cstrong\u003epittura\u003c\/strong\u003e rappresenta un traguardo decisivo nella carriera di Mondrian. Precede il suo passaggio all'astrazione totale e testimonia la sua esplorazione dei colori e delle forme. Rispetto a opere come « Composizione in Rosso, Giallo e Blu » e « Broadway Boogie Woogie », si percepisce l'evoluzione del suo stile verso un'ingegneria più rigida delle linee geometriche e dei colori puri. Tuttavia, qui, l'emozione prevale, catturando l'essenza stessa della realtà.\u003c\/p\u003e\u003ch2\u003e🧠 Esperienza Artistica – Analisi Approfondita della Natura morta: mele, vaso di fiori e casseruola in metallo - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e🎨 Tecnica pittorica dell'opera\u003c\/h3\u003e\u003cp\u003eLa tecnica utilizzata da Mondrian in questa \u003cstrong\u003etela\u003c\/strong\u003e è una combinazione sapiente di velature e impasti. Ogni strato di \u003cstrong\u003epittura\u003c\/strong\u003e aggiunge una profondità emotiva che attira lo sguardo dello spettatore, mentre la gestualità del pennello rivela una padronanza del movimento e della luce. La gestione delle ombre e dei riflessi crea texture vibranti che invitano a una contemplazione prolungata.\u003c\/p\u003e\u003ch3\u003e🌈 Palette cromatica della Natura morta: mele, vaso di fiori e casseruola in metallo\u003c\/h3\u003e\u003cp\u003eI colori dominanti, che vanno dai rossi vivaci ai verdi lussureggianti, evocano un calore confortante e una dolce nostalgia. Ogni sfumatura è accuratamente scelta per suscitare emozioni varie, che vanno dalla passione alla serenità. In questa \u003cstrong\u003epittura\u003c\/strong\u003e, i contrasti sorprendenti scolpiscono l'anima dell'opera, arricchendo la speranza e l'armonia di ogni elemento.\u003c\/p\u003e\u003ch2\u003e🖌️ Saper-Fare Artigianale – Riproduzione di Alta Precisione per lo stile modernista\u003c\/h2\u003e\u003cp\u003eOgni riproduzione di questa \u003cstrong\u003etela\u003c\/strong\u003e è realizzata a mano con la massima cura. Utilizzando oli su tela di lino di qualità museo, i nostri artisti esperti abbozzano ogni dettaglio prima di applicare strati successivi di \u003cstrong\u003epittura\u003c\/strong\u003e. I pigmenti utilizzati, come il blu di Prussia e il carminio d'alizarina, garantiscono una vivacità incomparabile. Il processo richiede un impegno di 40 ore, dall'inizio alla fine, per ogni riproduzione, assicurando un rispetto totale delle proporzioni e dello spirito dell'opera originale.\u003c\/p\u003e\u003cp\u003ePer preservare la bellezza di questa \u003cstrong\u003epittura\u003c\/strong\u003e, viene applicato un vernissage protettivo anti-UV, offrendo una durabilità e una stabilità dei colori senza pari. La nostra riproduzione di « Natura morta: mele, vaso di fiori e casseruola in metallo » non è solo una semplice copia; è un'opera a sé stante, vibrante e piena di emozione, creata per trasmettere la magia del \u003cstrong\u003ecapolavoro\u003c\/strong\u003e originale.\u003c\/p\u003e\u003ch2\u003e📜 Esperienza Cliente – Eleganza \u0026amp; Impegno\u003c\/h2\u003e\u003cp\u003eIl tuo \u003cstrong\u003equadro\u003c\/strong\u003e è accompagnato da un certificato di autenticità numerato. Viene consegnato con cura arrotolato in un astuccio tessile, con un imballaggio rinforzato per garantirne la protezione. Hai anche la possibilità di scegliere tra le nostre cornici premium, affinché ogni versione della \u003cstrong\u003etela\u003c\/strong\u003e si integri meravigliosamente nel tuo universo decorativo.\u003c\/p\u003e\u003ch2\u003e💫 Lettura Emotiva o Simbolica della Natura morta: mele, vaso di fiori e casseruola in metallo - Piet Mondrian\u003c\/h2\u003e\u003cp\u003eQuesta \u003cstrong\u003epittura\u003c\/strong\u003e invoca un dialogo silenzioso, mettendo in discussione il funzionamento della nostra quotidianità. Sussurra sentimenti di gratitudine e di pace interiore, rivelando gli echi della natura tutto intorno a noi. Essendo confrontato con questo \u003cstrong\u003equadro\u003c\/strong\u003e, lo spettatore è invitato a un viaggio interiore, uno spazio di riflessione e di profonda rêverie.\u003c\/p\u003e\u003ch2\u003e🏡 Suggerimenti Decorativi – Una Presenza Ispiratrice\u003c\/h2\u003e\u003cp\u003eUn tale capolavoro si adatterà meravigliosamente a spazi vari: un soggiorno luminoso, una camera rilassante o anche una biblioteca accogliente. Quando lo appendi, abbina la \u003cstrong\u003etela\u003c\/strong\u003e a materiali naturali come il lino o il legno grezzo. Immagina momenti immersivi immersi nella luce del mattino, o nel dolce silenzio della sera, quando l'ombra gioca sul parquet antico…\u003c\/p\u003e\u003ch2\u003e🖌️ L'Eccellenza Alpha Reproduction\u003c\/h2\u003e\u003cp\u003e🎨 Pittura a olio su tela di lino o cotone\u003cbr\u003e👨‍🎨 Riprodotta a mano da artisti esperti\u003cbr\u003e📜 Certificato di autenticità numerato incluso\u003cbr\u003e🖼️ Cornici premium personalizzate disponibili\u003cbr\u003e⏱️ Realizzazione in 10 a 15 giorni lavorativi\u003cbr\u003e📦 Consegna sicura in 3 a 5 giorni lavorativi in tutto il mondo\u003c\/p\u003e\u003ch3\u003e✅ Perché scegliere « Natura morta: mele, vaso di fiori e casseruola in metallo - Piet Mondrian »?\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e🎨 Capolavoro del \u003ca href=\"https:\/\/alphareproduction.com\/collections\/modernisme\"\u003emodernismo\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e🖼️ Composizione luminosa ideale per ogni decorazione murale\u003c\/li\u003e\n\u003cli\u003e🎁 Offerta esclusiva: \u003ca href=\"https:\/\/alphareproduction.com\/discount\/ALPHABOGO?redirect=%2Fcollections%2F\/piet-mondrian\"\u003e1 quadro acquistato = il 2° a -50 %\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e🛒 Ordina la tua Riproduzione di « Natura morta: mele, vaso di fiori e casseruola in metallo »\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRegalati un capolavoro, per abbellire il tuo spazio e nutrire il tuo spirito. Questa \u003cem\u003epittura\u003c\/em\u003e a olio, realizzata a mano, è un tesoro di emozione pronto a diventare il tuo patrimonio visivo.\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e🚚 Condizioni premium\u003c\/h3\u003e\u003cp\u003eConsegna mondiale garantita | Imballaggio rinforzato | Pagamento 3D-Secure | Reso 30 giorni\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594280849634,"sku":"NATURE_MORTE_POMMES_POT_DE_FLEURS_ET_CASSEROLE_EN_M_TAL_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pommes-pot-de-fleurs-et-casserole-en-metal-piet-mondrian_8d0defb5-0dd5-4a81-bef8-dc9a56afe78a.webp?v=1781469702"},{"product_id":"nature-morte-pot-gingembre-ii-piet","title":"Natura morta con vaso di zenzero II - Piet Mondrian","description":"\u003ch2\u003e🌟 Introduzione – Immersione nella Storia di Natura morta con vaso di zenzero II - Piet Mondrian\u003c\/h2\u003e\n\u003ch3\u003e📍 Contesto storico di Natura morta con vaso di zenzero II\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnno:\u003c\/strong\u003e 1911\u003cbr\u003e\u003cstrong\u003eMuseo:\u003c\/strong\u003e \u003ca href=\"https:\/\/alphareproduction.com\/collections\/solomon-r-guggenheim-museum\"\u003emuseo Solomon-R.-Guggenheim\u003c\/a\u003e\u003cbr\u003eDimensioni: 120 x 91.5 cm\u003c\/p\u003e\n\u003cp\u003eLa \u003cstrong\u003epittura\u003c\/strong\u003e « Natura morta con vaso di zenzero II » è nata a New York, periodo cruciale all'inizio del XX secolo, caratterizzato dall'emergere del movimento neoplastico. Mondrian, figura emblematica di quest'epoca, è riuscito a tradurre i cambiamenti sociali e artistici in un'opera che risuona ancora oggi. Questo capolavoro del suo repertorio è conservato presso il museo Solomon R. Guggenheim, un tempio dell'arte moderna e contemporanea.\u003c\/p\u003e\n\u003ch3\u003e🖋️ Anecdoto significativo di Piet Mondrian\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003ePiet Mondrian\u003c\/a\u003e, contemplando la luce che filtrava attraverso le grandi finestre del suo studio newyorkese, avrebbe dichiarato: « La semplicità è l'ultima sofisticazione. » Questa citazione ispira una profonda riflessione sull'armonia minimalista del suo \u003cstrong\u003equadro\u003c\/strong\u003e. È stato in una mattina di primavera, quando un dolce profumo di fiori invadeva l'aria, che questa \u003cstrong\u003epittura\u003c\/strong\u003e ha preso forma, catturando l'essenza di un momento fugace.\u003c\/p\u003e\n\u003ch3\u003e📖 Scena rappresentata in Natura morta con vaso di zenzero II\u003c\/h3\u003e\n\u003cp\u003eIl \u003cstrong\u003equadro\u003c\/strong\u003e evoca una natura morta, dove un vaso di zenzero emerge con maestà tra un insieme accuratamente disposto di oggetti quotidiani. La composizione si basa su un equilibrio perfetto tra forme e colori, ogni elemento raccontando una storia attraverso l'interazione delicata di luce e ombra. Mondrian trasforma l'abitudine in arte, invitando lo spettatore a riflettere sulla bellezza nascosta del quotidiano.\u003c\/p\u003e\n\u003ch3\u003e📜 Posto nell'opera la carriera di Piet Mondrian\u003c\/h3\u003e\n\u003cp\u003e« Natura morta con vaso di zenzero II » si inserisce in un periodo di intensa creatività per Mondrian, dove la sua tecnica raggiunge un apice emotivo e stilistico. Accanto alle sue opere principali come « Composizione II in rosso, blu e giallo » e « Quadro in rosso, giallo e blu », questa \u003cstrong\u003epittura\u003c\/strong\u003e rivela un approccio più intimista e personale, segnando una transizione verso un'astrazione pura pur richiamando il suo amore per le forme organiche.\u003c\/p\u003e\n\u003ch2\u003e🧠 Competenza Artistica – Analisi Approfondita di Natura morta con vaso di zenzero II - Piet Mondrian\u003c\/h2\u003e\n\u003ch3\u003e🎨 Tecnica pittorica dell'opera\u003c\/h3\u003e\n\u003cp\u003eIn questa \u003cstrong\u003etela\u003c\/strong\u003e, l'approccio di Mondrian unisce sottilmente velature e impasti per creare una profondità senza pari. Ogni tocco di \u003cstrong\u003epittura\u003c\/strong\u003e è un riflesso della sua visione artistica, dove la gestualità del pennello invita lo spettatore a immergersi nel cuore stesso dell'emozione. L'intensità della luce e le texture vibranti infondono una vita propria a questa composizione.\u003c\/p\u003e\n\u003ch3\u003e🌈 Palette cromatica di Natura morta con vaso di zenzero II\u003c\/h3\u003e\n\u003cp\u003eI colori vivaci e le tonalità sottili si mescolano armoniosamente in una danza cromatica. Il rosso brillante del vaso di zenzero si oppone a tonalità più morbide, trasmettendo una sensazione di calore e conforto. Ogni sfumatura incarna un'emozione, trasformando il \u003cstrong\u003equadro\u003c\/strong\u003e in un ricordo tattile, evocando momenti di luminosità e silenzio.\u003c\/p\u003e\n\u003ch2\u003e🖌️ Saper-Fare Artigianale – Riproduzione di Alta Precisione per lo stile neoplastico\u003c\/h2\u003e\n\u003cp\u003eLa riproduzione di « Natura morta con vaso di zenzero II » è una vera e propria impresa di artigianato, realizzata con pigmenti di qualità museo su tela di lino. Ogni \u003cstrong\u003epittura\u003c\/strong\u003e nasce da un meticoloso processo di schizzo manuale e sovrapposizioni di colori, richiedendo oltre 40 ore di dedizione. Pigmenti eccezionali come il blu di Prussia e il carminio di alizarina sono utilizzati, garantendo il rispetto delle proporzioni originali e dell'anima del \u003cstrong\u003equadro\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOgni riproduzione è protetta da un vernice anti-UV, garantendo così la durabilità dei colori e l'integrità dell'opera. Non è una semplice copia, ma una \u003cstrong\u003epittura\u003c\/strong\u003e vibrante, nutrita dall'emozione intrinseca al \u003cstrong\u003ecapolavoro\u003c\/strong\u003e originale, pronta a abitare le vostre pareti.\u003c\/p\u003e\n\u003ch2\u003e📜 Esperienza Cliente – Eleganza \u0026amp; Impegno\u003c\/h2\u003e\n\u003cp\u003eIl vostro \u003cstrong\u003equadro\u003c\/strong\u003e è fornito con un certificato di autenticità numerato, prova del suo valore unico. Sarà consegnato arrotolato in un cofanetto tessile, con un'attenzione eccezionale riservata all'imballaggio, garantendo un arrivo in perfette condizioni. Un tubo rinforzato, carta velina e una cassa in legno sono disponibili su richiesta.\u003c\/p\u003e\n\u003cp\u003eFiniture di alta gamma sono a vostra disposizione: cornice galleria nera satinata o legno dorato a foglia, ogni opzione esalta la \u003cstrong\u003etela\u003c\/strong\u003e integrando il vostro arredamento con eleganza.\u003c\/p\u003e\n\u003ch2\u003e💫 Lettura Emozionale o Simbolica di Natura morta con vaso di zenzero II - Piet Mondrian\u003c\/h2\u003e\n\u003cp\u003eQuesta \u003cstrong\u003epittura\u003c\/strong\u003e ci sussurra storie di gratitudine e di pace ritrovata. È un invito alla contemplazione, uno specchio del nostro interno, rivelando il profondo legame che unisce arte e natura. « Natura morta con vaso di zenzero II » ci trasporta in un mondo rasserenante, uno spazio di sogno dove ogni sguardo diventa una meditazione, un invito a rallentare.\u003c\/p\u003e\n\u003ch2\u003e🏡 Suggerimenti Decorativi – Una Presenza Ispiratrice\u003c\/h2\u003e\n\u003cp\u003eAppendi questa \u003cstrong\u003etela\u003c\/strong\u003e in un soggiorno luminoso, una camera intima o un corridoio tranquillo. Associala a materiali naturali come lino lavato o legno grezzo per arricchire l'atmosfera. Immagina la luce del mattino accarezzare le forme del \u003cstrong\u003equadro\u003c\/strong\u003e, portando un'atmosfera pacifica al tuo spazio vitale.\u003c\/p\u003e\n\u003ch2\u003e🖌️ L'Eccellenza Alpha Reproduction\u003c\/h2\u003e\n\u003cp\u003e🎨 Pittura a olio su tela di lino o cotone\u003cbr\u003e👨🎨 Riprodotta a mano da artisti esperti\u003cbr\u003e📜 Certificato di autenticità numerato incluso\u003cbr\u003e🖼️ Cornici premium personalizzate disponibili\u003cbr\u003e⏱️ Realizzazione in 10 a 15 giorni lavorativi\u003cbr\u003e📦 Consegna sicura in 3 a 5 giorni lavorativi in tutto il mondo\u003c\/p\u003e\n\u003ch3\u003e✅ Perché scegliere « Natura morta con vaso di zenzero II - Piet Mondrian »?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e🎨 Capolavoro del neoplasticismo\u003c\/li\u003e\n\u003cli\u003e🖼️ Composizione luminosa ideale per una decorazione minimalista\u003c\/li\u003e\n\u003cli\u003e🎁 Offerta esclusiva: \u003ca href=\"https:\/\/alphareproduction.com\/discount\/ALPHABOGO?redirect=%2Fcollections%2F\/piet-mondrian\"\u003e1 quadro acquistato = il 2° a -50 %\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e🛒 Ordina la tua Riproduzione di « Natura morta con vaso di zenzero II »\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eRegalati un capolavoro, per abbellire il tuo spazio e nutrire il tuo spirito. Questa \u003cem\u003epittura\u003c\/em\u003e a olio, realizzata a mano, è un tesoro di emozione pronto a diventare il tuo patrimonio visivo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e🚚 Condizioni premium\u003c\/h3\u003e\n\u003cp\u003eConsegna mondiale garantita | Imballaggio rinforzato | Pagamento 3D-Secure | Reso 30 giorni\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594284781794,"sku":"NATURE_MORTE_AU_POT_DE_GINGEMBRE_II_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-au-pot-de-gingembre-ii-piet-mondrian-image-1-reproduction_4bad4480-e866-46e9-9b5c-60323ac193d1.webp?v=1781369530"},{"product_id":"nature-morte-pot-gingembre-piet-mondrian","title":"Natura morta con vaso di zenzero I - Piet Mondrian","description":"\u003ch2\u003e🌟 Introduzione – Immersione nella Storia di Natura morta con vaso di zenzero I - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e📍 Contesto storico di Natura morta con vaso di zenzero I\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAnno:\u003c\/strong\u003e 1911\u003cbr\u003e\u003cstrong\u003eMuseo:\u003c\/strong\u003e \u003ca href=\"https:\/\/alphareproduction.com\/collections\/solomon-r-guggenheim-museum\"\u003emuseo Solomon-R.-Guggenheim\u003c\/a\u003e\u003cbr\u003eDimensioni: 75 x 65.5 cm\u003c\/p\u003e\u003cp\u003eCreata nel 1911, questa \u003cstrong\u003epittura\u003c\/strong\u003e emblematica di \u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003ePiet Mondrian\u003c\/a\u003e affonda le sue radici ad Amsterdam, nei Paesi Bassi. Membro influente del movimento De Stijl, Mondrian si colloca in un'epoca di sconvolgimenti culturali e artistici. L'atmosfera avanguardistica della città, segnata dalla ricerca dell'armonia attraverso l'arte astratta, nutre questa \u003cstrong\u003etela\u003c\/strong\u003e che unisce rigore geometrico e bellezza naturale. Oggi, il \u003cstrong\u003equadro\u003c\/strong\u003e risiede nella prestigiosa collezione del \u003ca href=\"https:\/\/alphareproduction.com\/collections\/solomon-r-guggenheim-museum\"\u003emuseo Solomon-R.-Guggenheim\u003c\/a\u003e a New York.\u003c\/p\u003e \u003ch3\u003e🖋️ Anecdoto significativo di Piet Mondrian\u003c\/h3\u003e\u003cp\u003e« La \u003cstrong\u003epittura\u003c\/strong\u003e è la rappresentazione dello spirito, e l'armonia è la sua lingua. » Queste parole risuonano come un'eco alla genesi di questo \u003cstrong\u003ecapolavoro\u003c\/strong\u003e. Ispirato da una profonda sensazione durante una passeggiata in un giardino fiorito, Mondrian cattura questo momento di risveglio estivo. La luminosità e il profumo delicato dei fiori evocano una simbiosi naturale che trova eco in ogni pennellata di questa \u003cstrong\u003epittura\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003e📖 Scena rappresentata in Natura morta con vaso di zenzero I\u003c\/h3\u003e\u003cp\u003eIn questa \u003cstrong\u003ecomposizione\u003c\/strong\u003e, Mondrian trasmette l'essenza della natura morta attraverso un armonioso assemblaggio di forme e colori. Il vaso di zenzero, pezzo centrale del quadro, si erge fiero, circondato da una palette vibrante di tonalità. L'artista riesce a estrarre la vita, trasformando gli elementi inanimati in simboli di leggerezza ed equilibrio, offrendo al contempo uno spazio di contemplazione.\u003c\/p\u003e\u003ch3\u003e📜 Posto nell'opera la carriera di Piet Mondrian\u003c\/h3\u003e\u003cp\u003eNatura morta con vaso di zenzero I occupa un posto di rilievo nella carriera di Mondrian, rendendo conto di un periodo di transizione stilistica. Rispetto a opere come « Composizione con rosso, giallo e blu » e « La patata », questa \u003cstrong\u003epittura\u003c\/strong\u003e illustra come l'artista purifichi progressivamente le sue forme mentre esplora le dinamiche del colore. Essa costituisce un precursore ai suoi futuri lavori di astrazione pura, testimoniando l'evoluzione di un maestro in costante ricerca della verità artistica.\u003c\/p\u003e\u003ch2\u003e🧠 Competenza Artistica – Analisi Approfondita di Natura morta con vaso di zenzero I - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e🎨 Tecnica pittorica dell'opera\u003c\/h3\u003e\u003cp\u003eLa \u003cstrong\u003epittura\u003c\/strong\u003e di Mondrian rivela un savoir-faire ineguagliabile. L'artista utilizza velature sottili per creare una profondità misteriosa, giocando con impasti delicati che danno vita alle sue forme. Ogni strato di \u003cstrong\u003epittura\u003c\/strong\u003e è applicato con cura, portando lo spettatore in un gioco di luce e ombra, dove l'armonia delle texture si svela lentamente, creando così un universo emotivo ricco all'interno di questa \u003cstrong\u003etela\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003e🌈 Palette cromatica di Natura morta con vaso di zenzero I\u003c\/h3\u003e\u003cp\u003eI colori vivaci e la palette accuratamente scelta infondono una dinamica alla \u003cstrong\u003epittura\u003c\/strong\u003e. I rossi profondi evocano la passione, mentre i verdi simboleggiano la serenità. Mondrian associa le tonalità per suscitare emozioni varie, invitando lo spettatore a viaggiare attraverso le sue sensazioni. I gradienti di luce sussurrano una storia d'amore tra l'oggetto e la sua rappresentazione, scolpendo l'anima di questa \u003cstrong\u003etela\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003e🖌️ Savoir-Faire Artigianale – Riproduzione di Alta Precisione per lo stile De Stijl\u003c\/h2\u003e\u003cp\u003eQuesta riproduzione di Natura morta con vaso di zenzero I è realizzata con la massima cura, ogni dettaglio è meticolosamente dipinto a mano su una tela di lino di qualità museo. Il processo comprende un bozzetto preciso e numerosi strati successivi di \u003cstrong\u003epittura\u003c\/strong\u003e, garantendo un risultato fedele alle proporzioni e allo spirito dell'opera originale. I pigmenti utilizzati, come il blu di Prussia e il carminio di alizarina, sono selezionati per la loro durabilità e profondità. Circa 40 ore di lavoro sono investite, unendo gestualità precisa e sensibilità, per catturare l'essenza di questa \u003cstrong\u003epittura\u003c\/strong\u003e. Una vernice anti-UV protegge l'opera preservando l'integrità dei colori vibranti, rendendo questa riproduzione una pièce autenticamente abitata, pronta a trasmettere l'emozione del \u003cstrong\u003ecapolavoro\u003c\/strong\u003e originale.\u003c\/p\u003e\u003ch2\u003e📜 Esperienza Cliente – Eleganza \u0026amp; Impegno\u003c\/h2\u003e\u003cp\u003eIl tuo \u003cstrong\u003equadro\u003c\/strong\u003e sarà accompagnato da un certificato di autenticità numerato, attestante la sua qualità e unicità. La \u003cstrong\u003epittura\u003c\/strong\u003e è accuratamente consegnata arrotolata in un astuccio tessile, progettato per proteggere quest'opera preziosa. Un'attenzione particolare è riservata all'imballaggio: tubo rinforzato, carta di seta e cassa in legno su richiesta per garantire un arrivo senza intoppi.\u003c\/p\u003e\u003cp\u003eScegli tra le nostre cornici premium: cornice galleria nera satinata, legno dorato in foglia, rovere chiaro o cornice galleggiante moderna. Ogni cornice valorizza la \u003cstrong\u003etela\u003c\/strong\u003e e abbellirà il tuo interno con eleganza.\u003c\/p\u003e\u003ch2\u003e💫 Lettura Emotiva o Simbolica di Natura morta con vaso di zenzero I - Piet Mondrian\u003c\/h2\u003e\u003cp\u003eLa \u003cstrong\u003epittura\u003c\/strong\u003e sussurra storie di gratitudine e comunione con la natura. Essa offre uno spazio di introspezione dove ogni sguardo su questa \u003cstrong\u003etela\u003c\/strong\u003e riaccende emozioni profondamente sepolte. Questo \u003cstrong\u003ecapolavoro\u003c\/strong\u003e diventa un prezioso specchio introspettivo, invitando alla meditazione e alla rêverie, collegando la mente con l'essenza stessa della vita.\u003c\/p\u003e\u003ch2\u003e🏡 Suggerimenti Decorativi – Una Presenza Ispiratrice\u003c\/h2\u003e\u003cp\u003eQuesto \u003cstrong\u003equadro\u003c\/strong\u003e si installerà con charme in un soggiorno luminoso, portando un tocco di eleganza a uno spazio poetico. Immaginalo appeso in una camera intima, o immergendosi nell'universo di una biblioteca tranquilla. Associa la \u003cstrong\u003etela\u003c\/strong\u003e a materiali naturali come il lino lavato e il legno chiaro, creando un'atmosfera di pace e serenità: la luce del mattino che penetra dolcemente, l'ombra rasserenante della sera su un parquet antico... Facciamo di questo spazio un rifugio d'ispirazione.\u003c\/p\u003e\u003ch2\u003e🖌️ L'Eccellenza Alpha Reproduction\u003c\/h2\u003e\u003cp\u003e🎨 Pittura a olio su tela di lino o cotone\u003cbr\u003e👨‍🎨 Riprodotta a mano da artisti esperti\u003cbr\u003e📜 Certificato di autenticità numerato incluso\u003cbr\u003e🖼️ Cornici premium personalizzate disponibili\u003cbr\u003e⏱️ Realizzazione in 10 a 15 giorni lavorativi\u003cbr\u003e📦 Consegna sicura in 3 a 5 giorni lavorativi in tutto il mondo\u003c\/p\u003e\u003ch3\u003e✅ Perché scegliere « Natura morta con vaso di zenzero I - Piet Mondrian »?\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e🎨 Capolavoro del De Stijl\u003c\/li\u003e\n\u003cli\u003e🖼️ Composizione luminosa ideale per una decorazione murale moderna\u003c\/li\u003e\n\u003cli\u003e🎁 Offerta esclusiva: \u003ca href=\"https:\/\/alphareproduction.com\/discount\/ALPHABOGO?redirect=%2Fcollections%2F\/piet-mondrian\"\u003e1 quadro acquistato = il 2° a -50 %\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e🛒 Ordina la tua Riproduzione di « Natura morta con vaso di zenzero I »\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRegalati un capolavoro, per abbellire il tuo spazio e nutrire il tuo spirito. Questa \u003cem\u003epittura\u003c\/em\u003e a olio, realizzata a mano, è un tesoro di emozione pronto a diventare il tuo patrimonio visivo.\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e🚚 Condizioni premium\u003c\/h3\u003e\u003cp\u003eConsegna mondiale garantita | Imballaggio rinforzato | Pagamento 3D-Secure | Reso 30 giorni\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594286223586,"sku":"NATURE_MORTE_AU_POT_DE_GINGEMBRE_I_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-au-pot-de-gingembre-i-piet-mondrian-image-1-tableau.jpg?v=1780660162"},{"product_id":"nature-morte-buste-platre-piet-mondrian","title":"Natura morta con un busto in gesso - Piet Mondrian","description":"\u003ch2\u003e🌟 Introduzione – Immersione nella Storia della Natura morta con un busto in gesso - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e📍 Contesto storico della Natura morta con un busto in gesso\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAnno:\u003c\/strong\u003e 1902\u003cbr\u003e\u003cstrong\u003eMuseo:\u003c\/strong\u003e museo di Groninga\u003cbr\u003eDimensioni: 61.5 x 73.5 cm\u003c\/p\u003e\u003cp\u003eIl \u003cstrong\u003equadro\u003c\/strong\u003e « Natura morta con un busto in gesso » è nato nel 1902, a Groninga, una città olandese ricca di storia. Quest'opera emblematica si inserisce nel movimento artistico del \u003ca href=\"https:\/\/alphareproduction.com\/collections\/modernisme\"\u003emodernismo\u003c\/a\u003e, un movimento che ha profondamente sconvolto la concezione tradizionale dell'arte. È qui, nel cuore di questo ricco ambiente culturale, che Mondrian, pioniere dell'astrazione, ha creato un \u003cstrong\u003equadro\u003c\/strong\u003e che unisce armonia e contemplazione.\u003c\/p\u003e\u003ch3\u003e🖋️ Anecdoto significativo di Piet Mondrian\u003c\/h3\u003e\u003cp\u003e« La semplicità è la suprema sofisticazione », diceva Mondrian. Ispirato dalla bellezza di una mattina radiosa di aprile, ha catturato l'essenza del suo tempo attraverso questa \u003cstrong\u003epittura\u003c\/strong\u003e. Passeggiando nel suo studio, il dolce profumo dei fiori primaverili ha risvegliato in lui una visione di equilibrio e armonia, dando vita a questo \u003cstrong\u003ecapolavoro\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003e📖 Scena rappresentata nella Natura morta con un busto in gesso\u003c\/h3\u003e\u003cp\u003eIl \u003cstrong\u003equadro\u003c\/strong\u003e « Natura morta con un busto in gesso » rivela una composizione sottile, dove un busto in gesso si erge con maestà. Circondato da oggetti quotidiani, ogni elemento racconta una storia. Le influenze \u003ca href=\"https:\/\/alphareproduction.com\/collections\/cubism\"\u003ecubiste\u003c\/a\u003e, già palpabili, si mescolano alle forme tradizionali per creare una scena sia familiare che intrigante, dove la luce scintilla dolcemente sulle superfici, conferendo un'atmosfera di serenità.\u003c\/p\u003e\u003ch3\u003e📜 Posto nell'opera la carriera di Piet Mondrian\u003c\/h3\u003e\u003cp\u003eQuesta \u003cstrong\u003epittura\u003c\/strong\u003e rappresenta un significativo punto di svolta nella carriera di Mondrian. Si colloca in un periodo di sperimentazione in cui oscilla tra figurazione e astrazione. Accanto a opere come « Composizione in rosso, blu e giallo » e « Il mulino », questo \u003cstrong\u003equadro\u003c\/strong\u003e rivela l'evoluzione del suo linguaggio visivo, segnando un passo verso composizioni più puramente astratte che seguiranno.\u003c\/p\u003e\u003ch2\u003e🧠 Esperienza Artistica – Analisi Approfondita della Natura morta con un busto in gesso - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e🎨 Tecnica pittorica dell'opera\u003c\/h3\u003e\u003cp\u003eLa \u003cstrong\u003epittura\u003c\/strong\u003e di Mondrian, realizzata con meticolosa cura, utilizza tecniche di impasto e velature che accentuano la profondità e la luminosità della scena. Ogni pennellata è un gesto riflessivo, creando un equilibrio perfetto tra linee e forme. La luce, dolcemente diffusa, danza sulla tela, offrendo un'esperienza visiva coinvolgente.\u003c\/p\u003e\u003ch3\u003e🌈 Palette cromatica della Natura morta con un busto in gesso\u003c\/h3\u003e\u003cp\u003eI colori scelti da Mondrian oscillano tra il bianco puro, le tonalità terrose e le delicate sfumature di grigio, creando un'armonia rasserenante. Ognuna di queste tonalità evoca una sensazione particolare: chiarezza, tranquillità e un sottile senso di nostalgia. I contrasti attentamente pensati scolpiscono l'anima vibrante di questo \u003cstrong\u003equadro\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003e🖌️ Savoir-Faire Artigianale – Riproduzione di Alta Precisione per lo stile modernista\u003c\/h2\u003e\u003cp\u003eOgni riproduzione di questa \u003cstrong\u003epittura\u003c\/strong\u003e è realizzata a mano su una tela di lino di qualità museo, attraverso un processo fiscalizzato di più fasi. Con 40 ore di applicazione, questi artisti esperti abbozzano manualmente prima di applicare strati successivi di pigmenti di alta qualità, come il blu di Prussia e il carminio di alizarina. Il vernice protettiva anti-UV garantisce la durabilità, mentre ogni riproduzione diventa un'eredità artistica, vibrante di emozione.\u003c\/p\u003e\u003cp\u003eQuesto \u003cstrong\u003equadro\u003c\/strong\u003e non è semplicemente una copia; è un'opera vivente, erede della passione e del savoir-faire artigianale.\u003c\/p\u003e\u003ch2\u003e📜 Esperienza Cliente – Eleganza \u0026amp; Impegno\u003c\/h2\u003e\u003cp\u003eIl tuo \u003cstrong\u003equadro\u003c\/strong\u003e è consegnato con un certificato di autenticità numerato, garantendo la sua provenienza. Lavato con cura in un imballaggio rinforzato, riceverai la tua opera in un cofanetto tessile, pronta ad abbellire il tuo decor. Opzioni di incorniciatura di alta gamma sono anche a tua disposizione, assicurando una messa in luce ideale della \u003cstrong\u003etela\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003e💫 Lettura Emozionale o Simbolica della Natura morta con un busto in gesso - Piet Mondrian\u003c\/h2\u003e\u003cp\u003eOltre alla semplice \u003cstrong\u003epittura\u003c\/strong\u003e, quest'opera incarna un dialogo intimo con lo spettatore. Sussurra temi di gratitudine e tranquillità, offrendo uno spazio propizio alla contemplazione e alla rêverie. Questo \u003cstrong\u003equadro\u003c\/strong\u003e diventa così uno specchio di sé, un simbolo di pace interiore.\u003c\/p\u003e\u003ch2\u003e🏡 Suggerimenti Decorativi – Una Presenza Ispiratrice\u003c\/h2\u003e\u003cp\u003eAppendere questo \u003cstrong\u003equadro\u003c\/strong\u003e in un soggiorno arioso, o in una camera intima porterà un tocco di sofisticazione. Associalo a materiali caldi come il lino o il legno naturale per creare un'atmosfera serena. La luce che penetra negli spazi evocherà l'armonia e la dolcezza del momento, trasformando la stanza in un santuario.\u003c\/p\u003e\u003ch2\u003e🖌️ L'Eccellenza Alpha Reproduction\u003c\/h2\u003e\u003cp\u003e🎨 Pittura a olio su tela di lino o cotone\u003cbr\u003e👨‍🎨 Riprodotta a mano da artisti esperti\u003cbr\u003e📜 Certificato di autenticità numerato incluso\u003cbr\u003e🖼️ Cornici premium personalizzate disponibili\u003cbr\u003e⏱️ Realizzazione in 10 a 15 giorni lavorativi\u003cbr\u003e📦 Consegna sicura in 3 a 5 giorni lavorativi in tutto il mondo\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003e✅ Perché scegliere « Natura morta con un busto in gesso - Piet Mondrian »?\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e🎨 Capolavoro del \u003ca href=\"https:\/\/alphareproduction.com\/collections\/modernisme\"\u003emodernismo\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e🖼️ Composizione luminosa ideale per una decorazione contemporanea\u003c\/li\u003e\n\u003cli\u003e🎁 Offerta esclusiva: \u003ca href=\"https:\/\/alphareproduction.com\/discount\/ALPHABOGO?redirect=%2Fcollections%2F\/piet-mondrian\"\u003e1 quadro acquistato = il 2° a -50 %\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e🛒 Ordina la tua Riproduzione di « Natura morta con un busto in gesso »\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRegalati un capolavoro, per abbellire il tuo spazio e nutrire il tuo spirito. Questa \u003cem\u003epittura\u003c\/em\u003e a olio, realizzata a mano, è un tesoro di emozione pronto a diventare il tuo patrimonio visivo.\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e🚚 Condizioni premium\u003c\/h3\u003e\u003cp\u003eConsegna mondiale garantita | Imballaggio rinforzato | Pagamento 3D-Secure | Reso 30 giorni\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594298085602,"sku":"NATURE_MORTE_AVEC_UN_BUSTE_EN_PL_TRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-avec-un-buste-en-platre-piet-mondrian-image-1-reproduction.jpg?v=1780660229"},{"product_id":"nature-morte-miroir-recipients-honnetete-fruits","title":"Natura morta con specchio, recipienti, onestà e frutti - Piet Mondrian","description":"\u003ch2\u003e🌟 Introduzione – Immersione nella Storia di Natura morta con specchio, recipienti, onestà e frutti - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e📍 Contesto storico di Natura morta con specchio, recipienti, onestà e frutti\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAnno:\u003c\/strong\u003e 1905\u003cbr\u003e\u003cstrong\u003eMuseo:\u003c\/strong\u003e Non specificato\u003cbr\u003eDimensioni: 75 x 100 cm\u003c\/p\u003e\u003cp\u003eCreata nel 1905, questa famosa \u003cstrong\u003epittura\u003c\/strong\u003e si inserisce nel movimento moderno nato in Europa, emblematica dell’avanguardia artistica del suo tempo. Nel pieno di un’epoca di sconvolgimenti culturali, Piet \u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003eMondrian\u003c\/a\u003e ci offre qui una composizione che unisce armonia e semplicità, concentrando la sua visione del mondo attraverso forme e colori. Attualmente, questo \u003cstrong\u003equadro\u003c\/strong\u003e è celebrato come un pilastro della modernità, incarnando le pulsazioni creative della città di Parigi dove l'artista ha trovato gran parte della sua ispirazione.\u003c\/p\u003e\u003ch3\u003e🖋️ Anecdoto significativo di Piet Mondrian\u003c\/h3\u003e\u003cp\u003e«Basta un riflesso per scoprire la verità», avrebbe dichiarato \u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003eMondrian\u003c\/a\u003e una mattina di primavera, mentre scrutava i riflessi in uno specchio. Questo momento di contemplazione ha infuso alla \u003cstrong\u003epittura\u003c\/strong\u003e tutta la sua essenza, ancorando l’onestà e la bellezza dei frutti in una composizione che parla alla nostra sensibilità. Attraverso \u003cstrong\u003eNatura morta con specchio, recipienti, onestà e frutti\u003c\/strong\u003e, \u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003eMondrian\u003c\/a\u003e ci invita a entrare in una danza delicata tra natura e astrazione, mettendo in luce una realtà spesso trascurata.\u003c\/p\u003e\u003ch3\u003e📖 Scena rappresentata in Natura morta con specchio, recipienti, onestà e frutti\u003c\/h3\u003e\u003cp\u003eIn questo quadro vibrante, gli elementi si affiancano con una grazia senza tempo. I recipienti, ornati di frutti brillanti, prendono vita e raccontano una storia di semplicità e bellezza. Lo specchio, in eco, riflette non solo questi oggetti, ma anche le emozioni che li animano, portando una dimensione interiore a quello che potrebbe sembrare un semplice arrangiamento. Ogni dettaglio è accuratamente pensato, rivelando così la profondità di un momento quotidiano elevato dall’occhio dell’artista.\u003c\/p\u003e\u003ch3\u003e📜 Posto nell’opera la carriera di Piet Mondrian\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eNatura morta con specchio, recipienti, onestà e frutti\u003c\/strong\u003e rappresenta un punto di svolta nella carriera di \u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003eMondrian\u003c\/a\u003e. Infatti, questa \u003cstrong\u003epittura\u003c\/strong\u003e testimonia un periodo di ricerca formale che lo porterà verso le sue opere più astratte. In parallelo, altri \u003cstrong\u003equadri\u003c\/strong\u003e come «Composizione con rosso, blu e giallo» e «Broadway Boogie Woogie» mostrano la sua evoluzione verso un linguaggio pittorico minimalista, ma questa \u003cstrong\u003etela\u003c\/strong\u003e rimane ancorata a un \u003ca href=\"https:\/\/alphareproduction.com\/collections\/realism\"\u003erealismo\u003c\/a\u003e edificante, dove l'armonia dei colori e la chiarezza delle forme prefigurano il suo futuro artistico.\u003c\/p\u003e\u003ch2\u003e🧠 Esperienza Artistica – Analisi Approfondita di Natura morta con specchio, recipienti, onestà e frutti - Piet Mondrian\u003c\/h2\u003e\u003ch3\u003e🎨 Tecnica pittorica dell'opera\u003c\/h3\u003e\u003cp\u003eLa tecnica di \u003ca href=\"https:\/\/alphareproduction.com\/collections\/piet-mondrian\"\u003eMondrian\u003c\/a\u003e in questa \u003cstrong\u003epittura\u003c\/strong\u003e si dispiega attraverso strati minuti di velature e impasti, offrendo una texture che trascende la semplice \u003cstrong\u003etela\u003c\/strong\u003e. Ogni colpo di pennello è stato riflettuto con cura, giocando sui contrasti luminosi e le ombre delicate, creando così un dialogo tra gli elementi rappresentati. Questa maestria pittorica arricchisce l'opera di una dimensione emotiva profondamente ancorata, rivelando una luce che scintilla come i frutti stessi.\u003c\/p\u003e\u003ch3\u003e🌈 Palette cromatica di Natura morta con specchio, recipienti, onestà e frutti\u003c\/h3\u003e\u003cp\u003eI colori vibranti di questa \u003cstrong\u003epittura\u003c\/strong\u003e sono molto più che tonalità; sono il riflesso dell'anima dell'artista. I rossi brillanti dei frutti contrasteranno con i verdi rasserenanti dei recipienti, mentre i riflessi dello specchio catturano sfumature dorate, simboleggiando il calore di un pomeriggio soleggiato. Ogni colore, scelto con cura, evoca un'emozione particolare, creando così un'atmosfera sia vivace che contemplativa, ancorata nella bellezza del quotidiano.\u003c\/p\u003e\u003ch2\u003e🖌️ Saper-Fare Artigianale – Riproduzione di Alta Precisione per lo stile moderno\u003c\/h2\u003e\u003cp\u003eQuesta riproduzione a mano è realizzata con un'attenzione minuziosa, rispettando le tecniche di pittura a olio su tela di lino di alta qualità, accuratamente selezionata per la sua qualità museale. L'artigiano realizza schizzi manuali e sovrappone gli strati di \u003cstrong\u003epittura\u003c\/strong\u003e utilizzando pigmenti di eccellenza, come il blu di Prussia e il carminio di alizarina. L'opera richiede circa 40 ore di lavoro, ogni fase essendo impregnata di passione e competenza. Una vernice protettiva anti-UV assicura la durata dei colori, rendendo questa \u003cstrong\u003etela\u003c\/strong\u003e non solo fedele all'originale, ma anche vibrante e durevole.\u003c\/p\u003e\u003cp\u003eQuesta riproduzione di \u003cstrong\u003eNatura morta con specchio, recipienti, onestà e frutti\u003c\/strong\u003e è più di una semplice copia; è un \u003cstrong\u003eopera pittorica\u003c\/strong\u003e vivente e ricca, pronta a iscriversi nel tuo patrimonio artistico, trasmettendo l'essenza del capolavoro originale.\u003c\/p\u003e\u003ch2\u003e📜 Esperienza Cliente – Eleganza \u0026amp; Impegno\u003c\/h2\u003e\u003cp\u003eIl tuo \u003cstrong\u003equadro\u003c\/strong\u003e è accompagnato da un certificato di autenticità numerato, garantendo la qualità di questa riproduzione. Sarà consegnato in un cofanetto tessile, accuratamente imballato in un tubo rinforzato e carta velina, per assicurarti una ricezione impeccabile. Su richiesta, è disponibile anche una cassa in legno.\u003c\/p\u003e\u003cp\u003ePer esaltare la tua \u003cstrong\u003etela\u003c\/strong\u003e, scegli tra le nostre cornici premium: cornice galleria nera satinata, legno dorato in foglia, rovere chiaro o cornice galleggiante moderna. Ogni opzione è pensata per armonizzarsi con l’estetica del tuo interno, sottolineando la bellezza dell’opera.\u003c\/p\u003e\u003ch2\u003e💫 Lettura Emotiva o Simbolica di Natura morta con specchio, recipienti, onestà e frutti - Piet Mondrian\u003c\/h2\u003e\u003cp\u003eQuesta \u003cstrong\u003epittura\u003c\/strong\u003e risuona profondamente in ognuno di loro. Sussurra pensieri di gratitudine, serenità e invita a una meditazione sulla bellezza delle cose semplici. Diventa uno specchio interiore, uno spazio dove le emozioni si intrecciano e dove la natura si esprime nella sua forma più pura. \u003cstrong\u003eNatura morta con specchio, recipienti, onestà e frutti\u003c\/strong\u003e trascende il suo soggetto per offrire un momento di riflessione e di sogno.\u003c\/p\u003e\u003ch2\u003e🏡 Suggerimenti Decorativi – Una Presenza Ispiratrice\u003c\/h2\u003e\u003cp\u003ePensa a appendere questa \u003cstrong\u003etela\u003c\/strong\u003e nel tuo soggiorno luminoso, nella tua camera dolce o anche in un corridoio tranquillo per portare un tocco di eleganza alla tua decorazione. Associala a materiali naturali come il lino lavato o il legno per creare un'atmosfera rasserenante. Evoca le atmosfere della luce del mattino, o il silenzio della sera, quando le ombre danzano delicatamente sul parquet antico.\u003c\/p\u003e\u003ch2\u003e🖌️ L’Eccellenza Alpha Reproduction\u003c\/h2\u003e\u003cp\u003e🎨 Pittura a olio su tela di lino o cotone\u003cbr\u003e👨‍🎨 Riprodotta a mano da artisti esperti\u003cbr\u003e📜 Certificato di autenticità numerato incluso\u003cbr\u003e🖼️ Cornici premium personalizzate disponibili\u003cbr\u003e⏱️ Realizzazione in 10 a 15 giorni lavorativi\u003cbr\u003e📦 Consegna sicura in 3 a 5 giorni lavorativi in tutto il mondo\u003c\/p\u003e\u003ch3\u003e✅ Perché scegliere «Natura morta con specchio, recipienti, onestà e frutti - Piet Mondrian»?\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e🎨 Capolavoro del movimento moderno\u003c\/li\u003e\n\u003cli\u003e🖼️ Composizione luminosa ideale per una decorazione murale contemporanea\u003c\/li\u003e\n\u003cli\u003e🎁 Offerta esclusiva: \u003ca href=\"https:\/\/alphareproduction.com\/discount\/ALPHABOGO?redirect=%2Fcollections%2F\/piet-mondrian\"\u003e1 quadro acquistato = il 2° a -50 %\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e🛒 Ordina la tua Riproduzione di «Natura morta con specchio, recipienti, onestà e frutti»\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRegalati un capolavoro, per abbellire il tuo spazio e nutrire il tuo spirito. Questa \u003cem\u003epittura\u003c\/em\u003e a olio, realizzata a mano, è un tesoro di emozione pronto a diventare il tuo patrimonio visivo.\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e🚚 Condizioni premium\u003c\/h3\u003e\u003cp\u003eConsegna mondiale garantita | Imballaggio rinforzato | Pagamento 3D-Secure | Reso 30 giorni\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594317484258,"sku":"NATURE_MORTE_AVEC_MIROIR_R_CIPIENTS_HONN_TET_ET_FRUITS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-avec-miroir-recipients-honnetete-et-fruits-piet-mondrian-image-1_9d4cf184-b925-4b61-8fa8-12edf467ff73.webp?v=1781422573"},{"product_id":"nature-morte-sabots-vincent-van-gogh","title":"Natura morta con zoccoli, F63 - Vincent van 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Fine novembre - metà dicembre 1881 · L'Aia, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con zoccoli, F63\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna pentola di terra rossa, una bottiglia verde e un paio di zoccoli occupano un tavolo scuro Il Museo Kroeller-Müller presenta questo studio eseguito da Anton Mauve come il primissimo dipinto di Van Gogh.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-sabots-f63-jh920-van-gogh.webp?v=1785380244\u0026amp;format=webp\" alt=\"Natura morta con zoccoli F63 JH920 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con zoccoli, F63\u003c\/strong\u003eVincent van Gogh · Fine novembre - metà dicembre 1881 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eFine novembre - metà dicembre 1881\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39×41,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eI primi oggetti dipinti da Van Gogh\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso rotondo, arancione domina il centro Dietro di esso, la bottiglia si alza a sinistra mentre i due zoccoli si incastrano a destra, uno mostra il suo interno nero.\u003c\/p\u003e\n\u003cp\u003eIn primo piano appare un pezzo di stoffa gialla, Van Gogh incide le giunture delle tavole nella vernice con un oggetto contundente, probabilmente il manico del pennello.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con zoccoli F63\/JH920 è un olio su tela montato su un pannello di 39 × 41,5 cm prodotto a L'Aia tra la fine di novembre e la metà di dicembre 1881, è conservato sotto il numero KM 111.332.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eMauve compone questo esercizio per confrontare Van Gogh con vetro, terracotta, legno, tessuto e pelle Il museo vede in questo il vero inizio della sua carriera di pittore.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl vaso dà il volume principale\u003c\/h3\u003e\n\u003cp\u003eIl suo ventre rosso-arancio è modellato da ampie ombre, coperchio e bordo creano ellissi indispensabili per la profondità.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGli zoccoli si incastrano\u003c\/h3\u003e\n\u003cp\u003eLa loro disposizione mostra sia le sagome esterne che la cavità nera di una di esse, un complesso esercizio di forma.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa tabella è letteralmente disegnata\u003c\/h3\u003e\n\u003cp\u003eNella vernice bagnata sono state graffiate le linee delle tavole, rimane visibile in originale questo gesto molto concreto.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso ufficiale dà 39 × 41,5 cm, un olio su tela montato su un pannello e l'inventario KM 111,332 Riferimenti di catalogo sono F63\/JH920.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePrimo tentativo\u003c\/span\u003e\u003ch3\u003eIl primo dipinto secondo il museo\u003c\/h3\u003e\n\u003cp\u003eAnton Mauve pone Van Gogh di fronte a questa natura morta durante le sue lezioni all'Aia Il risultato lo incoraggiò a continuare la pittura a olio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMateriali\u003c\/span\u003e\u003ch3\u003eVetro, terra, legno e tessuto\u003c\/h3\u003e\n\u003cp\u003eOgni oggetto impone una risposta diversa: riflesso opaco della bottiglia, rotondità della pentola, incavi degli zoccoli e pieghe del panno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eKM 111.332 a Otterlo\u003c\/h3\u003e\n\u003cp\u003eL'opera è ora esposta al Museo Kroeller-Müller, con un avviso che descrive in dettaglio questo momento fondativo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-still-life-with-clogs-km-111-332\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale del Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia dovrebbe mantenere la pentola rossa al centro, la bottiglia verticale, gli zoccoli annidati, il tessuto giallo e le linee incise nelle tavole.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa pentola di terracotta\u003c\/li\u003e\n\u003cli\u003eLa bottiglia verde a sinistra\u003c\/li\u003e\n\u003cli\u003eI due zoccoli ad incastro\u003c\/li\u003e\n\u003cli\u003eIl panno giallo in primo piano\u003c\/li\u003e\n\u003cli\u003eI giunti incisi della tavola\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con zoccoli, F63\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eFine novembre - metà dicembre 1881\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eL'Aia, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e39×41,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF63 · JH920 · KM 111.332\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta quadrata in terracotta, verde e nero\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato quasi quadrato è adatto per una cucina, un ufficio o una sala da pranzo Gli oggetti rustici si abbinano al legno grezzo e agli interni caldi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux sabots, F63\"\u003e\n\u003ci style=\"background:#1c201d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#384037\"\u003e\u003c\/i\u003e\u003ci style=\"background:#70503a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a65c38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0a568\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone nero, noce o bronzo patinato accompagna le terre scure Una luce morbida e laterale rivela il tocco senza sbiancare i colori.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 2200×2074 px è stato mantenuto nella sua definizione nativa e convertito in vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con zoccoli, F63, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (60 x 60 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Fine novembre - metà dicembre 1881 · L'Aia, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con cavoli e zoccoli, F1\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu un tavolo di legno sono posti cavoli bianchi, patate e due zoccoli Dipinto durante le prime lezioni di olio di Van Gogh con Anton Mauve, questo studio mette a confronto materiali opachi, superfici chiare e oggetti ordinari.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-chou-sabots-f1-jh81-van-gogh.webp?v=1785380231\u0026amp;format=webp\" alt=\"Natura morta con cavoli e zoccoli F1 JH81 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con cavoli e zoccoli, F1\u003c\/strong\u003eVincent van Gogh · Fine novembre - metà dicembre 1881 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eFine novembre - metà dicembre 1881\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e34×55 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su carta montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn cavolo leggero tra patate e zoccoli\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl cavolo occupa il centro con le sue foglie di panna ampiamente diffuse Cinque patate formano una linea irregolare in primo piano; i due zoccoli chiudono la composizione in basso.\u003c\/p\u003e\n\u003cp\u003eUn tessuto blu-verde si piega sotto lo zoccolo destro, mentre dietro il cavolo appare un tessuto rosso scuro, questi due accenti freddi e caldi ravvivano una gamma dominata dai marroni.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con cavoli e zoccoli F1\/JH81 è un olio su carta montato su un pannello da 34 × 55 cm, dipinto a L'Aia tra la fine di novembre e la metà di dicembre 1881 È conservato al Museo Van Gogh con il numero s0137V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'opera appartiene ai primi esercizi a olio di Van Gogh Mauve sceglie oggetti dalle texture opposte per farlo lavorare su volume, luce e colore.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl cavolo costituisce il centro della luce\u003c\/h3\u003e\n\u003cp\u003eLe sue foglie plissettate sono modellate in crema, giallo e grigio La loro forma complessa contrasta con i volumi semplici dei tuberi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGli zoccoli incorniciano la scena\u003c\/h3\u003e\n\u003cp\u003eLo zoccolo chiaro in basso e quello più scuro a destra formano una diagonale che conduce lo sguardo dietro il cavolo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe tavole costruiscono profondità\u003c\/h3\u003e\n\u003cp\u003eI raccordi del tavolo convergono verso il basso e danno al tutto una prospettiva decisa nonostante il layout molto semplice.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl catalogo del Museo Van Gogh dà 34 × 55 cm, un olio su carta montato su un pannello e l'inventario s0137V1962 I riferimenti ragionati sono F1\/JH81.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInizio\u003c\/span\u003e\u003ch3\u003eUno dei primi oli\u003c\/h3\u003e\n\u003cp\u003eVan Gogh soggiornò all'Aia per imparare a dipingere con Anton Mauve dopo essersi fino ad allora dedicato principalmente al disegno.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLettera\u003c\/span\u003e\u003ch3\u003eCavolo bianco e patate\u003c\/h3\u003e\n\u003cp\u003eVan Gogh descrive a Theo uno studio costituito da cavolo bianco, patate e altri oggetti, un motivo corrispondente a questa tela.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003es0137V1962 ad Amsterdam\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene alla Fondazione Vincent van Gogh ed è ospitato nel Museo Van Gogh.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0137V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia dovrebbe tenere il cavolo crema come centro, le cinque patate, i due zoccoli, il tessuto blu-verde, la striscia rosso scuro e le tavole diagonali.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLe foglie plissettate di cavolo bianco\u003c\/li\u003e\n\u003cli\u003eLa linea irregolare di patate\u003c\/li\u003e\n\u003cli\u003eLo zoccolo chiaro sullo sfondo\u003c\/li\u003e\n\u003cli\u003eIl tessuto verde blu a destra\u003c\/li\u003e\n\u003cli\u003eIl tavolo marrone si unisce\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con cavoli e zoccoli, F1\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eFine novembre - metà dicembre 1881\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eL'Aia, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su carta montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e34×55 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF1 · JH81 · s0137V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta orizzontale in crema, terra e blu-verde\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è adatto per una cucina, sala da pranzo o interni rustici contemporanei La tavolozza terrosa accompagna legno, pietra e lino.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au chou et aux sabots, F1\"\u003e\n\u003ci style=\"background:#2b241d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#55402e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#846546\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b29b69\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0bd86\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone nero, noce o bronzo patinato accompagna le terre scure Una luce morbida e laterale rivela il tocco senza sbiancare i colori.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento ufficiale di 3.840×2.362 px è stato ridotto a 3.000×1.845 px e poi convertito in un vero WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con cavoli e zoccoli, F1, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 85 cm)","offer_id":46594802843874,"sku":"NATURE_MORTE_AU_CHOU_ET_AUX_SABOTS_50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-chou-sabots-f1-jh81-van-gogh.webp?v=1785380231"},{"product_id":"nature-morte-chope-biere-fruits-vincent","title":"Natura morta con boccale di birra e frutta - Vincent van Gogh","description":"\u003ch2\u003e🌟 Introduzione – Immersione nella Storia della Natura morta con boccale di birra e frutti - Vincent van Gogh\u003c\/h2\u003e\u003ch3\u003e📍 Contesto storico della Natura morta con boccale di birra e frutti\u003c\/h3\u003e\u003cp\u003eCreato nel 1881 a Etten, questo dipinto emblematico appartiene al movimento \u003ca href=\"https:\/\/alphareproduction.com\/collections\/post-impressionism\"\u003epost-impressionista\u003c\/a\u003e. La tela, attualmente esposta presso il \u003ca href=\"https:\/\/alphareproduction.com\/collections\/von-der-heydt-museum-1\"\u003emuseo Von-der-Heydt\u003c\/a\u003e, testimonia un periodo in cui Van Gogh cercava di catturare la bellezza della quotidianità attraverso una prospettiva unica. Con dimensioni di 57.5 x 44.5 cm, quest'opera pittorica illustra i primi passi di una carriera artistica in piena fioritura.\u003c\/p\u003e\u003ch3\u003e🖋️ Anecdoto significativo di Vincent van Gogh\u003c\/h3\u003e\u003cp\u003e« Dipingo le cose semplici, e attraverso di esse, desidero catturare l'essenza della vita. » Queste parole di Van Gogh, pronunciate nella sua giovinezza, risuonano in ogni pennellata di questa natura morta. Forse l'ha immaginata una mattina soleggiata, mentre i raggi del giorno danzavano sui frutti dai colori vivaci, e l'odore di un boccale di birra appena versata inondava la stanza.\u003c\/p\u003e\u003ch3\u003e📖 Scena rappresentata nella Natura morta con boccale di birra e frutti\u003c\/h3\u003e\u003cp\u003eQuesta tela affascinante invita a contemplare una composizione ricca di colori e texture. Al centro, un boccale di birra, splendente e tradizionale, troneggia maestosamente tra una selezione di frutti. Questo assemblaggio emana un'atmosfera di convivialità e di semplice felicità, dove ogni elemento respira un'armonia delicata. Le ombre giocano e le luci si intrecciano, mettendo in evidenza l'abilità dell'artista nel catturare i momenti della vita quotidiana.\u003c\/p\u003e\u003ch3\u003e📜 Posto nell'opera la carriera di Vincent van Gogh\u003c\/h3\u003e\u003cp\u003eQuesto dipinto segna un punto di svolta nella carriera di Van Gogh, simboleggiando il suo passaggio dall'osservazione della realtà a un'interpretazione più espressiva. In quel periodo, si stava sviluppando artisticamente, contrastando i suoi lavori con opere come « \u003ca href=\"https:\/\/alphareproduction.com\/collections\/van-gogh-sunflowers\"\u003eI Girasoli\u003c\/a\u003e » e « \u003ca href=\"https:\/\/alphareproduction.com\/products\/cafe-night-gogh\"\u003eCaffè di notte\u003c\/a\u003e », dove l'uso audace dei colori e delle emozioni si rivela altrettanto essenziale.\u003c\/p\u003e\u003ch2\u003e🧠 Esperienza Artistica – Analisi Approfondita della Natura morta con boccale di birra e frutti - Vincent van Gogh\u003c\/h2\u003e\u003ch3\u003e🎨 Tecnica pittorica dell'opera\u003c\/h3\u003e\u003cp\u003eLa tecnica di Van Gogh, basata su impasti sapientemente realizzati e sovrapposizioni di colori, trascende i limiti della semplice \u003cstrong\u003epittura\u003c\/strong\u003e. Ogni strato porta una dimensione aggiuntiva alla tela, mentre i suoi gesti rapidi e vigorosi catturano la luce che si riflette sulle superfici brillanti e testurizzate di questa natura morta.\u003c\/p\u003e\u003ch3\u003e🌈 Palette cromatica della Natura morta con boccale di birra e frutti\u003c\/h3\u003e\u003cp\u003eLa palette di questa \u003cstrong\u003epittura\u003c\/strong\u003e è composta da tonalità calde e vibranti: dai gialli dorati ai rossi profondi, ogni colore evoca una sensazione di comfort e calore. I contrasti sorprendenti delle ombre contribuiscono a sottolineare la profondità dell'opera, offrendo una profondità emotiva che tocca l'anima. La luce gioca con i frutti e il boccale, rivelando un universo sensoriale dove il gusto e l'odore si fondono con la vista.\u003c\/p\u003e\u003ch2\u003e🖌️ Savoir-Faire Artigianale – Riproduzione di Alta Precisione per lo stile post-impressionista\u003c\/h2\u003e\u003cp\u003eQuesta riproduzione è realizzata meticolosamente a mano, su una tela di lino di alta qualità. Ogni dettaglio è abbozzato con cura, seguito da strati successivi di \u003cstrong\u003epittura\u003c\/strong\u003e per catturare l'autenticità dell'opera originale. Il savoir-faire implica un utilizzo preciso di pigmenti di alta gamma, come il blu di Prussia e il carminio di alizarina. Investendo fino a 40 ore in questo processo, l'artista copista mira a rendere omaggio alla potenza di questa \u003cstrong\u003etela\u003c\/strong\u003e magistrale.\u003c\/p\u003e\u003cp\u003eUn vernice protettiva anti-UV assicura la durabilità e la stabilità dei colori, garantendo che questa riproduzione non sia semplicemente una copia, ma un'interpretazione vivente e fedele, pronta a trasmettere l'emozione del \u003cstrong\u003ecapolavoro\u003c\/strong\u003e originale.\u003c\/p\u003e\u003ch2\u003e📜 Esperienza Cliente – Eleganza \u0026amp; Impegno\u003c\/h2\u003e\u003cp\u003eIl tuo \u003cstrong\u003edipingere\u003c\/strong\u003e è consegnato con un certificato di autenticità numerato e sarà accuratamente imballato in un tubo rinforzato avvolto in carta di seta. Per coloro che desiderano una cornice, sono disponibili diverse opzioni premium, tra cui una cornice galleria nera satinata o una elegante finitura in rovere chiaro.\u003c\/p\u003e\u003ch2\u003e💫 Lettura Emozionale o Simbolica della Natura morta con boccale di birra e frutti - Vincent van Gogh\u003c\/h2\u003e\u003cp\u003eLa \u003cstrong\u003epittura\u003c\/strong\u003e evoca sentimenti profondi di gratitudine e pace. Questo dipinto diventa un riflesso della nostra connessione con la natura, uno spazio propizio alla meditazione. Attraverso quest'opera, Van Gogh ci invita a respirare l'istante presente, a gustare la dolcezza della quotidianità.\u003c\/p\u003e\u003ch2\u003e🏡 Suggerimenti Decorativi – Una Presenza Ispiratrice\u003c\/h2\u003e\u003cp\u003eImmagina questo magnifico dipinto appeso in un soggiorno luminoso o in un angolo lettura, creando un'atmosfera di serenità. Associata a materiali come il lino lavato e il legno naturale, la \u003cstrong\u003etela\u003c\/strong\u003e si integrerà perfettamente in un decor caldo, al ritmo del silenzio della sera o alla dolce luce del mattino.\u003c\/p\u003e\u003ch2\u003e🖌️ L'Eccellenza Alpha Reproduction\u003c\/h2\u003e\u003cp\u003e🎨 Pittura a olio su tela di lino o cotone\u003cbr\u003e👨‍🎨 Riprodotta a mano da artisti esperti\u003cbr\u003e📜 Certificato di autenticità numerato incluso\u003cbr\u003e🖼️ Cornici premium personalizzate disponibili\u003cbr\u003e⏱️ Realizzazione in 10 a 15 giorni lavorativi\u003cbr\u003e📦 Consegna sicura in 3 a 5 giorni lavorativi in tutto il mondo\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003e✅ Perché scegliere « Natura morta con boccale di birra e frutti - Vincent van Gogh » ?\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e🎨 Capolavoro del \u003ca href=\"https:\/\/alphareproduction.com\/collections\/post-impressionism\"\u003epost-impressionismo\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e🖼️ Composizione luminosa ideale per una decorazione elegante\u003c\/li\u003e\n\u003cli\u003e🎁 Offerta esclusiva : \u003ca href=\"https:\/\/alphareproduction.com\/discount\/ALPHABOGO?redirect=%2Fcollections%2Fvincent-van-gogh\"\u003e1 dipinto acquistato = il 2° a -50 %\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e🛒 Ordina la tua Riproduzione di « Natura morta con boccale di birra e frutti »\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRegalati un capolavoro, per abbellire il tuo spazio e nutrire il tuo spirito. Questa \u003cem\u003epittura\u003c\/em\u003e a olio, realizzata a mano, è un tesoro di emozione pronto a diventare il tuo patrimonio visivo.\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e🚚 Condizioni premium\u003c\/h3\u003e\u003cp\u003eConsegna mondiale garantita | Imballaggio rinforzato | Pagamento 3D-Secure | Reso 30 giorni\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594803204322,"sku":"NATURE_MORTE_AVEC_CHOPE_DE_BI_RE_ET_FRUITS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-chope-biere-fruits-jh82-attribution-retiree.webp?v=1785378852"},{"product_id":"nature-morte-cafetiere-cuivre-deux-bols","title":"Natura morta nella caffettiera in rame, F202 - Van 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · aprile 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta nella caffettiera in rame, F202\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna caffettiera in rame ammaccato si erge tra due ciotole bianche su un tavolo quasi nero, Van Gogh trasforma questi oggetti ordinari in uno studio di riflessi, volumi e toni tenui poche settimane prima dei Mangiatori di Patate.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cafetiere-cuivre-f202-jh738-van-gogh.webp?v=1785376840\u0026amp;format=webp\" alt=\"Natura morta nella caffettiera in rame F202 JH738 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta nella caffettiera in rame, F202\u003c\/strong\u003eVincent van Gogh · aprile 1885 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAprile 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e23×34 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTre oggetti emergono da uno sfondo scuro\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa caffettiera domina il centro con il beccuccio rivolto a sinistra, il coperchio impilato e il grande manico irregolare, la sua silhouette calda si distingue in piccoli bagliori gialli e marroni.\u003c\/p\u003e\n\u003cp\u003eLe due ciotole non sono simmetriche: quella di sinistra, più bassa e più vicina, appare grigio-verde; quella di destra riceve più luce Un tessuto blu scuro attraversa il tavolo e collega gli oggetti.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con caffettiera in rame e due ciotole bianche F202\/JH738 è un olio su tela di 23 × 34 cm dipinto a Nuenen nell'aprile 1885 È conservato in una collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl dipinto è costruito con una gamma volutamente ristretta Rame, coccio e tessuto non sono descritti da contorni lucidi, ma da tocchi spessi che variano la luce.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa caffettiera forma una silhouette monumentale\u003c\/h3\u003e\n\u003cp\u003eIl suo corpo largo, il becco corto e l'impugnatura alta occupano il centro, nonostante il piccolo formato, l'oggetto ha la presenza di un carattere.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe ciotole scandiscono la composizione\u003c\/h3\u003e\n\u003cp\u003ePosizionati su entrambi i lati, impediscono alla massa centrale di diventare troppo pesante I loro ovali chiari aprono due respiri al buio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl nero contiene diversi colori\u003c\/h3\u003e\n\u003cp\u003eLo sfondo e il tavolo combinano verde, blu, marrone e viola Queste tonalità permettono ai riflessi del rame di rimanere visibili senza un effetto metallico lucido.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eRiferimenti F202\/JH738, la data di aprile 1885 e il piccolo formato di 23 × 34 cm identificano questa natura morta Non è nel Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eNuenen\u003c\/span\u003e\u003ch3\u003eUno studio di oggetti familiari\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse poi modeste brocche, bottiglie, barattoli e utensili in modo da controllare volumi e relazioni cromatiche in condizioni di scarsa illuminazione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eData\u003c\/span\u003e\u003ch3\u003eAprile 1885\u003c\/h3\u003e\n\u003cp\u003eLa natura morta appartiene allo stesso mese delle preparazioni dei Mangiatori di Patate La sua gamma scura si unisce a quella degli interni contadini di questo periodo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eUn'opera in una collezione privata\u003c\/h3\u003e\n\u003cp\u003eIl dipinto ha circolato sul mercato dell'arte e rimane al di fuori di una collezione pubblica permanente I cataloghi lo seguono sotto F202 e JH738.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0202.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F202\/JH738 del catalogo Van Gogh Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la silhouette sconnessa della caffettiera, i riflessi gialli molto misurati, i due ovali bianchi, il tessuto blu-verde e la profondità dello sfondo nero-marrone.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl grande manico irregolare della caffettiera\u003c\/li\u003e\n\u003cli\u003eIl becco voltò a sinistra\u003c\/li\u003e\n\u003cli\u003eLe due ciotole di forma e luce diversa\u003c\/li\u003e\n\u003cli\u003eIl tessuto blu-verde posto sul tavolo\u003c\/li\u003e\n\u003cli\u003eI riflessi caldi trattenuti nel rame\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta nella caffettiera in rame, F202\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eAprile 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e23×34 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF202· JH738\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta profonda in rame, nero e verde blu\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLe sue dimensioni ridotte e i suoi valori scuri sono adatti per una cucina elegante, una sala da pranzo, una libreria o una composizione di cornici Il rame risponde al legno scuro e al metallo esposto alle intemperie.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte à la cafetière en cuivre, F202\"\u003e\n\u003ci style=\"background:#141712\"\u003e\u003c\/i\u003e\u003ci style=\"background:#242923\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e4937\"\u003e\u003c\/i\u003e\u003ci style=\"background:#756044\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a48c68\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in nero marrone, noce o rame invecchiato rafforza l'intimità della scena, è sufficiente una luce calda ma fioca per far risaltare entrambe le ciotole.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di colore misura 2.307 × 1.568 px È stato convertito in un vero e proprio WebP con la sua definizione nativa, senza ingrandimento o dettaglio inventato.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con caffettiera in rame, F202, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594807464162,"sku":"NATURE_MORTE_CAFETI_RE_EN_CUIVRE_ET_DEUX_BOLS_BLANCS_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cafetiere-cuivre-f202-jh738-van-gogh.webp?v=1785376840"},{"product_id":"nature-morte-legumes-fruits-vincent-van","title":"Natura morta con frutta e verdura, F103 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con frutta e verdura, F103\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue pere poggiano su un piccolo blocco dietro un cavolo, una zucca arancione, cipolle e diverse verdure verdi Ogni forma riceve il suo colore, ma l'insieme rimane avvolto dalla luce marrone di Nuenen.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-legumes-fruits-f103-jh928-van-gogh.webp?v=1785317011\u0026amp;format=webp\" alt=\"Natura morta con verdura e frutta F103 JH928 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con frutta e verdura, F103\u003c\/strong\u003eVincent van Gogh · settembre 1885 · Museo Van Gogh, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e32,3×43,2 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eVerdure rotonde sparse davanti a due pere\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLe due pere erette formano la sommità della composizione La più grande, di colore verde intenso, avanza leggermente; la più piccola, di colore bruno, si staglia con un riflesso obliquo sul ventre.\u003c\/p\u003e\n\u003cp\u003eIn primo piano, il cavolo stende le foglie accartocciate davanti a una grossa zucca arancione, a destra diverse cipolle tagliate o tornite mostrano le radici chiare e le cavità scure.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con verdura e frutta F103\/JH928 è un olio su tela di 32,3 × 43,2 cm dipinto a Nuenen nel settembre 1885 È conservato al Museo Van Gogh con il numero s0070V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh organizza il cibo per tappe e volumi: pere verticali, zucca rotonda, foglie larghe e cipolline La tavolozza guadagna varietà senza lasciare la terra e i verdi scuri.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe pere dominano dalla loro base\u003c\/h3\u003e\n\u003cp\u003eIl piccolo blocco li solleva sopra le verdure I loro steli estendono la verticale e danno un contrappunto alle masse che si allargano in primo piano.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl cavolo fornisce materiale accartocciato\u003c\/h3\u003e\n\u003cp\u003eLe sue foglie sono descritte da nastri verdi e crema Questa complessa tessitura contrasta con le superfici più lisce di pere e zucca.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eL'arancione riscalda il centro\u003c\/h3\u003e\n\u003cp\u003eLa grande zucca rosso-arancio è il colore più brillante, collega i verdi di sinistra ai marroni e agli ocri delle cipolle poste a destra.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'inventario s0070V1962 e i numeri F103\/JH928 distinguono questa natura morta dai cesti di verdure e patate dipinti nello stesso mese.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eComposizione\u003c\/span\u003e\u003ch3\u003eUn livello molto calcolato\u003c\/h3\u003e\n\u003cp\u003eLe pere vengono poste su un supporto rialzato, poi arrivano la zucca, il cavolo e le cipolle, questa successione rende profondo uno spazio di soli 32,3 × 43,2 cm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eSettembre 1885 a Nuenen\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse poi numerosi raccolti e prodotti da giardino per lavorare su colore, consistenza e modellazione prima della sua partenza per Anversa.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003eInventario s0070V1962\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene alla Fondazione Vincent van Gogh ed è conservato al Museo Van Gogh di Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0070V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il bando del Museo Van Gogh s0070V1962 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare le due pere in rilievo, il cavolo con foglie a coste, la grande zucca arancione, le cipolle in primo piano e le ampie pennellate in basso.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLe due pere in piedi a sinistra\u003c\/li\u003e\n\u003cli\u003eLa base rettangolare sotto il frutto\u003c\/li\u003e\n\u003cli\u003eLe foglie leggere del cavolo\u003c\/li\u003e\n\u003cli\u003eZucca arancione al centro\u003c\/li\u003e\n\u003cli\u003eCipolle tagliate in primo piano dritte\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con frutta e verdura, F103\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e32,3×43,2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF103· JH928· s0070V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUn raccolto caldo in verde intenso, arancione e terra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesto formato orizzontale è adatto per una cucina, sala da pranzo, ufficio o parete di natura morta I colori accompagnano il legno, la terracotta, il verde oliva e i tessuti naturali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux légumes et aux fruits, F103\"\u003e\n\u003ci style=\"background:#25261c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3f4727\"\u003e\u003c\/i\u003e\u003ci style=\"background:#696044\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9f5d34\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c19057\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, marrone o verde nero alterato sostiene la densità del dipinto La luce calda rivela l'arancione e lascia senza appiattire i marroni nella parte inferiore.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento del Museo Van Gogh di 7.437 × 5.502 px è stato ridotto a 3.000 × 2.219 px e convertito in un vero WebP ad alta definizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con frutta e verdura, F103, dipinta per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594816475362,"sku":"NATURE_MORTE_AUX_L_GUMES_ET_AUX_FRUITS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-legumes-fruits-f103-jh928-van-gogh.webp?v=1785317011"},{"product_id":"nature-morte-deux-bocaux-citrouilles-vincent","title":"Natura morta con due brocche e zucche, F59 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con due brocche e zucche, F59\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue brocche di arenaria verde stanno dietro due zucche, una giallo pallido e l'altra arancione, L'apparente simmetria è rotta dalle differenze di dimensioni, manico e illuminazione di ogni oggetto.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-deux-cruches-citrouilles-f59-jh921-van-gogh.webp?v=1785316266\u0026amp;format=webp\" alt=\"Natura morta con due brocche e due zucche F59 JH921 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con due brocche e zucche, F59\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata, Svizzera\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e58×85 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata, Svizzera\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDue brocche verticali dietro due frutti pesanti\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa brocca più grande occupa la sinistra; il suo manico rotondo è ritagliato sul fondo e un motivo marrone ne anima il ventre, a destra il secondo contenitore, leggermente più piccolo, si allontana in un'ombra verde.\u003c\/p\u003e\n\u003cp\u003eLe due zucche formano una seconda coppia in primo piano La prima, giallo verdastra, si vede quasi di fronte; la seconda, più arancione, mostra costole possenti e un gambo scuro diretto verso lo spettatore.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con due brocche e due zucche F59\/JH921 è un olio su tela montato su un pannello di 58 × 85 cm, dipinto a Nuenen nel settembre 1885 e custodito in una collezione privata in Svizzera.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa composizione si basa su quattro volumi molto leggibili, ma Van Gogh evita la ripetizione meccanica, Le curve dei manici, i colli stretti e le costole dei frutti moltiplicano i ritmi in uno spazio poco profondo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe brocche formano una coppia irregolare\u003c\/h3\u003e\n\u003cp\u003eIl contenitore sinistro è più massiccio e leggero, quello di destra, leggermente sfalsato all'indietro, conferisce sufficiente profondità alla fila di oggetti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eZucche concentrato colore\u003c\/h3\u003e\n\u003cp\u003eIl giallo limone del frutto sinistro e l'arancio del frutto destro rompono il dominante verde-marrone Le loro costole sono modellate da tocchi ricurvi e spessi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLo sfondo collega tutte le ombre\u003c\/h3\u003e\n\u003cp\u003eVerdi molto scuri si estendono nel tavolo e intorno ai contenitori I contorni appaiono o scompaiono a seconda della luce, il che evita un design troppo rigido.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl titolo, i riferimenti F59\/JH921 e il formato di 58 × 85 cm identificano questa composizione con due brocche, distinte dai numerosi studi di pentole e bottiglie di Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eUna tela montata su pannello\u003c\/h3\u003e\n\u003cp\u003eIl supporto è documentato come tela fissata al legno La vernice conserva così la trama della tela mentre poggia su una base rigida.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn lavoro segnalato in Svizzera\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene ad una collezione privata svizzera Non reca quindi un numero di inventario museale accessibile al pubblico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eArenaria e verdure come esercizio di colore\u003c\/h3\u003e\n\u003cp\u003eCeramiche verdi fredde e zucche giallo-arancio permettono a Van Gogh di confrontare superfici opache, volumi arrotondati e colori complementari.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0059.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F59\/JH921 del catalogo Galleria Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve rispettare i due manici, i piccoli motivi sulle brocche, la zucca gialla al centro, la zucca arancione a destra e i sottili riflessi verdi sul tavolo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl manico rotondo della grande brocca\u003c\/li\u003e\n\u003cli\u003eIl motivo marrone su ogni contenitore\u003c\/li\u003e\n\u003cli\u003eLa zucca gialla vista di fronte\u003c\/li\u003e\n\u003cli\u003eLe costole arancioni del frutto destro\u003c\/li\u003e\n\u003cli\u003eLe ombre verdi che uniscono sfondo e tavolo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con due brocche e zucche, F59\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e58×85 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF59 · JH921\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta strutturata in verde muschio, giallo e arancione\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl suo formato panoramico è adatto per una cucina, sala da pranzo o unità base La tavolozza profonda si abbina al legno scuro, terracotta, verde oliva e metalli patinati.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux deux cruches et citrouilles, F59\"\u003e\n\u003ci style=\"background:#20231b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3e4b2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b7040\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c09d38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#cb7b2b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, verde, nero o bronzo patinato accompagna le brocche senza competere con le zucche, La luce calda rivela i gialli mantenendo lo sfondo profondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 3870×2634 px è stato ridotto a 3000×2042 px e convertito in vero WebP ad alta definizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con due brocche e zucche, F59, verniciate per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594817655010,"sku":"NATURE_MORTE_AVEC_DEUX_BOCAUX_ET_DEUX_CITROUILLES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-deux-cruches-citrouilles-f59-jh921-van-gogh.webp?v=1785316266"},{"product_id":"nature-morte-pot-gingembre-pommes-vincent","title":"Natura morta con pentola di zenzero e mele, F104 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con pentola di zenzero e mele, F104\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn'alta pentola in gres domina tre mele poste su un tavolo quasi nero, Van Gogh crea volumi con una gamma molto ristretta di marrone, verde bluastro e grigio argento.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pot-gingembre-pommes-f104-jh923-van-gogh.webp?v=1785316256\u0026amp;format=webp\" alt=\"Natura morta con pentola di zenzero e mele F104 JH923 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con pentola di zenzero e mele, F104\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata, Stati Uniti\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30,5×47 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata, Stati Uniti\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna pentola in gres allestita dietro tre mele\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl contenitore occupa la metà destra della composizione Il suo collare chiaro, il suo ventre grigio-blu e il suo piccolo manico risaltano in frammenti, come se la luce stesse scivolando su una superficie opaca e irregolare.\u003c\/p\u003e\n\u003cp\u003eIn primo piano, una grande mela rotonda è incorniciata da due frutti più piccoli, il tavolo si inclina leggermente verso lo spettatore, mentre lo sfondo senza dettagli assorbe i contorni più scuri.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con vaso di zenzero e mele F104\/JH923 è un olio su tela montato su pannello di 30,5 × 47 cm, dipinto a Nuenen nel settembre 1885 e conservato in collezioni private negli Stati Uniti.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'interesse di questa tela risiede nella sua economia Con solo quattro oggetti e pochissima luce, Van Gogh studia le differenze tra buccia di frutta, ceramica e la pianta ruvida della tavola.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl vaso stabilisce l'asse verticale\u003c\/h3\u003e\n\u003cp\u003eLa sua silhouette alta stabilizza il formato orizzontale Il colletto e il manico, unici dettagli realmente leggibili nella parte superiore, impediscono alla grande massa scura di diventare piatta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe mele formano una base triangolare\u003c\/h3\u003e\n\u003cp\u003eIl frutto centrale avanza verso il bordo inferiore, mentre gli altri due si spostano indietro su entrambi i lati Questa semplice disposizione dà profondità al tavolo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa luce rimane volutamente rara\u003c\/h3\u003e\n\u003cp\u003eBastano pochi tocchi di crema sul frutto e la pentola per separare i materiali, le ombre marroni e blu-nere mantengono l'atmosfera tenue propria delle nature morte di Nuenen.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI riferimenti F104\/JH923, il supporto, il formato e la datazione permettono di distinguere questa composizione dagli altri vasi in arenaria dipinti da Van Gogh contemporaneamente.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF104 e JH923\u003c\/h3\u003e\n\u003cp\u003eIl titolo generico varia tra i cataloghi, ma i numeri F104 e JH923 identificano con precisione la versione che mostra una singola pentola di zenzero dietro tre mele.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eUna tela fissata su un pannello\u003c\/h3\u003e\n\u003cp\u003eIl catalogo descrive un olio su tela montato su pannello Questo assemblaggio conferisce a questo piccolo formato orizzontale una superficie rigida.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\u003ch3\u003eUn'opera in una collezione privata\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è segnalato negli Stati Uniti e non ha un numero di inventario museale pubblico, le sue dimensioni documentate rimangono 30,5 × 47 cm.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0104.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda F104\/JH923 del catalogo Galleria Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare la silhouette verticale della pentola, le tre mele accese in modo non uniforme, i riflessi grigio-blu della ceramica e il fondo nero-marrone senza renderla uniformemente opaca.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl colletto trasparente e il manico della pentola\u003c\/li\u003e\n\u003cli\u003eLa mela rotonda in primo piano\u003c\/li\u003e\n\u003cli\u003eI due frutti rimessi\u003c\/li\u003e\n\u003cli\u003eI riflessi grigio-azzurri sul ventre\u003c\/li\u003e\n\u003cli\u003eLa tabella si fonde con lo sfondo\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con pentola di zenzero e mele, F104\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e30,5×47 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF104· JH923\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta intima in marrone, grigio blu e crema\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl suo piccolo formato orizzontale è adatto per una composizione di cucina, libreria, ufficio o parete La gamma smorzata accompagna legno scuro, arenaria, lino naturale e pareti minerali.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au pot de gingembre et aux pommes, F104\"\u003e\n\u003ci style=\"background:#171516\"\u003e\u003c\/i\u003e\u003ci style=\"background:#302c2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#514f4c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#827d72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c0b8a6\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, nero stagionato o bronzo scuro evidenzia il vincolo della tela, una morbida illuminazione leggermente laterale permette di leggere le mele senza sbiancare i grigi nella pentola.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa migliore referenza pubblica disponibile misura 1.218 × 792 px È stata mantenuta alle dimensioni native e convertita in un vero e proprio WebP, senza allargamento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con pentola di zenzero e mele, F104, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594818179298,"sku":"NATURE_MORTE_AVEC_POT_DE_GINGEMBRE_ET_POMMES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pot-gingembre-pommes-f104-jh923-van-gogh.webp?v=1785316256"},{"product_id":"nature-morte-panier-pommes-vincent-van","title":"Natura morta nel cestino delle mele, F115 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta nel cestino delle mele, F115\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn cesto rovesciato o molto basso lascia rotolare su un tavolo una quindicina di mele rosse, verdi e marroni, lo sfondo quasi nero concentra tutta la luce sul frutto e su poche fibre di vimini.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-pommes-f115-jh935-van-gogh.webp?v=1785315441\u0026amp;format=webp\" alt=\"Natura morta nel cesto di mele F115 JH935 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta nel cestino delle mele, F115\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30,5×47,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eMele pesanti raccolte in chiaroscuro\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eI frutti formano due gruppi: una fila posta in primo piano e un grappolo più in alto al centro, diverse mele scompaiono parzialmente all'ombra, dando profondità alla disposizione.\u003c\/p\u003e\n\u003cp\u003eIl vimini si presenta principalmente sotto i frutti e attraverso pochi fili chiari che passano attraverso la composizione, due mele giallo-verdi, poste alle estremità, incorniciano al centro i rossi e i marroni.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta in cesto di mele F115\/JH935 è un olio su tela dipinto a Nuenen nel settembre 1885 Il supporto misura circa 30,5 × 47,7 cm e l'opera appartiene ad una collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa composizione si basa meno sul cesto che sul peso del frutto Van Gogh varia ogni mela per colore, orientamento del peduncolo e luce, pur mantenendo una gamma terrosa molto consistente.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe mele sono dipinte come volumi pesanti\u003c\/h3\u003e\n\u003cp\u003eI riflessi gialli rimangono piccoli e le ombre molto profonde Questa opposizione conferisce ai frutti una densità quasi minerale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eVerdi incorniciano rossi\u003c\/h3\u003e\n\u003cp\u003eLa mela chiara a destra e i frutti verdastri a sinistra aprono la tavolozza Tra di loro, i rossi marroni costituiscono il nucleo caldo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eIl cestino rimane volutamente discreto\u003c\/h3\u003e\n\u003cp\u003eBastano poche linee di vimini per suggerirne la forma, il suo marrone si confonde con la tavola e lascia che i frutti dominino la scena.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLe referenze F115\/JH935 e il formato allungato distinguono questa versione dai cestini di mele F99 e F101 custoditi al Museo Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eDiversi cesti di mele nel settembre 1885\u003c\/h3\u003e\n\u003cp\u003eVan Gogh utilizza lo stesso frutto in diverse disposizioni Le tre versioni cambiano formato, collezione e posizione del cestino.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenienza\u003c\/span\u003e\u003ch3\u003eUna lunga storia nella collezione privata\u003c\/h3\u003e\n\u003cp\u003eIl dipinto ha circolato attraverso diverse gallerie e vendite pubbliche, pur rimanendo al di fuori delle collezioni museali permanenti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMateria\u003c\/span\u003e\u003ch3\u003eUn esercizio su peso e superficie\u003c\/h3\u003e\n\u003cp\u003eI tratti di pennello seguono la rotondità delle mele e delle fibre del cesto Il semplice soggetto diventa uno studio preciso di volumi e texture.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0115.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsultare la scheda F115\/JH935 del catalogo Van Gogh Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare i due gruppi di frutti, le mele giallo-verdi alle estremità, i rosso-marroni al centro, i pochi rametti di vimini e lo sfondo nero sfumato.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa fila di mele in primo piano\u003c\/li\u003e\n\u003cli\u003eIl grappolo di frutta al centro\u003c\/li\u003e\n\u003cli\u003eLa mela giallo-verde a destra\u003c\/li\u003e\n\u003cli\u003eI fili chiari del cestino\u003c\/li\u003e\n\u003cli\u003eMacchiare i riflessi sulla pelle\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta nel cestino delle mele, F115\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e30,5×47,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF115· JH935\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna calda natura morta in rosso, marrone, verde e ocra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIl formato orizzontale è facilmente installabile in una cucina, sala da pranzo, ufficio o sopra un'unità di base La tavolozza accompagna noce, terracotta e tessuti greggi.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au panier de pommes, F115\"\u003e\n\u003ci style=\"background:#201b17\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4c3425\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b3f2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#99824b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3a84d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce scuro, rosso-marrone o nero patinato estende il chiaroscuro, La luce calda rivela verdi e rossi senza appiattire le ombre.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 3848×2469 px è stato ridotto a 3000×1925 px e convertito in vero WebP ad alta definizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con cesto di mele, F115, verniciato per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594818441442,"sku":"NATURE_MORTE_AU_PANIER_DE_POMMES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-pommes-f115-jh935-van-gogh.webp?v=1785315441"},{"product_id":"nature-morte-panier-legumes-vincent-van","title":"Natura morta in cesto di verdure, F212a - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta nel cesto di verdure, F212a\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUn cesto basso trabocca di verdure appena raccolte: carote rosse, porri, rape e foglie verdi si mescolano su un tavolo scuro, poche radici poste in primo piano conducono l'occhio verso l'interno del cesto.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-legumes-f212a-jh929-van-gogh.webp?v=1785315434\u0026amp;format=webp\" alt=\"Natura morta nel cesto di verdure F212a JH929 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta nel cesto di verdure, F212a\u003c\/strong\u003eVincent van Gogh · Settembre 1885 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e35,5×45 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna raccolta di verdure illuminata a filo con la tavola\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl cesto occupa la metà sinistra e può essere letto grazie ai suoi lunghi bastoncini orizzontali, a destra, le cime e le foglie estendono la disposizione in una zona molto più scura.\u003c\/p\u003e\n\u003cp\u003eDue grandi carote arancioni attraversano il centro in diagonale, davanti a loro, le radici bianche dei porri e diversi piccoli bulbi rossi catturano gli accenti più chiari della luce.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta nel cesto di verdure F212a\/JH929 è un olio su tela di dimensioni 35,5 × 45 cm, dipinto a Nuenen nel settembre 1885 L'opera è oggi elencata come collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh trasforma un motivo domestico in uno studio dei materiali: legno intrecciato, foglie accartocciate, radici fibrose e pelli lisce La gamma scura rende i rossi e i bianchi particolarmente intensi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLe carote stabiliscono la diagonale principale\u003c\/h3\u003e\n\u003cp\u003eIl loro caldo arancio attraversa i verdi profondi e dirige lo sguardo del cesto verso il primo piano, impediscono alla composizione di rimanere puramente orizzontale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl cestino si fonde con il suo contenuto\u003c\/h3\u003e\n\u003cp\u003eLe sue fibre verde-marroni e i suoi steli vegetali utilizzano tocchi simili Gli oggetti sembrano così formare un unico grappolo organico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe radici bianche diventano accenti\u003c\/h3\u003e\n\u003cp\u003eQualche porro e rapa ricevono una luce crema Queste piccole zone chiare danno sollievo all'insieme senza illuminare lo sfondo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI numeri F212a\/JH929, formato e datazione settembre 1885 permettono di identificare questa versione tra le numerose nature morte di ortaggi dipinti a Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContesto\u003c\/span\u003e\u003ch3\u003eProdotti del giardino presbiteriale\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dispone quindi le verdure e la frutta coltivata dietro la casa dei suoi genitori, li usa per esercizi di colore, peso e consistenza.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn'opera passò in una collezione privata\u003c\/h3\u003e\n\u003cp\u003eI cataloghi lo associavano in particolare alla collezione Anneliese Brand, poi a una collezione privata svizzera Non è conservato in un museo pubblico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eF212a e JH929\u003c\/h3\u003e\n\u003cp\u003eQuesti riferimenti storici rimangono essenziali perché il titolo generico può essere facilmente confuso con F103, un'altra natura morta con frutta e verdura.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0212a.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsultare la scheda F212a\/JH929 del catalogo Van Gogh Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare la struttura del cesto, delle due carote diagonali, dei porri chiari, dei bulbi rossi, delle cime verdi e dello sfondo marrone quasi nero.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI bastoncini orizzontali del cestino\u003c\/li\u003e\n\u003cli\u003eLe due carote arancioni al centro\u003c\/li\u003e\n\u003cli\u003eLe radici bianche in primo piano\u003c\/li\u003e\n\u003cli\u003eI piccoli bulbi rossi a destra\u003c\/li\u003e\n\u003cli\u003eFondo di chiusura del fogliame scuro\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta nel cesto di verdure, F212a\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e35,5×45 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF212a· JH929\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta rustica in verde intenso, arancione e terra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesto formato orizzontale è adatto per una cucina, sala da pranzo, ufficio o interni di campagna I colori della terra interagiscono con legno grezzo, pietra e lino.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au panier de légumes, F212a\"\u003e\n\u003ci style=\"background:#1d2019\"\u003e\u003c\/i\u003e\u003ci style=\"background:#38422d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#675238\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a64f2b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1b879\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce, marrone patinato o verde nero accompagna i toni del cesto Caldo, la luce laterale rivela le radici senza alleggerire eccessivamente lo sfondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento di 2514 × 1830 px è stato mantenuto alle dimensioni native e convertito in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta in cesto di verdure, F212a, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594818703586,"sku":"NATURE_MORTE_AVEC_UN_PANIER_DE_L_GUMES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-legumes-f212a-jh929-van-gogh.webp?v=1785315434"},{"product_id":"nature-morte-pot-gingembre-oignons-vincent","title":"Natura morta con pentola di zenzero e cipolle, F104a - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con pentola di zenzero e cipolle, F104a\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDietro tre cipolle poste su un tavolo si erge un grande vaso di arenaria verde, la scena è molto scura, ma le bucce gialle, marroni e arancioni catturano la luce e conferiscono a questi oggetti ordinari una presenza monumentale.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pot-gingembre-oignons-f104a-jh924-van-gogh.webp?v=1785314599\u0026amp;format=webp\" alt=\"Natura morta con pentola di zenzero e cipolle F104a JH924 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con pentola di zenzero e cipolle, F104a\u003c\/strong\u003eVincent van Gogh · settembre 1885 · McMaster Museum of Art, Hamilton\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e34,5×49,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo d'arte McMaster, Hamilton\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna pentola massiccia e tre cipolle in chiaroscuro marrone\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso occupa il centro a sinistra e si eleva quasi fino al bordo superiore, dal fondo spiccano appena il suo collo spesso, la spalla arrotondata e i riflessi grigio-verdi.\u003c\/p\u003e\n\u003cp\u003eUna grossa cipolla aperta poggia sulla sinistra, mentre due bulbi più piccoli si raggruppano sulla destra, le bucce secche formano punte e riccioli che ravvivano la linea del tavolo.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con vaso di zenzero e cipolle F104a\/JH924 è un olio su tela di 34,5 × 49,5 cm, dipinto a Nuenen nel settembre 1885 Dato da Herman Levy nel 1984, appartiene al McMaster Museum of Art di Hamilton.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh contrappone la stabilità del vaso verticale all'irregolarità delle cipolle La luce rimane concentrata vicino al tavolo, in modo che forme, riflessi e bucce emergano gradualmente dal buio.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eIl vaso funge da messa architettonica\u003c\/h3\u003e\n\u003cp\u003eIl suo semplice volume organizza l'intera composizione Verdi, grigi e marroni modellano la ceramica senza contorno regolare.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe bucce catturano la luce\u003c\/h3\u003e\n\u003cp\u003eLa grossa cipolla a sinistra riceve i tuorli più brillanti I frammenti di pelle che la circondano prolungano il suo movimento sul tavolo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLo sfondo e gli oggetti rimangono collegati\u003c\/h3\u003e\n\u003cp\u003eLe ombre della pentola si fondono nel nero-marrone dello sfondo Solo il colletto, la spalla e pochi riflessi permettono di ricostruirne il volume.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eRiferimenti F104a\/JH924, la datazione del settembre 1885 e la collezione del McMaster Museum distinguono questo dipinto da altre nature morte in una pentola di zenzero.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eUna natura morta dipinta a Nuenen\u003c\/h3\u003e\n\u003cp\u003eL'opera precede la partenza di Van Gogh per Anversa, La sua gamma scura e terrosa appartiene ancora pienamente alle ricerche del periodo del Brabante.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eOggetti quotidiani osservati senza decorazione\u003c\/h3\u003e\n\u003cp\u003eLa pentola e le cipolle sono poste molto vicino allo spettatore, senza accessori narrativi, la loro forma, peso e consistenza costituiscono il vero soggetto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUna donazione di Herman Levy nel 1984\u003c\/h3\u003e\n\u003cp\u003eIl McMaster Museum of Art conserva il dipinto nell'eredità del collezionista Herman Levy, importante insieme donato all'università.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/museum.mcmaster.ca\/mcmaster-museum-of-art-joins-van-gogh-worldwide\/\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la presentazione del McMaster Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa riproduzione deve conservare il grande vaso verde scuro, il suo collo luminoso, la grossa cipolla aperta, i due bulbi a destra, le bucce secche e i finissimi passaggi del fondo nero-bruno.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl collo spesso del vaso di arenaria\u003c\/li\u003e\n\u003cli\u003eRiflessi verde-grigio sulla ceramica\u003c\/li\u003e\n\u003cli\u003eLa grossa cipolla gialla a sinistra\u003c\/li\u003e\n\u003cli\u003eBucce curve sul tavolo\u003c\/li\u003e\n\u003cli\u003eIl chiaroscuro marrone quasi nero\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con pentola di zenzero e cipolle, F104a\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e34,5×49,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF104a · JH924 · 1984.007.0058\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte McMaster, Hamilton\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta profonda in marrone, verde arenaria e giallo ocra\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesta composizione intima è adatta per una cucina, sala da pranzo, ufficio o interni con materiali naturali Le sue tonalità scure portano profondità senza colore sgargiante.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au pot de gingembre et aux oignons, F104a\"\u003e\n\u003ci style=\"background:#171a17\"\u003e\u003c\/i\u003e\u003ci style=\"background:#30352d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#555746\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9d6f30\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c18d3b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in noce scuro, nero stagionato o bronzo invecchiato accompagna il chiaroscuro, una luce calda ma moderata rivela le cipolle e la pentola senza schiacciare il fondo.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl riferimento storico di 2526 × 1770 px è stato mantenuto alle dimensioni native e convertito in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con pentola di zenzero e cipolle, F104a, dipinta per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · ottobre 1885 · Nuenen, Paesi Bassi\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con tre nidi di uccelli, F110\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTre nidi si stagliano appena da uno sfondo nero-bruno, come scoperti all'ombra del sottobosco, rametti, muschio e paglia sono indicati da linee ocra che conferiscono ad ogni costruzione una consistenza diversa.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/trois-nids-oiseaux-f110-jh941-van-gogh.webp?v=1785313761\u0026amp;format=webp\" alt=\"Natura morta con tre nidi d'uccello F110 JH941 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con tre nidi di uccelli, F110\u003c\/strong\u003eVincent van Gogh · ottobre 1885 · Kunstmuseum Den Haag, vicino alla Wibbina-Stichting\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOttobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e42,4×57 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKunstmuseum Den Haag, vicino alla Wibbina-Stichting\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTre fragili architetture emergono dall'oscurità\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl nido più leggibile occupa la sinistra, aperto verso lo spettatore e circondato da rami, al centro si erge un secondo volume, mentre il terzo forma una grande corona scura nell'angolo in basso a destra.\u003c\/p\u003e\n\u003cp\u003eIl tavolo o il pavimento è illuminato solo da una striscia ocra in primo piano Sopra, gli oggetti si fondono in verdi e marroni neri profondi, quindi piccoli tocchi gialli diventano essenziali per leggerli.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eDipinto a Nuenen nell'ottobre del 1885, questo Natura morta con tre nidi d'uccello F110\/JH941 è un olio su tela di dimensioni 42,4 × 57 cm È conservato al Kunstmuseum Den Haag con il numero 0332818, in prestito a lungo termine dalla Wibbina-Stichting.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh scelse volutamente una scala molto scura al fine di studiare le differenze di materiale I nidi non sono disegnati da un contorno uniforme: sono costruiti dall'accumulo di ramoscelli chiari su masse quasi nere.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eOgni nido ha il suo orientamento\u003c\/h3\u003e\n\u003cp\u003eQuella di sinistra si vede quasi di fronte, quella al centro sembra più eretta e quella di destra si allarga in cerchio, questa varietà anima una composizione molto stretta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe cannucce funzionano come accenti\u003c\/h3\u003e\n\u003cp\u003eLinee gialle, rosse e grigie descrivono le fibre senza cura naturalistica dei dettagli La loro direzione irregolare restituisce l'intreccio e la fragilità dei materiali.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa luce rimane sul bordo della tavola\u003c\/h3\u003e\n\u003cp\u003eLa fascia ocra in primo piano funge da soglia, impedisce ai nidi di scomparire interamente nell'ombra e dà profondità a questo spazio indeterminato.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLe istruzioni del Kunstmuseum Den Haag, l'inventario 0332818 e i riferimenti F110\/JH941 permettono di distinguere questa versione dalle altre nature morte nei nidi prodotti contemporaneamente.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eDiversi studi sui nidi nel 1885\u003c\/h3\u003e\n\u003cp\u003eNell'autunno del 1885, Van Gogh raccolse nidi abbandonati e dipinse diverse disposizioni Le versioni differiscono per il numero di nidi, il loro formato e il loro luogo di conservazione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn prestito della Wibbina-Stichting\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è presentato al Kunstmuseum Den Haag nell'ambito di un prestito a lungo termine della Fondazione Wibbina, indicazione riportata nell'avviso ufficiale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIdentificazione\u003c\/span\u003e\u003ch3\u003eF110 e JH941\u003c\/h3\u003e\n\u003cp\u003eQuesti due numeri designano con precisione il dipinto dell'Aia Evitano ogni confusione con F108 e F112, altre due composizioni di tre nidi al Museo Kroeller-Müller.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.kunstmuseum.nl\/nl\/collectie\/vogelnestjes\" target=\"_blank\" rel=\"noopener\"\u003eConsultare l'avviso 0332818 del Kunstmuseum Den Haag →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare i tre distinti orientamenti, i rametti ocra, i verdi quasi neri, la fascia di luce in primo piano e le sottilissime transizioni tra gli oggetti e lo sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl nido aperto e dettagliato a sinistra\u003c\/li\u003e\n\u003cli\u003eLa massa verticale del nido centrale\u003c\/li\u003e\n\u003cli\u003eLa grande corona scura in basso a destra\u003c\/li\u003e\n\u003cli\u003eLe linee ocra che suggeriscono i rametti\u003c\/li\u003e\n\u003cli\u003eLa striscia luminosa in primo piano\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con tre nidi di uccelli, F110\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eOttobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen, Paesi Bassi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e42,4×57 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF110 · JH941 · 0332818\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eKunstmuseum Den Haag, vicino alla Wibbina-Stichting\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta intima in marrone nero, muschio e paglia\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eQuesta tavolozza profonda è adatta per una biblioteca, un ufficio, una camera da letto o un soggiorno con legni scuri. Il motivo porta una presenza naturale senza colori vivaci.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux trois nids d’oiseaux, F110\"\u003e\n\u003ci style=\"background:#211f19\"\u003e\u003c\/i\u003e\u003ci style=\"background:#343c2d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#65513a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b7544\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b6935e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice marrone noce, nera alterata o bronzo invecchiato prolunga l'oscurità L'illuminazione morbida e leggermente calda rivela cannucce senza trasformare i neri in aree pianeggianti.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eIl miglior riferimento disponibile di 1818 × 1368 px è stato mantenuto alle sue dimensioni native e convertito in un vero WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con tre nidi di uccelli, F110, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594821521634,"sku":"NATURE_MORTE_AUX_TROIS_NIDS_D_OISEAUX_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/trois-nids-oiseaux-f110-jh941-van-gogh.webp?v=1785313761"},{"product_id":"nature-morte-bouteille-deux-verres-fromage","title":"Natura morta con bottiglia, due bicchieri, formaggio e pane - Vincent van Gogh","description":"\u003ch2\u003e🌟 Introduzione – Immersione nella Storia di Natura morta con bottiglia, due bicchieri, formaggio e pane - Vincent van Gogh\u003c\/h2\u003e\u003ch3\u003e📍 Contesto storico di Natura morta con bottiglia, due bicchieri, formaggio e pane\u003c\/h3\u003e\u003cp\u003eCreata nel 1886, quest'opera pittorica magnifica nasce a \u003ca href=\"https:\/\/alphareproduction.com\/collections\/van-gogh-paris\"\u003eParigi\u003c\/a\u003e, in un periodo ricco di rivoluzioni artistiche e all'alba del \u003ca href=\"https:\/\/alphareproduction.com\/collections\/post-impressionism\"\u003epost-impressionismo\u003c\/a\u003e. La tela, attualmente esposta presso il \u003ca href=\"https:\/\/alphareproduction.com\/collections\/van-gogh-museum\"\u003emuseo Van-Gogh\u003c\/a\u003e ad Amsterdam, rivela dimensioni di 46 x 37.5 cm che racchiudono un universo intriso di semplicità e profondità.\u003c\/p\u003e\u003ch3\u003e🖋️ Anecdoto significativo di Vincent van Gogh\u003c\/h3\u003e\u003cp\u003e« Dipingo i miei ricordi e le mie illusioni », confidava Van Gogh, immergendosi nella nostalgia di una primavera passata. È nel silenzio di una strada di Montmartre che questa \u003cstrong\u003epittura\u003c\/strong\u003e trae la sua essenza. La luce dolce che avvolgeva questa scena sarebbe diventata un eco malinconico, sottolineando l'emozione di un momento congelato.\u003c\/p\u003e\u003ch3\u003e📖 Scena rappresentata in Natura morta con bottiglia, due bicchieri, formaggio e pane\u003c\/h3\u003e\u003cp\u003eIn questa \u003cstrong\u003ecomposizione\u003c\/strong\u003e, due bicchieri scintillanti si ergono orgogliosamente accanto a una bottiglia, mentre un formaggio e un pezzo di pane si sistemano con grazia sulla tavola. Questa natura morta, molto più di un semplice assemblaggio di oggetti, simboleggia la quotidianità e la bellezza delle cose semplici, facendo battere il cuore delle piccole gioie quotidiane.\u003c\/p\u003e\u003ch3\u003e📜 Posto nell'opera la carriera di Vincent van Gogh\u003c\/h3\u003e\u003cp\u003eQuesto \u003cstrong\u003equadro\u003c\/strong\u003e segna una tappa significativa nell'evoluzione di Van Gogh, testimoniando uno stile ancora in affinamento, flirtando con i suoi futuri capolavori come '\u003ca href=\"https:\/\/alphareproduction.com\/products\/starry-night-gogh\"\u003eNotte stellata\u003c\/a\u003e' e 'I \u003ca href=\"https:\/\/alphareproduction.com\/collections\/van-gogh-sunflowers\"\u003egirasoli\u003c\/a\u003e'. Qui, i giochi di luce e le texture avviano già un percorso artistico ricco di emozioni.\u003c\/p\u003e\u003ch2\u003e🧠 Competenza Artistica – Analisi Approfondita di Natura morta con bottiglia, due bicchieri, formaggio e pane - Vincent van Gogh\u003c\/h2\u003e\u003ch3\u003e🎨 Tecnica pittorica dell'opera\u003c\/h3\u003e\u003cp\u003eLa tecnica di Van Gogh è percepibile in ogni pennellata. Con impasti audaci e sovrapposizioni riflessive, ogni strato di \u003cstrong\u003epittura\u003c\/strong\u003e conferisce a questa tela una profondità inaspettata, mentre la gestualità energica dell'artista cattura la luce come un prezioso racconto narrativo.\u003c\/p\u003e\u003ch3\u003e🌈 Palette cromatica di Natura morta con bottiglia, due bicchieri, formaggio e pane\u003c\/h3\u003e\u003cp\u003eLe tonalità calde della tela si intrecciano in un balletto cromatico. I dorati e gli ocra evocano il calore del focolare, mentre il verde smeraldo della bottiglia accentua la freschezza della \u003cstrong\u003ecomposizione\u003c\/strong\u003e. Ogni colore, come una nota musicale, compone una melodia silenziosa capace di risvegliare un'intimità palpabile.\u003c\/p\u003e\u003ch2\u003e🖌️ Savoir-Faire Artigianale – Riproduzione di Alta Precisione per lo stile post-impressionista\u003c\/h2\u003e\u003cp\u003eLa nostra riproduzione è realizzata a mano, con cura, su tela di lino o cotone di qualità museo. Ogni schizzo è minuziosamente elaborato, e applichiamo strati successivi di pigmenti di alta gamma come il blu di Prussia o il carminio di alizarina. Il processo richiede circa 40 ore, ogni gesto essendo intriso della sensibilità dell'arte originale. Per proteggere questa \u003cstrong\u003epittura\u003c\/strong\u003e, viene applicato un vernissage anti-UV, garantendo la durata dei colori. È un'opera secondaria, fedele alla sua antecessore, vibrante e piena di emozione.\u003c\/p\u003e\u003ch2\u003e📜 Esperienza Cliente – Eleganza \u0026amp; Impegno\u003c\/h2\u003e\u003cp\u003eIl tuo \u003cstrong\u003equadro\u003c\/strong\u003e è accompagnato da un certificato di autenticità numerato, e consegnato arrotolato in un involucro tessile. L'imballaggio è accuratamente pensato: tubo rinforzato, carta di seta, e possibilità di una cassa in legno su richiesta.\u003c\/p\u003e\u003cp\u003eScegli i nostri incorniciamenti premium: cornice galleria nera satinata, legno dorato in foglia, rovere chiaro o cornice galleggiante moderna. Ogni opzione esalta la \u003cstrong\u003etela\u003c\/strong\u003e e sublime il tuo interno.\u003c\/p\u003e\u003ch2\u003e💫 Lettura Emozionale o Simbolica di Natura morta con bottiglia, due bicchieri, formaggio e pane - Vincent van Gogh\u003c\/h2\u003e\u003cp\u003eQuesta \u003cstrong\u003epittura\u003c\/strong\u003e sussurra racconti di gratitudine e semplicità. Ci invita a contemplare la quotidianità, a trovare la pace in un pasto condiviso. Questo \u003cstrong\u003equadro\u003c\/strong\u003e diventa il riflesso dei nostri ricordi, uno spazio dove l'anima può vagabondare, risvegliando riflessioni tenere e sincere.\u003c\/p\u003e\u003ch2\u003e🏡 Suggerimenti Decorativi – Una Presenza Ispiratrice\u003c\/h2\u003e\u003cp\u003eAppendi questa \u003cstrong\u003etela\u003c\/strong\u003e in un soggiorno luminoso, una camera dolce o una biblioteca accogliente. Abbinala a materiali come il lino lavato, il legno naturale o il marmo bianco. Evoca le atmosfere del mattino, i silenzi della sera, e le ombre dolci su un parquet antico…\u003c\/p\u003e\u003ch2\u003e🖌️ L'Eccellenza Alpha Reproduction\u003c\/h2\u003e\u003cp\u003e🎨 Pittura a olio su tela di lino o cotone\u003cbr\u003e👨‍🎨 Riprodotta a mano da artisti esperti\u003cbr\u003e📜 Certificato di autenticità numerato incluso\u003cbr\u003e🖼️ Incorniciamenti premium personalizzati disponibili\u003cbr\u003e⏱️ Realizzazione in 10 a 15 giorni lavorativi\u003cbr\u003e📦 Consegna sicura in 3 a 5 giorni lavorativi in tutto il mondo\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003e✅ Perché scegliere « Natura morta con bottiglia, due bicchieri, formaggio e pane - Vincent van Gogh »?\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e🎨 Capolavoro del \u003ca href=\"https:\/\/alphareproduction.com\/collections\/post-impressionism\"\u003epost-impressionismo\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e🖼️ Composizione luminosa ideale per una decorazione murale estetica\u003c\/li\u003e\n\u003cli\u003e🎁 Offerta esclusiva: \u003ca href=\"https:\/\/alphareproduction.com\/discount\/ALPHABOGO?redirect=%2Fcollections%2Fvincent-van-gogh\"\u003e1 quadro acquistato = il 2° a -50 %\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e🛒 Ordina la tua Riproduzione di « Natura morta con bottiglia, due bicchieri, formaggio e pane »\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRegalati un capolavoro, per abbellire il tuo spazio e nutrire il tuo spirito. Questa \u003cem\u003epittura\u003c\/em\u003e a olio, realizzata a mano, è un tesoro di emozione pronto a diventare il tuo patrimonio visivo.\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e🚚 Condizioni premium\u003c\/h3\u003e\u003cp\u003eConsegna mondiale garantita | Imballaggio rinforzato | Pagamento 3D-Secure | Reso 30 giorni\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594825683170,"sku":"NATURE_MORTE_LA_BOUTEILLE_DEUX_VERRES_DU_FROMAGE_ET_DU_PAIN_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-bouteille-verres-pain-fromage-anonyme-f253-jh1121.webp?v=1785309926"},{"product_id":"nature-morte-bouteilles-faience-vincent-van","title":"Natura morta con terracotta e bottiglie, F53 - Van 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · settembre - ottobre 1885 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con terracotta e bottiglie, F53\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu un tavolo sono serrate tre bottiglie scure, un grande piatto marrone, pentole in gres e diversi contenitori comuni, la gamma quasi monocromatica costringe l'occhio a seguire riflessi bianchi, etichette e differenze materiche.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-faiences-bouteilles-f53-jh538-van-gogh.webp?v=1785305921\u0026amp;format=webp\" alt=\"Natura morta con terracotta e bottiglie F53 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con terracotta e bottiglie, F53\u003c\/strong\u003eVincent van Gogh · Settembre - Ottobre 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre-ottobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40,1×56,3 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Van Gogh, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eOggetti ordinari organizzati come architetture silenziose\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLe forme alte delle bottiglie incorniciano un set inferiore di piatti, pentole e scatole Le sovrapposizioni strette evitano gli spazi vuoti e costruiscono un fregio solido su tutta la larghezza.\u003c\/p\u003e\n\u003cp\u003eLo sfondo condivide quasi il colore delle bottiglie Van Gogh le fa emergere con pochi accenti bianchi, bordi verdi e tocchi rossi che indicano ingorghi, etichette e riflessi.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con terracotta e bottiglie F53\/JH538 è un olio su tela di 40,1 × 56,3 cm dipinto a Nuenen nel settembre - ottobre 1885 Reca l'inventario s0138V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl lavoro si basa meno su un forte contrasto generale che su piccole differenze di marroni, verdi e bianchi in grado di separare ogni contenitore.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTre bottiglie scandiscono la larghezza\u003c\/h3\u003e\n\u003cp\u003ePosizionate a sinistra, al centro e a destra, le loro sagome verticali dividono la composizione e trattengono gruppi di oggetti più in basso.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eI riflessi bianchi sostituiscono i contorni\u003c\/h3\u003e\n\u003cp\u003eBastano pochi segni spessi sul vetro scuro per allentare spalle, colletti e pance di sfondo quasi identico.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLe stoviglie si oppongono a diversi materiali\u003c\/h3\u003e\n\u003cp\u003eL'arenaria pallida, la terracotta rosso-marrone, il vetro nero-verde e le superfici opache si differenziano per la densità e l'orientamento della tastiera.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Museo Van Gogh documenta il formato di 40,1 × 56,3 cm, F53\/JH538, l'inventario s0138V1962 e la data settembre - ottobre 1885.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCasa\u003c\/span\u003e\u003ch3\u003eProbabilmente oggetti familiari\u003c\/h3\u003e\n\u003cp\u003eIl museo indica che queste stoviglie e bottiglie appartenevano probabilmente all'uso quotidiano della famiglia Van Gogh a Nuenen.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRiutilizzare\u003c\/span\u003e\u003ch3\u003eUn altro dipinto sotto natura morta\u003c\/h3\u003e\n\u003cp\u003eUna radiografia ha rivelato che Van Gogh ha riutilizzato una tela su cui aveva precedentemente dipinto una donna al lavoro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLuce\u003c\/span\u003e\u003ch3\u003eBottiglie rilasciate dagli highlights\u003c\/h3\u003e\n\u003cp\u003eIl loro colore quasi si fonde con lo sfondo; tocchi bianchi e colorati li rendono leggibili senza un'illuminazione spettacolare.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0138V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Museo Van Gogh →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare le tre sagome di vetro, i riflessi bianchi, il grande piatto marrone, i contenitori in gres, le iscrizioni e le profonde sfumature dello sfondo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa bottiglia tozza all'estrema sinistra\u003c\/li\u003e\n\u003cli\u003eLa bottiglia centrale con riflessi bianchi\u003c\/li\u003e\n\u003cli\u003eIl grande piatto marrone visto durante le immersioni\u003c\/li\u003e\n\u003cli\u003eLa pentola segnata in primo piano\u003c\/li\u003e\n\u003cli\u003eLa bottiglia nera posta davanti al contenitore leggero\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con terracotta e bottiglie, F53\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre-ottobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e40,1×56,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF53· JH538·s0138V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Van Gogh, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta di marrone, verde nero e arenaria\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eMarrone terra, verde bottiglia, grigio arenaria, rosso scuro e crema danno una presenza densa a una cucina, sala da pranzo, ufficio o interni rustici.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux faïences et bouteilles, F53\"\u003e\n\u003ci style=\"background:#594330\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263b31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#857d67\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7a3e2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3b99d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone intenso, verde nero o antico supporta la gamma scura La luce morbida e laterale consente di leggere i riflessi senza sbiancare la terra.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eL'immagine istituzionale è stata preparata in 3000 × 2106 px poi convertita in un vero e proprio WebP al fine di preservare riflessioni e differenze di materiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con terracotta e bottiglie, F53, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 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21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 - aprile 1885 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta in un barattolo Bartmann, F52\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDavanti a uno sfondo nero sono uniti un grande boccale Bartmann in terracotta, una pentola di tabacco bianco, un macinacaffè e una custodia per pipe, la luce gialla mette in risalto l'etichetta, il metallo del mulino e il manico posto in primo piano.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-bartmann-f52-jh535-van-gogh.webp?v=1785304365\u0026amp;format=webp\" alt=\"Natura morta nel barattolo Bartmann F52 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta in un barattolo Bartmann, F52\u003c\/strong\u003eVincent van Gogh · novembre 1884 - aprile 1885 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884 - aprile 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e33,7×42,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su cartone montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eIl viso del barattolo risponde ai meccanismi e agli accessori di tutti i giorni\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa brocca panciuta occupa tutto il lato sinistro, a metà altezza appare la sua maschera barbuta, mentre al centro sporge il vaso cilindrico chiaro che reca un'iscrizione scura.\u003c\/p\u003e\n\u003cp\u003eA destra, il macinacaffè combina una cassa cubica, un cassetto e una manovella che attraversa il fondo, La cassa obliqua del tubo chiude la composizione in primo piano.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta in vaso Bartmann F52\/JH535 è un olio su cartone montato su pannello di 33,7 × 42,7 cm, dipinto a Nuenen tra il novembre 1884 e l'aprile 1885 Reca l'inventario KM 104,313.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLe forme rotonde della brocca e del vaso si oppongono alla geometria del mulino, mentre alcuni gialli metallici fanno apparire oggetti al buio.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa brocca Bartmann domina con la sua silhouette\u003c\/h3\u003e\n\u003cp\u003eIl suo colletto alto, il corpo sferico e la piccola maschera applicata creano una presenza quasi umana sul lato sinistro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl vaso leggero diventa il centro della luce\u003c\/h3\u003e\n\u003cp\u003eLa sua etichetta scura e il coperchio ocra catturano l'occhio tra la brocca rossa e il mulino quasi nero.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa manovella traccia una linea sospesa\u003c\/h3\u003e\n\u003cp\u003eAttraversa in alto a destra in un sottile orizzontale e collega visivamente il mulino al collo della brocca.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIl Museo Kroeller-Müller documenta F52\/JH535, il formato di 33,7 × 42,7 cm, il supporto in cartone montato e l'inventario KM 104,313.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOggetto\u003c\/span\u003e\u003ch3\u003eUna brocca di Bartmann con una maschera barbuta\u003c\/h3\u003e\n\u003cp\u003eQuesto tipo di arenaria del Reno ha una faccia maschile barbuta modellata in rilievo sul colletto, un motivo comune sulle vecchie brocche.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAtelier\u003c\/span\u003e\u003ch3\u003eOggetti probabilmente prestati da Antoon Hermans\u003c\/h3\u003e\n\u003cp\u003eSi dice che la pentola e la brocca del tabacco appartenessero alla collezione di Antoon Hermans, uno dei dilettanti che Van Gogh guidava nella pittura.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eScambio\u003c\/span\u003e\u003ch3\u003eL'insegnamento ha aiutato a finanziare i colori\u003c\/h3\u003e\n\u003cp\u003eVan Gogh voleva essere pagato in tubi di vernice per poter lavorare di più, piuttosto che in denaro.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/en\/vincent-van-gogh-still-life-with-a-bearded-man-jar\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni per il Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare in primo piano la maschera barbuta della brocca, l'etichetta della pentola bianca, la manovella, i riflessi gialli del mulino e la cassa della pipa.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl faccino sulla brocca di terracotta\u003c\/li\u003e\n\u003cli\u003eL'iscrizione scura del vaso centrale\u003c\/li\u003e\n\u003cli\u003eIl coperchio ocra su sfondo nero\u003c\/li\u003e\n\u003cli\u003eLa manovella sottile del macinacaffè\u003c\/li\u003e\n\u003cli\u003eIl manico marrone che attraversa il primo piano\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta in un barattolo Bartmann, F52\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884 - aprile 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su cartone montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e33,7×42,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF52 · JH535 · KM 104.313\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta di terracotta, crema e nero\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eTerracotta, crema, ocra, marrone e nero formano una tavolozza calda per una cucina, un ufficio, una biblioteca o un arredamento di ispirazione antica.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au bocal Bartmann, F52\"\u003e\n\u003ci style=\"background:#9d643a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1bd85\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b58a39\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4a3428\"\u003e\u003c\/i\u003e\u003ci style=\"background:#171816\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone molto scuro, nero o vecchio rinforza il chiaroscuro Una luce laterale rivela la maschera e i riflessi metallici.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione di 3870×3102 px è stata ridotta a 3000×2405 px quindi convertita in un vero e proprio WebP per lo zoom dettagliato.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta in barattolo Bartmann, F52, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594831909090,"sku":"NATURE_MORTE_AVEC_UN_BOCAL_REPR_SENTANT_UN_HOMME_BARBU_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-bartmann-f52-jh535-van-gogh.webp?v=1785304365"},{"product_id":"nature-morte-bocaux-vincent-van-gogh","title":"Natura morta con quattro brocche, F50 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Settembre - Ottobre 1885 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con quattro brocche, F50\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu un tavolo sono disposte quattro brocche in gres, una bottiglia nera e una ciotola bianca, i due contenitori centrali catturano gialli e arance, mentre gli oggetti posteriori si fondono in un verde quasi nero.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-quatre-cruches-f50-jh529-van-gogh.webp?v=1785304361\u0026amp;format=webp\" alt=\"Natura morta con quattro brocche F50 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con quattro brocche, F50\u003c\/strong\u003eVincent van Gogh · Settembre - Ottobre 1885 · Museo Kroeller-Müller, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSettembre-ottobre 1885\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e33,8×43,1 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Kroeller-Müller, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eQuattro brocche conferiscono a ogni gres il proprio colore e la propria silhouette\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa bottiglia stretta a sinistra apre la composizione Due grandi brocche verticali occupano il centro; una terza, più scura, sta dietro, poi una quarta giace diagonalmente verso la ciotola.\u003c\/p\u003e\n\u003cp\u003eI contorni non sono disegnati in modo uniforme: appaiono quando un giallo o un verde incontrano lo sfondo Questo metodo fa emergere gli oggetti attraverso contrasti cromatici piuttosto che attraverso una modellazione liscia.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con quattro brocche F50\/JH529 è un olio su tela di 33,8 × 43,1 cm dipinto a Nuenen nel settembre - ottobre 1885 Reca l'inventario KM 110,381 al Museo Kroeller-Müller.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa tavolozza rimane scura, ma le opposizioni di giallo, arancione e verde annunciano una ricerca più attiva di contrasti complementari.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eOgni brocca ha il suo carattere\u003c\/h3\u003e\n\u003cp\u003eUno è rosso-arancio, il successivo giallo, il terzo verde scuro e l'ultimo sdraiato Le differenze di tonalità sostituiscono i dettagli decorativi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIl contenitore rivestito mette alla prova la prospettiva\u003c\/h3\u003e\n\u003cp\u003eLa sua apertura è diretta verso lo spettatore, ma la sua posizione leggermente fluttuante rivela ancora l'apprendimento della costruzione spaziale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa ciotola bianca chiude la composizione\u003c\/h3\u003e\n\u003cp\u003eLa sua forma chiara e rotonda risponde al collo alto delle brocche e crea una pausa luminosa nell'angolo in basso a destra.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Museo Kroeller-Müller documenta F50\/JH529, il formato di 33,8 × 43,1 cm, la data settembre - ottobre 1885 e l'inventario KM 110,381.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eUna delle sette nature morte in ceramica\u003c\/h3\u003e\n\u003cp\u003eDopo un'estate dedicata alla vita all'aria aperta, Van Gogh tornò in studio e dipinse un gruppo di sette composizioni con brocche e bottiglie.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eColore\u003c\/span\u003e\u003ch3\u003eUn'applicazione delle teorie di Carlo Bianco\u003c\/h3\u003e\n\u003cp\u003eCerca di differenziare i materiali attraverso contrasti cromatici che si rinforzano a vicenda, anche se il tutto rimane volutamente tonale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTecnica\u003c\/span\u003e\u003ch3\u003eUn tocco più libero e spesso\u003c\/h3\u003e\n\u003cp\u003eIl museo evidenzia un'esecuzione a volte impasto, segno di crescente fiducia nonostante le difficoltà prospettiche.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/en\/vincent-van-gogh-still-life-with-jars\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni per il Museo Kroeller-Müller →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la bottiglia nera, le due brocche centrali arancioni e gialle, il grande manico scuro, la brocca sdraiata e la ciotola bianca.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIl cappellino rosso sulla bottiglia nera\u003c\/li\u003e\n\u003cli\u003eLa striscia arancione della brocca sinistra\u003c\/li\u003e\n\u003cli\u003eIl grande manico giallo al centro\u003c\/li\u003e\n\u003cli\u003eL'apertura scura della brocca sdraiata\u003c\/li\u003e\n\u003cli\u003eLa ciotola bianca bordata di verde\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con quattro brocche, F50\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eSettembre-ottobre 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e33,8×43,1 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF50 · JH529 · KM 110.381\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Kroeller-Müller, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna profonda armonia di giallo, verde e terracotta\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eGiallo ocra, verde bottiglia, arancione terra, bianco sporco e nero costituiscono una calda natura morta per una cucina, una sala da pranzo o interni in legno.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux quatre cruches, F50\"\u003e\n\u003ci style=\"background:#c09a45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#30483d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a76335\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8d1ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#171b18\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice verde scuro, marrone o nera mette in risalto la ciotola chiara e le calde arenarie La luce laterale rivela superfici impasto.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione di 3870×3120 px è stata ridotta a 3000×2419 px e quindi convertita in WebP reale per lo zoom dettagliato.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con quattro brocche, F50, dipinte per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con pentole, barattoli e bottiglie, F178r\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna pila di barattoli, due bottiglie scure, una caraffa chiara e diversi piccoli contenitori riempiono quasi tutta la cornice, la ciotola gialla in primo piano e la custodia obliqua a destra aprono la massa compatta degli oggetti.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pots-bocaux-bouteilles-f178r-jh528-van-gogh.webp?v=1785304357\u0026amp;format=webp\" alt=\"Natura morta con pentole, barattoli e bottiglie F178r - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con pentole, barattoli e bottiglie, F178r\u003c\/strong\u003eVincent van Gogh · novembre 1884 · Kunstmuseum Den Haag, L'Aia\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e29,5×39,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKunstmuseum Den Haag, L'Aia\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUn inventario di officina costruito da pile e diagonali\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eA sinistra, tre ceramiche sono impilate sopra un contenitore cilindrico La grande bottiglia ocra e la bottiglia nera occupano il centro, mentre una piccola bottiglia quadrata sporge davanti a loro.\u003c\/p\u003e\n\u003cp\u003eL'oggetto marrone posto diagonalmente a destra rompe la successione delle verticali La ciotola chiara posta al bordo inferiore forma un secondo accento obliquo e attira la luce verso il primo piano.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con pentole, barattoli e bottiglie F178r\/JH528 è un olio su tela di 29,5 × 39,5 cm dipinto a Nuenen nel novembre 1884 È conservato al Kunstmuseum Den Haag.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh modella ogni contenitore con una gamma ridotta di marroni, ocra e neri, quindi utilizza alcuni gialli più chiari per separare i piani.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eGli oggetti occupano l'intera larghezza\u003c\/h3\u003e\n\u003cp\u003eDal vaso impilato a sinistra al cofanetto inclinato a destra, le forme quasi si toccano e producono un'impressione di abbondanza in un piccolo formato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDue accenti luminosi guidano l'occhio\u003c\/h3\u003e\n\u003cp\u003eLa grande bottiglia color ocra al centro e la ciotola gialla in primo piano emergono da un ambiente marrone molto scuro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa giusta diagonale dà profondità\u003c\/h3\u003e\n\u003cp\u003eLa scatola o la custodia si inclina verso lo spettatore La sua apertura arancione collega lo sfondo al bordo inferiore della tela.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eRiferimenti F178r\/JH528, dimensioni di 29,5 × 39,5 cm e numeri 1000410\/1000199 identificano questa natura morta del Kunstmuseum Den Haag.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eNuenen\u003c\/span\u003e\u003ch3\u003eUn dipinto pensato come esercizio\u003c\/h3\u003e\n\u003cp\u003eVan Gogh utilizza il metodo che Anton Mauve gli ha insegnato: disporre oggetti ordinari per studiarne i volumi, i valori e il posto nello spazio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalogo\u003c\/span\u003e\u003ch3\u003eUn'opera dipinta sul verso di uno studio\u003c\/h3\u003e\n\u003cp\u003eLa lettera \"r\" di F178r indica il fronte del supporto nel catalogo De la Faille; la tabella è anche elencata sotto JH528.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUna natura morta conservata all'Aia\u003c\/h3\u003e\n\u003cp\u003eIl Kunstmuseum Den Haag conserva il dipinto sotto due vecchie emissioni di collezione, 1000410 e 1000199.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghworldwide.org\/artwork\/F178r\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il file F178r su Van Gogh Worldwide →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia dovrebbe conservare i faraglioni di sinistra, la grande bottiglia color ocra, la bottiglia nera con etichetta gialla, la ciotola chiara e l'oggetto marrone posto in diagonale.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI tre contenitori impilati a sinistra\u003c\/li\u003e\n\u003cli\u003eLa grande bottiglia ocra al centro\u003c\/li\u003e\n\u003cli\u003eL'etichetta gialla sulla bottiglia nera\u003c\/li\u003e\n\u003cli\u003eLa ciotola luminosa in primo piano\u003c\/li\u003e\n\u003cli\u003eL'apertura arancione della cassa inclinata\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con pentole, barattoli e bottiglie, F178r\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e29,5×39,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF178r · JH528 · 1000410\/1000199\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eKunstmuseum Den Haag, L'Aia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna densa natura morta di ocra, marrone e nero\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eOcra dorata, marrone terra, giallo pallido, nero e rosso smorzato costituiscono un'opera calda per una cucina, una biblioteca o un interno rustico.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte avec pots, bocal et bouteilles, F178r\"\u003e\n\u003ci style=\"background:#aa7947\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5a4030\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d3b85c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#22201d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#854c37\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone scuro, nero opaco o alterato estende la gamma olandese Una luce laterale rivela i gialli senza appiattire le ombre.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione documentaria di 2532 × 2052 px è stata conservata alla sua risoluzione nativa poi convertita in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con pentole, barattoli e bottiglie, F178r, verniciato per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594832531682,"sku":"NATURE_MORTE_AVEC_POTS_BOCAUX_ET_BOUTEILLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pots-bocaux-bouteilles-f178r-jh528-van-gogh.webp?v=1785304357"},{"product_id":"nature-morte-deux-sacs-bouteille-vincent","title":"Natura morta con due borse e una bottiglia, F55 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con due sacchetti e una bottiglia, F55\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSu un tavolo scuro sono collocate due borse accartocciate, una bottiglia nera e diversi accessori da officina, le fasce giallo brillante e rosso arancio dei tessuti ritagliano una composizione dominata da verdi e neri.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-deux-sacs-bouteille-f55-jh532-van-gogh.webp?v=1785303693\u0026amp;format=webp\" alt=\"Natura morta con due borse e una bottiglia F55 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con due sacchetti e una bottiglia, F55\u003c\/strong\u003eVincent van Gogh · Novembre 1884 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e31,7×42 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eLe pieghe dei sacchetti formano un'architettura irregolare attorno alla bottiglia\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLa borsa a sinistra scende verticalmente con un'ampia striscia gialla e un'etichetta ovale, a destra, un secondo tessuto verde si piega attorno a una cornice o tavola rossa, davanti alla quale si trova la bottiglia.\u003c\/p\u003e\n\u003cp\u003eIl primo piano è occupato da un materiale giallo-verde accartocciato e da un oggetto scuro sdraiato Van Gogh tratta i tessuti su grandi piani angolari, senza cercare di lisciarne le protuberanze o le lacrime.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con due sacchetti e una bottiglia F55\/JH532 è un olio su tela montato su pannello di 31,7 × 42 cm, dipinto a Nuenen nel novembre 1884 e conservato in una collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eQui, superfici morbide sostituiscono la ceramica abituale La bottiglia verticale stabilizza un insieme di pieghe, bordi e diagonali.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa banda gialla diventa il segnale principale\u003c\/h3\u003e\n\u003cp\u003eAttraversa la borsa sinistra dall'alto verso il basso e conduce all'etichetta La sua luce contrasta con i verdi profondi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLa cornice rossa racchiude la bottiglia\u003c\/h3\u003e\n\u003cp\u003eI suoi due bordi angolari circondano il vetro nero e ne rinforzano la silhouette senza ricorrere a uno sfondo chiaro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eI tessuti sono costruiti per sfaccettature\u003c\/h3\u003e\n\u003cp\u003eVerdi, grigi, gialli e neri sono giustapposti in grandi sezioni Questa fattura riflette il peso e lo spessore dei sacchetti.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI riferimenti F55\/JH532, il formato di 31,7 × 42 cm e la data di novembre 1884 distinguono quest'opera da altre nature morte di borse dipinte a Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eLe due borse sono i veri volumi del dipinto\u003c\/h3\u003e\n\u003cp\u003eLa bottiglia prima cattura l'occhio, ma le pieghe e le cuciture occupano la maggior parte della superficie e determinano l'intera composizione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriodo\u003c\/span\u003e\u003ch3\u003eUna ricerca del tono a Nuenen\u003c\/h3\u003e\n\u003cp\u003eVan Gogh utilizza una tavolozza ridotta di verdi, marroni e neri, animata da alcuni gialli e rossi più luminosi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eUna tela montata su un pannello\u003c\/h3\u003e\n\u003cp\u003eLa documentazione F55 descrive un olio su tela montato su legno, un piccolo formato orizzontale ora in collezione privata.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0055.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsultare la scheda F55\/JH532 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare in primo piano l'ampia striscia gialla, l'etichetta ovale, la bottiglia nera, la cornice rossa, le pieghe verdi e il materiale accartocciato.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa striscia gialla verticale sulla borsa sinistra\u003c\/li\u003e\n\u003cli\u003eL'etichetta ovale con stampa piccola\u003c\/li\u003e\n\u003cli\u003eIl collo nero illuminato a destra\u003c\/li\u003e\n\u003cli\u003eI due bordi rosso-arancio della cornice\u003c\/li\u003e\n\u003cli\u003eLe pieghe giallo-verdi in primo piano\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con due sacchetti e una bottiglia, F55\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e31,7×42 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF55 · JH532\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna composizione grafica di verde, giallo e nero\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerde oliva, giallo zolfo, rosso terra, marrone e nero danno una presenza unica a un'officina, un ufficio o un interno industriale.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte avec deux sacs et une bouteille, F55\"\u003e\n\u003ci style=\"background:#4d5734\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c2ad2f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a4930\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e3d2d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#1c211d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice nera opaca, marrone intenso o verde scuro rinforza i piani colorati La luce neutra mantiene il giallo senza indebolire i neri.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione documentaria è stata conservata alla sua risoluzione nativa di 1935 × 1434 px poi convertita in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con due borse e una bottiglia, F55, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594833613026,"sku":"NATURE_MORTE_AVEC_DEUX_SACS_ET_UNE_BOUTEILLE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-deux-sacs-bouteille-f55-jh532-van-gogh.webp?v=1785303693"},{"product_id":"nature-morte-cinq-bouteilles-vincent-van","title":"Natura morta con cinque bottiglie, F56 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con cinque bottiglie, F56\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDavanti ad una finestra chiara sono raccolte quattro brocche in gres e una bottiglia di vetro, in primo piano giace uno dei contenitori rossi, che rompe la fila verticale e dona al tutto una profondità immediata.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cinq-bouteilles-f56-jh530-van-gogh.webp?v=1785303691\u0026amp;format=webp\" alt=\"Natura morta con cinque bottiglie F56 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con cinque bottiglie, F56\u003c\/strong\u003eVincent van Gogh · novembre 1884 · Belvedere, Vienna\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e46,5×56 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eBelvedere, Vienna\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eUna bottiglia sdraiata trasforma l'allineamento in composizione dinamica\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eA sinistra, la bottiglia nera forma la prima verticale, si susseguono poi tre brocche marroni, i cui manici formano degli anelli; il grande contenitore rosso giace su tutta la metà inferiore.\u003c\/p\u003e\n\u003cp\u003eLa luce della finestra cambia da giallo verde a ocra e si riflette sull'arenaria Il pannello scuro a destra stringe lo spazio e fa apparire più luminosi i gialli applicati sul tavolo.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con cinque bottiglie F56\/JH530 è un olio su tela di 46,5 × 56 cm dipinto a Nuenen nel novembre 1884 Il Belvedere di Vienna lo conserva sotto inventario 7762.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa tela contrappone quattro volumi in piedi a un quinto sdraiato, I manici, i colletti e i riflessi producono un ritmo senza accessori aggiuntivi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa bottiglia sdraiata si apre in diagonale\u003c\/h3\u003e\n\u003cp\u003eIl suo collare punta a sinistra mentre il suo corpo rosso si allarga a destra, collega gli oggetti posteriori al bordo inferiore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLe maniglie ripetono la stessa curva\u003c\/h3\u003e\n\u003cp\u003eTre anelli appaiono ad altezze diverse La loro ripetizione ammorbidisce la rigida verticalità dei collari.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa finestra funziona come una fonte interna\u003c\/h3\u003e\n\u003cp\u003eI suoi verdi e gialli illuminano le sagome da dietro e creano riflessi più caldi sulle brocche centrali.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF56\/JH530, il formato di 46,5 × 56 cm e l'inventario 7762 identificano questa natura morta del novembre 1884 a Belvedere.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eNuenen\u003c\/span\u003e\u003ch3\u003eUno studio su cinque contenitori ordinari\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dipinse poi diverse nature morte di bottiglie e ceramiche per lavorare su volume, materiali e differenze di tono.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMateria\u003c\/span\u003e\u003ch3\u003eVetro nero e gres colorato\u003c\/h3\u003e\n\u003cp\u003eLa bottiglia a sinistra assorbe la luce; le brocche di arenaria la riflettono in tocchi rossi, gialli e marroni.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseo\u003c\/span\u003e\u003ch3\u003eUn'opera conservata a Vienna\u003c\/h3\u003e\n\u003cp\u003eIl dipinto appartiene al Belvedere ed è numerato 7762, oltre ai riferimenti catalografici F56 e JH530.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Still_Life_with_Five_Bottles_(F56)_-_Vincent_van_Gogh.jpg\" target=\"_blank\" rel=\"noopener\"\u003eConsulta la scheda documentaria F56\/JH530 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare i cinque contenitori, la bottiglia rossa sdraiata, le tre maniglie, la finestra verde-gialla e le ombre marroni del tavolo.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa bottiglia nera con il tappo rosso\u003c\/li\u003e\n\u003cli\u003eLe tre grandi brocche verticali\u003c\/li\u003e\n\u003cli\u003eIl passo diretto a sinistra in primo piano\u003c\/li\u003e\n\u003cli\u003eRiflessi gialli sull'arenaria centrale\u003c\/li\u003e\n\u003cli\u003eIl pannello marrone scuro nell'angolo destro\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con cinque bottiglie, F56\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e46,5×56 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF56 · JH530 · 7762\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eBelvedere, Vienna\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna calda natura morta di rosso, ocra e verde\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eRosso terra, ocra dorato, giallo verde, marrone e nero costituiscono un'opera densa per una cucina, una sala da pranzo o un interno rustico.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux cinq bouteilles, F56\"\u003e\n\u003ci style=\"background:#9b4631\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b6813d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#aab64f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5c402c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#20211a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone scuro, nero o alterato accompagna la gamma calda La luce laterale rivela riflessi senza sbiancare la finestra.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione selezionata è stata conservata alla sua risoluzione nativa di 2200 × 1783 px poi convertita in WebP reale, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con cinque bottiglie, F56, dipinte per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594833875170,"sku":"NATURE_MORTE_AUX_CINQ_BOUTEILLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cinq-bouteilles-f56-jh530-van-gogh.webp?v=1785303691"},{"product_id":"nature-morte-vincent-van-gogh","title":"Natura morta con ceramica e due bottiglie, F57 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con ceramica e due bottiglie, F57\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDue bottiglie si innalzano dietro tre contenitori di ceramica: una pentola decorata posta in una grande terrina, una brocca gialla e una ciotola bianca Verdi, ocra e neri conferiscono a questi oggetti ordinari una presenza quasi monumentale.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-poteries-deux-bouteilles-f57-jh539-van-gogh.webp?v=1785303170\u0026amp;format=webp\" alt=\"Natura morta con ceramica e due bottiglie F57 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con ceramica e due bottiglie, F57\u003c\/strong\u003eVincent van Gogh · novembre 1884 · Norton Simon Museum, Pasadena\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40×56,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseo Norton Simon, Pasadena\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eI contenitori si incastrano e rispondono l'uno all'altro in due file\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eA sinistra, il piccolo vaso verde è posto all'interno di una grande terrina ocra, a destra, la ciotola bianca avanza in primo piano; tra di loro, la bottiglia nera e la brocca gialla occupano la fila posteriore.\u003c\/p\u003e\n\u003cp\u003eIl fondo verde nero rimane molto attivo, ricoperto di pennellate a vista I riflessi bianchi sul vetro, il manico giallo e il contorno chiaro della ciotola ritagliano gli oggetti senza isolarli da questo materiale scuro.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con ceramica e due bottiglie F57\/JH539 è un olio su tela di 40 × 56,5 cm dipinto a Nuenen nel novembre 1884 Il Norton Simon Museum lo conserva sotto inventario F.1972.44.P.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh costruisce il tutto con forme ad incastro e contorni spigolosi Il museo avvicina questa semplificazione all'interesse del pittore per le stampe giapponesi.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLa pentola posta nella terrina crea una doppia forma\u003c\/h3\u003e\n\u003cp\u003eI loro due manici e due aperture si sovrappongono Questa complessa struttura bilancia la ciotola bianca molto più semplice sulla destra.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eEntrambe le bottiglie non hanno lo stesso peso\u003c\/h3\u003e\n\u003cp\u003eIl vetro nero è stretto e lucido; la brocca gialla è opaca, larga e con manico Il loro contrasto anima lo sfondo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLa ciotola bianca apre un respiro\u003c\/h3\u003e\n\u003cp\u003eIl suo interno verde grigio riceve diversi riflessi Posto davanti ai contenitori, impedisce alla composizione di diventare un'unica massa scura.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eL'avviso del Norton Simon Museum conferma il novembre 1884, il formato di 40 × 56,5 cm, l'inventario F.1972.44.P e i riferimenti F57\/JH539.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAtelier\u003c\/span\u003e\u003ch3\u003eUna natura morta dipinta durante le lezioni di Nuenen\u003c\/h3\u003e\n\u003cp\u003eIl museo ricorda che Van Gogh diede poi lezioni a pochi studenti e talvolta dipinse composizioni di oggetti accanto ad essi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eForme\u003c\/span\u003e\u003ch3\u003eContorni volutamente semplificati\u003c\/h3\u003e\n\u003cp\u003eI vasi e le bottiglie sono descritti da linee ferme e zone piane irregolari Questa semplificazione ne rafforza il peso piuttosto che cercare una perfetta illusione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollezione\u003c\/span\u003e\u003ch3\u003eUn'opera entrata nella fondazione nel 1972\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è stato acquisito dalla Norton Simon Foundation nel settembre 1972 e da allora è stato elencato nell'inventario F.1972.44.P.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nortonsimon.org\/art\/detail\/F.1972.44.P\" target=\"_blank\" rel=\"noopener\"\u003eConsulta le istruzioni del Norton Simon Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare il vaso decorato nella terrina, la bottiglia nera, la brocca gialla, la ciotola bianca, i riflessi e le pennellate dello sfondo verde.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eLa pentola verde decorata con motivi blu\u003c\/li\u003e\n\u003cli\u003eIl grande manico della terrina ocra\u003c\/li\u003e\n\u003cli\u003eL'etichetta della bottiglia nera chiara\u003c\/li\u003e\n\u003cli\u003eLa brocca gialla posta in basso\u003c\/li\u003e\n\u003cli\u003eIl bordo bianco irregolare della ciotola diritta\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con ceramica e due bottiglie, F57\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e40×56,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF57 · JH539 · F.1972.44.P\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo Norton Simon, Pasadena\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta profonda di verde, ocra e avorio\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerde bottiglia, verde oliva, ocra, avorio e nero costituiscono un'opera densa per una sala da pranzo, una cucina o un interno con materie prime.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux poteries et deux bouteilles, F57\"\u003e\n\u003ci style=\"background:#1d2e24\"\u003e\u003c\/i\u003e\u003ci style=\"background:#50633d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b28a43\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5d2b0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#151a17\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eSullo sfondo si estende una cornice di rovere nero, verde molto scuro o marrone, una luce calda ma soffusa fa emergere la ciotola bianca e la brocca gialla.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione documentaria è stata conservata alla sua risoluzione nativa di 2155 × 1496 px poi convertita in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con ceramica e due bottiglie, F57, dipinte per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46594834137314,"sku":"NATURE_MORTE_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-poteries-deux-bouteilles-f57-jh539-van-gogh.webp?v=1785303170"},{"product_id":"nature-morte-pinceaux-pot-vincent-van","title":"Natura morta con pennelli in una pentola, F60 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · novembre 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNatura morta con pennelli in una pentola, F60\u003cem\u003eRiproduzione pittura a olio su tela\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUna pentola rossa contiene diversi pennelli le cui maniche si alzano davanti a due bottiglie scure Una ciotola gialla e una brocca marrone completano questa natura morta da studio, costruita da una gamma ristretta di ocra e terra.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eUn'immagine WebP verificata\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eConvalida foto\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pinceaux-pot-f60-jh540-van-gogh.webp?v=1785303169\u0026amp;format=webp\" alt=\"Natura morta con pennelli in una pentola F60 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNatura morta con pennelli in una pentola, F60\u003c\/strong\u003eVincent van Gogh · Novembre 1884 · Collezione privata\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovembre 1884\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e31,5×41,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOlio su tela montato su pannello\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCollezione privata\u003c\/strong\u003e\u003cspan\u003eConservazione\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta a mano, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSu ordinazione\u003c\/b\u003e\u003cspan\u003eOgni copia è creata singolarmente.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella completata prima di inviarla.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eLe regolazioni possono precedere la spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eLe spazzole trasformano una fila di contenitori in una scena di laboratorio\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIl vaso occupa il centro inferiore I suoi pennelli si aprono a ventaglio e attraversano le sagome verticali di una grande brocca e di una bottiglia nera appoggiata al fondo.\u003c\/p\u003e\n\u003cp\u003eLa ciotola gialla a sinistra riceve la luce più forte, mentre la brocca marrone a destra si fonde quasi nell'ombra Una piccola fascia scura attraversa lo sfondo e lega tutti gli oggetti al tavolo.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eNatura morta con pennelli in vaso F60\/JH540 è un olio su tela montato su tavola di 31,5 × 41,5 cm, dipinto a Nuenen nel novembre 1884 e conservato in una collezione privata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposizione, tatto e colore\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eTre osservazioni specifiche di questo dipinto\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa tela assembla forme molto semplici: cilindri, manici e lunghi bastoncini La differenza di colore e altezza è sufficiente per produrre un ritmo preciso.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eI pennelli aprono la composizione\u003c\/h3\u003e\n\u003cp\u003eLe loro maniche si allargano a destra e a sinistra Rompono la rigidità delle bottiglie riportando l'attenzione sul vaso centrale.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLa ciotola gialla diventa il fulcro luminoso\u003c\/h3\u003e\n\u003cp\u003eIl suo colore acido contrasta con le ocra più scure Posto in primo piano, bilancia la massa scura della brocca destra.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eGli oggetti risaltano attraverso il loro contorno\u003c\/h3\u003e\n\u003cp\u003eVan Gogh modella volumi poco; rinforza soprattutto i bordi, le maniglie e le aperture con linee marroni o nere.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eIdentificare con precisione l'opera originale\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eI riferimenti F60\/JH540, il formato di 31,5 × 41,5 cm e la data di novembre 1884 identificano questa natura morta da laboratorio a collezione privata.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSoggetto\u003c\/span\u003e\u003ch3\u003eAl centro gli strumenti del pittore\u003c\/h3\u003e\n\u003cp\u003eA differenza delle altre nature morte in ceramica di Nuenen, questa mostra chiaramente diversi pennelli e collega gli oggetti domestici alla pratica di officina.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerie\u003c\/span\u003e\u003ch3\u003eUna variazione tra i contenitori del novembre 1884\u003c\/h3\u003e\n\u003cp\u003eVan Gogh cambia l'ordine, l'altezza e i colori di pentole e bottiglie per studiare l'equilibrio degli oggetti familiari.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupporto\u003c\/span\u003e\u003ch3\u003eTela ora montata su pannello\u003c\/h3\u003e\n\u003cp\u003eLa documentazione F60 descrive un olio su tela montato su legno, in un piccolo formato orizzontale di 31,5 × 41,5 cm.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0060.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsultare la scheda F60\/JH540 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eLa copia deve conservare la gamma dei pennelli, la pentola rossa, la ciotola gialla, le due sagome posteriori, la brocca marrone e l'ocra dominante.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eI cinque giri visibili sopra il piatto\u003c\/li\u003e\n\u003cli\u003eIl bordo verde scuro della ciotola gialla\u003c\/li\u003e\n\u003cli\u003eIl riflesso rosso sul vaso centrale\u003c\/li\u003e\n\u003cli\u003eLa bottiglia nera posta dietro\u003c\/li\u003e\n\u003cli\u003eIl manico e il becco della brocca marrone a destra\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNatura morta con pennelli in una pentola, F60\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853-1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eNovembre 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eLuogo di creazione\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela montato su pannello\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e31,5×41,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eF60 · JH540\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione privata\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eDall'ordine alla spedizione\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparazione\u003c\/b\u003e\u003cspan\u003eStudio di inquadrature, proporzioni e colori.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eControllo della tabella e richiesta di eventuali modifiche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eSpedizione protetta\u003c\/b\u003e\u003cspan\u003eImballaggio e spedizione attenti con tracciamento.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eNel tuo interno\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eUna natura morta di laboratorio in ocra, rosso e giallo\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eOcra, marrone, rosso terra, giallo chartreuse e nero compongono un lavoro caldo per un laboratorio, un ufficio o una biblioteca.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux pinceaux dans un pot, F60\"\u003e\n\u003ci style=\"background:#9b7b3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5a432e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a34f31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c4b12a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f2d25\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eUna cornice in legno marrone intenso, nero o alterato accompagna la gamma della terra La luce calda rivela la ciotola e le maniche senza cancellare gli oggetti nella parte inferiore.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePrima di ordinare\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eÈ una stampa su tela?\u003c\/summary\u003e\u003cp\u003eNo. Ogni riproduzione è dipinta manualmente ad olio su tela, pennellate e variazioni materiche appartengono al risultato finale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCome viene scelto il riferimento visivo?\u003c\/summary\u003e\u003cp\u003eLa riproduzione documentaria è stata conservata alla sua risoluzione nativa di 1932 × 1383 px poi convertita in un vero e proprio WebP, senza ingrandimento artificiale.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso controllare il risultato prima della spedizione?\u003c\/summary\u003e\u003cp\u003eSì. Le fotografie del dipinto finito ti vengono inviate; puoi richiedere modifiche prima di convalidare la spedizione.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSono possibili formati personalizzati?\u003c\/summary\u003e\u003cp\u003eSì. Il formato può essere adattato alla tua parete mantenendo le proporzioni e l'equilibrio della composizione originale.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNatura morta con pennelli in una pentola, F60, verniciata per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione di pittura ad olio su tela realizzata singolarmente, verificata in foto e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cb\u003eDipinto a mano · Olio su tela · Convalida fotografica\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46594834661602,"sku":"NATURE_MORTE_AUX_PINCEAUX_DANS_UN_POT_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pinceaux-pot-f60-jh540-van-gogh.webp?v=1785303169"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/corbeille-de-fruits-caravage-reproductions-tableaux-a-la-peinture-lhuile-924.jpg?v=1746848063","url":"https:\/\/it.alphareproduction.com\/collections\/natura-morto.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}