{"title":"Claude Monet – Ninfee","description":"\u003cstyle\u003e\n .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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p{margin:-5px 44px 22px 0;color:var(--rr-muted);font-size:14px}\n .rr-final{padding:62px 24px;color:#fff;background:var(--rr-red2);text-align:center}.rr-final h3{max-width:790px;margin:0 auto 14px;font-size:clamp(34px,5vw,56px);line-height:1}.rr-final p{max-width:700px;margin:0 auto;color:#ead9cd}.rr-final a{display:inline-flex;margin-top:25px;padding:13px 22px;color:var(--rr-red2);background:#fff;border-radius:999px;font-size:13px;font-weight:800}\n @media(max-width:950px){.rr-hero-grid,.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-guide,.rr-faq{grid-template-columns:1fr}.rr-cards{grid-template-columns:repeat(2,1fr)}.rr-gallery{grid-template-columns:repeat(2,1fr)}.rr-benefits{grid-template-columns:repeat(2,1fr)}.rr-benefit:nth-child(2){border-right:0}.rr-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.rr-stats{grid-template-columns:repeat(2,1fr)}.rr-stat:nth-child(3){border-left:0;border-top:1px solid var(--rr-line)}.rr-stat:nth-child(4){border-top:1px solid var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n \u003csection class=\"rr-hero\" style=\"--rr-watermark:'LES NYMPHÉAS DE MONET'\"\u003e\n \u003cdiv class=\"rr-wrap\"\u003e\n \u003cdiv class=\"rr-hero-grid\"\u003e\n \u003cdiv\u003e\n \u003cp class=\"rr-eyebrow\"\u003e1897 -1926 · Giverny, giardino acquatico e grande decorazione\u003c\/p\u003e\n \u003ch2\u003eClaude Monet - Ninfee\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n \u003cp class=\"rr-lead\"\u003eScopri Claude Monet - Ninfee, riprodotte a mano ad olio su tela.\u003c\/p\u003e\n \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eVedi riproduzioni\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#claude-monet-nympheas-guide\"\u003eScegli un'opera\u003c\/a\u003e\n\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cfigure class=\"rr-art\"\u003e\n \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/le-bassin-aux-nympheas-claude-monet-reproductions-de-tableaux-a-la-peinture-lhuile-197.webp?v=1745309732\" alt=\"Le ninfee - Claude Monet\" loading=\"lazy\"\u003e\n \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eL'universo di Claude Monet - Ninfee\u003c\/strong\u003ePer quasi trent'anni, Monet trasformò il suo bacino di Giverny in un mondo pittorico: ninfee, riflessi, nuvole e salici abolirono gradualmente l'orizzonte.\u003c\/figcaption\u003e\n \u003c\/figure\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1840-1926\u003c\/strong\u003e\u003cspan\u003eVita di Claude Monet\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1897-1926\u003c\/strong\u003e\u003cspan\u003eQuasi trent'anni dedicati al ciclo\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1927\u003c\/strong\u003e\u003cspan\u003eApertura delle sale dell'Orangerie\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e°2.000\u003c\/strong\u003e\u003cspan\u003eI dipinti elencati di Monet: stima complessiva\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/section\u003e\n\n \u003cdiv class=\"rr-benefits\"\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eDipinto a mano\u003c\/b\u003e\u003cspan\u003eVera pittura ad olio, nessuna stampa.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFormati a scelta\u003c\/b\u003e\u003cspan\u003eUna composizione adattata alle dimensioni ordinate.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamina la tua tavola prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eRichiedi aggiustamenti prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003c\/div\u003e\n\n \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003e1897 -1926 · Giverny, giardino acquatico e grande decorazione\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003ePer quasi trent'anni, Monet trasformò il suo bacino di Giverny in un mondo pittorico: ninfee, riflessi, nuvole e salici abolirono gradualmente l'orizzonte.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eCon sede a Giverny dal 1883, Claude Monet comprò la sua proprietà poi costruì un giardino d'acqua dall'altra parte della linea ferroviaria, deviò un braccio dell'Epte, piantò ninfee e fece costruire un ponte ispirato alle stampe giapponesi da lui raccolte Dal 1897-1899, questo giardino da lui stesso composto divenne il suo motivo principale Le prime vedute mostrano ancora il ponte, le rive e le masse di vegetazione Nei paesaggi d'acqua dipinti soprattutto tra il 1903 e il 1908, l'inquadratura si stringe sulla superficie della piscina Cielo, albero e fiore del fiore appaiono solo per riflessione; Le prime vedute mostrano ancora il ponte, le rive e le masse di vegetazione Nei paesaggi d'acqua dipinti soprattutto tra il 1903 e il 1908, l'inquadratura si stringe sulla superficie della piscina Cielo, albero e fiore appaiono solo per riflessione; la parte superiore e inferiore diventano difficili da distinguere Monet non descrive per un solo minuto, ma Suppone osservazioni e ripetizioni di bottega Dopo il 1914, nonostante il lutto, la guerra e la cataratta, amplia radicalmente il progetto, una vasta bottega ospita pannelli destinati ad avvolgere l'occhio, a questa ricerca di un continuum senza centro appartengono il Mattino, le Nuvole, le Riflessioni Verdi, il Sole tramontante o I due salici, in seguito all'armistizio del 1918 Monet offre allo Stato un insieme pensato come monumento alla pace, in seguito all'armistizio del 1918 Monet offre allo Stato un insieme pensato come monumento alla pace, le otto composizioni vengono installate secondo i suoi progetti in due sale ellittiche dell'Orangerie nel 1927 Il ciclo, quasi trecento dipinti e più di quaranta grandi pannelli, rinnova il paesaggio facendo dell'acqua uno spazio immersivo, uno spazio immersivo mobile e quasi astratta La selezione \"Claude Monet - Ninfee\" mette a confronto in particolare La Passerelle sur le bassin con ninfee, Basilea e Le Bassin con ninfee, riflessi verdi La sua lettura favorisce lo spazio.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eNelle Ninfee, Monet non dipinge più il giardino che ha davanti: pone lo spettatore in mezzo all'acqua senza orizzonte dove il cielo ha cambiato lato.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eCorso e stile\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eViaggio, soggetti e linguaggio pittorico\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eCon sede a Giverny dal 1883, Claude Monet comprò la sua proprietà poi costruì un giardino d'acqua dall'altra parte della linea ferroviaria, deviò un braccio dell'Epte, piantò ninfee e fece costruire un ponte ispirato alle stampe giapponesi da lui raccolte Dal 1897-1899, questo giardino da lui stesso composto divenne il suo motivo principale Le prime vedute mostrano ancora il ponte, le rive e le masse di vegetazione Nei paesaggi d'acqua dipinti soprattutto tra il 1903 e il 1908, l'inquadratura si stringe sulla superficie della piscina Cielo, albero e fiore del fiore appaiono solo per riflessione; Le prime vedute mostrano ancora il ponte, le rive e le masse di vegetazione Nei paesaggi d'acqua dipinti soprattutto tra il 1903 e il 1908, l'inquadratura si stringe sulla superficie della piscina Cielo, albero e fiore appaiono solo per riflessione; la parte superiore e inferiore diventano difficili da distinguere Monet non descrive per un solo minuto, ma Suppone osservazioni e ripetizioni di bottega Dopo il 1914, nonostante il lutto, la guerra e la cataratta, amplia radicalmente il progetto, una vasta bottega ospita pannelli destinati ad avvolgere l'occhio, a questa ricerca di un continuum senza centro appartengono il Mattino, le Nuvole, le Riflessioni Verdi, il Sole tramontante o I due salici, in seguito all'armistizio del 1918 Monet offre allo Stato un insieme pensato come monumento alla pace, in seguito all'armistizio del 1918 Monet offre allo Stato un insieme pensato come monumento alla pace, le otto composizioni vengono installate secondo i suoi progetti in due sale ellittiche dell'Orangerie nel 1927 Il ciclo, quasi trecento dipinti e più di quaranta grandi pannelli, rinnova il paesaggio facendo dell'acqua uno spazio immersivo, uno spazio immersivo mobile e quasi astratto.\u003c\/p\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1897-1900\u003c\/time\u003e\u003ch3\u003eDipingi la piscina e il ponte\u003c\/h3\u003e\n\u003cp\u003eLe sponde e la passerella giapponese strutturano la prima serie Questo traguardo fa luce sulla collezione \"Claude Monet - Ninfee\" privilegiando lo spazio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1903-1909\u003c\/time\u003e\u003ch3\u003eRimuovi orizzonte\u003c\/h3\u003e\n\u003cp\u003eIl primo piano dell'acqua mescola fiori, profondità e riflessi del cielo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1914-1926\u003c\/time\u003e\u003ch3\u003eCrea la grande decorazione\u003c\/h3\u003e\n\u003cp\u003ePannelli monumentali trasformano il paesaggio in un ambiente continuo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eSuperficie senza bordo\u003c\/h3\u003e\n\u003cp\u003eL'inquadratura taglia le sponde e rende l'acqua tutto lo spazio del dipinto, questa linea guida una lettura di \"Claude Monet - Ninfee\" incentrata sullo spazio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eRiflessione invertita\u003c\/h3\u003e\n\u003cp\u003eNuvola e salice appaiono sotto i fiori, sfumando profondità e superficie.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eChiave laminata\u003c\/h3\u003e\n\u003cp\u003eI riassunti, l'attrito e l'impasto accumulano diversi stati di luce.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eFormato di avvolgimento\u003c\/h3\u003e\n\u003cp\u003eI grandi pannelli vanno oltre il campo visivo e invitano alla contemplazione mobile.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eEsplora per universo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eEntra nello stagno delle ninfee\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003ePasserella, riflessi verdi, nuvole e mattina di salice presentano quattro tappe del passaggio dal giardino rappresentato all'ambiente pittorico.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003ePonte\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eAttraversare il giardino\u003c\/h3\u003e\n\u003cp\u003eLa passerella curva organizza ancora la riva, l'acqua e la vegetazione.\u003c\/p\u003e\n\u003cb\u003ePer l'icona Leggere \"Claude Monet - Ninfee\" attraverso lo spazio.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eRiflessione\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eVerde la superficie\u003c\/h3\u003e\n\u003cp\u003eLe masse vegetali si mescolano ai fiori in una profondità instabile.\u003c\/p\u003e\n\u003cb\u003ePer colore\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eCielo\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eFai galleggiare le nuvole\u003c\/h3\u003e\n\u003cp\u003eLa riflessione celeste apre l'acqua senza mostrare un orizzonte.\u003c\/p\u003e\n\u003cb\u003ePer spazio\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eAlba\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eAllungare al mattino\u003c\/h3\u003e\n\u003cp\u003eSalici e luce si dispiegano nel ritmo panoramico dei grandi pannelli.\u003c\/p\u003e\n\u003cb\u003ePer immersione\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eGiardino · Gateway\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eLa passerella sullo stagno delle ninfee, Basilea\u003c\/h3\u003e\n\u003cp\u003eIl ponte curvo giapponese collega le due sponde sopra il bacino fiorito.\u003c\/p\u003e\n\u003cb\u003eOpera simbolo di Claude Monet - Ninfee\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eProfondità · Riflessioni verdi\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eIl bacino del giglio d'acqua, riflessi verdi\u003c\/h3\u003e\n\u003cp\u003eFiori e fogliame riflessi si fondono in una superficie vibrante.\u003c\/p\u003e\n\u003cb\u003eOpera simbolo di Claude Monet - Ninfee\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eOpere da scoprire\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eRiproduzioni di Ninfee di Claude Monet\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eQuattro opere attive e distinte riuniscono la passerella, i riflessi verdi, Le nuvole e Il mattino leggero con i salici.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"4\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/passerelle-bassin-nympheas-claude-monet\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-b-main.webp?v=1784365184\" alt=\"La passerella sul bacino delle ninfee di Claude Monet, 1919 - versione esatta di Basilea W1916\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eGiardino · Gateway\u003c\/small\u003e\u003ch3\u003eLa passerella sullo stagno delle ninfee, Basilea\u003c\/h3\u003e\n\u003cspan\u003eIl ponte curvo giapponese collega le due sponde sopra il bacino fiorito.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/bassin-nympheas-reflets-verts-claude-monet\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-main.webp?v=1784355396\" alt=\"Il Bacino delle Ninfee, riflessi verdi di Claude Monet - pannello panoramico Bührle 1920 -1926\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eProfondità · Riflessioni verdi\u003c\/small\u003e\u003ch3\u003eIl bacino del giglio d'acqua, riflessi verdi\u003c\/h3\u003e\n\u003cspan\u003eFiori e fogliame riflessi si fondono in una superficie vibrante.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/nympheas-nuages-claude-monet\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nuages-orangerie-inv20100.webp?v=1784374528\" alt=\"Les Nuages di Claude Monet, 1914 -1926 - Musée de l'Orangerie INV 20100, tre pannelli\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eCielo · Nuvole\u003c\/small\u003e\u003ch3\u003eLe Nuvole, Le Ninfee\u003c\/h3\u003e\n\u003cspan\u003eIl cielo si dispiega sotto le ninfee e abolisce l'orizzonte.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/nympheas-matin-clair-saules-claude-monet\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-clair-saules-orangerie-inv20106.webp?v=1784372984\" alt=\"Le Matin clair aux saules di Claude Monet, 1914 -1926 - Musée de l'Orangerie INV 20106, tre pannelli\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003ePanorama · Clear morning\u003c\/small\u003e\u003ch3\u003eLa serena mattinata con i salici, le ninfee\u003c\/h3\u003e\n\u003cspan\u003eSalici e luce avvolgono lo sguardo nel tempo sospeso.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eIl nostro metodo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eUna riproduzione dipinta, non un'impressione\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOgni dipinto è realizzato in olio su tela da un artista specializzato, quindi controllato con voi prima della spedizione.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eDal lavoro al tuo interno\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eScelta del lavoro\u003c\/b\u003e\u003cspan\u003eSoggetto, orientamento e dimensioni adattati alla tua parete.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella finita.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRitocco\u003c\/b\u003e\u003cspan\u003eLe regolazioni rimangono possibili prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eOgni riproduzione è unica.\u003c\/strong\u003e Lievi variazioni di tocco e di materiale testimoniano il lavoro manuale del pittore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section\" id=\"claude-monet-nympheas-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eScegliere saggiamente\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eScegli una riproduzione di Ninfee\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eUna cornice in bianco, legno chiaro o oro opaco e un grande formato orizzontale preserveranno l'effetto di immersione, i riflessi e la respirazione dei colori.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Claude Monet – Nymphéas\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eI nostri benchmark\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eSala\u003c\/b\u003eInstalla \"La passerella sul bacino delle ninfee, Basilea\" come punto focale, con uno sguardo allo spazio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eUfficio\u003c\/b\u003eScegli una cornice o un dettaglio legato a \"Il Bacino delle Ninfee, riflessi verdi\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFormato\u003c\/b\u003eConserva le proporzioni dell'opera scelta nella collezione Claude Monet - Ninfee.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePalette\u003c\/b\u003eAbbina il pezzo ai toni specifici di Claude Monet - Ninfee.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinire\u003c\/b\u003eL'olio su tela evidenzia gli effetti della superficie senza bordi.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCornice\u003c\/b\u003eScegli il legno, il nero o l'oro a seconda dell'atmosfera di Claude Monet - Ninfee.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003ePrima di scegliere il tuo Claude Monet - Ninfee\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eLe riproduzioni sono dipinte con pittura ad olio?\u003c\/summary\u003e\u003cp\u003eSì. Ogni riproduzione è dipinta a mano ad olio su tela, senza stampa.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome ripristinare lo spazio in una riproduzione di Claude Monet - Nymphéas?\u003c\/summary\u003e\u003cp\u003eIl pittore utilizza la composizione, i valori, i colori e i materiali visibili nell'opera scelta della collezione Claude Monet - Nymphéas, con particolare attenzione rivolta allo spazio.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003ePosso ordinare un'opera di Claude Monet - Nymphéas in formato personalizzato?\u003c\/summary\u003e\u003cp\u003eSì. Le dimensioni sono adattate rispettando le proporzioni e l'equilibrio dell'opera selezionata.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome convalido la mia riproduzione di Claude Monet - Ninfee?\u003c\/summary\u003e\u003cp\u003eLe fotografie dettagliate vengono inviate prima della spedizione; è possibile richiedere modifiche prima dell'invio.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eEsplora Claude Monet - Ninfee\u003c\/h3\u003e\n\u003cp\u003eScegli un'opera di Claude Monet - Ninfee e ricevi un dipinto ad olio creato appositamente per il tuo interno.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eVedi tutte le riproduzioni\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"nympheas-nuages-claude-monet","title":"Le Nuvole, Le Ninfee - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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1fr;gap:20px;margin-top:40px}.ar-monet .ar-hd-card{margin:0;background:#fbfaf3;border:1px solid var(--line)}.ar-monet .ar-hd-card img{width:100%;height:570px;object-fit:cover}.ar-monet .ar-hd-card figcaption{padding:22px 24px;color:var(--muted);font-size:13px}.ar-monet .ar-hd-card strong{display:block;margin-bottom:6px;color:var(--ink);font:400 22px Georgia,serif}.ar-monet .ar-image-note{margin:18px 0 0;color:#5d685f;font-size:12px}\n.ar-monet .ar-cards{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:40px}.ar-monet .ar-card{position:relative;min-height:325px;padding:28px;background:#e3e6da}.ar-monet .ar-card:first-child{background:var(--green);color:white}.ar-monet .ar-card-label{font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase}.ar-monet .ar-card-index{position:absolute;right:18px;top:8px;color:rgba(23,32,27,.07);font:72px Georgia,serif}.ar-monet .ar-card:first-child .ar-card-index{color:rgba(255,255,255,.09)}.ar-monet .ar-card 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-18\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1914 -1926 · Aranciera · INV 20100\u003c\/p\u003e\n\u003ch2\u003eLe Nuvole, Le Ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eOltre dodici e settantacinque metri, nuvole rosa si riflettono in acqua blu senza alcun orizzonte che separi il cielo dalla piscina I tre pannelli passano da una profondità verde scuro a una vasta luce viola, per poi tornare a blu più notturni.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nuages-orangerie-inv20100.webp?v=1784374528\u0026amp;width=2400\" alt=\"Le Nuvole, Le Ninfee - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eLe Nuvole, Le Ninfee\u003c\/strong\u003eClaude Monet· 1914-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1914-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×1.275 cm in totale\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eINV 20100\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl cielo appare solo attraverso il suo riflesso nell'acqua di Giverny\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLa parte sinistra si apre in verdi profondi e blu Poco a poco grandi masse rosa lilla invadono il centro, come se le nuvole scendessero nella piscina, solo pochi gruppi di ninfee riescono a identificare la superficie dell'acqua.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa composizione non ha né sponda né punto di fuga La sua profondità nasce dalla sovrapposizione dei gesti: brevi tocchi per i fiori, scie verticali per i riflessi e passaggi più ampi per le nuvole La curvatura della stanza estende questa continuità attorno al visitatore.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eA Les Nuages, Monet riesce ad evocare le variazioni rosa del cielo unicamente attraverso il loro riflesso: la piscina diventa uno specchio monumentale, senza bordo visibile.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nuages-orangerie-inv20100.webp?v=1784374528\u0026amp;width=2400\" alt=\"Analisi di Les Nuages, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eTre pannelli progettati come un unico movimento\u003c\/h3\u003e\n\u003cp\u003eTransizioni di blu, verde e malva attraversano le giunzioni La riproduzione dovrebbe preservare la progressione complessiva piuttosto che trattare ogni parte come un'immagine isolata.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLe nuvole sono tornate in acqua\u003c\/h3\u003e\n\u003cp\u003eLe masse rosa occupano la parte superiore e centrale ma non galleggiano in un cielo Le ninfee poste davanti a loro confermano che si tratta di un riflesso.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eEstremità scure che avvolgono la luce\u003c\/h3\u003e\n\u003cp\u003eIl centro luminoso acquista intensità grazie ai profondi blu e verdi posti su entrambi i lati, Il lightening uniformemente sopprimerebbe questa respirazione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nuages-orangerie-nympheas.webp?v=1784374528\u0026amp;width=1800\" alt=\"Nuvole rosa e ninfee - dettaglio da Les Nuages, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eNuvole rosa e ninfee\u003c\/strong\u003eIl dettaglio centrale mostra le masse lilla capovolte nel blu e le piccole foglie che indicano la superficie, i contorni rimangono aperti e i colori si sovrappongono.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nuages-orangerie-salle.webp?v=1784374528\u0026amp;width=1800\" alt=\"Le nuvole di Claude Monet fotografate nella prima sala delle Ninfee al Musée de l'Orangerie\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLe Nuvole nella prima sala dell'Orangerie\u003c\/strong\u003eLa fotografia panoramica mostra i tre pannelli sulla parete curva La porta, la sedia e la composizione limitrofa rendono percepibile la scala monumentale.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa scansione di riferimento è stata ridotta da 8.889 × 1.345 px a 8.000 × 1.210 px; il dettaglio misura 4.200 × 1.345 px e la fotografia reale della stanza 8.000 × 2.500 px. Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'INV 20100 incastonato in tre pannelli\u003c\/h3\u003e\n\u003cp\u003eIl museo data Les Nuages dal 1914 -1926 Tre pannelli ad olio su tela, uniti tra loro e montati sulla parete, formano un insieme di 200 × 1.275 cm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eLocalità\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eSala 1, parete nord dell'Orangerie\u003c\/h3\u003e\n\u003cp\u003eL'avviso localizza con precisione l'opera nella prima sala delle Ninfee, sulla parete nord, la fotografia della stanza mostra la sua curvatura e il suo rapporto con il passaggio limitrofo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eModello\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eLezioni dal cielo osservate con Eugène Boudin\u003c\/h3\u003e\n\u003cp\u003eL'Orangerie collega questa composizione all'attenzione permanente di Monet agli effetti atmosferici Qui, le variazioni del cielo sono rappresentate solo nell'acqua stagnante del bacino.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatto set INV 20100 in tre pannelli\u003c\/li\u003e\n\u003cli\u003eIl rapporto monumentale di 200×1.275 cm\u003c\/li\u003e\n\u003cli\u003eNuvole intese come riflessi nel bacino\u003c\/li\u003e\n\u003cli\u003eIl centro rosa brillante incorniciato da profondità blu-verdi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLe Nuvole, Le Ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1914-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×1.275 cm in totale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eTre pannelli panoramici monumentali\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée de l'Orangerie, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eINV 20100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orangerie.fr\/fr\/oeuvres\/les-nuages-196302\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée de l'Orangerie\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eBlu profondo, turchese, malva e rosa nuvola conferiscono a questa riproduzione un'atmosfera coinvolgente Il suo formato panoramico è particolarmente adatto per una grande parete avorio, blu notte, grigio perla o verde smorzato.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Les Nuages, Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#274f60\"\u003e\u003c\/i\u003e\u003ci style=\"background:#477c8f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b8ca6\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c2a8b3\"\u003e\u003c\/i\u003e\u003ci style=\"background:#334b4c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNuvole, Ninfee, dipinte per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Salone (40 x 200 cm)","offer_id":46591962513634,"sku":"LES_NYMPH_AS_LES_NUAGES_40x200","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nuages-orangerie-inv20100.webp?v=1784374528"},{"product_id":"nympheas-claude-monet-2-7","title":"Ninfee, Fondation Beyeler W1854 - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-18\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1916 -1919 · Fondation Beyeler · W1854\u003c\/p\u003e\n\u003ch2\u003eNinfee, Fondation Beyeler W1854\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eAlte due metri, le foglie di ninfea disegnano una diagonale flessibile tra riflessi lilla, azzurro pallido e rosa Nessun orizzonte chiude lo spazio: Monet trasforma la superficie della piscina in un campo verticale dove acqua, cielo e vegetazione diventano quasi inseparabili.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-beyeler-w1854.webp?v=1784374523\u0026amp;width=2400\" alt=\"Ninfee, Fondation Beyeler W1854 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNinfee, Fondation Beyeler W1854\u003c\/strong\u003eClaude Monet· 1916-1919\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1916-1919\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×180 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eInv. 03.2 · Wildenstein 1854\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna diagonale di ninfee dà direzione all'acqua senza orizzonte\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLe grandi foglie giallo-verdi si raccolgono nell'angolo superiore sinistro, scendono poi verso il centro e il fondo della tela, la loro disposizione non è né regolare né decorativa: gli intervalli di acqua limpida creano il ritmo e permettono allo sguardo di circolare tra i diversi gruppi.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eA destra, lunghi segni verdi evocano steli e piante riflessi, contrastano con i passaggi più orizzontali e lattiginosi al centro, sotto i verdi compaiono rosa freddo, viola e blu, che conferiscono all'acqua una profondità che rimane luminosa.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eMonet non rappresenta il cielo sopra la piscina: lo cala nell'acqua, tra le foglie, fino a quando il limite tra superficie e profondità è incerto.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-beyeler-w1854.webp?v=1784374523\u0026amp;width=2400\" alt=\"Analisi delle Ninfee, Fondation Beyeler W1854 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna composizione verticale insolita\u003c\/h3\u003e\n\u003cp\u003eIl formato da 200 × 180 cm prevede la lettura delle ninfee dall'alto verso il basso La diagonale delle foglie deve rimanere fluida senza diventare una semplice ghirlanda.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eVerdi riscaldati dal giallo e dal rosa\u003c\/h3\u003e\n\u003cp\u003eLe foglie non sono mai di colore verde uniforme I loro bordi scuri, i centri gialli e i piccoli fiori rosa stabiliscono una delicata gerarchia.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eRiflessi verticali appesi a destra\u003c\/h3\u003e\n\u003cp\u003eNelle zone più chiare scendono poche linee scure, la loro irregolarità basta ad evocare la vegetazione fuori campo senza chiudere lo spazio.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-beyeler-w1854-reflets.webp?v=1784374523\u0026amp;width=1800\" alt=\"Riflessi viola e piante pendenti - dettaglio di Ninfee, Fondation Beyeler W1854 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eRiflessi viola e piante pendenti\u003c\/strong\u003eIl dettaglio in alto mostra le foglie giallo-verdi, passaggi lilla e linee verticali di vegetazione La luce rimane fredda e diffusa nonostante gli accenti rosa.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-beyeler-w1854-fleurs.webp?v=1784374523\u0026amp;width=1800\" alt=\"Fiori in mezzo alle grandi foglie - dettaglio di Ninfee, Fondation Beyeler W1854 - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eI fiori in mezzo alle grandi foglie\u003c\/strong\u003eNella parte inferiore fiori rosa e crema scandiscono una massa più densa di ninfee, i contorni scuri rimangono aperti e si mescolano a riflessi azzurro pallido.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista completa misura 1.979 × 2.200 px; il ritaglio nativo misura 1.500 × 1.050 px e 1.550 × 1.050 px Nessun file è stato ingrandito e tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eInventario 03.2, Wildenstein 1854\u003c\/h3\u003e\n\u003cp\u003eLa Fondation Beyeler data questo olio su tela dal 1916 -1919, indica 200 × 180 cm e lo identifica per inventario 03.2 nonché per numero 1854 del catalogo ragionato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eProvenienza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eDa Michel Monet alla collezione Beyeler\u003c\/h3\u003e\n\u003cp\u003eL'avviso fa risalire il passaggio dell'opera di Michel Monet a Wildenstein \u0026amp; Co., poi a una collezione americana, è stata acquisita dalla collezione Beyeler nel 2001 e appartiene alla fondazione dal 2003.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eLingua tarda\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eLa piscina diventa uno spazio quasi astratto\u003c\/h3\u003e\n\u003cp\u003eSenza sponde né orizzonti, le foglie galleggianti fungono da unici punti di riferimento Il lilla e i riflessi verticali trasformano l'osservazione del giardino di Giverny in un'organizzazione autonoma di colori e gesti.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione esatta Inv. 03.2, Wildenstein 1854\u003c\/li\u003e\n\u003cli\u003eIl rapporto verticale di 200×180 cm\u003c\/li\u003e\n\u003cli\u003eLa diagonale irregolare delle foglie di ninfea\u003c\/li\u003e\n\u003cli\u003eRiflessi lilla conservati sotto i verdi gialli\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNinfee, Fondation Beyeler W1854\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1916-1919\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×180 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eFondation Beyeler, Riehen\/Basilea, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eInv. 03.2 · Wildenstein 1854\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.fondationbeyeler.ch\/en\/beyeler-collection\/work?tx_wmdbbasefbey_pi5%5Bartwork%5D=203\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Fondation Beyeler\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eVerde salvia, lilla, blu nebbia e rosa cipria conferiscono a questa riproduzione una presenza chiara e meditativa, il suo formato quasi quadrato ma leggermente verticale è adatto per una parete in avorio, lino, verde grigio o malva molto pallido.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nymphéas, Fondation Beyeler W1854 – Claude Monet\"\u003e\n\u003ci style=\"background:#89946b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b7b3be\"\u003e\u003c\/i\u003e\u003ci style=\"background:#aebfca\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6c1c1\"\u003e\u003c\/i\u003e\u003ci style=\"background:#586d5d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNinfee, Fondation Beyeler W1854, dipinte per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (100 x 50 cm)","offer_id":46591963103458,"sku":"NYMPH_AS_100x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-beyeler-w1854.webp?v=1784374523"},{"product_id":"nympheas-matin-clair-saules-claude-monet","title":"Le Ninfee - Mattina Chiara con Salici - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet 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.ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-17\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1914 -1926 · Aranciera · INV 20106\u003c\/p\u003e\n\u003ch2\u003eLa serena mattinata con i salici, le ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eDue tronchi di salice punteggiano l'acqua blu lavanda dove si riflette un cielo lattiginoso Oltre dodici e settantacinque metri, i rami pendenti, le ninfee e i passaggi di luce costruiscono una chiarezza diffusa senza mostrare né cielo né orizzonte.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-clair-saules-orangerie-inv20106.webp?v=1784372984\u0026amp;width=2400\" alt=\"Le Matin clair aux saules, Les Nymphéas - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eLa serena mattinata con i salici, le ninfee\u003c\/strong\u003eClaude Monet· 1914-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1914-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×1.275 cm in totale\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eINV 20106\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eDue salici danno una misura verticale a una distesa di luce quasi infinita\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI tronchi scuri siedono distanti e attraversano quasi tutta l'altezza, i loro rami scendono dal bordo superiore in lunghi tocchi verdi e blu, questa struttura verticale rallenta lo sguardo senza interrompere il movimento panoramico dell'acqua.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eTra gli alberi, Monet apre una grande area grigio-blu e rosa pallido Le ninfee si concentrano maggiormente nella parte inferiore e vicino ai tronchi, lasciando al centro dei respiri dove il riflesso del cielo diventa quasi immateriale.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa luce del mattino non proviene da un sole visibile: nasce dal modo in cui i grigi rosati e i blu lattei passano attraverso i riflessi dei salici.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-clair-saules-orangerie-inv20106.webp?v=1784372984\u0026amp;width=2400\" alt=\"Analisi di Le Matin clair aux saules, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue tronchi separati da un vasto intervallo\u003c\/h3\u003e\n\u003cp\u003eI salici non formano una coppia decorativa La loro lontananza crea un campo d'acqua centrale dove la luce può dispiegarsi senza un punto focale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eRami che cadono fuori campo\u003c\/h3\u003e\n\u003cp\u003eLe cime degli alberi sono tagliate I rami verticali entrano nella composizione come tende irregolari e rinforzano l'impressione di un paesaggio che continua oltre la cornice.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna luce chiara che conserva le sue profondità\u003c\/h3\u003e\n\u003cp\u003eIl blu lavanda, il grigio rosa, il verde tenue e il marrone viola rimangono mescolati. Alleggerire uniformemente rimuoverebbe i passaggi profondi attorno ai tronchi e alle ninfee.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-clair-saules-orangerie-detail.webp?v=1784372984\u0026amp;width=1800\" alt=\"Il salice, i rami e le ninfee - particolare da Le Matin clair aux saules, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eSalice, rami e ninfee\u003c\/strong\u003eIl dettaglio rivela i gesti verticali del tronco e dei rami, i fiori rosa nella parte inferiore e le transizioni blu lavanda del riflesso.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-clair-saules-orangerie-salle.webp?v=1784372985\u0026amp;width=1800\" alt=\"Le Matin clair aux saules di Claude Monet fotografato nella seconda sala delle Ninfee all'Orangerie\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl pannello fotografato nella seconda stanza\u003c\/strong\u003eLa vista vera e propria mostra parte del Mattino di Luce con Salici sulla parete curva, accanto a una composizione vicina Visitatori e architetture ripristinano la scala monumentale.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa scansione di riferimento è stata ridotta da 8.854 × 1.352 px a 8.000 × 1.222 px; il dettaglio misura 3.600 × 1.352 px e la fotografia reale della stanza 4.800 × 2.800 px Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'INV 20106 incastonato in tre pannelli\u003c\/h3\u003e\n\u003cp\u003eDipinto tra il 1914 e il 1926, Le Matin clair aux saules riunisce tre pannelli ad olio su tela, uniti tra loro e montati a parete, Il tutto misura 200 × 1.275 cm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eLocalità\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa parete sud della seconda sala\u003c\/h3\u003e\n\u003cp\u003eIl Musée de l'Orangerie presenta questa composizione nella sala 2 delle Ninfee, si affaccia sul Matin aux saules, opera vicina ma distinta.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDonazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn elemento del grande arredamento offerto alla Francia\u003c\/h3\u003e\n\u003cp\u003eLa donazione di Monet fu approvata nel 1922 I pannelli furono poi installati all'Orangerie secondo il progetto dell'artista e presentati al pubblico dal 1927.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatto set INV 20106 in tre pannelli\u003c\/li\u003e\n\u003cli\u003eIl rapporto monumentale di 200×1.275 cm\u003c\/li\u003e\n\u003cli\u003eI due tronchi separati l'uno dall'altro\u003c\/li\u003e\n\u003cli\u003eLuce lattea senza cancellare le profondità viola\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLa serena mattinata con i salici, le ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1914-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×1.275 cm in totale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eTre pannelli panoramici monumentali\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée de l'Orangerie, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eINV 20106\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orangerie.fr\/fr\/oeuvres\/le-matin-clair-aux-saules-196308\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée de l'Orangerie\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eBlu lavanda, grigio perla, verde salice e rosa pallido conferiscono a questa riproduzione un'atmosfera contemplativa È adatto per una grande parete bianco sporco, lino, grigio blu o verde salvia.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Matin clair aux saules, Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#78858d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#92949b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#687a75\"\u003e\u003c\/i\u003e\u003ci style=\"background:#aaa1a1\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5f5d61\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eLe Matin clair aux saules, Les Nymphéas, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Salone (40 x 200 cm)","offer_id":46591963758818,"sku":"LES_NYMPH_AS_MATIN_CLAIR_AVEC_SAULES_40x200","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-clair-saules-orangerie-inv20106.webp?v=1784372984"},{"product_id":"nympheas-reflets-verts-claude-monet","title":"Riflessi verdi, Le ninfee - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-17\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1914 -1926 · Aranciera · INV 20102\u003c\/p\u003e\n\u003ch2\u003eRiflessi verdi, Ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eDue pannelli formano otto metri e mezzo di acqua scura, senza orizzonte, sponda o cielo visibile, Le ninfee galleggiano in costellazioni irregolari mentre lunghi sentieri verdi, blu e viola conferiscono alla piscina una profondità quasi notturna.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-verts-orangerie-inv20102.webp?v=1784372981\u0026amp;width=2400\" alt=\"Riflessi verdi, Les Nymphéas - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eRiflessi verdi, Ninfee\u003c\/strong\u003eClaude Monet· 1914-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1914-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×850 cm in totale\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eINV 20102\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna bacinella senza sponda dove solo i fiori permettono di leggere la superficie\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eMonet rimuove tutti i punti di riferimento tradizionali dal paesaggio Lo sguardo non incontra né la linea dell'orizzonte né il bordo dello stagno: le foglie ovali e i fiori posti sull'acqua sono gli unici elementi che indicano dove si trova la superficie.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa composizione diventa più densa alle estremità e nella parte inferiore, tra questi ammassi vegetali restano aperte vaste aree blu-verdi, riflessi verticali si tuffano dietro le ninfee e creano l'impressione di acqua sia piatta che molto profonda.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eI riflessi verdi non mostrano il giardino intorno allo stagno: Monet tiene tutto il paesaggio in ciò che l'acqua assorbe, ribalta e trasforma.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-verts-orangerie-inv20102.webp?v=1784372981\u0026amp;width=2400\" alt=\"Analisi delle Riflessioni Verdi, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue pannelli fusi in un'unica distesa\u003c\/h3\u003e\n\u003cp\u003eMasse scure e linee di ninfee attraversano la giunzione La riproduzione fedele deve mantenere questa continuità senza cancellare il respiro specifico di ogni parte.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eFiori concentrati anziché distribuiti regolarmente\u003c\/h3\u003e\n\u003cp\u003eLe ninfee formano gruppi asimmetrici, separati da zone d'acqua quasi vuote, questa irregolarità impedisce alla composizione di diventare decorativa o ripetitiva.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eVerdi che rimangono mescolati con il blu e il viola\u003c\/h3\u003e\n\u003cp\u003eLa profondità deriva dagli sbalzi di temperatura nelle zone scure Un verde uniforme toglierebbe riflessi e l'impressione di trasparenza.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-verts-orangerie-nympheas.webp?v=1784372981\u0026amp;width=1800\" alt=\"Ninfee in riflessi verde-blu - dettaglio di Reflets vertes, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eNinfee in riflessi verde-blu\u003c\/strong\u003eIl raccolto mostra foglie chiare, fiori rosa e gialli e lunghe tracce verticali, i passaggi scuri rimangono sfumati invece di formare uno sfondo opaco.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-verts-orangerie-salle.webp?v=1784372981\u0026amp;width=1800\" alt=\"Riflessi verdi di Claude Monet fotografati nella prima sala delle Ninfee al Musée de l'Orangerie\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eRiflessi verdi fotografati nella stanza ovale\u003c\/strong\u003eLa vista reale identifica il segno tra due passaggi della prima sala I visitatori e la panca centrale rendono percepibili i suoi otto e cinquanta metri di lunghezza.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa scansione di riferimento è stata ridotta da 8.826 × 2.034 px a 8.000 × 1.844 px; il dettaglio misura 3.600 × 1.800 px e la fotografia reale della stanza 5.400 × 2.900 px. Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'INV 20102 incastonato in due pannelli\u003c\/h3\u003e\n\u003cp\u003eRealizzato tra il 1914 e il 1926, Reflets vertes è composto da due pannelli ad olio su tela, uniti tra loro e montati a parete, il tutto misura 200 × 850 cm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eInstallazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa prima stanza delle Ninfee\u003c\/h3\u003e\n\u003cp\u003eIl pannello è presentato al piano terra nella sala 1 dell'ampio arredamento La fotografia vera e propria mostra la sua curvatura, scala e relazione con le composizioni vicine.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDonazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn'opera offerta allo Stato nel 1922\u003c\/h3\u003e\n\u003cp\u003eLa donazione di Monet fu approvata nel 1922 Il tutto passò amministrativamente attraverso il Museo del Lussemburgo prima dell'installazione definitiva all'Orangerie, aperta al pubblico nel 1927.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatto set INV 20102 in due pannelli\u003c\/li\u003e\n\u003cli\u003eIl rapporto monumentale di 200 × 850 cm\u003c\/li\u003e\n\u003cli\u003eNinfee raggruppate asimmetricamente\u003c\/li\u003e\n\u003cli\u003eVerdi profondi modulati dal blu e dal viola\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eRiflessi verdi, Ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1914-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×850 cm in totale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eDue monumentali pannelli panoramici\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée de l'Orangerie, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eINV 20102\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orangerie.fr\/fr\/oeuvres\/reflets-verts-196304\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée de l'Orangerie\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eVerde intenso, blu petrolio, viola e rosa discreto conferiscono a questa riproduzione una presenza avvolgente Il suo formato panoramico lavora su un muro di pietra avorio, verde scuro, blu notte o chiaro.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Reflets verts, Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#304f50\"\u003e\u003c\/i\u003e\u003ci style=\"background:#365a61\"\u003e\u003c\/i\u003e\u003ci style=\"background:#424767\"\u003e\u003c\/i\u003e\u003ci style=\"background:#70746b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#988078\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eRiflessi verdi, Ninfee, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Classico (40 x 160 cm)","offer_id":46591964348642,"sku":"LES_NYMPH_AS_REFLETS_VERTS_40x160","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-verts-orangerie-inv20102.webp?v=1784372981"},{"product_id":"nympheas-matin-claude-monet","title":"Mattina, Le ninfee - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-16\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1914 -1926 · Aranciera · INV 20101\u003c\/p\u003e\n\u003ch2\u003eBuongiorno, le ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUna luce blu lattea si diffonde sulla piscina tra innumerevoli ninfee Tre pannelli formano una distesa di dodici e settantacinque metri dove piante, riflessi e acqua si susseguono senza riva né orizzonte.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-orangerie-inv20101.webp?v=1784371344\u0026amp;width=2400\" alt=\"Mattina, Les Nymphéas - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eBuongiorno, le ninfee\u003c\/strong\u003eClaude Monet· 1914-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1914-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×1.275 cm in totale\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eINV 20101\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLa luce del mattino unifica dodici metri di fiori, riflessi e acqua\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eGruppi di ninfee sono più numerosi in prossimità delle estremità e della parte inferiore, al centro passaggi blu-viola più aperti conferiscono all'acqua una calma profondità, i ciuffi verdi che scendono dall'alto introducono ritmi verticali.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eMonet varia costantemente la densità del materiale Alcune foglie sono ovali leggibili, altre si dissolvono in lunghi tocchi blu, rosa e verdi, questa alternanza permette allo sguardo di circolare tra la superficie vicina e i riflessi più profondi.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa mattina non rappresenta un'ora per un cielo visibile: la mitezza mattutina è interamente contenuta nella temperatura dell'acqua e nella spaziatura delle chiavi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-orangerie-inv20101.webp?v=1784371344\u0026amp;width=2400\" alt=\"Analisi del Mattino, Le Ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eTre pannelli collegati per colore\u003c\/h3\u003e\n\u003cp\u003eLe linee blu e ninfee attraversano visivamente gli incroci La continuità deve rimanere naturale senza trasformare il tutto in una fascia perfettamente uniforme.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eGruppi di fiori separati da respiri\u003c\/h3\u003e\n\u003cp\u003eLe ninfee sono numerose ma mai distribuite come motivo, zone di mare aperto danno ritmo alle masse vegetali.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLuce lattea senza schiarimento generale\u003c\/h3\u003e\n\u003cp\u003eBianchi, azzurri e rosa galleggiano in verdi e viola più densi La conservazione di questi spazi evita una resa troppo leggera e senza profondità.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-orangerie-nympheas.webp?v=1784371343\u0026amp;width=1800\" alt=\"Ninfee in luce blu - dettaglio da Matin, Ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eNinfee alla luce blu\u003c\/strong\u003eLa coltura mostra foglie, fiori rosa e ciuffi verdi in acqua blu-viola Le forme passano gradualmente da leggibili a quasi astratte.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-orangerie-salle.webp?v=1784371343\u0026amp;width=1800\" alt=\"Mattina di Claude Monet installata sulla parete sud della prima sala delle Ninfee dell'Orangerie\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eMattina fotografata sulla parete sud\u003c\/strong\u003eLa veduta ufficiale mostra tutta la composizione tra le due porte della sala ovale, rivolta verso la panca centrale, ripristina la scala reale dei tre pannelli.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa scansione di Google Art Project misura 8.902 × 1.402 px e il dettaglio 3.600 × 1.402 px La fotografia ufficiale della stanza misura 850 × 286 px Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'inventario INV 20101 in tre pannelli\u003c\/h3\u003e\n\u003cp\u003eCreato tra il 1914 e il 1926, Matin riunisce tre pannelli ad olio su tela, uniti tra loro e montati a parete, Il tutto misura 200 × 1.275 cm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eLocalità\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa parete sud della prima stanza delle Ninfee\u003c\/h3\u003e\n\u003cp\u003eIl museo presenta questa composizione nella prima sala ovale, partecipa al continuum di tempo e spazio immaginato da Monet per avvolgere lo spettatore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDonazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eL'ottimo arredamento offerto alla Francia\u003c\/h3\u003e\n\u003cp\u003eMatin fa parte della donazione approvata nel 1922 I pannelli sono installati secondo il progetto di Monet e accessibili al pubblico presso l'Orangerie dal 1927.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatto set INV 20101 in tre pannelli\u003c\/li\u003e\n\u003cli\u003eIl rapporto monumentale di 200×1.275 cm\u003c\/li\u003e\n\u003cli\u003eGruppi di ninfee separate da acque libere\u003c\/li\u003e\n\u003cli\u003eLuce blu conservata senza standardizzare il materiale\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eBuongiorno, le ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1914-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×1.275 cm in totale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eTre pannelli panoramici monumentali\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée de l'Orangerie, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eINV 20101\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orangerie.fr\/fr\/oeuvres\/matin-196303\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée de l'Orangerie\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eBlu viola, verde intenso, bianco rosato e turchese conferiscono a questa riproduzione un'atmosfera fresca e contemplativa Il suo formato panoramico è adatto per una grande parete bianco sporco, grigio perla, blu notte o verde salvia.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Matin, Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#637b7c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b716a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#77728b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a3a6a4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b08d9a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eMattina, Les Nymphéas, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Salone (40 x 200 cm)","offer_id":46591964971234,"sku":"LES_NYMPH_AS_MATIN_40x200","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-orangerie-inv20101.webp?v=1784371344"},{"product_id":"nympheas-soleil-couchant-claude-monet","title":"Sole al tramonto, Le ninfee - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-16\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1914 -1926 · Aranciera · INV 20103\u003c\/p\u003e\n\u003ch2\u003eSole al tramonto, Ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn sole giallo incendia le canne ai bordi della piscina, poi la sua luce si disperde tra i verdi, i viola, il turchese e i rossi dell'acqua, per sei metri, Monet spinge il tocco ad una libertà che annuncia l'astrazione.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soleil-couchant-orangerie-inv20103.webp?v=1784371340\u0026amp;width=2400\" alt=\"Sole al tramonto, Les Nymphéas - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eSole al tramonto, Ninfee\u003c\/strong\u003eClaude Monet· 1914-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1914-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×600 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eINV 20103\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl tramonto diventa un'esplosione di colore in mezzo alla piscina\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl fuoco giallo è a sinistra del centro, dietro una massa di canne blu-verdi, non è né circolare né isolato: la sua luce si mescola subito con erbe, riflessi rosati e zone brune che occupano la metà sinistra.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eA destra ninfee e riflessi turchesi aprono uno spazio più fresco, la composizione oppone quindi una spinta calda, verticale, a uno specchio d'acqua orizzontale, scuro e mutevole, i gesti rimangono visibili, a volte lunghi, a volte nervosi o quasi calligrafici.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eSole tramontante non descrive un disco all'orizzonte: dipinge l'energia della luce mentre attraversa canne e si rompe sulla superficie dell'acqua.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soleil-couchant-orangerie-inv20103.webp?v=1784371340\u0026amp;width=2400\" alt=\"Analisi del Tramonto, Le Ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn camino giallo senza bordo chiuso\u003c\/h3\u003e\n\u003cp\u003eLa stella è costruita contaminando gialli, ocra e verdi Un cerchio uniforme toglierebbe l'impressione di luce assorbita dalla vegetazione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue regimi chiave nello stesso panel\u003c\/h3\u003e\n\u003cp\u003eLe canne si innalzano in gesti verticali e nervosi; l'acqua si sviluppa in linee orizzontali e anse Il loro incontro crea il movimento principale della composizione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna gamma oscura attraversata con frammenti puri\u003c\/h3\u003e\n\u003cp\u003eTurchese, viola, rosso e giallo appaiono in una base marrone e verde La riproduzione deve mantenere intensi questi colori senza schiarire uniformemente l'insieme.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soleil-couchant-orangerie-astre.webp?v=1784371339\u0026amp;width=1800\" alt=\"La stella, le canne e la materia libera - dettaglio di Sunset, Le ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLa stella, le canne e la materia libera\u003c\/strong\u003eIl ritaglio riunisce gialli, verdi acidi, viola e rossi I gesti si sovrappongono senza cancellare la trama o i cambi di direzione.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soleil-couchant-orangerie-salle.webp?v=1784371339\u0026amp;width=1800\" alt=\"Setting Sun di Claude Monet installato sulla parete ovest della prima sala delle Ninfee\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl pannello fotografato nella prima stanza\u003c\/strong\u003eLa veduta ufficiale mostra la curvatura della parete, la scala di sei metri e il rapporto tra la zona solare e la distesa oscura delle ninfee.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa scansione di Google Art Project di 8.714 × 2.892 px è stata ridotta a 8.000 × 2.655 px; il dettaglio misura 3.900 × 2.600 px La fotografia ufficiale della stanza misura 850 × 595 px Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eIl cartello INV 20103 dell'Orangerie\u003c\/h3\u003e\n\u003cp\u003eDipinto tra il 1914 e il 1926, questo pannello ad olio su tela unico misura 200 × 600 cm È montato sulla parete ovest della prima stanza delle Ninfee.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eIl pezzo più sgargiante del grande arredamento\u003c\/h3\u003e\n\u003cp\u003eL'avviso del museo enfatizza la libertà del tatto e l'audacia dei colori Questa scrittura ha colpito in particolare i pittori astratti del XX secolo.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDonazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn monumento alla pace offerto nel 1922\u003c\/h3\u003e\n\u003cp\u003eSunset appartiene all'ensemble donato da Monet allo Stato Le sale progettate per le otto composizioni furono inaugurate all'Orangerie nel 1927.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatto segno INV 20103 dell'Orangerie\u003c\/li\u003e\n\u003cli\u003eIl formato monumentale di 200 × 600 cm\u003c\/li\u003e\n\u003cli\u003eIl focolare giallo si scioglieva nelle canne\u003c\/li\u003e\n\u003cli\u003eMateriale libero senza levigare le chiavi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eSole al tramonto, Ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1914-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×600 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003ePannello panoramico monumentale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée de l'Orangerie, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eINV 20103\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orangerie.fr\/fr\/oeuvres\/soleil-couchant-196305\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée de l'Orangerie\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eGiallo solare, verde smeraldo, viola, turchese e marrone intenso conferiscono a questa riproduzione una forza spettacolare Il suo formato orizzontale è adatto per una grande parete in avorio, terracotta, verde scuro o blu notte.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Soleil couchant, Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#b29a3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#476d5f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#496f75\"\u003e\u003c\/i\u003e\u003ci style=\"background:#694e67\"\u003e\u003c\/i\u003e\u003ci style=\"background:#62513d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eSole al tramonto, ninfee, dipinte per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Classico (40 x 120 cm)","offer_id":46591965561058,"sku":"LES_NYMPH_AS_SOLEIL_COUCHANT_40x120","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soleil-couchant-orangerie-inv20103.webp?v=1784371340"},{"product_id":"nympheas-deux-saules-claude-monet","title":"I due salici, Le ninfee - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-16\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1914 -1926 · Aranciera · INV 20104\u003c\/p\u003e\n\u003ch2\u003eI due salici, le ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eLunghi diciassette metri, due tronchi di salice incorniciano uno specchio d'acqua senza sponda né orizzonte, le ninfee si disperdono in una foschia blu-violacea, mentre i riflessi e la curva della parete rendono il dipinto un paesaggio da esplorare fisicamente.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-saules-orangerie-inv20104.webp?v=1784371336\u0026amp;width=2400\" alt=\"Les Deux Saules, Les Nymphéas - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eI due salici, le ninfee\u003c\/strong\u003eClaude Monet· 1914-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1914-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×1.700 cm in totale\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eINV 20104\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eL'arredamento più grande dell'Orangerie trasforma quattro pannelli in un orizzonte continuo\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI due salici sono posti vicino alle estremità, lontano dal centro, tra di loro, Monet permette lo sviluppo di una superficie priva di punti quasi focale, composta da blu grigi, verdi ovattati e viola Le foglie piccole e chiare formano una linea discontinua al bordo inferiore.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa composizione segue la parete ellittica della seconda sala Le verticali dei tronchi e i loro riflessi impediscono all'immenso orizzontale di uniformarsi, ma rimangono distanziate abbastanza in modo che lo sguardo scivoli da un pannello all'altro senza rompersi.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eA Les Deux Saules, la scala non solo aggiunge grandezza: costringe l'occhio a muoversi, come di fronte alla superficie reale dello stagno di Giverny.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-saules-orangerie-inv20104.webp?v=1784371336\u0026amp;width=2400\" alt=\"Analisi di Les Deux Saules, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eQuattro pannelli percepiti come un'unica distesa\u003c\/h3\u003e\n\u003cp\u003eI cambiamenti di colore e i riflessi si estendono oltre i raccordi La riproduzione fedele deve mantenere questa continuità senza cancellare la struttura materiale dell'insieme.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue tronchi lanciati verso i bordi\u003c\/h3\u003e\n\u003cp\u003eI salici non formano un centro simmetrico La loro posizione laterale apre un vasto intervallo di luce e mantiene l'impressione di un paesaggio che continua fuori cornice.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eRare ninfee su scala diciassette metri\u003c\/h3\u003e\n\u003cp\u003eLe foglie e i fiori sono piccole punteggiature, soprattutto nella parte inferiore, ingrandirli o ripeterli regolarmente farebbe perdere respiro nell'arredamento.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-saules-orangerie-gauche.webp?v=1784371335\u0026amp;width=1800\" alt=\"Il salice sinistro e le ninfee - dettaglio di Les Deux Saules, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl salice sinistro e le ninfee\u003c\/strong\u003eIl ritaglio mostra le lunghe tracce verticali del tronco, i rami riflessi e il fregio irregolare delle foglie, i valori rimangono vicini al fine di preservare la foschia.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-saules-orangerie-salle.webp?v=1784371335\u0026amp;width=1800\" alt=\"Les Deux Saules di Claude Monet installato nella sala 2 delle Ninfee al Musée de l'Orangerie\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eL'arredamento fotografato nella stanza ovale\u003c\/strong\u003eLa veduta ufficiale mostra i quattro pannelli sulla parete curva, rivolti verso la panca centrale, rende percepibile la scala dei diciassette metri e l'effetto immersivo voluto da Monet.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa scansione di Google Art Project misura 8.892 × 1.002 px e il dettaglio 3.600 × 1.002 px La fotografia ufficiale della stanza misura 850 × 636 px Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'inventario INV 20104 in quattro pannelli\u003c\/h3\u003e\n\u003cp\u003eRealizzato tra il 1914 e il 1926, il set riunisce quattro pannelli ad olio su tela montati a parete, misura 200 cm di altezza e 1.700 cm di lunghezza.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eInstallazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eL'estremità est della seconda stanza delle Ninfee\u003c\/h3\u003e\n\u003cp\u003eIl Museo dell'Orangerie presenta Les Deux Saules su una parete ellittica Con i suoi diciassette metri, è la composizione più lunga della grande decorazione offerta da Monet.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDonazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn'opera donata allo Stato nel 1922\u003c\/h3\u003e\n\u003cp\u003eLa donazione fu approvata nel 1922 Dopo una visita amministrativa al Museo del Lussemburgo, i pannelli furono installati presso l'Orangerie, dove l'insieme fu aperto al pubblico nel 1927.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatto set INV 20104 in quattro pannelli\u003c\/li\u003e\n\u003cli\u003eIl rapporto monumentale di 200×1.700 cm\u003c\/li\u003e\n\u003cli\u003eI due tronchi tenevano alle estremità\u003c\/li\u003e\n\u003cli\u003eRaccordi fusi senza standardizzare il materiale\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eI due salici, le ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1914-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×1.700 cm in totale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eQuattro pannelli panoramici monumentali\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée de l'Orangerie, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eINV 20104\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orangerie.fr\/fr\/oeuvres\/les-deux-saules-196306\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée de l'Orangerie\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta composizione eccezionalmente panoramica è adatta per un grande muro o per la creazione su diverse tele I suoi blu grigi, verdi profondi e viola si abbinano alle pareti bianco sporco, pietra chiara, blu notte o verde salvia.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Les Deux Saules, Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#69757c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5d6d68\"\u003e\u003c\/i\u003e\u003ci style=\"background:#777083\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a4a19b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f5c5e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eLes Deux Saules, Les Nymphéas, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Salone (40 x 200 cm)","offer_id":46591966183650,"sku":"LES_NYMPH_AS_LES_DEUX_SAULES_40x200","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-saules-orangerie-inv20104.webp?v=1784371336"},{"product_id":"nympheas-reflets-arbres-claude-monet","title":"Riflessi di alberi, Ninfee - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-15\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1914 -1926 · Aranciera · INV 20107\u003c\/p\u003e\n\u003ch2\u003eRiflessi di alberi, Ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003ePer otto metri e mezzo, i rami di salice scendono in acqua verde-azzurra, viola e quasi nera, tra i riflessi galleggiano poche ninfee bianche e rosa, senza sponda né orizzonte, in uno spazio che avvolge lo sguardo.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-arbres-orangerie-inv20107.webp?v=1784369866\u0026amp;width=2400\" alt=\"Riflessi di alberi, Les Nymphéas - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eRiflessi di alberi, Ninfee\u003c\/strong\u003eClaude Monet· 1914-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1914-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×850 cm in totale\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eINV 20107\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eDue pannelli monumentali dove gli alberi esistono solo attraverso i loro riflessi\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eL'insieme riunisce due pannelli contigui di 200 × 425 cm Lunghe scie verticali, particolarmente fitte al centro, evocano i salici che delimitano la vasca, incontrano i gesti più orizzontali della superficie e le forme arrotondate delle foglie.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eI fiori sono rari: pochi bianchi, rosa e gialli scandiscono una gamma dominata dal blu, verde e viola Senza cielo o linea di terra, lo sguardo esita tra la profondità degli alberi riflessi e la vicinanza delle ninfee poste sull'acqua.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eI riflessi degli alberi trasformano la piscina in spazio mentale: vediamo contemporaneamente ciò che galleggia sulla superficie e ciò che si riflette nella sua profondità.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-arbres-orangerie-inv20107.webp?v=1784369866\u0026amp;width=2400\" alt=\"Analisi dei Riflessi Albero, Ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue pannelli unificati dalle verticali\u003c\/h3\u003e\n\u003cp\u003eLe discese scure attraversano visivamente la giunzione centrale e danno continuità all'arredamento La struttura del dittico rimane evidente senza tagliare lo specchio d'acqua.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna profondità creata senza orizzonte\u003c\/h3\u003e\n\u003cp\u003eI riflessi suggeriscono uno spazio sotto la superficie, mentre le foglie portano l'occhio in primo piano Preservare questa ambiguità è più importante che dettagliare ogni ninfea.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eFiori rari in una gamma scura\u003c\/h3\u003e\n\u003cp\u003eGli accenti rosa e bianchi dovrebbero rimanere distanziati Moltiplicandoli o rendendoli troppo luminosi si perderebbe la gravità e la traspirabilità di questa versione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-arbres-orangerie-gauche.webp?v=1784369865\u0026amp;width=1800\" alt=\"Il pannello di sinistra e i riflessi blu-viola - dettaglio di Reflets d'arbres, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl pannello di sinistra e i riflessi blu-viola\u003c\/strong\u003eQuesta metà mostra le lunghe discese dei rami, le zone scure e le piccole foglie chiare Il materiale deve mantenere i suoi cambi di direzione.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-arbres-orangerie-droite.webp?v=1784369866\u0026amp;width=1800\" alt=\"Il pannello di destra e i fiori rosa - dettaglio di Reflets d'arbres, Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl pannello di destra e i fiori rosa\u003c\/strong\u003eGli accenti floreali sono distanziati sull'acqua attraversata da verdi e blu La loro discrezione conserva la scala monumentale dell'arredamento.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista panoramica esatta misura 3000 × 684 px I due dettagli di 1500 × 684 px corrispondono direttamente alle metà sinistra e destra del set Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'inventario INV 20107 del Musée de l'Orangerie\u003c\/h3\u003e\n\u003cp\u003eIl tutto, dipinto tra il 1914 e il 1926, misura circa 200 × 850 cm È formato da due pannelli di 200 × 425 cm montati sulla parete ovest della seconda sala delle Ninfee.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDonazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eIl grande arredamento offerto allo Stato nel 1922\u003c\/h3\u003e\n\u003cp\u003eMonet propone le Ninfee come monumento alla pace La donazione fu formalizzata nel 1922 e l'installazione voluta per l'Orangerie fu aperta al pubblico nel 1927, pochi mesi dopo la morte del pittore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eSalici visti solo nello specchio d'acqua\u003c\/h3\u003e\n\u003cp\u003eL'avviso ufficiale descrive rami riflessi in verde scuro, blu e viola, accompagnati da poche ninfee Nessun orizzonte separa il giardino dalla sua immagine.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatto set INV 20107 dell'Orangerie\u003c\/li\u003e\n\u003cli\u003eIl rapporto monumentale di 200 × 850 cm\u003c\/li\u003e\n\u003cli\u003eContinuità tra i due pannelli\u003c\/li\u003e\n\u003cli\u003eFiori rari davanti ai riflessi verticali dei salici\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eRiflessi di alberi, Ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1914-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×850 cm in totale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eDittico panoramico monumentale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMusée de l'Orangerie, Parigi, Francia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eINV 20107\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.musee-orangerie.fr\/fr\/oeuvres\/reflets-darbres-196309\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Musée de l'Orangerie\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta composizione panoramica porta calma profondità ad un grande muro Blu verdi, viola e accenti rosa pallido si abbinano a bianco sporco, pietra, verde intenso o blu notte interni, con luce morbida e sensibile al lato.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Reflets d’arbres, Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#365d61\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f7166\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d4862\"\u003e\u003c\/i\u003e\u003ci style=\"background:#728d86\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b88c99\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eRiflessi di alberi, Ninfee, dipinte per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Classico (40 x 160 cm)","offer_id":46591966773474,"sku":"LES_NYMPH_AS_REFLETS_D_ARBRES_40x160","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/reflets-arbres-orangerie-inv20107.webp?v=1784369866"},{"product_id":"bassin-nympheas-claude-monet-7","title":"Il bacino delle ninfee, Chichu - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet 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.ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-14\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · intorno al 1915 -1926 · Naoshima · W1966 -1967\u003c\/p\u003e\n\u003ch2\u003eIl bacino delle ninfee, Chichu\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eLargo sei metri, il bacino di Giverny diventa uno spazio senza sponde né orizzonti, due pannelli rispondono tra loro con blu turchese, verdi profondi, riflessi verticali e piccoli fiori rosa che sembrano galleggiare sopra un materiale in movimento.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bassin-nympheas-chichu-w1966-w1967.webp?v=1784368004\u0026amp;width=2400\" alt=\"Il bacino delle ninfee, Chichu - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl bacino delle ninfee, Chichu\u003c\/strong\u003eClaude Monet · Intorno al 1915-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eIntorno al 1915-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×600 cm in totale\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eWildenstein 1966-1967\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn dittico di due metri per sei che sostituisce il paesaggio con l'esperienza dell'acqua\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLa composizione è dispiegata su due tele di 200 × 300 cm Il pannello di sinistra concentra riflessi più scuri e ninfee chiare; il pannello di destra apre passaggi turchesi e grigio-blu La giunzione centrale rimane visibile senza interrompere la continuità della piscina.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eMonet sovrappone direzioni: lunghe discese di alberi riflessi, gesti orizzontali della superficie, tocchi circolari di foglie e punteggiature rosate di fiori Senza un orizzonte per stabilizzare lo sguardo, questi ritmi danno alternativamente l'impressione di profondità e prossimità.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eSu questa scala, le Ninfee non sono più una finestra aperta sul giardino: formano un ambiente dove l'occhio si muove come davanti all'acqua stessa.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bassin-nympheas-chichu-w1966-w1967.webp?v=1784368004\u0026amp;width=2400\" alt=\"Analisi di Le Bassin aux nymphéas, Chichu - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eDue pannelli progettati come un'unica distesa\u003c\/h3\u003e\n\u003cp\u003eColori e direzioni attraversano visivamente la giunzione La riproduzione deve preservare la continuità senza oscurare la struttura di dittico dell'originale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna profondità senza linea dell'orizzonte\u003c\/h3\u003e\n\u003cp\u003eI riflessi verticali suggeriscono lo spazio sotto la superficie, mentre foglie e fiori portano costantemente l'occhio in primo piano Questo avanti e indietro costituisce il cuore dell'opera.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn materiale monumentale mantenuto irregolare\u003c\/h3\u003e\n\u003cp\u003eAree dense si alternano a passaggi più aperti Standardizzare lo spessore o ripetere le ninfee in un motivo decorativo farebbe perdere fiato al grande formato.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bassin-nympheas-chichu-w1966-w1967-detail.webp?v=1784368005\u0026amp;width=1800\" alt=\"Ninfee e riflessi dal dittico - particolare da Le Bassin aux nymphéas, Chichu - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eNinfee e riflessi dal dittico\u003c\/strong\u003eIl ritaglio mostra la coesistenza di lunghe tracce verticali e tocchi più brevi della superficie I fiori rosa rimangono rari e forniscono punti di sosta nella distesa blu-verde.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bassin-nympheas-chichu-w1966-w1967-vue-musee.webp?v=1784368005\u0026amp;width=1800\" alt=\"Sala Claude Monet del Museo d'Arte Chichu di Naoshima, fotografia di Naoya Hatakeyama\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLa sala Claude Monet del Museo d'Arte Chichu\u003c\/strong\u003eLa fotografia di Naoya Hatakeyama mostra le grandi tele installate nello spazio bianco sotto la luce naturale, permette di capire la loro reale scala e la distanza della contemplazione.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista esatta del dittico misura 2200 × 728 px e il suo dettaglio 1400 × 600 px La fotografia ufficiale della stanza misura 840 × 630 px ed è accreditata a Naoya Hatakeyama per Benesse Art Site Naoshima Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eIl dittico Wildenstein 1966 -1967\u003c\/h3\u003e\n\u003cp\u003eIl set comprende due pannelli di circa 200 × 300 cm ciascuno, o 200 × 600 cm in totale Appartiene ai grandi dipinti tardivi della vasca realizzati tra la metà degli anni dieci e il 1926.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eConservazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUna stanza di Claude Monet al Museo d'Arte di Chichu\u003c\/h3\u003e\n\u003cp\u003eA Naoshima, il museo espone cinque opere tarde di Monet in uno spazio appositamente progettato Il dittico è integrato in un'architettura che combina pareti bianche, angoli arrotondati e materiali scelti per la contemplazione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eLuce\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUna presentazione in luce naturale\u003c\/h3\u003e\n\u003cp\u003eIl Museo d'Arte Chichu varia l'aspetto delle Ninfee con la luce del giorno L'edificio sotterraneo di Tadao Ando organizza questa illuminazione senza trasformare la stanza in una semplice cornice.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eIl dittico esatto Wildenstein 1966 -1967\u003c\/li\u003e\n\u003cli\u003eIl rapporto monumentale di 200 × 600 cm\u003c\/li\u003e\n\u003cli\u003eContinuità visiva tra i due pannelli\u003c\/li\u003e\n\u003cli\u003eI riflessi verticali distinti dai tocchi superficiali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl bacino delle ninfee, Chichu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eIntorno al 1915-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×600 cm in totale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eDittico panoramico\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'arte Chichu, Naoshima, Giappone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eWildenstein 1966-1967\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/benesse-artsite.jp\/en\/art\/chichu.html\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Benesse Art Site Naoshima\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesto dittico panoramico crea una presenza immersiva in una grande stanza Turchese, verdi profondi, blu grigio e accenti rosa si abbinano a pareti in bianco sporco, pietra chiara, blu notte o legno naturale.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Bassin aux nymphéas, Chichu – Claude Monet\"\u003e\n\u003ci style=\"background:#3d7775\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5c8f8b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#315f66\"\u003e\u003c\/i\u003e\u003ci style=\"background:#889f97\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c4868f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl bacino delle ninfee, Chichu, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46591968051426,"sku":"LE_BASSIN_AUX_NYMPH_AS_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bassin-nympheas-chichu-w1966-w1967.webp?v=1784368004"},{"product_id":"passerelle-bassin-nympheas-claude-monet","title":"La passerella sullo stagno delle ninfee, Basilea - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-13\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1919 · Basilea · Wildenstein 1916\u003c\/p\u003e\n\u003ch2\u003eLa passerella sullo stagno delle ninfee, Basilea\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eIn questa tela tardiva, il giardino di Giverny riempie l'intero campo Gialli terrosi, verdi acidi e blu profondi circondano una passerella appena visibile, mentre i fiori di glicine disegnano una linea chiara nel mezzo del materiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-b-main.webp?v=1784365184\u0026amp;width=2400\" alt=\"Le Ninfee Passerelle, Basilea - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eLa passerella sullo stagno delle ninfee, Basilea\u003c\/strong\u003eClaude Monet· 1919\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1919\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e65,6×106,4 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eG 1986.15 · Wildenstein 1916\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl giardino incornicia la passerella come due cortine di materiale\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eA sinistra tocchi di turchese e crema formano una massa di fogliame che si estende fin quasi al bordo inferiore, a destra verdi più scuri e lunghe foglie di salice creano una parete verticale, tra i due, l'arco inferiore mantiene uno stretto passaggio verso la vasca.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eIl colore non segue una sola direzione I gesti verticali del salice incontrano gli orizzontali dell'acqua, le curve della passerella e le punteggiature del glicine, questa diversità impedisce al verde dominante di diventare monotono e conferisce ad ogni zona una propria velocità.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa difficoltà non è trovare ogni foglia, ma preservare i cambi di direzione che fanno respirare questa massa vegetale.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-b-main.webp?v=1784365184\u0026amp;width=2400\" alt=\"Analisi di La Passerelle sullo stagno delle ninfee, Basilea - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn bordo sinistro molto strutturato\u003c\/h3\u003e\n\u003cp\u003eTurchese chiaro, bianchi e tuorli si sovrappongono senza fusione completa Queste rotture conferiscono alla vegetazione la sua vicinanza e spessore.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn centro organizzato da due orizzontali\u003c\/h3\u003e\n\u003cp\u003eIl glicine e la balaustra attraversano la tela ad altezze limitrofe, il loro offset deve rimanere percepibile per evitare che il centro si trasformi in una fascia uniforme.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn salice suggerito dalla direzione del gesto\u003c\/h3\u003e\n\u003cp\u003eA destra, le foglie allungate scendono dall'alto, la loro verticalità basta a identificare l'albero e contrasta con i tocchi più circolari della vasca.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-b-gauche.webp?v=1784365182\u0026amp;width=1800\" alt=\"La vegetazione leggera sul lato sinistro - dettaglio di La Passerelle sullo stagno delle ninfee, Basilea - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eVegetazione leggera sul lato sinistro\u003c\/strong\u003eIl dettaglio mostra strati di turchese, crema, verde oliva e giallo posti in più direzioni, creano profondità tattile senza disegno preparatorio visibile.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-b-droite.webp?v=1784365182\u0026amp;width=1800\" alt=\"La passerella e il salice sul lato destro - dettaglio di La Passerelle sullo stagno delle ninfee, Basilea - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLa passerella e il salice sul lato destro\u003c\/strong\u003eLa balaustra blu-verde attraversa un campo più scuro, poi scompare sotto il fogliame, i lunghi tocchi discendenti segnalano il salice senza descriverne le foglie.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista ad alta definizione misura 6420 × 3938 px I due dettagli di 3000 × 2300 px mostrano separatamente il lato sinistro e quello destro Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eLavoro\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eLa passerella sullo stagno delle ninfee, 1919\u003c\/h3\u003e\n\u003cp\u003eIl dipinto misura 65,6 × 106,4 cm e reca in basso a destra la firma e la data di Monet, il suo inventario al Kunstmuseum Basel è G 1986.15.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCatalogo ragionato\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLa versione Wildenstein del 1916\u003c\/h3\u003e\n\u003cp\u003eQuesto riferimento distingue la tela di Basilea all'interno dei ponti tardo giapponesi Monet la vendette a Bernheim-Jeune nel novembre 1919, a differenza di diverse versioni rimaste nella sua bottega.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMuseo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eAcquisito grazie a due sostenitori del Basilea\u003c\/h3\u003e\n\u003cp\u003eL'acquisto del 1986 è stato reso possibile da un credito speciale del governo di Basilea e da un contributo della Fondazione Max Geldner.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eI lavori del Kunstmuseum Basel, inventario G 1986.15\u003c\/li\u003e\n\u003cli\u003eIl catalogo Wildenstein 1916 e la data 1919\u003c\/li\u003e\n\u003cli\u003eCambiamenti nella direzione del pennello\u003c\/li\u003e\n\u003cli\u003eVerdi differenziati per temperatura e densità\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLa passerella sullo stagno delle ninfee, Basilea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1919\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e65,6×106,4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eKunstmuseum Basilea, Basilea, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eG 1986.15 · Wildenstein 1916\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/kunstmuseumbasel.ch\/en\/3\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Kunstmuseum Basel\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eI verdi profondi, il blu petrolio e il giallo ocra conferiscono a questa riproduzione un carattere avvolgente, trova il suo posto sopra un mobile basso su una parete color crema, argilla, verde scuro o grigio blu.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de La Passerelle sur le bassin aux nymphéas, Bâle – Claude Monet\"\u003e\n\u003ci style=\"background:#7e8425\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a09a3b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#39726a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#204f52\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b1933e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eLa passerella sullo stagno delle ninfee, Basilea, dipinta per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 85 cm)","offer_id":46591970509026,"sku":"LA_PASSERELLE_SUR_LE_BASSIN_AUX_NYMPH_AS_50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-b-main.webp?v=1784365184"},{"product_id":"passerelle-bassin-nympheas-claude-monet-2","title":"La passerella sullo stagno delle ninfee - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet 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.ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-13\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1919 · Kunstmuseum Basel · W1916\u003c\/p\u003e\n\u003ch2\u003eLa passerella sullo stagno delle ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eIl ponte giapponese non è altro che un arco blu-verde preso da un fitto giardino Il glicine chiaro attraversa il centro, il fogliame giallo e turchese chiude i lati, e la piscina appare in frammenti sotto questa vegetazione divenuta quasi astratta.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-a-main.webp?v=1784365183\u0026amp;width=2400\" alt=\"La passerella sullo stagno delle ninfee - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eLa passerella sullo stagno delle ninfee\u003c\/strong\u003eClaude Monet· 1919\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1919\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e65,6×106,4 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eG 1986.15 · Wildenstein 1916\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn arco ancora leggibile in un giardino che si trasforma in uno spazio di colore\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLa passerella descrive al centro una curva bassa, la sua balaustra è ricoperta da tocchi di azzurro pallido e verde mare che rispondono ai fiori appesi in alto, a sinistra, la vegetazione avanza in massa; a destra, le lunghe foglie di un salice chiudono la scena e accentuano l'effetto avvolgente.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eSotto il ponte, la piscina non è un piano calmo I verdi, i gialli e i blu sono ripresi da ampi gesti, poi scanditi da pochi rosa e bianchi Monet conserva punti di riferimento figurativi, ma la libertà del pennello li conduce verso un campo continuo di colore.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa passerella rimane come un ricordo di forma: la sua curva organizza la tela anche se la vegetazione minaccia di assorbirla interamente.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-a-main.webp?v=1784365183\u0026amp;width=2400\" alt=\"Analisi di La Passerelle sullo stagno delle ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn arco senza contorno continuo\u003c\/h3\u003e\n\u003cp\u003eLa curva si presenta come una successione di azzurri, verdi e bianchi, deve rimanere irregolare, attraversata dalla vegetazione e non ridisegnata come struttura isolata.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eGlicine come seconda porta\u003c\/h3\u003e\n\u003cp\u003eLa fascia fiorita che attraversa il centro riecheggia la balaustra in una gamma più chiara, questa ripetizione conferisce il suo ritmo orizzontale alla composizione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLati che si muovono verso lo sguardo\u003c\/h3\u003e\n\u003cp\u003eLe masse giallo-verdi a sinistra e le foglie di salice a destra incorniciano la piscina Le loro differenze di gesto creano profondità senza prospettiva tradizionale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-a-arche.webp?v=1784365180\u0026amp;width=1800\" alt=\"L'arco e il glicine al centro - particolare di La Passerelle sullo stagno delle ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eL'arca e il glicine al centro\u003c\/strong\u003eIl ritaglio rivela due fasce sovrapposte: la balaustra blu-verde e i fiori più chiari I loro contorni discontinui sono fusi in tocchi vicini.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-a-bassin.webp?v=1784365181\u0026amp;width=1800\" alt=\"La piscina sotto la passerella - dettaglio di La Passerelle sulla piscina di ninfee - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLa piscina sotto la passerella\u003c\/strong\u003eI gialli, il turchese e i verdi del giardino si estendono nell'acqua, interrotti da poche rose, il materiale deve rimanere mutevole e non livellato.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa fotografia ad alta definizione misura 6420 × 3938 px I dettagli di 5000 × 1500 px e 5000 × 1450 px sono ritagli diretti Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eInventario G 1986.15, catalogo Wildenstein 1916\u003c\/h3\u003e\n\u003cp\u003eQuesto olio su tela di dimensioni 65,6 × 106,4 cm è firmato e datato \"Claude Monet 1919\" in basso a destra, è custodito al Kunstmuseum Basel.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSerie tardiva\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eL'unica passerella del gruppo firmata e datata nel 1919\u003c\/h3\u003e\n\u003cp\u003eQuesta versione è l'unica della tarda serie di ponti giapponesi a portare una firma e una data in mano a Monet, fu venduta a Bernheim-Jeune nel novembre 1919.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eAcquisizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn ingresso nel museo nel 1986\u003c\/h3\u003e\n\u003cp\u003eIl Kunstmuseum Basel lo ha acquisito con un credito speciale del governo di Basilea e un contributo della Max Geldner-Stiftung.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione esatta G 1986.15, Wildenstein 1916\u003c\/li\u003e\n\u003cli\u003eLa firma e la data 1919 in basso a destra\u003c\/li\u003e\n\u003cli\u003eL'eco tra glicine e balaustra\u003c\/li\u003e\n\u003cli\u003eFitta vegetazione conservata senza uniforme planarità\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eLa passerella sullo stagno delle ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1919\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e65,6×106,4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eKunstmuseum Basilea, Basilea, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eG 1986.15 · Wildenstein 1916\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/kunstmuseumbasel.ch\/en\/3\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Kunstmuseum Basel\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta riproduzione orizzontale porta una presenza vegetale profonda I verdi muschio, turchese, giallo ocra e blu scuro corrispondono avorio, verde intenso, blu notte o pareti di legno chiaro.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de La Passerelle sur le bassin aux nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#5f721d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b9328\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3d7770\"\u003e\u003c\/i\u003e\u003ci style=\"background:#1f5858\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c5a646\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eLa passerella sopra lo stagno delle ninfee, dipinta per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 85 cm)","offer_id":46591970967778,"sku":"LA_PASSERELLE_SUR_LE_BASSIN_AUX_NYMPH_AS_50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/passerelle-w1916-a-main.webp?v=1784365183"},{"product_id":"bassin-nympheas-claude-monet","title":"Il bacino delle ninfee - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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.ar-table{width:100%;border-collapse:collapse}.ar-monet .ar-table th,.ar-monet .ar-table td{padding:12px 0;border-top:1px solid var(--line);font-size:14px;text-align:left;vertical-align:top}.ar-monet .ar-table th{width:40%;padding-right:15px;color:#59625b}.ar-monet .ar-source{display:inline-block;margin-top:21px;color:#315744;font-size:12px;font-weight:800;letter-spacing:.05em;text-transform:uppercase}.ar-monet .ar-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:55px}.ar-monet .ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-13\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1917 -1919 · Chicago · Wildenstein 1889\u003c\/p\u003e\n\u003ch2\u003eIl bacino delle ninfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eNessuna riva, nessun orizzonte: l'intera tela diventa la superficie della piscina Isolotti di ninfee rosa e crema galleggiano in una rete verde, turchese, ruggine e viola dove i riflessi verticali sono costantemente ricoperti da nuovi strati.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-w1889-main.webp?v=1784365177\u0026amp;width=2400\" alt=\"Il bacino delle ninfee - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl bacino delle ninfee\u003c\/strong\u003eClaude Monet· 1917-1919\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1917-1919\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e130,2×201,9 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1982.825 · Wildenstein 1889\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn frammento d'acqua si allargò fino a diventare uno spazio murario\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eI gruppi di ninfee sono distribuiti attorno a un centro più tranquillo, blu lilla, a sinistra le foglie si accumulano in masse spesse; a destra i fiori rosa scandiscono i verdi più scuri Questi due focolari mantengono l'equilibrio di un formato largo il doppio di quello alto.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eSotto i fiori, le direzioni si incrociano Le lunghe discese verdastre suggeriscono gli alberi riflessi, mentre gesti orizzontali blu e gialli riaffermano la superficie dell'acqua Sotto gli strati superiori compaiono zone marroni e arancioni che conferiscono all'insieme una profondità quasi minerale.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eL'occhio non guarda più la piscina dalla sua sponda: entra in una superficie dove profondità, riflessione e materia occupano contemporaneamente lo stesso piano.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-w1889-main.webp?v=1784365177\u0026amp;width=2400\" alt=\"Analisi di Le Bassin aux nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eGruppi di fiori si sono spostati durante l'opera\u003c\/h3\u003e\n\u003cp\u003eLa revisione tecnica mostra che Monet ha aggiunto, rimosso e spostato le ninfee in più fasi La loro distribuzione irregolare è quindi una costruzione essenziale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUno strato dopo lo strato montato sul materiale\u003c\/h3\u003e\n\u003cp\u003eLa superficie è stata in gran parte costruita da spesse applicazioni bagnate su asciutte Gli strati verde, blu, ruggine e viola dovrebbero rimanere evidenti.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eBordi deliberatamente meno finiti\u003c\/h3\u003e\n\u003cp\u003eLa preparazione e gli strati più sottili rimangono visibili vicino agli angoli La riproduzione fedele non dovrebbe nemmeno spegnere questi respiri.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-w1889-gauche.webp?v=1784365177\u0026amp;width=1800\" alt=\"Le ninfee della metà sinistra - particolare di Le Bassin aux nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLe ninfee della metà sinistra\u003c\/strong\u003eI fiori rossi, rosa e crema poggiano su foglie spesse, talvolta riprese sui riflessi, il dettaglio mostra colori parzialmente mescolati direttamente nella tonalità.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-w1889-droite.webp?v=1784365177\u0026amp;width=1800\" alt=\"Fiori rosa e riflessi a destra - dettaglio di Le Bassin aux nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eFiori rosa e riflessi giusti\u003c\/strong\u003eI piccoli accenti caldi si distinguono da un campo verde, turchese e ruggine, la loro rarità dà i punti di arresto in una superficie molto mobile.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista ufficiale misura 3000 × 1947 px I due dettagli di 1400 × 900 px sono ritaglio diretto della stessa fotografia Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eInventario 1982.825, catalogo Wildenstein 1889\u003c\/h3\u003e\n\u003cp\u003eQuesto olio su tela misura 130,2 × 201,9 cm Un timbro di successione, precedentemente visibile in basso a destra, è stato da allora rimosso L'opera è un regalo della signora Harvey Kaplan.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGrande decorazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn gruppo di diciannove dipinti dipinti intorno al 1917-1919\u003c\/h3\u003e\n\u003cp\u003eQuesto formato appartiene agli studi di superficie del bacino che accompagnarono lo sviluppo dei pannelli monumentali offerti alla Francia nel 1922 e installati all'Orangerie nel 1927.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSupporto\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eBiancheria preparata probabilmente ordinata su misura\u003c\/h3\u003e\n\u003cp\u003eIl formato supera leggermente le dimensioni standard più grandi annunciate all'epoca Lo sfondo bianco sporco rimane visibile in alcuni punti sotto un materiale molto strutturato.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa versione esatta 1982.825, Wildenstein 1889\u003c\/li\u003e\n\u003cli\u003eIl formato panoramico di 130,2×201,9 cm\u003c\/li\u003e\n\u003cli\u003eStrati spessi sovrapposti senza levigatura\u003c\/li\u003e\n\u003cli\u003eNinfee distribuite in gruppi asimmetrici\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl bacino delle ninfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1917-1919\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e130,2×201,9 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003ePanoramica orizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eArt Institute of Chicago, Chicago, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1982.825 · Wildenstein 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.artic.edu\/artworks\/97933\/water-lily-pond\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Art Institute of Chicago\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesto grande formato orizzontale crea una presenza immersiva sopra un divano, una console o una testiera Pareti in legno muschio, turchese, ruggine e rosa verde abbinano crema, terra chiara, blu notte o legno naturale.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Bassin aux nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#5d7140\"\u003e\u003c\/i\u003e\u003ci style=\"background:#758d62\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e8890\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a76550\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d48d93\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl bacino delle ninfee, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (75 x 50 cm)","offer_id":46591971262690,"sku":"LE_BASSIN_AUX_NYMPH_AS_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-w1889-main.webp?v=1784365177"},{"product_id":"pont-japonais-claude-monet-4","title":"Il ponte giapponese, Giverny - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-12\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1918 -1924 · Collezione privata · Wildenstein 1922\u003c\/p\u003e\n\u003ch2\u003eIl ponte giapponese, Giverny\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eIl ponte si fonde con vegetazione verde smeraldo, turchese e blu notte L'arco scuro attraversa il centro, mentre la piscina si apre in primo piano con una moltitudine di piccoli tocchi rosa, bianchi e viola.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1922-main.webp?v=1784363222\u0026amp;width=2400\" alt=\"Il Ponte Giapponese, Giverny - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl ponte giapponese, Giverny\u003c\/strong\u003eClaude Monet· 1918-1924\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1918-1924\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e89×116 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eWildenstein 1922\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eArco scuro mantiene la profondità nel mezzo di un giardino saturo di verde\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLa curva del ponte viene letta a frammenti, rinforzata da blu neri e verdi freddi, i rami scendono dal bordo superiore e chiudono quasi il cielo, a sinistra, una massa più chiara avanza verso lo spettatore come una sponda ricoperta di fogliame.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eNell'acqua i gesti diventano orizzontali e più brevi Le ninfee formano rosari rosa e bianchi, interrotti da passaggi turchesi Monet mantiene così uno specchio d'acqua distinto senza ricorrere ad una prospettiva disegnata.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLa gamma verde appare inizialmente uniforme; risulta però essere costruita da temperature e direzioni chiave costantemente opposte.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1922-main.webp?v=1784363222\u0026amp;width=2400\" alt=\"Analisi del ponte giapponese, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn arco visibile dalla densità\u003c\/h3\u003e\n\u003cp\u003eIl ponte non ha bisogno di essere ridisegnato Appare perché i suoi colori blu-verde sono più scuri e più continui rispetto ai tasti vicini.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna cortina vegetale a più profondità\u003c\/h3\u003e\n\u003cp\u003eI verdi gialli avanzano, il turchese si ritira e i blu neri approfondiscono le ombre Questi spazi devono rimanere percepibili.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eNinfee come punteggiatura\u003c\/h3\u003e\n\u003cp\u003eI piccoli tocchi di rosa, crema e viola ravvivano l'acqua La loro irregolarità è essenziale; una semina regolare congelerebbe lo stagno.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1922-arche.webp?v=1784363222\u0026amp;width=1800\" alt=\"L'arco sotto il fogliame - dettaglio di Il ponte giapponese, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eL'arca sotto il fogliame\u003c\/strong\u003eIl dettaglio mostra come i neri blu, i verdi e qualche viola siano sufficienti per far apparire la curva senza un contorno continuo.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1922-bassin.webp?v=1784363222\u0026amp;width=1800\" alt=\"La piscina e le sue ninfee - dettaglio di Il ponte giapponese, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLa piscina e le sue ninfee\u003c\/strong\u003eI rosa, i bianchi e il turchese galleggiano su una ragnatela di gesti orizzontali La superficie rimane densa ma conserva il respiro limpido.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista esatta misura 1284 × 973 px I dettagli di 1050 × 430 px e 1050 × 400 px sono ritaglio diretto dello stesso file W1922 Non sono stati applicati ingrandimenti; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eL'opera appartiene ad una collezione privata La sua identificazione, le dimensioni e la provenienza sono documentate dal catalogo di vendita Sotheby's del 2005 e dal catalogo ragionato Wildenstein.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eLa versione Wildenstein del 1922\u003c\/h3\u003e\n\u003cp\u003eQuesto olio su tela di dimensioni 89 × 116 cm è datato 1918 -1924 Reca un timbro di firma attestato in un foto-certificato del 1943.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eProvenienza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eAndré Schoeller allora la stessa famiglia\u003c\/h3\u003e\n\u003cp\u003eIl commerciante parigino André Schoeller lo vendette nel 1943, rimase poi nella stessa collezione di famiglia fino alla presentazione da Sotheby's nel novembre 2005.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGiverny\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn modello trasformato dalla pittura tarda\u003c\/h3\u003e\n\u003cp\u003eNegli ultimi Ponti Giapponesi, Monet fonde la struttura del giardino con la superficie dipinta Il pattern rimane presente ma diventa inseparabile da impasto e ripetizioni.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatta versione Wildenstein del 1922\u003c\/li\u003e\n\u003cli\u003eL'arco suggerito senza linea uniforme\u003c\/li\u003e\n\u003cli\u003eLe diverse temperature verdi preservate\u003c\/li\u003e\n\u003cli\u003eNinfee distribuite irregolarmente\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl ponte giapponese, Giverny\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1918-1924\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e89×116 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eRitiro privato, Location non comunicata\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eWildenstein 1922\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.sothebys.com\/en\/auctions\/ecatalogue\/2005\/impressionist-and-modern-art-part-one-n08125\/lot.10.html\" target=\"_blank\" rel=\"noopener\"\u003eConsulta il riferimento documentario - Sotheby's · lotto 10, 2005\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta riproduzione orizzontale crea un'intensa profondità della pianta Funziona particolarmente bene su una parete in crema, verde scuro, blu notte o legno chiaro, con una morbida illuminazione laterale.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Pont japonais, Giverny – Claude Monet\"\u003e\n\u003ci style=\"background:#174b4a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#286b62\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f8d79\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b9e8a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c2a0ac\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl ponte giapponese, Giverny, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591972671714,"sku":"THE_JAPANESE_BRIDGE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1922-main.webp?v=1784363222"},{"product_id":"pont-japonais-claude-monet-2-4","title":"Il ponte giapponese, Giverny - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-12\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1918 -1924 · Auckland · Wildenstein 1920\u003c\/p\u003e\n\u003ch2\u003eIl ponte giapponese, Giverny\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn arco blu-verde attraversa una leggera vasca quasi senza orizzonte, in questa versione tarda, il fogliame, il ponte e le ninfee si mescolano in un materiale turchese dove bastano pochi accenti rosa e viola per dirigere l'occhio.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1920-main.webp?v=1784363219\u0026amp;width=2400\" alt=\"Il Ponte Giapponese, Giverny - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl ponte giapponese, Giverny\u003c\/strong\u003eClaude Monet· 1918-1924\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1918-1924\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e100,5×111,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eL2016\/18\/1 · Wildenstein 1920\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl ponte rimane come una curva nel mezzo di un giardino trasformato in pittura\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eL'arco occupa il terzo centrale, largo e leggermente decentrato, Monet non lo circonda: azzurri, verdi e grigi lo assemblano a bagliori, poi la vegetazione cade davanti ad esso I bianchi lasciati visibili ai bordi e tra i tasti danno alla tela un respiro molto particolare.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eSotto il ponte, l'acqua è costruita in lungo verde mare orizzontale, azzurro pallido e malva Le ninfee appaiono in piccole virgole rosa o crema Sopra, i gesti diventano più verticali e più stretti, come una cortina di glicine e salici.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eL'arca non è più un oggetto isolato: è il ritmo principale di una superficie dove acqua, piante e luce rispondono tra loro.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1920-main.webp?v=1784363219\u0026amp;width=2400\" alt=\"Analisi del ponte giapponese, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna curva ampia senza un contorno uniforme\u003c\/h3\u003e\n\u003cp\u003eL'arco deve rimanere irregolare, attraversato da blu, verde e grigio Una linea tagliente toglierebbe l'effetto di aspetto specifico di questa versione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eRiserve chiare che fanno circolare l'aria\u003c\/h3\u003e\n\u003cp\u003eI passaggi di tela nitida non sono lacune da colmare Separano le masse turchesi ed evitano che la vegetazione diventi opaca.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna piscina scandita da piccoli tocchi caldi\u003c\/h3\u003e\n\u003cp\u003eRose e viola sono rari ma essenziali Segnalano le ninfee e bilanciano il freddo dominante senza neutralizzarlo.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1920-arche.webp?v=1784363219\u0026amp;width=1800\" alt=\"L'arco e le ninfee viste da vicino - dettaglio di The Japanese Bridge, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eL'arco e le ninfee viste da vicino\u003c\/strong\u003eIl ritaglio della fotografia in alta definizione rivela l'impasto blu-verde, le ripetizioni grigie e i piccoli tocchi rosa che mantengono leggibile il bacino.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1920-photo-musee.webp?v=1784363219\u0026amp;width=1800\" alt=\"Il ponte giapponese W1920 fotografato alla Auckland Art Gallery Toi o Tàmaki\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl dipinto fotografato alla Auckland Art Gallery\u003c\/strong\u003eQuesta vista reale mostra l'opera nella sua cornice, il bordo netto del supporto e lo spessore irregolare della materia pittorica.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista principale misura 1017 × 899 px Il dettaglio di 2700 × 1050 px e la fotografia museale di 3701 × 3319 px provengono da una ripresa dal vivo dell'opera Nessun file è stato ingrandito; tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003ePrestito L2016\/18\/1, catalogo Wildenstein 1920\u003c\/h3\u003e\n\u003cp\u003eQuesto olio su tela quasi quadrato misura 100,5 × 111,5 cm Appartiene alla collezione Hideaki Fukutake ed è in prestito a lungo termine alla Auckland Art Gallery.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGiverny\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eIl ritorno tardivo al ponte giapponese\u003c\/h3\u003e\n\u003cp\u003eMonet fece costruire il suo stagno e la sua passerella negli anni 1890, tra il 1918 e il 1924, riprese questo motivo in una serie radicale dove la profondità tradizionale lasciò il posto a sovrapposizioni di colore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eAuckland\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eUn prestito pubblico dal novembre 2016\u003c\/h3\u003e\n\u003cp\u003eLa galleria neozelandese presenta dal 2016 questa versione della collezione Fukutake, il suo foglio di inventario la data dal 1918 -1924 e la registra con il numero L2016\/18\/1.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatta versione Wildenstein 1920 e il suo formato quasi quadrato\u003c\/li\u003e\n\u003cli\u003eL'arco conservato largo, flessibile e senza contorno meccanico\u003c\/li\u003e\n\u003cli\u003eRiserve chiare rispettate tra le chiavi\u003c\/li\u003e\n\u003cli\u003eAccenti rosa mantenuti rari nel turchese dominante\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl ponte giapponese, Giverny\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1918-1924\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e100,5×111,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eQuasi quadrato\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eCollezione Hideaki Fukutake, pronta alla Auckland Art Gallery, Auckland, Nuova Zelanda\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003eL2016\/18\/1 · Wildenstein 1920\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.aucklandartgallery.com\/explore-art-and-ideas\/artwork\/23759\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Auckland Art Gallery Toi o Tomaki\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesto formato quasi quadrato porta una presenza avvolgente senza imporre una prospettiva rigida Pareti turchesi, verde salvia e blu grigio si abbinano avorio, lino, verde intenso o legno naturale.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Pont japonais, Giverny – Claude Monet\"\u003e\n\u003ci style=\"background:#3e746f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b9690\"\u003e\u003c\/i\u003e\u003ci style=\"background:#87aaa2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#aac2b8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8f7293\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl ponte giapponese, Giverny, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (60 x 60 cm)","offer_id":46591973327074,"sku":"LE_PONT_JAPONAIS_JAPANESE_BRIDGE__60x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-w1920-main.webp?v=1784363219"},{"product_id":"pont-japonais-claude-monet-4-2","title":"Il ponte giapponese, Giverny - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-11\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · intorno al 1918 -1924 · Fondation Beyeler · W1921\u003c\/p\u003e\n\u003ch2\u003eIl ponte giapponese, Giverny\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn profondo arco verde attraversa una vegetazione blu turchese che riempie quasi tutta la superficie, in questa versione della Fondation Beyeler, la piscina rimane aperta al centro: le ninfee e i loro riflessi gialli galleggiano in una luce fredda, densa e avvolgente.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-beyeler-main.webp?v=1784361970\u0026amp;width=2400\" alt=\"Il Ponte Giapponese, Giverny - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl ponte giapponese, Giverny\u003c\/strong\u003eClaude Monet · intorno al 1918-1924\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1918-1924\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e89×115,5 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e90,15 · Wildenstein 1921\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl ponte verde emerge da un giardino diventato una rete di tocchi e riflessi\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eL'arco occupa la metà della tela e si allarga verso i bordi, non è disegnato in un solo tratto: verdi, neri, azzurri e grigi si sovrappongono, poi sono ripresi dagli stessi anelli di pennello della vegetazione Il passaggio netto sotto il ponte conserva comunque una profondità molto leggibile.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eSopra, salici e glicini formano una cortina di gesti curvi, verde smeraldo e blu petrolio, nell'acqua, i tocchi diventano più orizzontali Bastano piccoli giallo-arancio, distanziati come scintille, per far galleggiare le ninfee davanti ai riflessi scuri.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eL'arco rimane riconoscibile, ma Monet ne rimuove ogni rigidità: legno, acqua e piante appartengono ormai allo stesso materiale in movimento.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-beyeler-main.webp?v=1784361970\u0026amp;width=2400\" alt=\"Analisi del ponte giapponese, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn arco costruito da rielaborazione\u003c\/h3\u003e\n\u003cp\u003eLa curva deve rimanere ampia e irregolare I suoi verdi scuri sono attraversati con blu e grigio; un contorno uniforme trasformerebbe la struttura vivente in una silhouette meccanica.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna cortina di piante quasi senza cielo\u003c\/h3\u003e\n\u003cp\u003eGli anelli e le verticali in alto chiudono lo spazio senza diventare una massa piatta, tra i rami danno aria variazioni di turchese, viola e verde.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eNinfee ridotte a pochi accenti caldi\u003c\/h3\u003e\n\u003cp\u003eSubito saltano all'occhio i piccoli gialli e le arance, che devono rimanere rari e sparsi in modo da preservare l'equilibrio con l'ampia gamma del freddo.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-beyeler-arche.webp?v=1784361969\u0026amp;width=1800\" alt=\"L'arco verde nella cortina di glicine - dettaglio di Il ponte giapponese, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eL'arco verde nella cortina di glicine\u003c\/strong\u003eIl ritaglio rivela i motivi blu-nero, turchese e grigio che fanno vibrare la curva La struttura non si separa mai completamente dalle piante che la circondano.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-beyeler-bassin.webp?v=1784361970\u0026amp;width=1800\" alt=\"La piscina e le sue piccole luci gialle - dettaglio di The Japanese Bridge, Giverny - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLa piscina e le sue piccole luci gialle\u003c\/strong\u003eSotto il ponte, le chiavi orizzontali aprono uno strato di acqua verde-azzurra, pochi accenti gialli e arancioni indicano le ninfee senza dettagliarle fiore per fiore.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista ufficiale della Fondation Beyeler misura 2244 × 1724 px I dettagli di 1700 × 700 px e 1600 × 620 px sono ritagli diretti Nessun file è stato ingrandito; tutte e tre le immagini sono veri e propri WebP controllati.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eInventario 90.15, catalogo Wildenstein 1921\u003c\/h3\u003e\n\u003cp\u003eLa Fondation Beyeler conserva questo olio su tela di dimensioni 89 × 115,5 cm, datato intorno al 1918 -1924, in alto a destra compare un timbro di successione.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eProvenienza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eDa Michel Monet alla collezione Beyeler\u003c\/h3\u003e\n\u003cp\u003eL'opera rimase a Michel Monet almeno fino agli anni cinquanta, passò per Katia Granoff, Daniel Wildenstein e una collezione privata, poi fu acquisita da Ernst Beyeler durante la vendita di Sotheby's il 17 maggio 1990.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eÈ entrato a far parte della Fondation Beyeler nel 1997\u003c\/h3\u003e\n\u003cp\u003ePresente nella collezione Beyeler dal 1990, il dipinto appartiene alla Fondazione dal 1997, è stato esposto in numerose mostre dedicate a Monet, Giverny e al Giapponismo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'esatta versione Wildenstein del 1921 della Fondation Beyeler\u003c\/li\u003e\n\u003cli\u003eL'ampio arco mantenuto irregolare e senza contorno duro\u003c\/li\u003e\n\u003cli\u003eRiccioli di piante differenziati in una gamma fredda\u003c\/li\u003e\n\u003cli\u003eI piccoli accenti gialli si mantenevano rari e luminosi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl ponte giapponese, Giverny\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1918-1924\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e89×115,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eFondation Beyeler, Riehen\/Basilea, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e90,15 · Wildenstein 1921\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.fondationbeyeler.ch\/en\/beyeler-collection\/work?cHash=989a286008bc487cacb59cf83a4e6151\u0026amp;tx_wmdbbasefbey_pi5%5Bartwork%5D=250\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Fondation Beyeler\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta riproduzione orizzontale porta una calma profondità della pianta Turchese, verdi scuri e grigi bluastri si abbinano alle pareti in crema, salvia, blu notte o legno naturale, con una morbida luce laterale che rivela strati di vernice.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Pont japonais, Giverny – Claude Monet\"\u003e\n\u003ci style=\"background:#193f3d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f6861\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e8277\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7fa59a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1a73a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl ponte giapponese, Giverny, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591974768866,"sku":"LE_PONT_JAPONAIS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-beyeler-main.webp?v=1784361970"},{"product_id":"lilies-eau-claude-monet-5","title":"Le ninfee - Claude 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-8\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · intorno al 1922 · Museo d'Arte di Toledo · 1981.54\u003c\/p\u003e\n\u003ch2\u003eNinfee\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eSu una tela di più di due metri, Monet toglie la riva e l'orizzonte, ninfee viola, bianche e gialle galleggiano sopra una rete di foglie turchesi, riflessi blu-verdi e passaggi violacei dove la profondità cambia ad ogni tocco.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-toledo-main.webp?v=1784356962\u0026amp;width=2400\" alt=\"Le Ninfee - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNinfee\u003c\/strong\u003eClaude Monet · intorno al 1922\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1922\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200,7×213,4 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1981.54\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna piscina monumentale che non lascia più spazio al paesaggio tradizionale\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eIl campo è interamente occupato dall'acqua Nessun bordo permette di misurare la distanza: le foglie vicine, poste in tocchi brevi e chiari, si mescolano ai riflessi verticali più scuri I gruppi floreali spaziano senza simmetria, con una concentrazione luminosa nella metà superiore e l'azzurro respira verso il basso.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLa tavolozza non separa nettamente la vegetazione dal cielo riflesso Il turchese cambia in verde oliva, poi blu e viola; i gialli cremosi risvegliano le foglie, mentre pochi rosa e malva danno ai fiori una presenza immediata La grande scala trasforma queste lacune di colore in spazio reale.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eMonet non dipinge una vista della piscina ma l'esperienza di uno sguardo sospeso sopra l'acqua, condiviso tra la superficie delle foglie e la profondità dei riflessi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-toledo-main.webp?v=1784356962\u0026amp;width=2400\" alt=\"Analisi di Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna composizione senza riva né orizzonte\u003c\/h3\u003e\n\u003cp\u003eL'inquadratura non fornisce alcun riferimento terrestre La riproduzione deve quindi costruire la profondità solo per valori, temperatura verde e direzione chiave.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eFiori raggruppati in un ritmo irregolare\u003c\/h3\u003e\n\u003cp\u003eLe ninfee bianche, gialle e viola non formano una piantina uniforme I vuoti tra i gruppi sono grandi quanto i fiori e mantengono la rete in respirazione.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eRiflessioni che passano attraverso le foglie\u003c\/h3\u003e\n\u003cp\u003eI passaggi verde, blu e viola devono rimanere visibili sotto e tra le piccole forme orizzontali, uno sfondo troppo omogeneo appiattirebbe immediatamente questa versione monumentale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-toledo-fleurs.webp?v=1784356962\u0026amp;width=1800\" alt=\"Fiori viola, bianchi e gialli - dettaglio di Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eFiori viola, bianchi e gialli\u003c\/strong\u003eIl primo piano mostra fiori costruiti con pochissimi tocchi, circondati da foglie color crema e turchese, il contrasto di temperatura li sposta in avanti senza contorno chiuso.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-toledo-reflets.webp?v=1784356962\u0026amp;width=1800\" alt=\"Foglie turchesi e riflessi blu-verdi - dettaglio di Les Nymphéas - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eFoglie turchesi e riflessi blu-verdi\u003c\/strong\u003eIn questa zona più aperta, i tocchi orizzontali delle foglie attraversano i flussi verticali del riflesso Blu, verdi e viola danno una profondità in movimento all'acqua.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista principale misura 2000 × 1883 px I dettagli di 1050 × 1050 px e 1100 × 1050 px sono ritaglio diretto di questa precisa versione di Toledo Non è stato applicato alcun ingrandimento artificiale; tutti e tre i file sono veri e propri WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eL'inventario del 1981.54 del Museo d'Arte di Toledo\u003c\/h3\u003e\n\u003cp\u003eIl museo data questo olio su tela intorno al 1922 e misura il supporto a 200,7 × 213,4 cm L'opera appartiene al pubblico dominio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eScala\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUna tela di più di quattro metri quadrati\u003c\/h3\u003e\n\u003cp\u003eCon più di due metri in ogni direzione, questa versione appartiene alle grandi ninfee tardive La sensazione di immersione dipende tanto da questa grandezza quanto dall'assenza di orizzonte.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eAcquisita grazie alla Libbey Endowment\u003c\/h3\u003e\n\u003cp\u003eIl Museo d'Arte di Toledo acquistò l'opera nel 1981 con i fondi di dotazione lasciati in eredità da Edward Drummond Libbey, fondatore e importante mecenate del museo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa totale assenza di costa e linea dell'orizzonte\u003c\/li\u003e\n\u003cli\u003eIl ritmo irregolare dei fiori e degli spazi d'acqua\u003c\/li\u003e\n\u003cli\u003eRiflessi verticali visibili tra fogli orizzontali\u003c\/li\u003e\n\u003cli\u003eTransizioni sfumate dal turchese al viola senza aree piane uniformi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNinfee\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1922\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200,7×213,4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eQuasi quadrato\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMuseo d'Arte di Toledo, Toledo, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e1981.54\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/emuseum.toledomuseum.org\/objects\/54776\/water-lilies\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Museo d'Arte di Toledo\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta riproduzione quasi quadrata diventa un potente focus visivo in un soggiorno, ingresso o camera da letto I suoi water green, blu smorzati e malva si abbinano a lino, legno chiaro, verde salvia e pareti color crema, con una prospettiva sufficiente per leggere l'insieme e poi il materiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Les Nymphéas – Claude Monet\"\u003e\n\u003ci style=\"background:#355f62\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f7771\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b927c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a4a186\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8d7185\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNinfee, dipinte per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (60 x 60 cm)","offer_id":46591979978978,"sku":"WATER_LILIES_60x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-toledo-main.webp?v=1784356962"},{"product_id":"pont-japonais-claude-monet-9","title":"Il ponte giapponese - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 0;color:var(--muted);font-size:17px}.ar-monet h3{font-family:Georgia,'Times New 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-7\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1923 -1925 circa · Minneapolis Institute of Art · 61.36.15\u003c\/p\u003e\n\u003ch2\u003eIl ponte giapponese\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eL'arco del ponte giapponese è quasi inghiottito da spessi strati di rosso, turchese, blu e ocra Lo stagno e le piante non sono più separati: formano una rete di potenti chiavi dove il motivo appare solo dopo un tempo di osservazione.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-minneapolis-main.webp?v=1784355401\u0026amp;width=2400\" alt=\"Il Ponte Giapponese - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl ponte giapponese\u003c\/strong\u003eClaude Monet · intorno al 1923-1925\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1923-1925\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e88,9×116,2 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e61.36.15\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl ponte rimane visibile, ma il colore ha preso il sopravvento sul giardino\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eL'arco attraversa il terzo superiore in una curva turchese scura Non è mai isolato dal fogliame: davanti e dietro passano rossi, verdi e azzurri La riva destra diventa una grande verticale marrone e viola; a sinistra masse più chiare aprono brevemente la composizione.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eNella piscina tocchi orizzontali di ocra, rosso, blu e bianco non descrivono più ogni ninfea, formano una corrente colorata che porta verso l'apertura gialla sotto il ponte, la superficie pesantemente caricata mantiene visibili sovrapposizioni e cambi di direzione del pennello.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eVenticinque anni dopo i suoi primi ponti giapponesi, Monet non cerca più la chiarezza del giardino: fa emergere l'arco di una materia colorata densa, quasi astratta.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-minneapolis-main.webp?v=1784355401\u0026amp;width=2400\" alt=\"Analisi del ponte giapponese - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn arco trovato nella materia\u003c\/h3\u003e\n\u003cp\u003eIl ponte non va ridisegnato come un oggetto tagliente La sua curva turchese è costruita in frammenti, interrotta dai tocchi rossi e verdi che lo assorbono.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003ePigmenti impilati strato dopo strato\u003c\/h3\u003e\n\u003cp\u003eIl Minneapolis Institute of Art enfatizza lo spessore e l'intensità del materiale tardo Rilievi, rivestimenti e coperture contano tanto quanto le tonalità finali.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna tavolozza molto lontana dal colore locale\u003c\/h3\u003e\n\u003cp\u003eRosso mattone, blu intenso, verde turchese e giallo si confrontano senza cercare una trascrizione letterale, questa libertà cromatica conferisce al pattern la sua energia quasi visionaria.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-minneapolis-pont.webp?v=1784355399\u0026amp;width=1800\" alt=\"L'arco quasi assorbito dal fogliame - dettaglio di Il ponte giapponese - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eL'arco quasi assorbito nel fogliame\u003c\/strong\u003eIl dettaglio mostra la curva turchese del ponte sotto i rossi e i verdi, I tasti si intersecano invece di seguire un contorno, che fa apparire l'architettura per poi scomparire.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-minneapolis-matiere.webp?v=1784355398\u0026amp;width=1800\" alt=\"Il materiale spesso e il timbro di successione - dettaglio di Il ponte giapponese - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eMateriale spesso e timbro di successione\u003c\/strong\u003eNella zona inferiore i pigmenti si impilano in bande blu, rosse, gialle e bianche Il timbro nero in basso a destra appartiene alla tenuta di Monet e non a una firma dipinta al momento dell'esecuzione.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa fotografia sorgente del Minneapolis Institute of Art misura 5956 × 4606 px La vista principale è stata ridotta a 5600 × 4331 px per rimanere al di sotto dei 25 megapixel; i dettagli misurano 3300 × 2200 px e 3300 × 1800 px Nessun file è stato ingrandito e tutte e tre le immagini sono vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eInventario di Minneapolis 61.36.15\u003c\/h3\u003e\n\u003cp\u003eIl museo data questo olio su tela intorno al 1923 -1925 Il supporto misura 88,9 × 116,2 cm; in basso a destra compare un timbro di successione \"Claude Monet\".\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGiverny\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eIl ponte giardino dipinto fino agli ultimi anni\u003c\/h3\u003e\n\u003cp\u003eMonet si trasferì a Giverny nel 1883 e dedicò gran parte della sua vita al giardino e allo stagno, in questa versione tarda, il motivo familiare diventa il punto di partenza per una pittura molto più espressiva.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eL'eredità di Putnam Dana McMillan\u003c\/h3\u003e\n\u003cp\u003eL'opera appartiene al Minneapolis Institute of Art grazie all'eredità di Putnam Dana McMillan Il museo la classifica di pubblico dominio e conserva una fotografia di 5956 × 4606 px.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa curva del ponte leggibile solo in frammenti\u003c\/li\u003e\n\u003cli\u003eSovrapposizioni spesse di rosso, turchese, blu e ocra\u003c\/li\u003e\n\u003cli\u003eL'apertura gialla sotto l'arco come profondità principale\u003c\/li\u003e\n\u003cli\u003eIl timbro della tenuta riprodotto senza confonderlo con una firma\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl ponte giapponese\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1923-1925\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e88,9×116,2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMinneapolis Institute of Art, Minneapolis, Stati Uniti\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e61.36.15\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/collections.artsmia.org\/art\/1413\/the-japanese-bridge-claude-monet\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Minneapolis Institute of Art\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta versione tarda ha un'intensità più espressionistica rispetto alle vedute verdi del 1899 Funziona come un grande camino colorato su una parete di terracotta color crema, marrone intenso, blu notte o tenue, con illuminazione laterale che rivela il materiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Pont japonais – Claude Monet\"\u003e\n\u003ci style=\"background:#743e35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a5d36\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f6f6b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2e5366\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c18b45\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl ponte giapponese, dipinto per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591980372194,"sku":"THE_JAPANESE_BRIDGE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-japonais-minneapolis-main.webp?v=1784355401"},{"product_id":"bassin-nympheas-reflets-verts-claude-monet","title":"Il Bacino delle Ninfee, riflessi verdi - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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.ar-table{width:100%;border-collapse:collapse}.ar-monet .ar-table th,.ar-monet .ar-table td{padding:12px 0;border-top:1px solid var(--line);font-size:14px;text-align:left;vertical-align:top}.ar-monet .ar-table th{width:40%;padding-right:15px;color:#59625b}.ar-monet .ar-source{display:inline-block;margin-top:21px;color:#315744;font-size:12px;font-weight:800;letter-spacing:.05em;text-transform:uppercase}.ar-monet .ar-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:55px}.ar-monet .ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-7\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1920 -1926 · pannello 4,25 m · Inventario 73\u003c\/p\u003e\n\u003ch2\u003eIl Bacino delle Ninfee, riflessi verdi\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eLa piscina diventa una superficie monumentale di 8,5 m² Le ninfee galleggiano sopra riflessi verdi, blu e grigi che scendono a lunghi tocchi; l'assenza di cielo e riva pone lo spettatore direttamente rivolto verso l'acqua.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-main.webp?v=1784355396\u0026amp;width=2400\" alt=\"Il Bacino delle Ninfee, riflessi verdi - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl Bacino delle Ninfee, riflessi verdi\u003c\/strong\u003eClaude Monet· 1920-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1920-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×425 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e73 · Wildenstein 1979\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eAlla scala del pannello, i riflessi diventano uno spazio fisico\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLa composizione non ha né punto di fuga né bordo vasca, saltano all'occhio le zone scure degli angoli, mentre l'ampio passaggio centrale, più chiaro e aperto, dona una profondità luminosa, tocchi verticali suggeriscono ciò che si riflette sopra l'acqua, ma gli alberi e il cielo rimangono fuori campo.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLe foglie e i fiori interrompono questo movimento verticale con brevi linee orizzontali I bianchi e i gialli catturano la superficie, i rosa e i rossi avanzano, poi i verdi freddi li collegano all'acqua Questa sovrapposizione trasforma il motivo in un campo colorato senza perdere la sensazione della piscina vera e propria.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eA quattro metri di larghezza venticinque, ogni fiore rimane una punteggiatura; è la continuità dei riflessi, e non la ripetizione delle ninfee, che tiene insieme il tutto.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-main.webp?v=1784355396\u0026amp;width=2400\" alt=\"Analisi di Il Bacino delle Ninfee, riflessi verdi - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eMargini scuri che avvolgono il pannello\u003c\/h3\u003e\n\u003cp\u003eI profondissimi blu degli angoli impediscono alla composizione di disperdersi Incorniciano la zona centrale senza produrre un bordo regolare.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna profondità ottenuta dalla direzione dei tasti\u003c\/h3\u003e\n\u003cp\u003eI riflessi scendono verticalmente, mentre le ninfee si diffondono orizzontalmente, basta il cambio di direzione per separare profondità e superficie.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna scala decorativa rifiutata da irregolarità\u003c\/h3\u003e\n\u003cp\u003eI gruppi floreali non seguono alcun schema simmetrico La loro densità cambia improvvisamente, mantenendo la sensazione di un giardino vivente in un formato monumentale.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-surface.webp?v=1784355396\u0026amp;width=1800\" alt=\"La superficie chiara intorno alle foglie - dettaglio di Le Bassin aux nymphéas, riflessi verdi - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLa superficie chiara intorno alle foglie\u003c\/strong\u003eI piccoli tocchi color crema e giallo appaiono sui verdi freddi e sui blu Il loro orientamento orizzontale conferisce alle foglie una presenza immediata sopra i riflessi.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-profondeur.webp?v=1784355396\u0026amp;width=1800\" alt=\"I lunghi tocchi di profondità - dettaglio di Le Bassin aux nymphéas, riflessi verdi - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eLunghi tocchi di profondità\u003c\/strong\u003eNella metà inferiore, la rarefazione dei fiori rivela la rete verticale di riflessi Verde oliva, grigio blu e turchese costruiscono una profondità senza prospettiva disegnata.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista ufficiale della Collezione Bührle misura 2400 × 1118 px I dettagli di 1450 × 760 px provengono dalla zona superiore e profonda dello stesso pannello Tutti e tre i WebP sono nativi, senza sovracampionamento.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eLavoro tardivo\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eDatato 1920 -1926 dalla Collezione Bührle\u003c\/h3\u003e\n\u003cp\u003eLa tela da 200 × 425 cm reca sul telaio un timbro di officina, è indicata come Wildenstein 1979 e conservata sotto il numero 73.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDestinazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUn pannello associato al progetto Grandi Decorazioni\u003c\/h3\u003e\n\u003cp\u003eL'opera è uno dei venti grandi pannelli alti due metri rimasti nell'officina di Giverny e non integrati nel ciclo finale offerto allo Stato francese per l'Orangerie.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eAcquisizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eScelti alla mostra Monet di Zurigo nel 1952\u003c\/h3\u003e\n\u003cp\u003eEmil Bührle comprò il pannello da Michel Monet intorno al 19 maggio 1952, durante la mostra alla Kunsthaus di Zurigo, La fotografia scattata fornisce poi un riferimento preciso per la data della transazione.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eContinuità colorata su tutta la larghezza panoramica\u003c\/li\u003e\n\u003cli\u003eAngoli scuri senza effetto cornice artificiale\u003c\/li\u003e\n\u003cli\u003eFoglie orizzontali distinte dai riflessi verticali\u003c\/li\u003e\n\u003cli\u003eLa densità irregolare dei fiori rossi, rosa e bianchi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl Bacino delle Ninfee, riflessi verdi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1920-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×425 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003ePanoramica orizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eFondazione Collezione EG Bührle, Zurigo, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e73 · Wildenstein 1979\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/buehrle.ch\/en\/artworks\/water-lilies-pond-green-reflection\/\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Fondation Collection EG Bührle\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003ePensata come un vero e proprio panorama, questa riproduzione trova la sua forza su una lunga parete, con una prospettiva sufficiente La sua tavolozza acquatica accompagna legno chiaro, pietra, lino e verdi naturali senza richiedere un arredamento intenso.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Bassin aux nymphéas, reflets verts – Claude Monet\"\u003e\n\u003ci style=\"background:#263f4a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#48676a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6a806c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8d9b79\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a85f62\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl Bacino delle Ninfee, riflessi verdi, dipinti per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (100 x 50 cm)","offer_id":46591980765410,"sku":"LE_BASSIN_AUX_NYMPH_AS_REFLETS_VERTS_100x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-main.webp?v=1784355396"},{"product_id":"bassin-nympheas-reflets-verts-claude-monet-2","title":"Il Bacino delle Ninfee, riflessi verdi - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-7\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1920 -1926 · Collezione Bührle · Wildenstein 1979\u003c\/p\u003e\n\u003ch2\u003eIl bacino del giglio d'acqua, riflessi verdi\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eLarga più di quattro metri, la piscina riempie l'intero campo: nessuna sponda, nessun cielo distinto, solo colonne di riflessi verdi e blu attraversate da ninfee bianche, gialle, rosa e rosse.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-2-main.webp?v=1784355391\u0026amp;width=2400\" alt=\"Il Bacino delle Ninfee, riflessi verdi - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl bacino del giglio d'acqua, riflessi verdi\u003c\/strong\u003eClaude Monet· 1920-1926\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1920-1926\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e200×425 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e73 · Wildenstein 1979\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUn panorama senza orizzonte dove l'acqua racchiude tutto il giardino\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eLa lunga fascia superiore concentra foglie e fiori chiari, ma non forma un banco stabile Galleggia davanti a riflessi verde oliva, turchesi e blu scuro Più in basso, i lunghi tocchi verticali suggeriscono gli alberi e il cielo rovesciato nell'acqua senza mai descriverli direttamente.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eLe ninfee si dividono in gruppi molto disuguali Fiori rossi isolati scandiscono i fianchi; un arcipelago più denso si estende fino al centro superiore; nella parte inferiore, le foglie si disperdono e lasciano respirare ampi passaggi di riflessione, questo ritmo impedisce al formato panoramico di diventare decorativo o ripetitivo.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLo sguardo non attraversa più un paesaggio: oscilla tra la superficie ricoperta di fiori e la profondità verticale dei riflessi, senza trovare una linea d'orizzonte su cui fissarsi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-2-main.webp?v=1784355391\u0026amp;width=2400\" alt=\"Analisi di Il bacino delle ninfee, riflessi verdi - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eRiflessi verticali sotto una superficie orizzontale\u003c\/h3\u003e\n\u003cp\u003eI lunghi tocchi che scendono nell'acqua danno profondità, mentre le foglie sono poste in piccole unità orizzontali Il loro confronto organizza l'intero pannello.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eGruppi di fiori deliberatamente asimmetrici\u003c\/h3\u003e\n\u003cp\u003eI rossi non sono distribuiti regolarmente La loro rarità e le loro deviazioni danno tensione al grande formato e conducono l'occhio da un bordo all'altro.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn centro aperto piuttosto che un motivo centrale\u003c\/h3\u003e\n\u003cp\u003eLa metà del pannello è meno carica dei suoi margini superiori, questa respirazione deve rimanere visibile nella riproduzione in modo da preservare la scala immersiva dell'opera.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-2-gauche.webp?v=1784355391\u0026amp;width=1800\" alt=\"Ninfee chiare e accenti rossi a sinistra - dettaglio di Le Bassin aux nymphéas, riflessi verdi - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eNinfee leggere e accenti rossi a sinistra\u003c\/strong\u003eQuesto dettaglio avvicina le piccole foglie color crema e giallo ai riflessi verde smeraldo, i fiori rossi, pochi in numero, si distinguono grazie al loro calore piuttosto che a un contorno chiuso.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-2-droite.webp?v=1784355391\u0026amp;width=1800\" alt=\"Fiori rosa e profondità blu a destra - dettaglio di Le Bassin aux nymphéas, riflessi verdi - Claude Monet\" loading=\"eager\" decoding=\"async\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eFiori rosa e profondità blu a destra\u003c\/strong\u003eLa metà destra mescola gruppi rosa più densi con lunghe colate blu-verdi I tocchi verticali rimangono visibili tra le foglie e danno l'impressione di acque molto profonde.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eLa vista ufficiale pubblicata dalla Collezione Bührle misura 2400 × 1118 px I due dettagli misurano ciascuno 1250 × 930 px e provengono direttamente da questo pannello specifico Nessun file è stato ingrandito; tutte e tre le immagini sono in WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eDimensioni\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn pannello che misura due metri per quattro metri e venticinque\u003c\/h3\u003e\n\u003cp\u003eLa Fondazione Bührle conserva questo olio su tela di dimensioni 200 × 425 cm sotto il numero di inventario 73 Sul telaio compare un timbro di officina; il catalogo Wildenstein lo elenca sotto il numero 1979.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eGrandi Decorazioni\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUno dei venti pannelli di due metri rimasti a Giverny\u003c\/h3\u003e\n\u003cp\u003eLe istruzioni della fondazione specificano che questa tela appartiene ad un gruppo di venti pannelli alti due metri che non sono stati selezionati per l'installazione definitiva delle Ninfee presso l'Orangerie.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eProvenienza\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eDalla bottega di Monet alla collezione Bührle\u003c\/h3\u003e\n\u003cp\u003eDopo il 1926, il dipinto tornò a Michel Monet Emil Bührle lo acquisì durante la mostra Monet alla Kunsthaus Zürich nel maggio 1952; i suoi eredi lo donarono alla fondazione nel 1960.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eL'alternanza tra tocchi verticali di riflessione e fogli orizzontali\u003c\/li\u003e\n\u003cli\u003eI rossi isolati che scandiscono i 4,25 metri del pannello\u003c\/li\u003e\n\u003cli\u003eRespirazione meno pesante al centro\u003c\/li\u003e\n\u003cli\u003eTransizioni dal verde oliva al turchese e al blu intenso\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl bacino del giglio d'acqua, riflessi verdi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1920-1926\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e200×425 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003ePanoramica orizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eFondazione Collezione EG Bührle, Zurigo, Svizzera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e73 · Wildenstein 1979\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/buehrle.ch\/en\/artworks\/water-lilies-pond-green-reflection\/\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Fondation Collection EG Bührle\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta composizione molto panoramica richiede una parete ampia e aperta I suoi verdi, blu e rosa creano un'atmosfera avvolgente in un soggiorno, sala da pranzo o zona reception, con illuminazione continua e morbida su tutta la larghezza.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Bassin aux nymphéas, reflets verts – Claude Monet\"\u003e\n\u003ci style=\"background:#334f4f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#55746a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f8663\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9aa17b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a95d61\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl Bacino delle Ninfee, riflessi verdi, dipinto per il tuo interno\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (100 x 50 cm)","offer_id":46591981158626,"sku":"LE_BASSIN_AUX_NYMPH_AS_REFLETS_VERTS_100x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nympheas-reflets-verts-2-main.webp?v=1784355391"},{"product_id":"nympheas-claude-monet-15","title":"Ninfee, 1915 circa - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-3\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1915 circa · tre fiori rosa, uno bianco e i riflessi di un salice\u003c\/p\u003e\n\u003ch2\u003eNinfee, 1915 circa\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eL'acqua riempie tutta la tela, senza bordo né orizzonte, tre fiori rosa e un fiore bianco fluttuano tra le foglie mentre i rami di un salice fuori dalla cornice diventano lunghe colonne verdi nel riflesso.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/01-nympheas-vers-1915.webp?v=1784347954\" alt=\"Ninfee, 1915 circa - Claude Monet - vista completa\" loading=\"lazy\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eNinfee, 1915 circa\u003c\/strong\u003eClaude Monet · intorno al 1915\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eintorno al 1915\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e151,4×201 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e14562\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eQuattro fiori organizzano una piscina senza riva o orizzonte\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eConservata dalla Bayerische Staatsgemäldesammlungen sotto il numero 14562, questa tela misura 151,4 × 201 cm Monet guarda quasi verticalmente la superficie della piscina e lascia che le foglie, i fiori e i riflessi occupino l'intero campo visivo.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eMonet guarda quasi verticalmente la superficie della piscina Le grandi foglie ovali creano piani successivi, ma nessuna sponda fissa la distanza I riflessi verdi del salice scendono nell'acqua, gli azzurri evocano il cielo e i fiori forniscono quattro punti di riferimento luminosi.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eIl dipinto riunisce diverse direzioni impossibili in un paesaggio tradizionale: guardiamo in basso, mentre il cielo e i rami appaiono nei loro riflessi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis\"\u003e\n\u003cdiv class=\"ar-analysis-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/01-nympheas-vers-1915.webp?v=1784347954\" alt=\"Analisi delle ninfee, 1915 circa - Claude Monet\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-analysis-list\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eQuattro fiori come punti di riferimento\u003c\/h3\u003e\n\u003cp\u003eTre ninfee rosa occupano la metà inferiore e un fiore bianco illumina la zona in alto a sinistra, la loro distribuzione evita ogni asse di simmetria.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eOvali che si muovono avanti e indietro\u003c\/h3\u003e\n\u003cp\u003eLe foglie si sovrappongono e cambiano dimensione Suggeriscono profondità senza prospettiva geometrica o linea dell'orizzonte.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eIl salice presente dal suo riflesso\u003c\/h3\u003e\n\u003cp\u003eL'albero è fuori campo I suoi rami appaiono verdi e scuri verticali che passano attraverso le foglie e collegano visivamente la parte superiore e inferiore.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eDettagli e documenti visivi\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eOsservare il materiale e la versione esatta\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe immagini aggiuntive mostrano i passaggi di difficile lettura in piena vista e, dove esiste, l'aspetto reale dell'opera al museo.\u003c\/p\u003e\n\u003cdiv class=\"ar-hd-grid\"\u003e\n\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/02-nympheas-roses-detail.webp?v=1784347953\" alt=\"I tre fiori rosa - dettaglio di Ninfee, 1915 circa - Claude Monet\" loading=\"lazy\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eI tre fiori rosa\u003c\/strong\u003eI loro rossi, rosa e bianchi sono circondati da viola e verdi, Non si appoggiano sulle foglie come ornamenti: emergono dalla stessa materia pittorica.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cfigure class=\"ar-hd-card\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/03-reflets-et-fleur-blanche-detail.webp?v=1784347953\" alt=\"Il fiore bianco e i riflessi - dettaglio di Ninfee, 1915 circa - Claude Monet\" loading=\"lazy\"\u003e\u003cfigcaption\u003e\u003cstrong\u003eIl fiore bianco e i riflessi\u003c\/strong\u003eIl fiore chiaro si staglia in un'area blu e verde più aperta, attorno ad esso, i rami riflessi offuscano la distinzione tra superficie e profondità.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-image-note\"\u003eL'immagine ufficiale misura 3000 × 2253 px ed è distribuita da Bayerische Staatsgemäldesammlungen sotto licenza CC BY-SA 4.0 Entrambi i dettagli sono ritagliati senza ingrandimento; tutti e tre i file sono delle vere e proprie WebP.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesti fatti riguardano questa precisa versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eIdentificazione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eNeue Pinakothek, inventario 14562\u003c\/h3\u003e\n\u003cp\u003eLa versione esatta è conservata dalla Bayerische Staatsgemäldesammlungen Attualmente è segnalata come esposta al piano terra, sala I.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eAcquisizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eEntrato nella collezione nel 1978\u003c\/h3\u003e\n\u003cp\u003eL'avviso ufficiale indica che il museo ha acquisito questo dipinto sul mercato dell'arte nel 1978.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSerie\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003ePiù di duecentocinquanta Ninfee\u003c\/h3\u003e\n\u003cp\u003eL'istituzione ricorda che Monet lavorò al motivo per più di tre decenni e che il tutto supera i duecentocinquanta dipinti.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da precise relazioni tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eI quattro fiori nelle loro esatte posizioni\u003c\/li\u003e\n\u003cli\u003eLa varietà di dimensione e orientamento delle foglie\u003c\/li\u003e\n\u003cli\u003eLe verticali del salice senza renderle opache\u003c\/li\u003e\n\u003cli\u003eIl continuo passaggio tra gli azzurri del cielo e i verdi del bacino\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eNinfee, 1915 circa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003eintorno al 1915\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e151,4×201 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eOrizzontale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eBayerische Staatsgemäldesammlungen - Neue Pinakothek, Monaco di Baviera · sala I\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e14562\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.sammlung.pinakothek.de\/de\/artwork\/6kLaEKXL8V\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Bayerische Staatsgemäldesammlungen\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eCon più di due metri di larghezza nel suo formato originale, la composizione crea un vero e proprio campo visivo È adatto per una parete ampia e luminosa, sopra un divano o in una stanza in pietra, toni di verde grigio o blu tenue.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Nymphéas, vers 1915 – Claude Monet\"\u003e\n\u003ci style=\"background:#6ea8b0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#49877a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#275c51\"\u003e\u003c\/i\u003e\u003ci style=\"background:#819b83\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2b2bd\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eNinfee, 1915 circa, dipinte per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP · Convalida foto\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Scoperta (50 x 60 cm)","offer_id":46591985615074,"sku":"NYMPH_AS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/01-nympheas-vers-1915.webp?v=1784347954"},{"product_id":"le-bassin-aux-nympheas-claude-monet","title":"Il bacino delle ninfee e il ponte giapponese - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 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.ar-num{color:#8db8a1;font:28px Georgia,serif}.ar-monet .ar-analysis-item h3{margin:0 0 7px;color:white;font-size:23px}.ar-monet .ar-analysis-item p{margin:0;color:#b9c5bd;font-size:14px}\n.ar-monet .ar-hd{background:#dce5dc}.ar-monet .ar-hd-grid{display:grid;grid-template-columns:1fr 1fr;gap:20px;margin-top:40px}.ar-monet .ar-hd-card{margin:0;background:#fbfaf3;border:1px solid var(--line)}.ar-monet .ar-hd-card img{width:100%;height:570px;object-fit:cover}.ar-monet .ar-hd-card figcaption{padding:22px 24px;color:var(--muted);font-size:13px}.ar-monet .ar-hd-card strong{display:block;margin-bottom:6px;color:var(--ink);font:400 22px Georgia,serif}.ar-monet .ar-image-note{margin:18px 0 0;color:#5d685f;font-size:12px}\n.ar-monet .ar-cards{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:40px}.ar-monet .ar-card{position:relative;min-height:325px;padding:28px;background:#e3e6da}.ar-monet .ar-card:first-child{background:var(--green);color:white}.ar-monet 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.ar-table{width:100%;border-collapse:collapse}.ar-monet .ar-table th,.ar-monet .ar-table td{padding:12px 0;border-top:1px solid var(--line);font-size:14px;text-align:left;vertical-align:top}.ar-monet .ar-table th{width:40%;padding-right:15px;color:#59625b}.ar-monet .ar-source{display:inline-block;margin-top:21px;color:#315744;font-size:12px;font-weight:800;letter-spacing:.05em;text-transform:uppercase}.ar-monet .ar-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:55px}.ar-monet .ar-palette{display:grid;grid-template-columns:repeat(5,1fr);height:80px;margin-top:27px}.ar-monet .ar-deco-box{padding:34px;background:var(--cream);border:1px solid var(--line)}.ar-monet .ar-deco-box h3{margin:0 0 17px;font-size:29px}.ar-monet .ar-deco-box p{margin:0;color:var(--muted)}.ar-monet .ar-final{padding:58px 24px;text-align:center;background:var(--green);color:white}.ar-monet .ar-final h3{max-width:850px;margin:0 auto 14px;font-size:clamp(32px,5vw,52px);line-height:1}.ar-monet .ar-final p{max-width:720px;margin:0 auto;color:#dbe8df}.ar-monet .ar-final strong{display:inline-block;margin-top:23px;padding:11px 19px;border-radius:999px;background:white;color:#315744;font-size:13px}.ar-monet .ar-title,.ar-monet .ar-hero h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-2\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · 1899 · Giardino acquatico di Giverny\u003c\/p\u003e\n\u003ch2\u003eIl bacino delle ninfee e il ponte giapponese\u003cspan\u003eriproduzione dipinta a mano\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUn ponte attraversa l'immagine come una curva calma; sotto di esso, ninfee, ombre e riflessi aboliscono gradualmente il confine tra acqua e vegetazione.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eOlio su tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eDipinto a mano\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto prima della spedizione\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossibili alterazioni\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bassin-nympheas-monet-hd.webp?v=1784344403\" alt=\"Il bacino delle ninfee e il ponte giapponese - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eIl bacino delle ninfee e il ponte giapponese\u003c\/strong\u003eClaude Monet· 1899\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1899\u003c\/strong\u003e\u003cspan\u003eIncontri\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e92,7×73,7 cm\u003c\/strong\u003e\u003cspan\u003eDimensioni dell'originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eOlio su tela\u003c\/strong\u003e\u003cspan\u003eTecnica originale\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e29.100.113\u003c\/strong\u003e\u003cspan\u003eInventario\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUn vero dipinto\u003c\/b\u003e\u003cspan\u003eLa tela è dipinta, mai stampata.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCreato per te\u003c\/b\u003e\u003cspan\u003eOgni copia è fatta su ordinazione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControllato in foto\u003c\/b\u003e\u003cspan\u003eVedi il dipinto finito prima che se ne vada.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eTouch-up inclusi\u003c\/b\u003e\u003cspan\u003eLe regolazioni vengono effettuate prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eGuarda il lavoro\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eIl giardino creato da Monet diventa esso stesso un'opera\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eNel 1893, Monet acquisì un terreno accanto alla sua proprietà a Giverny e trasformò il suo stagno in un giardino acquatico, lì costruì una passerella di ispirazione giapponese, piantò ninfee e organizzò il fogliame come ambiente abitativo destinato tanto al piacere degli occhi quanto alla pittura.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eIn questa versione verticale, il ponte occupa il terzo superiore La metà inferiore è quasi interamente data allo stagno: fiori chiari galleggiano sopra riflessi scuri, mentre rami di salice scendono dai bordi e gradualmente chiudono lo spazio.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eIl dipinto non parla solo di un giardino: mostra come luce, acqua e piante trasformino continuamente questo giardino in una nuova immagine.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposizione, tatto e luce\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che Monet costruisce dietro l'impressione di istantanea\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTre elementi precisi permettono di comprendere la forza di questa composizione e le difficoltà essenziali della riproduzione fedele.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUn arco che ordina l'abbondanza\u003c\/h3\u003e\n\u003cp\u003eLa curva chiara del ponte fornisce l'unica struttura geometrica stabile Tutto intorno, il fogliame è costruito in piccoli tocchi verticali, obliqui e puntiformi.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUna profondità senza orizzonte\u003c\/h3\u003e\n\u003cp\u003eIl cielo è visibile solo attraverso il suo riflesso Monet rimuove l'orizzonte tradizionale e sovrappone la superficie dell'acqua, la profondità dello stagno e l'immagine degli alberi.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eColori legati dai rossi\u003c\/h3\u003e\n\u003cp\u003eI verdi e i blu dominano, ma piccoli tocchi di rosa, rosso e bianco attraversano le ninfee, il ponte e i rami, mantenendo l'unità dell'insieme.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImmagine di riferimento\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeggi questa specifica versione\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa singola immagine WebP sul foglio corrisponde alla versione documentata dell'opera e conserva la sua definizione nativa, senza ingrandimento artificiale.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposizione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eIl ponte sotto il fogliame\u003c\/h3\u003e\n\u003cp\u003eLa ringhiera non è bianca: mescola i water green, i blu, i rosa e i grigi, queste varianti le permettono di rimanere luminosa senza apparire staccata dal giardino.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eColore\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eNinfee, ombre e riflessi\u003c\/h3\u003e\n\u003cp\u003eI fiori sono posti in tocchi spessi e chiari Intorno a loro, verdi scuri e rossi profondi creano l'illusione di acqua che è allo stesso tempo piatta e insondabile.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eFedeltà\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eBenchmark da preservare\u003c\/h3\u003e\n\u003cp\u003eLa curva flessibile del ponte e il suo guardrail colorato La densità dei salici senza uniformare i verdi Gigli d'acqua leggeri distribuiti su tutta la superficie La profondità dei riflessi rossi, blu e verdi.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmark documentati\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTre informazioni specifiche per questo lavoro\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eI fatti che seguono riguardano questa specifica versione e sono verificati a partire dall'avviso dell'istituzione che la conserva.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eSerie\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eDiciotto vedute del ponte\u003c\/h3\u003e\n\u003cp\u003eNel 1899 Monet iniziò diciotto composizioni dedicate alla passerella; dodici, compreso questo, furono completati durante l'estate.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eFormato\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUna verticale insolita\u003c\/h3\u003e\n\u003cp\u003eIl formato 92,7 × 73,7 cm accentua la profondità dello stagno e dà più spazio alle ninfee e ai riflessi sotto il ponte.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCollezione\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eIncontrato, galleria 819\u003c\/h3\u003e\n\u003cp\u003eIl dipinto è numerato 29.100.113 e proviene dal lascito della signora H.O. Havemeyer del 1929, attualmente è riportato come esposto nella galleria 819.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eTua riproduzione\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eCiò che il pittore deve conservare\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLa fedeltà qui dipende da relazioni molto precise tra luce, tatto, profondità e temperatura del colore.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eLa curva flessibile del ponte e il suo guardrail colorato\u003c\/li\u003e\n\u003cli\u003eLa densità dei salici senza uniformare i verdi\u003c\/li\u003e\n\u003cli\u003eNinfee leggere distribuite su tutta la superficie\u003c\/li\u003e\n\u003cli\u003eLa profondità dei riflessi rossi, blu e verdi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eScheda lavoro\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTitolo\u003c\/th\u003e\n\u003ctd\u003eIl bacino delle ninfee e il ponte giapponese\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1899\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTecnica originale\u003c\/th\u003e\n\u003ctd\u003eOlio su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensioni\u003c\/th\u003e\n\u003ctd\u003e92,7×73,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientamento\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservazione\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Museum of Art, New York · galleria 819\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventario\u003c\/th\u003e\n\u003ctd\u003e29.100.113\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTua riproduzione\u003c\/th\u003e\n\u003ctd\u003eDipinto a olio fatto a mano su tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/437127\" target=\"_blank\" rel=\"noopener\"\u003eConsulta l'avviso ufficiale - Metropolitan Museum of Art\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003ePresentazione nel tuo interno\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUna palette progettata con la stanza\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eQuesta composizione verticale è particolarmente adatta per una parete stretta, tra due aperture o sopra un'unità di base I verdi si abbinano agli interni in legno chiaro, lino e verde.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Le Bassin aux nymphéas et le pont japonais – Claude Monet\"\u003e\n\u003ci style=\"background:#314f3c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#617758\"\u003e\u003c\/i\u003e\u003ci style=\"background:#99a58a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3bbb0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8f5f54\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConsigli sviluppo\u003c\/h3\u003e\n\u003cp\u003eScegli una luce morbida e leggermente laterale Rivela variazioni di materiale senza creare un riflesso frontale e conserva la vibrazione dei colori a diverse distanze.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eIl bacino delle ninfee e il ponte giapponese, dipinti per i tuoi interni\u003c\/h3\u003e\n\u003cp\u003eUna riproduzione ad olio realizzata singolarmente, fotocontrollata e regolabile prima della spedizione.\u003c\/p\u003e\n\u003cstrong\u003eDipinto a mano · Riferimento WebP HD · Convalida fotografica\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Claude Monet","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":47953971380450,"sku":"CLAUDE-MONET-BASSIN-AUX-NYMPHEAS","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bassin-nympheas-monet-hd.webp?v=1784344403"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/le-bassin-aux-nympheas-claude-monet-reproductions-de-tableaux-a-la-peinture-lhuile-197.webp?v=1745309732","url":"https:\/\/it.alphareproduction.com\/collections\/claude-monet-sistema-centrale.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}