{"title":"Antonio Fabres","description":"\u003cstyle\u003e\n  .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n  .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 0;color:var(--rr-muted);font-size:17px}.ar-collection h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n  .rr-hero{position:relative;padding:76px 0 48px;background:linear-gradient(115deg,#f8f3ec,#dfd3c3)}.rr-hero:before{content:var(--rr-watermark,'COLLECTION');position:absolute;right:-15px;top:4px;color:rgba(76,51,37,.055);font:clamp(70px,13vw,180px)\/1 Georgia,serif;letter-spacing:.035em}.rr-hero-grid{position:relative;display:grid;grid-template-columns:.82fr 1.18fr;gap:58px;align-items:center}.rr-hero h2{margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(58px,8vw,105px);font-weight:400;letter-spacing:-.065em;line-height:.82}.rr-hero h2 em{display:block;color:var(--rr-red);font-size:.68em;font-weight:400}.rr-lead{max-width:560px;margin:28px 0;color:#58514b;font-size:18px}.rr-actions{display:flex;flex-wrap:wrap;gap:11px}.rr-button{display:inline-flex;align-items:center;min-height:48px;padding:0 19px;border:1px solid var(--rr-ink);border-radius:999px;font-size:13px;font-weight:700}.rr-button:first-child{color:#fff;background:var(--rr-ink)}.rr-art{position:relative;padding:16px 0 26px 18px}.rr-art:before{content:'';position:absolute;inset:40px 26px 0 0;border:1px solid rgba(76,51,37,.25);transform:translate(20px,19px)}.rr-art img{position:relative;z-index:1;min-height:430px;object-fit:cover;box-shadow:0 25px 65px rgba(45,31,22,.18)}.rr-caption{position:absolute;z-index:2;right:-7px;bottom:0;max-width:285px;padding:14px 17px;color:#f5eee5;background:#181512;font-size:12px}.rr-caption strong{display:block;font:400 16px Georgia,serif}.rr-stats{position:relative;display:grid;grid-template-columns:repeat(4,1fr);margin-top:50px;background:#fffaf4;border:1px solid var(--rr-line)}.rr-stat{padding:20px 23px}.rr-stat+.rr-stat{border-left:1px solid var(--rr-line)}.rr-stat strong{display:block;font:400 23px Georgia,serif}.rr-stat span{color:var(--rr-muted);font-size:11px;letter-spacing:.1em;text-transform:uppercase}\n  .rr-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:#fff;background:#171411}.rr-benefit{padding:27px 22px;border-right:1px solid rgba(255,255,255,.13)}.rr-benefit:last-child{border-right:0}.rr-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.rr-benefit span{color:#bdb4aa;font-size:13px}\n  .rr-intro-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:80px;align-items:start}.rr-drop{margin:0;color:#4e4842;font:21px\/1.62 Georgia,serif}.rr-drop:first-letter{float:left;margin:7px 12px 0 0;color:var(--rr-red);font-size:78px;line-height:.72}.rr-quote{margin:32px 0 0;padding:26px 28px;border-left:3px solid var(--rr-red);background:rgba(255,255,255,.58);font:22px\/1.42 Georgia,serif}\n  .rr-dark{color:#f5eee6;background:#1c1916}.rr-dark .rr-eyebrow{color:#d49a73}.rr-dark .rr-intro{color:#bcb3aa}.rr-journey{display:grid;grid-template-columns:.74fr 1.26fr;gap:72px;margin-top:48px}.rr-timeline{border-left:1px solid rgba(255,255,255,.24)}.rr-time{position:relative;padding:0 0 34px 38px}.rr-time:before{content:'';position:absolute;left:-6px;top:8px;width:11px;height:11px;background:#d49a73;border-radius:50%;box-shadow:0 0 0 6px rgba(255,255,255,.07)}.rr-time time{display:block;color:#d49a73;font:21px Georgia,serif}.rr-time h3{margin:3px 0 6px;color:#fff;font-size:21px}.rr-time p{margin:0;color:#bdb4aa;font-size:14px}.rr-signatures{display:grid;grid-template-columns:repeat(2,1fr);gap:13px}.rr-signature{padding:25px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.1)}.rr-signature i{display:grid;width:35px;height:35px;place-items:center;margin-bottom:20px;color:#1b1815;background:#d49a73;border-radius:50%;font:normal 17px Georgia,serif}.rr-signature h3{margin:0 0 7px;color:#fff;font-size:23px}.rr-signature p{margin:0;color:#bdb4aa;font-size:13px}\n  .rr-themes{background:#faf7f2}.rr-cards{display:grid;grid-template-columns:repeat(3,1fr);gap:17px;margin-top:42px}.rr-card{position:relative;min-height:355px;padding:28px;background:var(--rr-paper2);border:1px solid transparent}.rr-card:first-child{color:#fff;background:var(--rr-red2)}.rr-card-tag{display:inline-block;padding:5px 9px;border:1px solid rgba(76,51,37,.25);border-radius:999px;color:var(--rr-red2);font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase}.rr-card:first-child .rr-card-tag{color:#f2d4c0;border-color:rgba(255,255,255,.3)}.rr-card-index{position:absolute;right:18px;top:8px;color:rgba(23,20,17,.07);font:75px\/1 Georgia,serif}.rr-card:first-child .rr-card-index{color:rgba(255,255,255,.08)}.rr-card h3{position:relative;margin:60px 0 11px;font-size:31px;line-height:1}.rr-card p{position:relative;margin:0;color:var(--rr-muted);font-size:14px}.rr-card:first-child p{color:#e2d0c5}.rr-card b{position:absolute;left:28px;bottom:26px;font-size:11px;letter-spacing:.06em;text-transform:uppercase}\n  .rr-gallery{display:grid;grid-template-columns:repeat(4,1fr);gap:16px;margin-top:43px}.rr-work{position:relative;overflow:hidden;background:#eee5da}.rr-work img{height:290px;object-fit:cover;transition:transform .35s ease}.rr-work:hover img{transform:scale(1.035)}.rr-work-copy{min-height:138px;padding:19px;background:var(--rr-white);border:1px solid var(--rr-line);border-top:0}.rr-work small{color:var(--rr-red2);font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase}.rr-work h3{margin:7px 0 6px;font-size:20px;line-height:1.15}.rr-work span{color:var(--rr-muted);font-size:12px}.rr-work strong{display:block;margin-top:12px;font-size:11px;text-transform:uppercase}\n  .rr-method{background:#d8cbb8}.rr-method-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:72px}.rr-method-panel{padding:38px;background:rgba(255,253,248,.62)}.rr-method-panel h3{margin:0 0 22px;font-size:30px}.rr-steps{display:grid;grid-template-columns:repeat(2,1fr);gap:0 25px}.rr-step{display:grid;grid-template-columns:42px 1fr;gap:15px;padding:18px 0;border-top:1px solid var(--rr-line)}.rr-step i{width:34px;height:34px;display:grid;place-items:center;color:white;background:var(--rr-red);border-radius:50%;font:normal 17px Georgia,serif}.rr-step b{display:block}.rr-step span{color:var(--rr-muted);font-size:13px}.rr-method-note{margin:26px 0 0;padding:20px;border-left:3px solid var(--rr-gold);background:rgba(255,255,255,.45);color:#5d544c;font-size:14px}\n  .rr-guide{display:grid;grid-template-columns:1.08fr .92fr;gap:58px}.rr-guide-box{padding:35px;background:var(--rr-white);border:1px solid var(--rr-line)}.rr-guide-box h3{margin:0 0 18px;font-size:29px}.rr-guide-list{margin:0;padding:0;list-style:none}.rr-guide-list li{padding:14px 0;border-top:1px solid var(--rr-line);font-size:14px}.rr-guide-list b{display:inline-block;min-width:135px}.rr-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.rr-palette i:nth-child(1){background:#59412e}.rr-palette i:nth-child(2){background:#9c744f}.rr-palette i:nth-child(3){background:#d6c4a4}.rr-palette i:nth-child(4){background:#70867a}.rr-palette i:nth-child(5){background:#3e5864}\n  .rr-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:72px}.rr-faq-list{border-top:1px solid var(--rr-line)}.rr-faq details{border-bottom:1px solid var(--rr-line)}.rr-faq summary{position:relative;padding:22px 44px 22px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.rr-faq summary::-webkit-details-marker{display:none}.rr-faq summary:after{content:'+';position:absolute;right:7px;top:18px;width:27px;height:27px;display:grid;place-items:center;border:1px solid var(--rr-line);border-radius:50%;font:15px Arial,sans-serif}.rr-faq details[open] summary:after{content:'−';color:#fff;background:var(--rr-red)}.rr-faq details p{margin:-5px 44px 22px 0;color:var(--rr-muted);font-size:14px}\n  .rr-final{padding:62px 24px;color:#fff;background:var(--rr-red2);text-align:center}.rr-final h3{max-width:790px;margin:0 auto 14px;font-size:clamp(34px,5vw,56px);line-height:1}.rr-final p{max-width:700px;margin:0 auto;color:#ead9cd}.rr-final a{display:inline-flex;margin-top:25px;padding:13px 22px;color:var(--rr-red2);background:#fff;border-radius:999px;font-size:13px;font-weight:800}\n  @media(max-width:950px){.rr-hero-grid,.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-guide,.rr-faq{grid-template-columns:1fr}.rr-cards{grid-template-columns:repeat(2,1fr)}.rr-gallery{grid-template-columns:repeat(2,1fr)}.rr-benefits{grid-template-columns:repeat(2,1fr)}.rr-benefit:nth-child(2){border-right:0}.rr-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.rr-stats{grid-template-columns:repeat(2,1fr)}.rr-stat:nth-child(3){border-left:0;border-top:1px solid var(--rr-line)}.rr-stat:nth-child(4){border-top:1px solid var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n  @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n  \u003csection class=\"rr-hero\" style=\"--rr-watermark:'ANTONIO FABRÉS'\"\u003e\n    \u003cdiv class=\"rr-wrap\"\u003e\n      \u003cdiv class=\"rr-hero-grid\"\u003e\n        \u003cdiv\u003e\n          \u003cp class=\"rr-eyebrow\"\u003e1854 -1938 · Orientalismo, ritratto e virtuosismo\u003c\/p\u003e\n          \u003ch2\u003eAntonio Fabres\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n          \u003cp class=\"rr-lead\"\u003eScopri Antonio Fabrés, riprodotto a mano ad olio su tela.\u003c\/p\u003e\n          \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eVedi riproduzioni\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#antonio-fabres-guide\"\u003eScegli un'opera\u003c\/a\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cfigure class=\"rr-art\"\u003e\n          \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pape-benoit-xv-antonio-fabres-q59827396.webp?v=1784415321\" alt=\"Papa Benedetto XV - Antonio Fabrés\" loading=\"lazy\"\u003e\n          \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eL'universo di Antonio Fabres\u003c\/strong\u003eAntonio Fabrés collega due estremi della sua carriera: La donna schiava, spettacolo orientalista monumentale, e Benedetto XV, un preciso ritratto pontificio dove lo sguardo, gli occhiali e l'anello sostituiscono l'arredamento.\u003c\/figcaption\u003e\n        \u003c\/figure\u003e\n      \u003c\/div\u003e\n      \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1854-1938\u003c\/strong\u003e\u003cspan\u003eVita di Antonio Maria Fabrés y Costa\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003eIntorno al 1886\u003c\/strong\u003e\u003cspan\u003eLa donna schiava al vertice dell'orientalismo\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1916\u003c\/strong\u003e\u003cspan\u003eRitratto di papa Benedetto XV a Roma\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e°14.600\u003c\/strong\u003e\u003cspan\u003eDipinti, acquerelli, sculture, illustrazioni e studi realizzati - stima complessiva\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\n  \u003cdiv class=\"rr-benefits\"\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eDipinto a mano\u003c\/b\u003e\u003cspan\u003eVera pittura ad olio, nessuna stampa.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFormati a scelta\u003c\/b\u003e\u003cspan\u003eUna composizione adattata alle dimensioni ordinate.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamina la tua tavola prima della spedizione.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePossibili alterazioni\u003c\/b\u003e\u003cspan\u003eRichiedi aggiustamenti prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003e1854 -1938 · Orientalismo, ritratto e virtuosismo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eAntonio Fabrés collega due estremi della sua carriera: La donna schiava, spettacolo orientalista monumentale, e Benedetto XV, un preciso ritratto pontificio dove lo sguardo, gli occhiali e l'anello sostituiscono l'arredamento.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eNato a Gràcia, Barcellona, nel 1854, Antonio Maria Fabrés y Costa studiò alla Llotja come scultore e pittore Residente a Roma nel 1875, adottò rapidamente l'acquerello sotto l'influenza di Fortuny e godette di successo grazie a pregevoli illustrazioni per libri e riviste, Il suo orientalismo unisce virtuosismo descrittivo, tessuti sontuosi e messa in scena drammatica La Donna Schiava, dipinta intorno al 1886 in un formato monumentale di quasi due e settanta metri, appartiene a questa vena L'orientalismo femminile unisce virtuosismo descrittivo, tessuti sontuosi e messa in scena drammatica La Donna Schiava, dipinta intorno al 1886 in un formato monumentale di quasi due e settanta metri, appartiene a questa vena Il corpo femminile, il costume e la lussuosa cornice producono un'immagine spettacolare, ma il suo titolo e la sua collocazione richiedono anche oggi una lettura critica: l'eleganza pittorica coesiste con la rappresentazione di una persona ridotta in possesso L'opera si unì così alle riflessioni contemporanee sull'ideologia, lo sguardo e il luogo attribuito alle donne nell'arte del XIX secolo Fabrés ottenne una seconda medaglia all'Esposizione Nazionale del 1887 con l'acquerello Un ladro La sua fama lo condusse poi in Messico, dove fu chiamato nel 1904 come Ispettore Generale delle Belle Arti, Tornato a Roma nel 1908, dipinse Benedetto XV nel 1916 La piccola tavola concentra l'autorità del pontefice negli occhiali, nell'anello del Pescatore, nella poltrona e in una fisionomia attenta, Tra la messa in scena orientalista e questo ritratto istituzionale, la collezione rivela la stessa precisione messa al servizio di soggetti radicalmente diversi La selezione \"Antonio Fabrés\" mette a confronto in particolare Papa Benedetto XV e Donna Schiava La sua lettura favorisce l'atmosfera.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eFabrés possiede un virtuosismo capace di abbagliare; guardarlo oggi richiede anche di distinguere la maestria della pittura e l'ideologia della scena rappresentata.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eCorso e stile\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eViaggio, soggetti e linguaggio pittorico\u003c\/h2\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1854-1886\u003c\/time\u003e\u003ch3\u003eLlotja, Roma e l'eredità di Fortuny\u003c\/h3\u003e\n\u003cp\u003eScultura, acquerello e orientalismo stabiliscono un virtuosismo precoce Questa pietra miliare illumina la collezione \"Antonio Fabrés\" privilegiando l'atmosfera.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1886-1908\u003c\/time\u003e\u003ch3\u003eSuccesso internazionale e Messico\u003c\/h3\u003e\n\u003cp\u003eMedaglie, illustrazione e insegnamento ampliano le carriere.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1908-1938\u003c\/time\u003e\u003ch3\u003eRitorno a Roma e ritratto\u003c\/h3\u003e\n\u003cp\u003eBenedetto XV incarna un'arte più stretta e istituzionale.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003ePrecisione tessile\u003c\/h3\u003e\n\u003cp\u003eTessuti e accessori costruiscono una forte presenza materica Questo tratto guida una lettura di \"Antonio Fabrés\" centrata sull'atmosfera.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eStadiato\u003c\/h3\u003e\n\u003cp\u003eL'ambientazione guida la lettura tanto quanto il personaggio.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eAcquerello incisivo\u003c\/h3\u003e\n\u003cp\u003eL'allenamento grafico mantiene nitidezza e luce.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eRitratto psicologico\u003c\/h3\u003e\n\u003cp\u003eIn Benedetto XV, i segni della funzione non cancellano lo sguardo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eEsplora per universo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eDall'orientalismo al ritratto pontificio\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eDue opere separate da trent'anni permettono di confrontarsi con uno spettacolo esotico, la storia dello sguardo e la sobrietà del ritratto religioso.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eDonna schiava\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUn'immagine da leggere col senno di poi\u003c\/h3\u003e\n\u003cp\u003eIl virtuosismo formale non deve mascherare la violenza dello status rappresentato.\u003c\/p\u003e\n\u003cb\u003ePer la lettura critica Lettura di \"Antonio Fabrés\" attraverso l'atmosfera.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eOrientalismo\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eAltrove messo in scena\u003c\/h3\u003e\n\u003cp\u003eTessile, arredamento e costume costruiscono un immaginario europeo.\u003c\/p\u003e\n\u003cb\u003ePer capire il contesto\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eGrande formato\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eLo spettacolo del corpo\u003c\/h3\u003e\n\u003cp\u003eLa scala monumentale trasforma la figura in una presenza invasiva.\u003c\/p\u003e\n\u003cb\u003ePer un muro sciolto\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eBenedetto XV\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eIl pontefice individualizzato\u003c\/h3\u003e\n\u003cp\u003ePiccolo pannello unisce volto ed espressione.\u003c\/p\u003e\n\u003cb\u003ePer un ritratto storico\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eOcchiali\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eUn dettaglio di modernità\u003c\/h3\u003e\n\u003cp\u003eL'accessorio chiarisce lo sguardo e umanizza la dignità papale.\u003c\/p\u003e\n\u003cb\u003ePer osservare l'opera\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eAnello\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eIl segno dell'accusa\u003c\/h3\u003e\n\u003cp\u003eIl gioiello identifica la funzione senza dominare la fisionomia.\u003c\/p\u003e\n\u003cb\u003ePer leggere i simboli\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eOpere da scoprire\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eDue volti di Antonio Fabres\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eLa Schiava e Benedetto XV si oppongono alla scala monumentale e al piccolo pannello, alla narrativa orientalista e al ritratto storico, allo spettacolo e alla concentrazione.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"2\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/pape-benoit-xv-antonio-fabres-2712\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pape-benoit-xv-antonio-fabres-q59827396.webp?v=1784415321\" alt=\"Papa Benedetto XV - Antonio Fabrés\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eRitratto pontificio\u003c\/small\u003e\u003ch3\u003ePapa Benedetto XV\u003c\/h3\u003e\n\u003cspan\u003eOcchiali, anello e poltrona posizionano il carico, mentre l'inquadratura stretta mantiene l'attenzione sul volto del pontefice.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/femme-esclave-antonio-fabres-53\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/femme-esclave-antonio-fabres-q59858937.webp?v=1784353255\" alt=\"schiava - Antonio Fabrés\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eOrientalismo critico\u003c\/small\u003e\u003ch3\u003eDonna schiava\u003c\/h3\u003e\n\u003cspan\u003eIl grande formato e il lusso dei materiali dimostrano il virtuosismo di Fabrés mentre invoca una lettura consapevole del potere e dell'oggettivazione.\u003c\/span\u003e\u003cstrong\u003eVedi riproduzione →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eIl nostro metodo\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eUna riproduzione dipinta, non un'impressione\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOgni dipinto è realizzato in olio su tela da un artista specializzato, quindi controllato con voi prima della spedizione.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eDal lavoro al tuo interno\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eScelta del lavoro\u003c\/b\u003e\u003cspan\u003eSoggetto, orientamento e dimensioni adattati alla tua parete.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePittura ad olio\u003c\/b\u003e\u003cspan\u003eProduzione manuale, strato dopo strato.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eConvalida foto\u003c\/b\u003e\u003cspan\u003eEsamini la tabella finita.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRitocco\u003c\/b\u003e\u003cspan\u003eLe regolazioni rimangono possibili prima dell'invio.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eOgni riproduzione è unica.\u003c\/strong\u003e Lievi variazioni di tocco e di materiale testimoniano il lavoro manuale del pittore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" id=\"antonio-fabres-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eScegliere saggiamente\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eScegli una riproduzione di Antonio Fabrés\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eBenedetto XV è adatto per una galleria storica di medio formato; La Donna Schiava chiede un alto muro e una presentazione che permetta di contestualizzare chiaramente il soggetto.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Antonio Fabrés\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eI nostri benchmark\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eSala\u003c\/b\u003eImpostare \"Papa Benedetto XV\" come punto focale, con uno sguardo all'atmosfera.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eUfficio\u003c\/b\u003eScegli un'inquadratura o un dettaglio collegato a \"Slave Woman\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFormato\u003c\/b\u003eConserva le proporzioni dell'opera scelta nella collezione Antonio Fabrés.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePalette\u003c\/b\u003eAbbina il pezzo ai toni specifici di Antonio Fabrés.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinire\u003c\/b\u003eL'olio su tela mette in evidenza gli effetti della precisione tessile.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCornice\u003c\/b\u003eScegli il legno, il nero o l'oro a seconda dell'atmosfera di Antonio Fabrés.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eDomande frequenti\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003ePrima di scegliere il vostro Antonio Fabrés\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eLe riproduzioni sono dipinte con pittura ad olio?\u003c\/summary\u003e\u003cp\u003eSì. Ogni riproduzione è dipinta a mano ad olio su tela, senza stampa.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome ripristinare l'atmosfera in una riproduzione di Antonio Fabrés?\u003c\/summary\u003e\u003cp\u003eIl pittore utilizza la composizione, i valori, i colori e i materiali visibili nell'opera scelta della collezione Antonio Fabrés, con particolare attenzione rivolta all'atmosfera.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003ePosso ordinare un'opera di Antonio Fabrés in formato personalizzato?\u003c\/summary\u003e\u003cp\u003eSì. Le dimensioni sono adattate rispettando le proporzioni e l'equilibrio dell'opera selezionata.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCome convalido la mia riproduzione di Antonio Fabrés?\u003c\/summary\u003e\u003cp\u003eLe fotografie dettagliate vengono inviate prima della spedizione; è possibile richiedere modifiche prima dell'invio.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eEsplora Antonio Fabres\u003c\/h3\u003e\n\u003cp\u003eScegli un'opera di Antonio Fabrés e ricevi un dipinto ad olio creato appositamente per il tuo interno.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eVedi tutte le riproduzioni\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"femme-esclave-antonio-fabres-53","title":"femme esclave - Antonio Fabrés","description":"\u003cdiv class=\"ar-artwork-description\" style=\"font-family:Arial,Helvetica,sans-serif;color:#667c9f;line-height:1.8;font-size:18px;max-width:900px;\"\u003e\n\u003ch2 style=\"margin:0 0 24px;color:#092b63;font-size:34px;line-height:1.2;font-weight:500;\"\u003efemme esclave, par Antonio Fabrés\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eCette reproduction de tableau reprend « femme esclave », une œuvre de Antonio Fabrés. Il s’agit d’une peinture à l’huile sur toile entièrement peinte à la main par un artiste expérimenté. Réalisé sur commande, ce tableau adapte avec soin la composition, les détails et les harmonies colorées de l’œuvre originale.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eLa date exacte de cette version de l’œuvre originale n’est pas publiée dans la notice consultée. Elle est réalisée à l’huile sur un support dont la nature exacte n’est pas publiée dans la notice consultée. Ses dimensions fiables ne sont pas publiées dans la notice consultée. Sa localisation actuelle n’est pas publiée dans la notice consultée. Son numéro d’inventaire n’est pas publié dans la notice consultée.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 30px;\"\u003eChaque reproduction de tableau est une création artisanale unique : ce n’est ni une impression numérique ni un poster sur toile. Une photo vous est envoyée pour validation avant l’expédition.\u003c\/p\u003e\n\u003cdiv style=\"background:#fff4ed;border-left:5px solid #ff7417;border-radius:0 22px 22px 0;padding:20px 24px;color:#092b63;font-weight:700;line-height:1.55;\"\u003eVotre tableau est réalisé en 14 jours, puis livré sous environ 5 jours après son expédition.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Antonio Fabrés","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":48066624520418,"sku":"ANTONIO-FABRES-FEMME-ESCLAVE","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/femme-esclave-antonio-fabres-q59858937.webp?v=1784353255"},{"product_id":"pape-benoit-xv-antonio-fabres-2712","title":"Le pape Benoît XV - Antonio Fabrés","description":"\u003cdiv class=\"ar-artwork-description\" style=\"font-family:Arial,Helvetica,sans-serif;color:#667c9f;line-height:1.8;font-size:18px;max-width:900px;\"\u003e\n\u003ch2 style=\"margin:0 0 24px;color:#092b63;font-size:34px;line-height:1.2;font-weight:500;\"\u003eLe pape Benoît XV, par Antonio Fabrés\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eCette reproduction de tableau reprend « Le pape Benoît XV », une œuvre de Antonio Fabrés. Il s’agit d’une peinture à l’huile sur toile entièrement peinte à la main par un artiste expérimenté. Réalisé sur commande, ce tableau adapte avec soin la composition, les détails et les harmonies colorées de l’œuvre originale.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eLa date exacte de cette version de l’œuvre originale n’est pas publiée dans la notice consultée. Elle est réalisée à l’huile sur un support dont la nature exacte n’est pas publiée dans la notice consultée. Ses dimensions fiables ne sont pas publiées dans la notice consultée. Sa localisation actuelle n’est pas publiée dans la notice consultée. Son numéro d’inventaire n’est pas publié dans la notice consultée.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 30px;\"\u003eChaque reproduction de tableau est une création artisanale unique : ce n’est ni une impression numérique ni un poster sur toile. Une photo vous est envoyée pour validation avant l’expédition.\u003c\/p\u003e\n\u003cdiv style=\"background:#fff4ed;border-left:5px solid #ff7417;border-radius:0 22px 22px 0;padding:20px 24px;color:#092b63;font-weight:700;line-height:1.55;\"\u003eVotre tableau est réalisé en 14 jours, puis livré sous environ 5 jours après son expédition.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Antonio Fabrés","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":48070666485986,"sku":"ANTONIO-FABRES-PAPE-BENOIT-XV","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pape-benoit-xv-antonio-fabres-q59827396.webp?v=1784415321"}],"url":"https:\/\/it.alphareproduction.com\/collections\/antonio-fabri.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}